The Dorrough 380-A Vertical Loudness Meter +14dB is a professional analog loudness meter with a dual-channel vertical linear display. The close side-by-side positioning of the two monitored channels... View more
The 280-A Analog Loudness Meter from Dorrough is a loudness meter that offers a dual-channel horizontal linear display. The meter allows you to monitor multiple analog channels in a limited space,... View more
The model 10-A is a triple rack allows for a center channel sum meter when wired for both left and right. The 10-A is a smaller version of the standard 40-A with an external power supply, Phase and... View more
The Transient Designer is a whole new dynamic tool. It allows you to re-shape the transient response and the envelope curve of any audio signal with just 2 knobs: Attack & Sustain. With no effort you... View more
The 1231 provides standard features like dual-channels, 31 1/3 octave bands, ISO frequency centers, +/- 12 dB input gain range and switchable 40Hz/18 dB per octave low-cut filters. These include 45... View more
The dbx 215s includes two 15-band channels of 2/3-octave equalization, 12 dB input gain, switchable 6 dB or 12 dB boost/cut range, 20mm nonconductive sliders. From its extended 10Hz to 50kHz... View more
5.1 surround compressor/limiter with six transformer balanced audio paths, complemented by two side chains and a key input Based on six 2254 compression circuits - using the same feedback topology as... View more
The NSEQ-2 is a two channel, four band parametric equalizer offering fully Class-A operation via discrete J-FET transistors or all triode vacuum tubes selectable with a button. The NSEQ-2 stereo... View more
Dual EQ with classic 550B design and peak/shelf switch on Hi & Lo bands and The beginnings of the 5500 circuit can be traced back to the original 550 equalizer designed by Saul Walker, the founder of... View more
The Drawmer 1961 is a hybrid, vacuum tube/semi-conductor, dual-channel equaliser designed to combine the tonal qualities of classic tube circuitry. Designed to complement the widely acclaimed Drawmer... View more
The Mastering Compressor has extraordinary functionality, and also provides mastering grade compression and limiting for tracking and mixing. Essentially it is two compressors in series, per channel,... View more
This is the power supply unit for the GML 8200, 8302, 8304 and 9500 signal processors. Supplying ± 28 volts, the 8355 has enough capacity to power two each of the above units in any combination. It... View more
All-tube stereo multiband compressor with 3 band opto-compression and independent band specific Threshold, Ratio, Attack, Release & Gain parameters The TUBE-TECH SMC 2B Stereo Multiband Compressor... View more
All-tube stereo multiband compressor with 3 band opto-compression and independent band specific Threshold, Ratio, Attack, Release & Gain parameters. Mastering version TUBE-TECH SMC2BM is the... View more
This is the Mastering Version of the Massive Passive with innovative repeatable, mechanically detented knobs of our own design. Range is clamped down for focus where mastering engineers live and... View more
GML 8200 is a Two-channel five-band parametric EQ. Includes 8355 Power Supply. Brought to you from the man who invented the term "Parametric Equalization", the GML 8200 has been an industry standard... View more
2-Channel vacuum tube microphone/instrument preamplifier/compressor with eight active tube stages The Drawmer 1960 is a two channel unit with each channel comprised of a completely natural sounding... View more
Add the warm sound of classic Summit Audio compression to your music with the TLA-50 Tube Leveling Amplifier, the newest offering from the first name in vacuum tube processing. This single channel... View more
The Summit Audio TLA-100A Tube Leveling Amplifier is a classic design with a technological hybrid of vacuum tube and solid state devices. The harmonious blend of old and new technologies produces the... View more
The FeQ-50 is a four-band passive equalizer covering the entire audible frequency spectrum, so it can be used on any audio source material. Unique passive design. The Summit Audio FeQ-50 draws from... View more
The EQP-200B is an indispensable component to many key task's in the studio. From tracking to final touches and audio sweetening, the EQP-200B is the goto EQ! The EQP-200B combines the best of solid... View more
The Summit Audio DCL-200 is a dual channel compressor/limiter with stereo linking capabilities Based on a hybrid design, the DCL-200 combines the most desirable sonic characteristics of vacuum tubes... View more
Dual-channel equaliser and filter with electronically balanced input stage, sweepable filtering and Total Recall Mastering-quality EQ from the exquisitely crafted 88RS console.. The 8803 dual-channel... View more
Classic hand-built microphone preamp and equalizer for the Neve modular consoles. Horizontal or vertical options available. Designed in 1972, the 1081 was originally conceived as a combined mic/line... View more
Classic Mono Microphone preamp, 3-band EQ, hand-wired to the original 1073 design from the 70's. Horizontal or vertical options available. Launched in 1970, the 1073 is the first choice of leading... View more
The TUBE-TECH CL1B is an optical, all tube based compressor that delivers a very musical and smooth compression, preserving the clarity of the source even at extreme settings. For vocals and... View more
The TUBE-TECH CL 2A is an all-tube optical compressor with two independent, linkable channels. CL 2A is a two channel all-tube opto compressor, featuring two independent channels. The optical gain... View more
The Dangerous Music Master is a very transparent mastering console with 2 stereo inputs, 3 stereo outputs (one for monitoring). The Deep Legacy of Dangerous Mastering Equipment. Before co-founding... View more
The PE 1C is a passive, all-tube EQ, based on the classic PULTEC EQP 1A design and featuring a passive EQ section and a high quality op amp. With the original Pultec out of production for decades and... View more
