500 Series, mono channel strip featuring Class A, discrete line amp, 10 Megaohm DI, Class A, discrete output amp, Custom wound UK output transformer, Pivot ?tilt style EQ? Pivot TC/500 uses a... View more
2 channel tube driven equalizer As with other units of ours, such as The Phoenix, all controls are clearly labelled and setting up the eq is quick and easy, so we named it after Britain's fastest... View more
Manufactured by Q2 Audio in close collaboration with Audio & Design, the F765 is a remake of the F760-N module and has now been adapted to the 500 series modular rack system It is authentic in every... View more
The Opticom Model XLA-500 is a 500 Series tube-driven optical compressor. It brings a whole new palette of colors to the world of 500. The XLA-500 is a tube optical audio limiter designed to produce... View more
The Model V610 Complimiter can be considered an evolution of the original Model 610, utilizing the very same 601 module with updates to fit in 21st Century workflows. With amplifier stages based... View more
Discrete class-A stereo saturator On top of everything the 500 series module has to offer, the amazing special feature of the rack version is its CV capability: By feeding external control voltages... View more
PQ is a fully parametric, dual-channel five-band equalizer. The PQ Mastering Equalizer - Model 1540/1544 is a new revised edition of the well-known SPL PQ Mastering Equalizer. Both units are based on... View more
TK-lizer 500 features all the power of TK's flagship TK-lizer dual mono EQ, including the M/S functionality that has made it such a staple in studios all over the world. A few minor additions include... View more
An upgraded version of the PEX-500 Pultec style equalizer. Feature all discrete design using vintage opamps and transformer coupled output. More of everything! So how about more frequencies, bigger... View more
Mastering stereo tube equalizer with stepped pots, low and high shelving, passive T-filter with smaller and more detailed range and passive Hi/Lo cut filters The TUBE-TECH HLT 2A is an all-new kind... View more
The Overstayer Saturator is a 100% analog dual channel harmonics and distortion processor, with tone shaping filters and multiple amplifiers for a wide of array of character. The Overstayer Saturator... View more
The Overstayer Stereo Field Effect Model 3706 Limiter/Compressor is an evolution of our passion for FET compressors and classic analog recording chains. The Stereo Field Effect, or SFE, is a stereo... View more
The Overstayer Stereo Voltage Control Model 3722 is like having and entire mixing signal chain in a single rack space. It goes beyond the capabilities of a typical compressor/limiter and enables new... View more
The Overstayer M-A-S Model 8101 was designed to be an analog 'more' control. More color, more harmonics, more tone. It gives you the harmonic character and peak rounding of classic recording and... View more
The Black Box Analog Design HG-2 is a line level, stereo unit designed to add saturation, harmonics, natural compression, increased RMS and enhancement during mixing and mastering. The HG-2 uses... View more
The 1066DL is based on the classic 1066, which features the same mic-line pre-amplification stage as the 1073, but features different frequency selections in its EQ. The available frequencies on the... View more
The 1023L - based on the classic 1023 - takes the preamp and EQ from the 1073 and expands upon it with significantly more frequency options in the high and mid sections. It allows users to play the... View more
Dual-Band De-Esser 500 Series module. Back in the 1990's, we developed an alternative way to process signals based on phase cancellation in order to reduce sibilance. Unlike traditional compression... View more
With the Transient Designer TDx the level-independent processing of signal paths is making headway into the world of 500 series rack modules. Working with the Transient Designer is very simple:... View more
2A style transformer balanced opto tube compressor with premium grade input and output CineMag USA Transformers and USA made Kenetek opto attenuator It also features custom, large-core Cinemag input... View more
Stereo electro-optical limiter Well, for starters, we have now added a 3:1 compression ratio feature which opens up the doors to greater versatility, especially for 2-buss applications. The 2016... View more
Stereo Tube/Solid-state Limiter Compressor with Stereo Link The Manley Nu Mu Stereo Limiter Compressor uses the special T-Bar mod tube front end of the legendary Variable Mu with same super smooth... View more
The VSE-2 a.k.a. The Discrete Gyrator EQ, is another big impact design and is setting a new benchmark for Tracking, Mix-Bus and Mastering applications. Unlike other EQs on the market the VSE-2 is... View more
Discrete Class-A stereo saturator in a 500 Series format The karacter 500 is a box full of vibrant colors. It covers a complete spectrum including mastering-grade saturation, tube-inspired distortion... View more
Mono tube compressor, linkable, 2 space 19" rackmount, internal PSU First designed in 1960 by Abbey Road Head of Techncial Bill Livey, Deputy Head Len Page and seasoned EMI Audio Designer Mike... View more
Stereo tube equalizer with low and high shelving, passive T-filter and passive Hi/Lo cut filters The TUBE-TECH HLT 2A is an all-new kind of Equalizer, combining High and Low shelving Eq plus Hi and... View more
Stereo compressor / limiters in a stand-alone 2U rack-mount unit The Neve 33609 Stereo Compressor offers comprehensive limiting and compression facilities for music recording, mastering, post... View more
