The 2254/R is a rack mount classic mono Limiter/Compressor. Version of the legendary 2254, plus manually adjustable Fast Attack Time, clipping indication and storable settings Designed in 1969, the... View more
Discrete single-channel compressor in the compact API 200 Series format The API 225L Compressor is ideal for all studio, live sound and broadcast applications. Regardless of the threshold or ratio... View more
Classic 500 Series peak detecting "feedback" compressor/limiter with variable threshold and output levels Originally released in the 70's, the API 525 is a "feedback" type compressor. An input... View more
VCA based 500 Series compressor/limiter, improved version of the API 527 The API 527A Compressor/Limiter takes its place alongside the family of API VCA based compressors, including the 225L... View more
Modified "Blue Stripe" compressor based off of the "golden" unit owned by Chris Lord-Alge When certain components became unavailable, techs were forced to change the circuit, creating a one of a kind... View more
Classic ?76 FET compressor/limiter with improved and redesigned IC-based front end and custom-designed, made in Chicago output transformer The Seventeen is not the '76 compressor that your... View more
Mono compressor, 1 space 19" rackmount The Germanium series continues with the GERMANIUM Compressor. The GERM Comp starts with the same all class A amp found in the GERM Pre and Tone Control and is... View more
Mono compressor, 500 Series, non-linkable The Chandler Little Devil Compressor combines elements of our LTD-2 and Germanium Compressor as well as 2264 and 33609 units. This compressor gives you a... View more
Mono tube compressor, linkable, 2 space 19" Rackmount,Stepped I/O control switches, Internal PSU The Chandler Limited RS660 Compressor is a handmade, mono/linkable, transformer-balanced valve (vacuum... View more
Single Channel Discrete Class A Compressor Limiter It functions either as a musically transparent compressor or as a vintage compressor - limiter with selectable hard or soft knee.. TRAKKER is a... View more
Analog compressor-limiter with a very large range of color and control choices with recall, and discrete class A main audio path Resetability is attained by using stepped controls and encoders that... View more
Single Channel Harmonic DISTortion & classic Knee compRESSOR. Digitally controlled Analog knee compression The Distressor is the product that started it all for Empirical Labs. Born of founder Dave... View more
A pair of single Channel Harmonic DISTortion & classic Knee compRESSOR. Digitally controlled Analog knee compression. The Distressor is the product that started it all for Empirical Labs. Born of... View more
Single Channel Harmonic DISTortion & classic Knee compRESSOR. Digitally controlled Analog knee compression and British mode. The Distressor is the product that started it all for Empirical Labs. Born... View more
A pair of single Channel Harmonic DISTortion & classic Knee compRESSOR. Digitally controlled Analog knee compression and British mode. The Distressor is the product that started it all for Empirical... View more
Dynamics effects processor with dynamic reversal, function control, side chain, gating, expansion, compression, and limiting In 1973, Eventide Clockworks introduced the Omnipressor, the first studio... View more
1-channel Solid-state Electro-optical Compressor with Program-dependent Attack and Release Times, XLR and TRS I/O and External Power Supply The LA-2A (tube version) and LA-3A (solid state version)... View more
The COMP-3A Jr is a one channel vintage style Compressor / Leveler. The signal path uses only discrete components like resistors, capacitors, diodes and transistors. The input and output is... View more
The Gyraf Audio G24 is an entirely new type of stereo compressor - aimed at mix and mastering functions. "Passive/Aggressive" Compressor Similar to it's sister and predecessor, the G23 EQ, it's for... View more
Optical tube compressor with all tube-based amplification stage and transformer balanced Input & Output Optical Tube Compressors have been the choice of seasoned engineers and producers for recording... View more
Monophonic FET limiting amplifier, six Ratio settings, Slam Mode independent from the Ratio, adjustable Attack and Release The ALTER 500 is a FET compressor built in the 500 standard. The FET-type... View more
Tube-driven optical compressor and limiter with USA-made transformer and Black Lion T4BLA opto element 60 Years of History in your Studio, Today.. We meticulously engineered the LiN2A to faithfully... View more
American 1176 compressor with USA-made transformers and variable attack and release times DECADES OF DYNAMICS PROCESSING. The LiN 76 has been carefully designed to recreate the timbres of nuances of... View more
Analog compressor & EQ featuring dual compressor stages and dual-band, boost-only EQ. The Maag Audio MAGNUM-K is a single channel Compressor built to complement the audio engineer's craft in a very... View more
The Pete's Place Audio BAC-500 is a feedback-style FET compressor built around two discrete op amps and a custom wound output transformer. From the top down, the BAC's faceplate features a large... View more
The Purple Audio Action is a FET compressor reminiscent of the MC77. Designed to work in standard "500" racks. The Action features a constant impedance 600 ohm input attenuator feeding the input... View more
The MC77 supercedes the MC76 re-engineered 1176 type FET Limiter. The MC77 recreates the audio circuitry of the revision E 1176, using modern components matched to the original. Starting in 1997... View more
