The MEQ-5 Midrange Equalizer provides exacting control of the "power region" in program material (300 - 5000 cps) in which most of the sound energy is typically concentrated.
Highly-versatile and musical two-channel tube distortion unit based on the Culture Vulture with lower noise and wider bandwidth with more low end extension and high end Building on the success and... Lire la suite
Single channel discrete filter bank for the 500 Series with API 2520 and 2510 Op-Amps The 565 Filter Bank module has circuits that are true to the musical filters of the famed 215 module found in... Lire la suite
500 series classic Opto compressor with gain reduction and output volume The Tegeler Audio Vocal Leveler is a single channel Opto compressor taken from the Vari Tube Recording Channel and adapted to... Lire la suite
Dual-channel equaliser and filter with electronically balanced input stage, sweepable filtering and Total Recall Mastering-quality EQ from the exquisitely crafted 88RS console.. The 8803 dual-channel... Lire la suite
1-channel Solid-state Electro-optical Compressor with Program-dependent Attack and Release Times, XLR and TRS I/O and External Power Supply The LA-2A (tube version) and LA-3A (solid state version)... Lire la suite
The vintage-style fully stereo 1974 four band Parametric Equaliser provides exceptional analogue musicality and sonic clarity, taking it's inspiration from 1970's-era gear It has the ability to... Lire la suite
The G21 is kinda an elaboration on our G14 parallel-passive EQ - the parallel topology enables multi-band control without running into the traditional problems in multi-banding Use carefully - this... Lire la suite
Monster Compressor 2 is a device with "right in your face character". It was redesigned to complement the "soulless", "super clean" digital technology and by adding color and life. MONSTER COMPRESSOR... Lire la suite
Stereo VCA bus compressor The Tierra Audio Gravity VCA Bus Compressor is a mighty stereo compressor that is well suited to all scenarios. Thanks to its great dynamic control performance, you will... Lire la suite
With abundant power and versatile connections, the R6 delivers peace of mind for engineers who demand a higher degree of confidence in their 500 series racks. Power You Can Trust. Power-wise, the R6... Lire la suite
Classic 500 Series peak detecting "feedback" compressor/limiter with variable threshold and output levels Originally released in the 70's, the API 525 is a "feedback" type compressor. An input... Lire la suite
The Dangerous Music Master is a very transparent mastering console with 2 stereo inputs, 3 stereo outputs (one for monitoring). The Deep Legacy of Dangerous Mastering Equipment. Before co-founding... Lire la suite
Classic LA2A in your 500 series rack Two knobs of happiness. The IGS ONE LA 500 is an opto-compressor built for the 500 series format. This is the first high voltage vacuum tube 500 series module... Lire la suite
The Drawmer 1976 is a stereo three band saturation and width processor The 1976 3 band stereo saturation and width processor has been designed to inject character, colour & life into your recordings... Lire la suite
The Heritage Audio HA73EQ JR is a fully featured Line Input module for the 500 Series. It not only shares the 3-band Equalizer with his big brother, the 1073, but also shares the same transformer... Lire la suite
Compressor/limiter based on the Model 610 Complimiter with completely separate peak-limiting and compression functions The Spectra 1964 Model C610 Complimiter. True to the original, the C610 still... Lire la suite
The elysia xfilter Mastering Edition is a very sophisticated, handcrafted analog stereo 4-band equalizer with both channels linked for stereo operation. All four bands provide a precise control range... Lire la suite
Empirical Labs FATSO and FATSO EL7X Threshold Controller Expand the range of your FATSO and fine-tune the relationship between the Compression and Saturation circuits with the EL-FTC FATSO Threshold... Lire la suite
The Nvelope 500 is a powerful dual slot audio processor capable of making subtle or drastic changes to a sound by providing control over its attack and sustain characteristics. This is extremely... Lire la suite
10 slot, professional, rack-mountable 500 series powered enclosure featuring Heritage Audio's On Slot Technology for maximum protection, filtering, and isolation to each channel While most 500-series... Lire la suite
MC 16 prepares today's mastering studio for Dolby Atmos & Auro 3D projects. Monitoring up to 16 ch in a quality on par with state-of-the-art stereo was hard to achieve - until now. The MC16 sports... Lire la suite
Weiss DS1-MK3, the reference when it comes to digital mastering Compressors and De-Essers. A versatile single band limiter/compressor with M/S mode and Parallel Compression. The Weiss 102 Series... Lire la suite
Dual mono DeEsser with Auto-Dynamic technology and S-Reduction control The SPL DeEsser is unique - and has been since 1996. The Auto Dynamic DeEsser removes undesired sibilant frequencies in a simple... Lire la suite
In addition to our faithful recreation of the original vacuum tube make-up gain MEQ-5, we have also recreated the MEQ-5 version based on the legendary API 2520 op-amp.
The 543 Mono Compressor delivers the unobtrusive, musical-sounding dynamic control and brick-wall limiting made famous in the Portico 5043 to the 500 series format. The 543 features a fully... Lire la suite
FET compressor in a 500-series module, relay bypass, 2:1 ratio, Slam Mode The 576 Blue Stripe is a revised version of the classic FET compressor. . What it is. The FET-type solution was first used... Lire la suite
The Pete's Place Audio BAC-500 is a feedback-style FET compressor built around two discrete op amps and a custom wound output transformer. From the top down, the BAC's faceplate features a large... Lire la suite
The Avedis Audio E27 EQ fits in all 500 series major brand racks, lunchboxes, consoles, and rackmounts. The E27 is not a clone or a reproduction of anything else. The E27 was created for the need of... Lire la suite
