Teletronix LA-2A Classic Leveling Amplifier. True to the Original Design, our Famed Tube-Amplified T4 Electro-Optical Classic Compressor Audio professionals passionate about their compressors revere... View more
The Gyraf Audio G24 is an entirely new type of stereo compressor - aimed at mix and mastering functions. "Passive/Aggressive" Compressor Similar to it's sister and predecessor, the G23 EQ, it's for... View more
The TUBE-TECH CL1B is an optical, all tube based compressor that delivers a very musical and smooth compression, preserving the clarity of the source even at extreme settings. For vocals and... View more
Tube-limiting amplifier based on the Bill Putnam classic, the UA 176 The Retro 176 faithfully reproduces the sound of the 1960s original with new features for the modern recording studio. The Retro... View more
Mono tube compressor, linkable, 2 space 19" Rackmount,Stepped I/O control switches, Internal PSU The Chandler Limited RS660 Compressor is a handmade, mono/linkable, transformer-balanced valve (vacuum... View more
A pair of single Channel Harmonic DISTortion & classic Knee compRESSOR. Digitally controlled Analog knee compression and British mode. The Distressor is the product that started it all for Empirical... View more
The Summit Audio TLA-100A Tube Leveling Amplifier is a classic design with a technological hybrid of vacuum tube and solid state devices. The harmonious blend of old and new technologies produces the... View more
Replica of the legendary 1956 Gates Sta-Level tube compression amplifier The Retro Instruments STA-LEVEL is a replica of the legendary 1956 Gates STA-LEVEL. The STA-LEVEL dominated the sound of hit... View more
The Model V610 Complimiter can be considered an evolution of the original Model 610, utilizing the very same 601 module with updates to fit in 21st Century workflows. With amplifier stages based... View more
A pair of single Channel Harmonic DISTortion & classic Knee compRESSOR. Digitally controlled Analog knee compression. The Distressor is the product that started it all for Empirical Labs. Born of... View more
The 2254/R is a rack mount classic mono Limiter/Compressor. Version of the legendary 2254, plus manually adjustable Fast Attack Time, clipping indication and storable settings Designed in 1969, the... View more
Add-on to the UnFairchild 670m mkII with wet/dry mix, feedforward/feedback mix, HP filtering for sidechain, output gain control The UNFa-1 Accessory is an add-on to the UnFairchild 670m mkII vari-mu... View more
Optical tube compressor with all tube-based amplification stage and transformer balanced Input & Output Optical Tube Compressors have been the choice of seasoned engineers and producers for recording... View more
Single Channel Discrete Class A Compressor Limiter It functions either as a musically transparent compressor or as a vintage compressor - limiter with selectable hard or soft knee.. TRAKKER is a... View more
The 1176LN Classic Limiting Amplifier is a modern reproduction, yet every effort was made to remain faithful to UA founder Bill Putnam Sr.'s visionary design and intentions. The original Universal... View more
The Phoenix HG 15 as the same gentle "variable mu" type compression curve, though it becomes near to a limiter at high compression levels. The gain has been boosted to suit mic inputs, particularly... View more
Compressor/limiter based on the Model 610 Complimiter with completely separate peak-limiting and compression functions The Spectra 1964 Model C610 Complimiter. True to the original, the C610 still... View more
Single channel FET based mono compressor Splice MKII FET COMPRESSOR. The Splice MKII's unique circuitry mode switching allows the user to configure the input & output audio path circuitry between... View more
Analog compressor & EQ featuring dual compressor stages and dual-band, boost-only EQ. The Maag Audio MAGNUM-K is a single channel Compressor built to complement the audio engineer's craft in a very... View more
Dynamics effects processor with dynamic reversal, function control, side chain, gating, expansion, compression, and limiting In 1973, Eventide Clockworks introduced the Omnipressor, the first studio... View more
The MC77 supercedes the MC76 re-engineered 1176 type FET Limiter. The MC77 recreates the audio circuitry of the revision E 1176, using modern components matched to the original. Starting in 1997... View more
Single Channel Harmonic DISTortion & classic Knee compRESSOR. Digitally controlled Analog knee compression and British mode. The Distressor is the product that started it all for Empirical Labs. Born... View more
Mono FET compressor Boreal FET Compressor TAKE 2 has been designed to provide your sound with a high dynamic control, optimal for the most state-of-the-art professional recordings.. Voices... View more
All tube vari-mu compressor with Carnhill transformers and single/double/triple mode of operation As always It's all about compression so we've created "Timbre" - an all tube vari-mu compressor based... View more
Analog compressor-limiter with a very large range of color and control choices with recall, and discrete class A main audio path Resetability is attained by using stepped controls and encoders that... View more
Mono compressor, 1 space 19" rackmount The Germanium series continues with the GERMANIUM Compressor. The GERM Comp starts with the same all class A amp found in the GERM Pre and Tone Control and is... View more
Single Channel Harmonic DISTortion & classic Knee compRESSOR. Digitally controlled Analog knee compression The Distressor is the product that started it all for Empirical Labs. Born of founder Dave... View more
