Whether you're a producer, an audio engineer, an independent band, a sound designer, or all of the above, your Studio 192 Mobile was built for you to create.

An integrated solution.
The Studio 192 Mobile provides an integrated, portable, hardware and software solution for recording in personal and professional studios wherever they may be. Switch between any two mixes using the Cue function and the onboard headphone amp. Software-controlled Dim and Mono options let you take control of your main mix. Use the six balanced outputs for monitor mixing or speaker switching, or both, depending on how you work. With its flexible software and abundant I/O, the Studio 192 Mobile fits into any recording and production environment.

Superior sound.
Connect a Studio 192 Mobile and you'll instantly hear details and an open high end you expect from a professional studio front end. The Studio 192 Mobile operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality Burr-Brown converters on every input and output provide 118 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. And our recallable XMAX? microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you'll hear every breath, transient, and detail in your recordings.

The Studio One in Studio 192 Mobile.
With the Studio 192 Mobile, your audio interface is an integrated extension of your recording environment. Launch Studio One 3, and you'll find full preamp control and zero-latency monitor-mix functions integrated into your recording environment. Our hybrid Fat Channel plug-in runs on the Studio 192's DSP and in Studio One on your computer so you can record and monitor with Studio 192-based processing and seamlessly switch to the Studio One Fat Channel for playback. Need to track away from your computer Launch Studio One Remote on your iPad.

Remote control with UC Surface, too!
The Studio 192 Mobile's onboard features can also be controlled in PreSonus' free UC Surface control software, so even if you use third-party recording software, you can remotely access them. UC Surface has rapidly won accolades for an intuitive mixing interface that provides quick access to everything you need to create quality monitor mixes.

Great signal processors are a PreSonus tradition.
Adding just the right amount of effects and processing to a monitor mix can make a huge difference in a musician's ability to experience their performance naturally. To that end, the Studio 192 Mobile includes Studio One Fat Channel plug-in processing on every analog input and the first ADAT inputs, plus a stereo reverb and delay. The result is a better performance and a better recording.

Expandable when you need more I/O.
The Studio 192 Mobile has 18 digital inputs and outputs, allowing you to add more analog I/O when you need it. The DigiMax DP88 preamp/converter was designed to seamlessly extend the analog I/O on the Studio 192 Mobile with eight digitally-controlled XMAX preamps, ADAT I/O support up to 96 kHz, direct analog inputs, DAC outputs, and word clock I/O. Its mic preamps are fully remote-controllable from UC Surface, Studio One, and Studio One Remote when connected via ADAT Lightpipe to the Studio 192 Mobile so that they naturally extend your analog inputs both sonically and functionally.

General Features

22x26, 24-bit, 192 kHz audio interface and studio command center

Input monitoring with StudioLive Fat Channel DSP processing on every analog input and the first ADAT inputs

Integrated zero-latency monitoring

Speaker switching and talkback

Integrated Software

Total integration with included Studio One Artist DAW software (Mac/Windows) for multitrack music production, monitor mixing with effects, and studio command features

Wireless control over preamp levels, monitor mixing, and speaker switching from included UC Surface touch-control software (Mac/Windows/iPad) and from free Studio One Remote for iPad

Compatible with most recording software for Mac and Windows

Flexible Connectivity

Simultaneous I/O up to 22 inputs/26 outputs (8x14 at 192 kHz)

Individual stereo main balanced outputs with mono, dim, mute, output metering and level control accessible from front-panel and UC Surface

2 front-panel combo microphone/instrument inputs

2 XMAX remote-controllable mic preamps with individually switched 48V phantom power

2 balanced, line level, direct-to-ADC inputs, available via dual-purpose rear-panel combo jacks

4 balanced ¼" TRS outputs for monitor mixing and speaker switching

ADAT Optical/Dual SMUX inputs/outputs: 16x16 channels at 44.1 or 48 kHz; 8x8 channels at 88.2 or 96 kHz

Stereo S/PDIF coaxial input and output

1 high-volume headphone output with dedicated DAC

BNC word clock input and output with low-jitter clocking

Digitalia

USB 3.0 audio interface

USB 2.0 compatible

24-bit resolution and up to 192 kHz sampling rate

Top-quality 118 dB A/D/A converters

Physical

Road-rugged construction with all-metal chassis and metal knobs

1U rack-mountable

18 VDC external power supply (included)

Microphone Preamp

Type: XLR Female (via Combo), Balanced Remote

Maximum Input level (min. gain, 1 kHz@0.5% THD+N): +12 dBu, +/-0.5 dB

Gain Control Range: 60 dB, +/-1 dB

Frequency Response (A-D): 10 Hz to 40 kHz, +/-0.2 dB

Dynamic Range (min. gain, a-wtd): > 110 dB

Dynamic Range (mid. Gain, unwtd): > 105 dB

THD+N (min. gain, a-wtd): < 0.005%

Input Impedance: 1600

EIN (+55 dB gain, 150 input, 20 Hz-22 kHz, a-wtd): < 128 dBu

Common Mode Rejection Ratio (1 kHz, +55dB gain): > 55 dB

Phantom Power: +48 V, +/- 3 V, > 8mA per channel

Instrument Inputs

Type: ¼" TS Female (via Combo), Unbalanced

Maximum Input Level (min. gain, 1 kHz@0.5% THD+N): +16 dBu +/-0.5 dB

Gain Control Range: 60 dB, +/-1 dB

Frequency Response (A-D): 20 Hz to 20 kHz, +/-0.2 dB

Dynamic Range (min. gain, a-wtd): > 110 dB dB

Dynamic Range (mid. Gain, unwtd): > 105 dB

THD+N (1 kHz, -1 dBFS, a-wtd): < 0.005%

THD+N (1 kHz, -1 dBFS, un-wtd): < 0.005%

Input Impedance: > 1 M

Crosstalk (1 kHz, channel-to-channel): < -80 dB

Line Inputs

Type: ¼" TRS Female (via Combo), Balanced

Maximum Input Level (min. gain, 1 kHz@0.5% THD+N): + 18 dBu, +/-0.5 dB

Frequency Response (A-D): 20 Hz to 20 kHz, +/-0.2 dB

Dynamic Range (min. gain, a-wtd): > 114 dB

Dynamic Range (mid. gain, unwtd): > 105 dB

THD+N (1 kHz, -1 dBFS, a-wtd): < 0.005%

Input Impedance: 10 k

Crosstalk (1 kHz, channel-to-channel): < -80 dB

Main and Line Outputs

Type (Line Outputs): ¼" TRS Female, Impedance Balanced

Type (Main Outputs): ¼" TRS Female, Impedance Balanced

Maximum Output Level: +18 dBu, +/-0.5 dB

Frequency Response: 20 Hz to 20 kHz, +/-0.2 dB

Dynamic Range (a-wtd): > 112 dB

THD+N (1 kHz, -1 dBFS, un-wtd): < 0.005%

Output Impedance: 51

Crosstalk (1 kHz, channel-to-channel): < -80 dB

Headphone Outputs

Type: ¼" TRS Female, Stereo, Unbalanced

Maximum Output Level: 150 mW/channel @ 60

Frequency Response: 20 Hz to 20 kHz, +/-0.3 dB

Dynamic Range (a-wtd): > 103 dB

THD+N (1 kHz, -1 dBFS, un-wtd): < 0.005%

Crosstalk (1 kHz, channel-to-channel): < -80 dB

Signal Level LEDs

Signal 1: -50 dBFS

Signal 2: -30 dBFS

Signal 3: -20 dBFS

Signal 4: -10 dBFS

Signal 5: -6 dBFS

Signal 6: -4 dBFS

Signal 7: -2 dBFS

Clip: -0.5 dBFS

Digital Audio

Host Interface: USB 3.0 (backwards compatible to USB 2.0)

ADC Dynamic Range (A-wtd, 48 kHz): 118 dB

DAC Dynamic Range (A-wtd, 48 kHz): 118 dB

Bit Depth: 24 bits

Internally Supported Sample Rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz

ADAT Optical I/O: ADAT/SMUX II formats supported [16x16 (44.1/48 kHz), 8x8 (88.2/96 kHz)]

S/PDIF I/O: RCA female connections, supported up to 96 kHz

Word Clock I/O: BNC connector, 4.5 Vpp @75 load

Clock

Jitter: <50 ps RMS (20 Hz - 20 kHz)

Jitter Attenuation: >60 dB (1 ns in => 1 ps out)

Power

External Power Adapter: +12 VDC, 3.0A, center positive

Connector Type: Barrel: 5.5 mm OD, 2.1 mm ID, 9.5 mm length

Physical Dimensions:

Height: 1.75" (44 mm)

Depth: 7" (178 mm)

Width: 12.5" (317 mm)

Weight: 5 lb. (2.3 kg)