IBIS Mastering EQ is a Stereo Discrete Class A with Fully Detented Controls For Mastering. IBIS is an analog equalizer that boldly takes equalization to a new level of musicality. Each of its four... View more
The Cranesong Insigna is a 500-series module tube EQ designed by Dave Hill and comes from a long line of industry standard, high quality audio hardware. The unit is based around a dual triode circuit... View more
High quality stereo compressor combined with a remarkably dependable peak limiter, providing overload protection critical to digital recording and broadcast transmitters The STC-8's compressor is... View more
High quality stereo compressor combined with output gain for utmost accuracy and resetability The STC-8/H is combined with a remarkably dependable peak limiter, providing overload protection critical... View more
The mastering version of the STC-8, high quality stereo compressor with stepped controls, also combining output gain for utmost accuracy and resetability The STC-8 is a high quality stereo compressor... View more
Single Channel Discrete Class A Compressor Limiter It functions either as a musically transparent compressor or as a vintage compressor - limiter with selectable hard or soft knee.. TRAKKER is a... View more
Dual Channel Compressor, Fast control set, VU meters, Stereo linkable or Dual Mono, Switchable slow/fast Attack & Release, Switchable Low/High ratio, 1U The Daking COMP II is a handmade... View more
Dual Channel Compressor, Jensen transformers, Fast control set, VU meters, Stereo linkable or Dual Mono, Switchable slow/fast Attack & Release, Switchable Low/High ratio, 1U The Daking COMP IIT is a... View more
The Dangerous BAX EQ is the first professional, stand-alone EQ to use the famous Baxandall curves Originally designed by the now legendary electronics designer Peter Baxandall, these are the world's... View more
Dual-channel compressor with provision to link the individual channel side-chain control signals for stereo operation At War With The Loudness War. We're not going to hide our intentions: when we set... View more
The Dangerous Music Master is a very transparent mastering console with 2 stereo inputs, 3 stereo outputs (one for monitoring). The Deep Legacy of Dangerous Mastering Equipment. Before co-founding... View more
Mastering bundle with Dangerous Music's Convert-AD+, Convert-2, BAX EQ, Compressor, Liaison, Master, and Monitor-ST SACRIFICE NOTHING. TRUST:. Between blood brothers and sisters we demand unequivocal... View more
Analog compressor-limiter with a very large range of color and control choices with recall, and discrete class A main audio path Resetability is attained by using stepped controls and encoders that... View more
The 1215 provides standard features like dual channels, 15 2/3 octave bands, ISO frequency centers, +/-12 dB input gain range, and switchable 40Hz/18 dB per octave low-cut filters. These include 45... View more
The 1231 provides standard features like dual-channels, 31 1/3 octave bands, ISO frequency centers, +/- 12 dB input gain range and switchable 40Hz/18 dB per octave low-cut filters. These include 45... View more
The dbx 215s includes two 15-band channels of 2/3-octave equalization, 12 dB input gain, switchable 6 dB or 12 dB boost/cut range, 20mm nonconductive sliders. From its extended 10Hz to 50kHz... View more
Adding a dbx 266xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain... View more
The dbx 510 answers the call of audio professionals everywhere delivering Subharmonic Synthesis in the convenient design of a 500 Series module. For decades, dbx's patented Subharmonic Synthesis has... View more
The dbx 520 will help you expertly tame the excessive sibilance often found in vocals and other high frequency dense material. Based upon the legendary dbx 902, the dbx 520's unique features make it... View more
The dbx 530 Parametric EQ offers a unique degree of equalization flexibility in the popular 500 Series format. Based upon the classic dbx 905, the dbx 530 is an uncompromising equalizer offering... View more
Load up your 500 Series rack with some dbx 560A Compressor/Limiters and go to work! The dbx 560A Compressor/Limiter offers legendary VCA-based compression in the increasingly popular 500 Series... View more
The RV-1 Real Reverb employs innovative new circuit technology with two Accutronics, classic, full-size, 6 spring reverb tanks. Winner of the Pro Audio Review Excellence Award. For the first time in... View more
The model 10-A is a triple rack allows for a center channel sum meter when wired for both left and right. The 10-A is a smaller version of the standard 40-A with an external power supply, Phase and... View more
The Model 240-A and 340-A are single channel straight line loudness meters ideal for applications where serveral meters are required, such as Surround Sound. The Model 240-A is designed for... View more
The 280-A Analog Loudness Meter from Dorrough is a loudness meter that offers a dual-channel horizontal linear display. The meter allows you to monitor multiple analog channels in a limited space,... View more
The Dorrough 380-A Vertical Loudness Meter +14dB is a professional analog loudness meter with a dual-channel vertical linear display. The close side-by-side positioning of the two monitored channels... View more
The Dorrough 400-C Analog Loudness Meter +20dB is a jumbo version of the Dorrough 40 series professional analog loudness meter, visible from distances of over 50 feet. The 400-C has simultaneous... View more
2-Channel vacuum tube microphone/instrument preamplifier/compressor with eight active tube stages The Drawmer 1960 is a two channel unit with each channel comprised of a completely natural sounding... View more
