{"title":"0% Financing","description":"","products":[{"product_id":"micromain-27-gen2-pair","title":"MicroMain 27 - Gen2 (pair)","description":"\u003cp\u003eUpon its introduction, the MicroMain27 captivated the professional recording world. It was the speaker that put Barefoot Sound on the map, truly defining our identity. Initially, its radical design with subwoofers on the sides seemed unusual, but it proved fundamental. With woofers, subs, and a tweeter in a fairly compact box, it accurately translates sound. All the additional drivers are there simply to bolster, buttress, and amplify that core design. This monitor has received major fanfare and is used by some of the biggest artists and studios worldwide.\u003c\/p\u003e\n\u003cp\u003eThe MicroMain27 is a 3.5-way active system with 5 drive units housed in sealed enclosures spanning 30Hz to 45kHz, boasting vanishingly low distortion, breathtaking dynamic range, and incredibly fast transient response. Featuring opposing 10″ Dual-Force™ Technology subwoofers, the renowned MicroMain27 boasts advanced electronics and drivers, granting it even greater dimension and transparency across the entire audio spectrum. The 5.25″ midbass features an array of advanced technology, yielding midrange detail rivaling any driver on the planet. The 1″ ring radiator tweeter delivers incredible detail and wide dispersion out to its highest frequencies. Barefoot Sound developed a powerful and completely transparent amplifier stage for the MicroMain27. The system is melded together with a groundbreaking DSP (Digital Signal Processor) crossover that Barefoot has dedicated thousands of hours to developing. With beautifully designed high-end converters and cutting-edge proprietary filtering techniques, the MicroMain27 soundstage is seamlessly coherent and deeply revealing.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDESIGN\u003c\/b\u003e\nBarefoot Sound's goal has always been to push the design limits of what is possible in a compact studio monitor. Initially, the design of the MicroMain27 seemed radical, but it proved fundamental.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCABINET DESIGN\u003c\/b\u003e\nThe front baffle is machined aluminum and inset into a Medium-Density Fiberboard (MDF) cabinet with generously radiused corners to minimize diffraction. The cabinet is sealed, extremely well-braced, and damped, enclosing a volume of 32 liters. It features the well-known Barefoot Black polyester coating with its signature textured finish.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eHANDLES\u003c\/b\u003e\nEach MicroMain27 comes with two handles, which are handy for lifting and positioning the monitor. Additionally, these handles can double as base \"skids\" for mounting the speaker horizontally, adding versatility to its placement options.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDUAL-FORCE TECHNOLOGY\u003c\/b\u003e\nCabinet vibrations are a significant source of distortion and coloration in most loudspeakers. The primary mechanism is simple action and reaction. As the driver motor forces the cone to move back and forth in order to generate sound, the cone exerts an equal and opposite force on the motor. This force is transmitted through the driver frame to the cabinet. The effect is especially prevalent in the low frequencies where the cone motion is greatest. While MicroMain27 cabinets are massive and well braced, we also tackle the problem at its source by eliminating vibrations before they even begin. This is achieved through our innovative force cancellation design (Dual-Force™ Technology). The low-frequency drivers are mounted on opposing sides of the cabinet, and their motors are locked together. As the cones are driven in and out in opposite directions, the forces exerted on the motors cancel one another. The vibrations never make it to the cabinet because they are not allowed to develop in the first place. This layout has the further benefit of forming a massive internal metal cabinet bracing. Furthermore, because the wavelengths generated by the subwoofers are much larger than the speaker cabinet dimensions, the subs radiate as if they were a single point source located on the axis with the tweeter.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMEME TECHNOLOGY\u003c\/b\u003e\nLike all Barefoot Sound monitors, the MicroMain27 includes the versatile MEME Technology Voice Emulation feature. Despite the advantages of high-resolution monitors, Barefoot Sound realizes that many engineers still use their NS10M's and Mix Cubes as secondary references. These speakers have long traditions, and people find them familiar and useful for focusing on certain aspects of their mix. However, crowding one's console with those extra boxes degrades the sound field of the primary reference monitors. Additionally, they are no longer manufactured, require amplifiers, cable runs, and consume more studio space.\u003c\/p\u003e\n\u003cp\u003eThe solution is to make the MicroMain27 sound and translate like those speakers. With the turn of a knob, one can switch from the MicroMain27′s brutally revealing \"Flat\" response to the warmer and sweeter \"Hi-Fi\" setting, generically emulating the sound of some high-end consumer audio gear. More specifically, the \"Old School\" setting closely emulates the sound of the NS10M nearfield, while the \"Cube\" setting emulates the mid-centric sound of classic mix cubes. The idea is not to perfectly replicate every subtle quirk of these venerable old speakers, as that would be impossible. Instead, the MicroMain27 captures the essence of how they behave and translate, modeling their frequency, phase, and transient responses, dynamic compression, and even specific distortion components.\u003c\/p\u003e","brand":"BAREFOOT SOUND","offers":[{"title":"New","offer_id":51466720510271,"sku":"10025","price":15795.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/10025_full_3bb04e29-2353-4263-93b6-4d4dcd8ea127.jpg?v=1759894025"},{"product_id":"mp2a","title":"MP2A","description":"\u003cp\u003eThe MP 2A is a combined mic preamp\/DI, based on a classic TUBE-TECH design, but featuring even higher fidelity and a few new features: An impedance switch to match the input perfectly to all types of microphones, an overload indicator and 2 dB gain steps.\u003c\/p\u003e\n\u003cp\u003eMP2A is the second in the new range of upgraded microphone preamplifier\/DI's.( The modular PM1A was the first.) These new preamps features even higher headroom and fidelity than the earlier TUBE-TECH micpre''s. \n \nSerious listening tests of the MP 2A have revealed a sound quality second to none, placing it among a handful of the worlds very best designs.\u003c\/p\u003e\n\u003cp\u003eThe MP 2A DI continues the TUBE-TECH tradition of extremely good sounding DI's, delivering world class sound for bass and guitar DI recordings. You simply won't find a better DI than this!\u003c\/p\u003e","brand":"TUBE-TECH","offers":[{"title":"Default Title","offer_id":51466720575807,"sku":"10029","price":6890.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/10029_full.jpg?v=1759894041"},{"product_id":"phoenix-compressor-high-gain-15","title":"Phoenix Compressor High Gain 15","description":"\u003cp\u003eThe gain has been boosted to suit mic inputs, particularly valve and FET condenser types, but many moving coil types, such as Shure, Audio Technica, etc. are fine to use if the sound source is quite loud or close-miked.\u003c\/p\u003e\n\u003cp\u003eWith the Threshold switch set to Comp Out it's a clean mic\/line amp, now add a little Active Eq, \"Presence\" and\/or \"Air\" to brighten the sound, then switch in some compression and achieve that gentle \"super-natural\" effect that only Thermionic Culture can give you.\u003c\/p\u003e\n\u003cp\u003eThe Output Level control acts as a reverse linear attenuator after the electronics, and can be used simply to reduce level if feeding a low level input, or to add \"Attitude\" by reducing the output and increasing the input.  If you're working from line level, it's OK to switch the input from \"Line\" to \"Pad\" but ensure the +48v switch is OFF!\u003c\/p\u003e\n\u003cp\u003e2 HG15s can be linked together for stereo use by a phono-phono lead from the Link socket at the rear.   There's a Side Chain Bass Cut switch, which can also be useful in mono operation.\u003c\/p\u003e\n\u003cp\u003eTo sum up, The Phoenix HG15 is ideal as just a mic amp for vocals, violins, horns, guitars...... especially when using a high output mic like the U87.  Then having the ability to add compression and a bit of eq.\u003c\/p\u003e","brand":"THERMIONIC CULTURE","offers":[{"title":"Default Title","offer_id":51466725654847,"sku":"10128","price":4275.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/10128_full.jpg?v=1759894372"},{"product_id":"505-di","title":"505-DI","description":"\u003cp\u003eLike the console-based API 205L, the 505-DI is specifically designed to accept a guitar, bass or keyboard direct input while minimizing any loading effect on Hi-Z instrument pickups. Additionally, the 505-DI's Gain Control is used to normalize an instrument's input level, up to a +4 dBu output level. API's unique TONE control reduces potential low end \"mud\" in the signal, while turning on the BRIGHT switch adds additional clarity if desired. The various combinations of TONE and BRIGHT controls can eliminate the need for any EQ on the instrument while recording, keeping the signal path short and pure.\u003c\/p\u003e\n\u003cp\u003eThis minimal signal path eliminates the need to use a standard direct box, which many times still requires a mic input, equalizer, and a fader to get the signal to a recordable level. The 505-DI is capable of boosting any instrument to a hefty line level without additional amplifiers. Use of the 100K \/ 400K LOAD switch allows the tone of the pickup to be altered slightly, alternately brightening or darkening the high frequency content. When inserting an instrument with an internal preamp or a line level instrument such as a sampler or a keyboard, the 505-DI offers a 20 dB PAD switch to drop the level without loading, thereby retaining the integrity of the incoming signal.\u003c\/p\u003e","brand":"API","offers":[{"title":"Default Title","offer_id":51466737451327,"sku":"10246","price":822.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/10246_full.jpg?v=1759894815"},{"product_id":"565","title":"565","description":"\u003cp\u003eThe 565 Filter Bank module has circuits that are true to the musical filters of the famed 215 module found in large format API consoles.\u003c\/p\u003e","brand":"API","offers":[{"title":"Default Title","offer_id":51466737647935,"sku":"10247","price":825.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/10247_full.jpg?v=1759894824"},{"product_id":"core","title":"CORE","description":"\u003cp\u003e2014 delivers the Manley CORE, an innovative channel strip that combines Manley's Greatest Hits with fresh technology. The remarkably intuitive front panel combines musical and forgiving circuitry that allows the musician to concentrate on his performance instead of being lost in a sea of knobs. Ease of use and intelligently chosen operating points make it virtually impossible to cut a bad sounding track!\u003c\/p\u003e\n\u003cp\u003eManley's experience and insight working with the industry's top recording engineers and musicians culminates in the CORE. At this price, there is no other channel-strip with higher headroom or more seductive sound than the CORE. Handcrafted in the USA, built like a tank, built to endure, the epicenter of your recorded art will be the Manley CORE.\u003c\/p\u003e\n\u003cp\u003eThe signal enters through our renowned hand-wound MANLEY IRON input transformer with nickel laminations in a mu-metal can. The tube amplifying stage is the latest implementation of our famous Class A circuit topology found in the VOXBOX and Manley Dual Mono \u0026amp; Mono Microphone Preamplifiers. This all-triode vacuum tube circuit runs on a regulated 300 Volt B+ supply yielding huge headroom and relentless output drive capability.\u003c\/p\u003e","brand":"MANLEY LABS","offers":[{"title":"Default Title","offer_id":51466748756287,"sku":"10493","price":3885.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/10493_full.jpg?v=1759895398"},{"product_id":"500-8b","title":"500-8B","description":"\u003cp\u003eThe new 8-slot lunchbox includes all of the features that have made the 6-slot lunchbox (500-6B) so well regarded in the industry, including DB-25 (D-Sub) connectors for easy I\/O, universal power supply (100 or 250V, 47 to 63Hz), phantom power, and easy rack-mounting with optional rack-ear kit. Built for robust performance, with new toggle switches for channel linking.\u003c\/p\u003e\n\u003cp\u003eThe lunchbox utilizes an external power supply. API makes several modules for the lunchbox, including the 512c Mic Preamplifier, the 525 Compressor, the 527 Compressor, the 550A 3-band EQ, the 550b 4-band EQ and the 560 Graphic EQ. Combinations of these modules make perfect stereo recording packages (two 512cs and two 550bs) or vocalist's box (one 512c, two EQs and one 527).\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eOther uses for the versatile lunchbox include:\u003c\/b\u003e\n\u003c\/p\u003e\u003cli\u003eMulti-track recording of acoustic and electronic audio sources\u003c\/li\u003e\u003cli\u003eSound reinforcement systems and recording to multi-track formats\u003c\/li\u003e\u003cli\u003eMultiple facility projects where portability is a plus\u003c\/li\u003e\u003cli\u003eBroadcast and audio for video production\u003c\/li\u003e\u003cli\u003eCustom channel input strips\u003c\/li\u003e","brand":"API","offers":[{"title":"Default Title","offer_id":51466748821823,"sku":"10495","price":688.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/10495_full.jpg?v=1759895407"},{"product_id":"xfilter","title":"Xfilter","description":"\u003cp\u003eIt gives you the expensive sound of an all class-A equalizer in a surprisingly affordable package, with a precise stereo image based on computer-selected, stepped pots and low tolerance film caps.\u003c\/p\u003e\n\u003cp\u003eThis EQ is serious about flexibility. It offers high and low shelf bands which can be switched into high and low cut filters with resonance, two mid peak filters with wide and narrow Q, plus additional passive LC stages with shielded coils for a glorious top end.\u003c\/p\u003e\n\u003cp\u003eWith its exceptionally open sound, straight transient projection and solid punch, the xfilter is the perfect match for your xpressor - or any other piece of delicious outboard gear!\u003c\/p\u003e","brand":"ELYSIA","offers":[{"title":"Default Title","offer_id":51466748887359,"sku":"10496","price":2145.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/10496_full.jpg?v=1759895417"},{"product_id":"the-rooster-2","title":"The Rooster 2","description":"\u003cp\u003eThe pre-amp section can be used to add gain to mic, line or DI input signals. The double triode input valve (12AX7) provides a smooth sounding gain stage after the balancing input transformer.\u003c\/p\u003e\n\u003cp\u003e48 volts can be applied to phantom powered mics by using the special toggle switch. The DI input bypasses the transformer to give a suitable high impedance unbalanced input.\u003c\/p\u003e\n\u003cp\u003eThe 'Attitude' section provides control over the amount of distortion inherently produced by the 5654 valve.\u003c\/p\u003e\n\u003cp\u003eThe natural distortion figure for the Rooster 2 is well below 0.1% at low Attitude settings. As the Attitude is increased, extra harmonics, mostly musical, will be added to give a warm 'valvey' sound.\u003c\/p\u003e\n\u003cp\u003eSimilarly to the Culture Vulture, the unit will tend to produce predominantly more 2nd order harmonics when in 'Triode' mode and 3rd order harmonics when in 'Pentode' mode. This provides a creative means of both tone and dynamics control over the input signal as well as allowing the user to select how much and what kind of harmonics are present in the signal.\u003c\/p\u003e\n\u003cp\u003eThe EQ section provides a simple yet powerful musical control over frequency content.\u003c\/p\u003e\n\u003cp\u003eThe Bass lift control gives a continuous control over the amount of bass using a unique ' varislope' curve which peaks at 60Hz.\u003c\/p\u003e\n\u003cp\u003eThe 'mid\/high' lift control gives a bell type curve with variable gain peaking at either 2.5KHz \/ 4KHz or a 'varislope' curve peaking at 12KHz, all selected by the frequency select switch.\u003c\/p\u003e\n\u003cp\u003eThe 'Mid cut' control provides a bell type curve centred at 700Hz with continuous control over the amount of cut.\u003c\/p\u003e\n\u003cp\u003eThe 'Bass cut' switched control provides 5 positions with different cutting curves. The curves start off as high pass filters which get progressively higher in frequency and then turn into a shelving type curve that will also increase in frequency as the switch is advanced. These controls are intended to interact with the other EQ controls for a very flexible control over the entire frequency range.\u003c\/p\u003e\n\u003cp\u003eThe 'LPF' or low pass filter switch control will allow the high frequencies to be cut at a frequency suitable to stop harsh sounding harmonics standing out when excessive distortion is used, smoothing the resulting sound.\u003c\/p\u003e\n\u003cp\u003eThe output level control adjusts the signal going to the PCF 80 output valve and the final signal is balanced by a Sowter custom made transformer.\u003c\/p\u003e\n\u003cp\u003eThe level of output signal is represented by the 3 LED display.\u003c\/p\u003e","brand":"THERMIONIC CULTURE","offers":[{"title":"Default Title","offer_id":51466757112127,"sku":"10820","price":4565.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/10820_full.jpg?v=1759896314"},{"product_id":"el7x-fatso","title":"EL7X Fatso","description":"\u003cp\u003e\u003cb\u003eTHE FATSO GOES TO ELEVEN\u003c\/b\u003e\nELEVEN is a new compressor for the Fatso, replacing the old GP Ratio, and emulates the famous UREI 1176LN in 20:1, with the slowest attack, and fastest release.  This 1176 setting has been used on countless hit records through the decades.  With the slower \"1176\" attack, the transients keep the dynamics present, while the high ratio, can radically limit the dynamic range of any source, making it present and sitting in a nice little place in your mix.  One can slam it, or just touch it with a few dB of compression.  You will find it great on Vocals, Bass, acoustic guitars, drum room mikes, pianos etc.\n \nThe ELEVEN ratio took several months of experimentation, and required a rather radical attack mod to get close.  It was one of those projects that Dave Derr, the designer, thought would only take a few days, but upon initial research and listening tests, subtleties emerged which required starting over several times. \"I got in one of these design loops, where you would get one thing right, then change another parameter or component, and find that it changed the first thing you thought you had right.  It was actually a long frustrating series of changes, that slowly spiraled towards the desired result.  Any kind of math calculations or scaling seemed useless. In addition, while testing 1176's, I discovered issues that I'm quite sure were not intended by the original designers, and probably things of which they were not even aware.  But using modern digital oscilloscopes and analyzers, along with digital workstations, and our good old ears, we could see artifacts that the original designers couldn't.\" \"Heck, they may have even tried to fix the little imperfections that gave the 1176 its unique character, had they the tools to see them. Thank gosh they didn't, right\n \nAnyway, the design loop was frustrating, but like anything that takes you to unexpected places, hopefully you come out a little bit wiser, and with a great product.  I hope our customers find the new ELEVEN ratio fun to use, and discover it can add some more magic to your music.\"\n \nNOTE:  ALL existing older \"Fatso Jr's\" can be modified to change the GP ratio to the new ELEVEN ratio. In addition, all Fatsos shipped from Empirical Labs since June 2013 have had the ELEVEN ratio already installed in the circuit, under the GP ratio, so if you bought a Fatso recently, you probably already have the equivalent EL7-X circuitry.\u003c\/p\u003e\n\u003cp\u003eThe original Fatso Jr could operate quite warm.  Since heat is the enemy of reliability, we decided to do what we could to cool the unit down in this re-design.  By replacing discrete logic with a microprocessor, and eliminating warm running and often unreliable display circuitry, the current draw was dropped over 20%, allowing the power supply and analog circuitry to benefit from a cooler running product.\n \nThe new FATSO also has greatly improved interface operation.  Holding any button in for a second will make the control step backwards, so the user doesn't have to cycle around to go back one step in setting one parameter. In addition, the Stereo Link is improved and offers a second link method by holding in both COMP buttons.  It locks the compressors and Bypass logic together, and allows either channels' buttons to control the settings.  Much more foolproof.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eNew Logic and Interface Operation\u003c\/b\u003e\nThere is now a separate LED for the TRACK (Tracking) compressor, so that two LEDs do not have to be used, and interpreted by the user.  SPANK is now a Blue LED delineated from the other compressors off to the side, to indicate that it is different and can be used in conjunction with the other ratios.  Customers will find compressor selection more obvious and FUN.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eFATSO's four types of processing\u003c\/b\u003e\n\u003c\/p\u003e\u003cli\u003eHarmonic Generation and Soft Clipper (Distortion Generation) - this class A circuit gently rounds the peaks like saturated tubes or tape.\u003c\/li\u003e\u003cli\u003eHigh Frequency Saturation (Warmth) - a one-of-a-kind dynamic low pass filter which softens high frequencies when they \"pile up\" on a source.\u003c\/li\u003e\u003cli\u003eTransformer \u0026amp; Tape Head Emulation - a simulation of the effect of input and output transformers of older devices, which adds  the low frequency harmonics that characterize them, as well as analog tape..\u003c\/li\u003e\u003cli\u003eClassic Knee Compression - your typical automatic leveling device found on just about every instrument and vocal track as well as on  the overall buss, done Empirical Labs compression - smooth and sweet, but in your face!\u003c\/li\u003e","brand":"EMPIRICAL LABS","offers":[{"title":"Default Title","offer_id":51466761896255,"sku":"10973","price":3429.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/10973_full.jpg?v=1759896874"},{"product_id":"micking-1100-black","title":"micKing 1100 - Black","description":"\u003cp\u003eContinuing with the use of the world's strongest boom clutch and innovative lever lock systems, this stand maintains the micKing's stellar strength reputation. For portability we've designed a new patent pending weighted Symmetric Torque Tripod Base that ensures tripod legs never go bad or droop while tilted. To counterbalance a wide range of microphone weights we developed a new patent pending stacking counter weight system featuring 1, 2, and 4 pound weights (2lb included). To boost performance we've included precision ram formed mounting points reducing weight in both the boom clutch and mic threads. The MK1100 shines extremely well for venues, touring, and in-studio as a vocal boom, drum overhead, or a general room mic.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLever Lock System\u003c\/b\u003e\nQuick and simple adjustments throughout the entire stand. These locks ensure, hands down, the strongest hold possible with the least amount of frustration. You can even customize their tension to your precise needs!\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMounting\u003c\/b\u003e\nPrecision ram formed mounting point makes this the lightest possible thread execution.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCounter Weights\u003c\/b\u003e\nAll new patent-pending stacking counterweights! The 1100 comes standard with one 2 lb. thread on counter weight with the ability to add more weight via our new accessory weight set (totaling up to 7 lbs.).\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTripod Base\u003c\/b\u003e\nOur patent pending Symmetric Torque Tripod base features all new folding solid core legs giving you the distinctive stability all micKings are known for with a portable touch. This base enables a breakdown size of just under three feet.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eWhy the World's Strongest\u003c\/b\u003e\nOur patented boom clutch features nearly 16 square inches of clampable surface area. That's more than any other mic stand on the market! This impressive surface area provides the maximum coefficient of friction for that unstoppable hold that micKing booms are so well known for.\u003c\/p\u003e","brand":"LATCH LAKE","offers":[{"title":"Default Title","offer_id":51466764288319,"sku":"11042","price":803.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/11042_full.jpg?v=1759897224"},{"product_id":"force","title":"Force","description":"\u003cp\u003e\u003cb\u003eA FORCE of Nature\u003c\/b\u003e\nYour relationship with the FORCE begins with the ergonomic facia through its thoughtfully organized controls, silky and bulletproof rotary potentiometers, positive latching feature switches, and convenient Direct Input 1\/4\" jacks. Seven-way LED metering for each channel provides instant visible feedback for audio levels which are enhanced with a double-inlay CNC-milled accent. A feast for the eyes, yeah, we know. This is Audio Jewelry that you will be as proud to display in your studio as we are to handcraft it here in Southern California.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eA Sonic Tour de FORCE.\u003c\/b\u003e\nYour microphone signals enter through gold-plated XLR connectors straight into our MANLEY IRON Mic input transformer. Your line level or instrument level guitars and keyboards come in via the front panel 1\/4\" Hi-Z 10 megOhm jacks before hitting the input level control which also acts as a Variable Input Pad. Phase Reverse and 120Hz High Pass filters can be invoked here in the circuit and then we're into the 12AX7 dual triode amplifying stage operating in pure Class A, of course. The amount of GAIN for each channel can be selected as 40dB or 50dB via the front panel switches. An additional 10dB of gain is available via internal jumpers. The output stage \"can drive a truck\" as we like to brag.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eA Powerful FORCE\u003c\/b\u003e\nThe power supply is an innovative design developed specifically for Manley Labs, specifically for High Voltage vacuum tubes, and specifically for audio by the world expert team in this technology led by Bruno Putzeys. Proven reliable and sonically superior in the Manley CORE, this power supply provides 300 Volt DC rails to run the vacuum tubes, beefy 6 Volt lines to power them up, along with several other voltage rails for the phantom power and various solid-state control voltages. High Voltage = High Headroom, folks. You will not get near this sonic performance with in any 500-series design. Trust us. This is Full FORCE audio excellence which starts with this superior power supply. All lines are importantly regulated, low impedance, efficient, and super-quiet in this low radiating high frequency design. The universal mains input accepts any voltage or frequency from anywhere in the world making travel with the FORCE a breeze.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eA FORCE to be Reckoned With. \u003c\/b\u003e\nHow did we deliver all this for just $2500 By prioritizing what really matters: that strong Manley sound, the proven componentry and rugged overbuilt construction, presented in an inspiring package. But engineered to build efficiently and by really paying attention to how it all goes together, proudly built by Manley's American workFORCE. A Compelling FORCE for you. This is our Driving FORCE. Let us share it with you.\u003c\/p\u003e","brand":"MANLEY LABS","offers":[{"title":"Default Title","offer_id":51466769236287,"sku":"11210","price":4020.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/11210_full.jpg?v=1759897724"},{"product_id":"a17m-black","title":"A17M - Black","description":"\u003cp\u003eThe A17-M is THE REFERENCE of near field monitors. Powerful for its size, it delivers an uncompromised quality in term of stereo image, low end control and transparency all over the bandwidth. Are you ready to step ahead\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eYour success story with the A17-M\u003c\/b\u003e\nOnly you know where your story begins, and who knows where it will take you With the A17-M, you can trust your judgement every step of the way. Listen better, create faster.\u003c\/p\u003e\n\u003cp\u003eYou can trust your speakers, since it is their sound that has earned PSI Audio the respect of audio professionals all around the world. Building on over 40 years of experience and continuous development, the A17-M is the definitive nearfield monitor. Assess your work comprehensively without a subwoofer - or enhance the A17-M with a Sub A125-M, for example. Whatever story you need to tell, the A17-M helps you get your message across - a friend you should definitely listen to.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePerfect Stereo Image\u003c\/b\u003e\nStereo is more than just volume differences between the left and right channels. Phase relations are paramount to determine the accurate position of a signal in the acoustic space - and hence equally important in the development of PSI Audio speakers. The accurate phase alignment provided by PSI Audio CPR technology recreates the vivid spatial listening experience as it was intended. Instrument placement, reverb envelopes, even compression artefacts are easy to identify with the phase-corrected reproduction of PSI Audio speakers.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eHandmade tweeter\u003c\/b\u003e\nWhat do you do when you cannot find a driver appropriate for the sonic accuracy you want to achieve with your speaker At PSI Audio, we decided to just build our own then.\u003c\/p\u003e\n\u003cp\u003eThe tweeter used in the A17-M is unique, our own development and built by hand in our manufacture in Switzerland. Superior to any market-bought solutions, our tweeter offers unparalleled clarity, subtlety and fidelity. It took a lot of time and effort to create this tweeter - certainly a lot more than buying one from an international supplier would have.\u003c\/p\u003e\n\u003cp\u003eBut the result is absolutely worth it.\u003c\/p\u003e","brand":"PSI AUDIO","offers":[{"title":"New","offer_id":51466769629503,"sku":"11224","price":3570.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/11224_full.jpg?v=1759897775"},{"product_id":"a21m-black","title":"A21M - Black","description":"\u003cp\u003eThe A21-M has unmatched impulse response and stereo image.\nIt is an astonishing monitor used for the most demanding audio productions, allowing the user to be in full control of the sound image in all regards down to the finest details.\u003c\/p\u003e\n\u003cp\u003eThe powerful bi-amplified output stages features the unique \"AOI\" output stages and has a protection circuit, which can be monitored via the red LED on the front panel.\nThe active crossover, with integrated \"CPR\", gives the A21-M unprecedented impulse behavior - with excellent stereo imaging. The crossover is also optimized for maximum phase coherence, projecting a wide horizontal and vertical ideal listening area.\nThe electronics are housed in a unit mechanically isolated from the speaker cabinet to avoid resonance at high sound pressure levels.\nDesigned to work in harmony with the full range of A series monitors the A21-M also makes ideal front speakers in a surround sound setup, or can be developed in to a more powerful system by adding the A225-M sub - thus protecting your investment.\u003c\/p\u003e","brand":"PSI AUDIO","offers":[{"title":"New","offer_id":51466769695039,"sku":"11225","price":5660.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/11225_full.jpg?v=1759897784"},{"product_id":"a25m-black","title":"A25M - Black","description":"\u003cp\u003eThe tweeter unit is hand-crafted in-house in order to ensure performance and accuracy. These highly optimised features make the A25-M unique. A true reference speaker for stereo and surround sound applications where ultimate precision is required. The powerful tri-amplified output stages features the unique \"AOI\" output stages and has a protection circuit, which can be monitored via the red LED on the front panel. The active crossover, with integrated \"CPR\", gives the A25-M unprecedented impulse behavior - with excellent stereo imaging.\nThe crossover is also optimized for maximum phase coherence, which allows for a very broad horizontal and vertical ideal listening area. Tilting the mid-high range unit by 90 maintains the directivity accuracy when using the speaker horizontally. The A25-M's electronics are housed in a unit mechanically isolated from the speaker cabinet to avoid resonance at high sound pressure levels.\nDesigned to work in harmony with the full range of A series monitors the A25-M also makes ideal front speakers in a surround sound setup, or can be developed in to a more powerful system by adding the pair A225-M sub - thus providing an upgrade path and protecting your investment.\u003c\/p\u003e","brand":"PSI AUDIO","offers":[{"title":"New","offer_id":51466769760575,"sku":"11226","price":10540.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/11226_full.jpg?v=1759897791"},{"product_id":"sub-a225m-black","title":"Sub A225M - Black","description":"\u003cp\u003eAn exceptional piece of acoustic design, the A225-M sub-woofer\/bass extension is equally suited to use as a mono sub-woofer in a surround sound application or as a bass extension in a stereo system. Designed to work in harmony with the A225-M Sub, all PSI Audio 'A' series speakers feature a frequency response roll-off function that, when combined with the A225-M Sub, extends the frequency range down to an incredible 24 Hz, whilst maintaining a flat response.\nThe powerful class G outputs feature PSI Audio's unique \"AOI\" output stages, giving the A225-M an unprecedented impulse behavior. Each driver and amplifier unit is secured by a protection circuit, which is monitored by a red LED on the front panel.\nThe electronics are housed in a unit mechanically isolated from the speaker cabinet to avoid resonance at high sound pressure levels. To provide stability and avoid cabinet resonance A225-M is built with a double-box design, combining two cabinets into a single beautifully finished unit.\u003c\/p\u003e","brand":"PSI AUDIO","offers":[{"title":"New","offer_id":51466769826111,"sku":"11227","price":7150.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/11227_full.jpg?v=1759897808"},{"product_id":"a214m-red","title":"A214M - Red","description":"\u003cp\u003ePSI Audio A214-M is mainly designed as a \"centre\" speaker for surround monitoring applications. However, the unit may also be used as a basic component for all monitoring requirements.\u003c\/p\u003e\n\u003cp\u003eThe A214-M employs two woofers of 147mm and one tweeter of 100mm, for a programme power-handling of 160W. The speaker has sufficient acoustical output to satisfy the requirements of post-production and film mixing suites, as well as for other mixing applications.\u003c\/p\u003e\n\u003cp\u003ePSI active loudspeakers feature CPR (Compensated Phase Response) and AOI (Adaptive Output Impedance) technology that is a hallmark of the company. A major advantage is that it allows monitor systems to be made up from different models, without any detriment to the overall phase response of the system.\n \nThe shallow height of the A214-M (less than 200mm) allows the speaker to be easily incorporated into surround installations where space is an important factor\u003c\/p\u003e","brand":"PSI AUDIO","offers":[{"title":"Default Title","offer_id":51466769891647,"sku":"11228","price":4415.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/11228_full.jpg?v=1759897816"},{"product_id":"a215m-red","title":"A215M - Red","description":"\u003cp\u003eThe evolution of mastering and multichannel techniques, as well as the arise of personal studios, lead us to think that a new shape of monitors could begin a new trend.\nThe innovative architecture of PSI Audio A215-M produces outstanding performances for mastering in full range and does not need an extra bass-extention. This floorstanding monitor benefits from perfectly coincident sources.\nIt has been optimized for a listening in sitting or standing position and reproduces the sonic space with a remarkable precision. Moreover, the A215-M features all the most advanced technological innovations of the brand : high-yield G class amplification, CPR, AOI, ALG and PSC that make PSI Audio monitors so specific.\nThe A215-M is designed to be integrated in harmony with all the rest of the M series monitor range. The A215-M can easily be used in stereo or in surround systems.\u003c\/p\u003e","brand":"PSI AUDIO","offers":[{"title":"Default Title","offer_id":51466769957183,"sku":"11229","price":6835.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/11229_full.jpg?v=1759897824"},{"product_id":"micromain-26-pair","title":"MicroMain 26 (pair)","description":"\u003cp\u003eBarefoot Sound designed the MicroMain26, building upon the renowned MicroMain27 platform. With the addition of Barefoot's incredibly transparent and detailed 2.5\" aluminum cone midrange, the MicroMain26 raises performance to new heights. Delivering everything the MicroMain27 is famous for and more, the MicroMain26 is a testament to Barefoot's commitment to excellence.\u003c\/p\u003e\n\u003cp\u003eThe MicroMain26 is a 4-way active system with 6 drive units housed in sealed enclosures spanning 30Hz to 45kHz with vanishingly low distortion, breathtaking dynamic range and ultra-fast transient response. The ring radiator tweeter is incredibly detailed and produces very wide dispersion out to its highest frequencies. The 2.5\" aluminum cone midrange is housed in a cutting edge 3D printed waveguide enclosure. The 5.25″ woofers feature a phalanx of advanced technology, yielding upper bass and lower midrange detail that rivals any driver on the planet. Barefoot Sound developed a powerful and completely transparent amplifier stage for the MicroMain26. The system is melded together with a groundbreaking DSP (Digital Signal Processor) crossover that Barefoot has dedicated thousands of hours to developing. With beautifully designed high end converters and cutting edge proprietary filtering techniques the MicroMain26 sound stage is seamlessly coherent and deeply revealing.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDESIGN\u003c\/b\u003e\nWith major artists and studios relying on the MicroMain26 for accurate translation between listening environments, the MicroMain26 pushes the design limits of what is possible in a compact studio monitor.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eADDITIONAL MIDRANGE DRIVER\u003c\/b\u003e\nConstructed upon the MicroMain27 platform, the MicroMain26 elevates the standards by incorporating an exceptionally transparent 2.5-inch aluminum-cone midrange driver that is housed in a cutting edge 3D printed waveguide sealed enclosure. It not only encompasses all the renowned features of the MicroMain27 but also goes beyond.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCABINET DESIGN\u003c\/b\u003e\nThe front baffle is machined aluminum and inset into a Medium-Density Fiberboard (MDF) cabinet with generously radiused corners to minimize diffraction. The cabinet is sealed, extremely well-braced, and damped, enclosing a volume of 32 liters. It features the well-known Barefoot Black polyester coating with its signature textured finish.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePEDESTAL LEGS\u003c\/b\u003e\nEach MicroMain26 comes with two pedestal legs. These pedestals provide clearance for the down-firing subwoofer while the speaker stands in its normal horizontal orientation. To stand the cabinet vertically, use the pedestal legs.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDUAL-FORCE TECHNOLOGY\u003c\/b\u003e\nCabinet vibrations are a significant source of distortion and coloration in most loudspeakers. The primary mechanism is simple action and reaction. As the driver motor forces the cone to move back and forth in order to generate sound the cone exerts an equal and opposite force on the motor. This force is transmitted through the driver frame to the cabinet. The effect is especially prevalent in the low frequencies where the cone motion is greatest. While Barefoot cabinets are massive and well braced, we also tackle the problem at its source by eliminating vibrations before they even begin. This is achieved through our innovative force cancellation design (Dual-Force™ Technology). The low frequency drivers are mounted on opposing sides of the cabinet and their motors are locked together. As the cones are driven in and out in opposite directions the forces exerted on the motors cancel one another. The vibrations never make it to the cabinet because they are not allowed to develop in the first place. This layout has the further benefit of forming a massive internal metal cabinet bracing. And because the wavelengths generated by the subwoofers are much larger than the speaker cabinet dimensions, the subs radiate as if they were a single point source located on axis with the tweeter.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMEME TECHNOLOGY\u003c\/b\u003e\nLike all Barefoot Sound monitors, the MicroMain26 includes the versatile MEME™ Technology Voice Emulation feature. Despite the advantages of high-resolution monitors, Barefoot Sound realizes that many engineers still use their NS10M's and Mix Cubes as secondary references. These speakers have long traditions, and people find them familiar and useful for focusing on certain aspects of their mix. However, crowding one's console with those extra boxes degrades the sound field of the primary reference monitors. Additionally, they are no longer manufactured, require amplifiers, cable runs, and consume more studio space.\u003c\/p\u003e\n\u003cp\u003eThe solution is to make the MicroMain26 sound and translate like those speakers. With the turn of a knob, one can switch from the MicroMain26′s brutally revealing \"Flat\" response to the warmer and sweeter \"Hi-Fi\" setting, generically emulating the sound of some high-end consumer audio gear. More specifically, the \"Old School\" setting closely emulates the sound of the NS10M nearfield, while the \"Cube\" setting emulates the mid-centric sound of classic mix cubes. The idea is not to perfectly replicate every subtle quirk of these venerable old speakers, as that would be impossible. Instead, the MicroMain26 captures the essence of how they behave and translate, modeling their frequency, phase, and transient responses, dynamic compression, and even specific distortion components.\u003c\/p\u003e","brand":"BAREFOOT SOUND","offers":[{"title":"New","offer_id":51466778575167,"sku":"11414","price":18895.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/11414_full.jpg?v=1759898405"},{"product_id":"hlt2a","title":"HLT2A","description":"\u003cp\u003eThe TUBE-TECH HLT 2A is an all-new kind of Equalizer, combining High and Low shelving Eq plus Hi and Low cut filters with an innovative T filter \"tilt\" midrange Eq. It's the first time this combination of filters has been designed in the analog domain.\u003c\/p\u003e\n\u003cp\u003eThe midrange T-Filter \"tilts\" the entire spectrum around a selectable midrange frequency point. Frequencies above that point increase (or decrease) while frequencies below that point decrease (or increase). This unique topology, provides a powerful and uniquely efficient way to get beautiful-sounding overall equalization. As such, the Tube-Tech HLT-2A is destined to become a \"go-to\" equalizer in high-end mastering houses,smaller project studios, and everything in between.\u003c\/p\u003e\n\u003cp\u003eLike all Tube-Tech processors, the stereo HLT-2A possesses a warmth and character that breathes life into a track and gives it an organic body that somehow manages to occupy real physical space inside a stereo mix.\u003c\/p\u003e\n\u003cp\u003eHowever, the functionality of the HLT-2A is unique in the Tube-Tech line \" and indeed in the world of analog processing. Users will find that the HLT-2A generates quick, intuitive results that can range from mild to extreme, and it sounds great on individual tracks or strapped across the drum bus or the mix bus.\u003c\/p\u003e\n\u003cp\u003eHLT 2A is a stereo unit, featuring active low and high shelving EQ and a passive T-filter plus passive Hi\/Lo cut filters. The shelving EQ's are designed around a high gain tube amplifier, and the T- filter and Hi\/Lo filters are passive filters placed after the active shelving EQ and before the output amplifier. All sections are supplied with a bypass switch. The HLT2A furthermore features an overall bypass switch.\u003c\/p\u003e\n\u003cp\u003eThe low and high cut filters are also passive with a slope of 6dB\/octave. A bypass switches the whole filter section out of the amplifier circuit, keeping the output stage in the circuit. The T-filter is like a seesaw. When the low end goes up, the high end goes down and visa versa.\u003c\/p\u003e\n\u003cp\u003eWhen the potentiometer is turned clockwise, the high frequencies are boosted and the low frequencies are attenuated. When the potentiometer is turned counter clockwise, the low frequencies are boosted and the high frequencies are attenuated.\u003c\/p\u003e\n\u003cp\u003eThe unit is all tube based except for the power supply, input and output have fully floating transformers and all DC voltages are stabilized, except the anode voltage for the output stage.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eHow Does It Sound\u003c\/b\u003e\nThe TUBE-TECH HLT 2A marks a different approach to EQ'ing. It is a very powerful overall shaping EQ, yet extremely simple to operate. Simply put, the HLT2A will yield good results for basically any material and application, ranging from the demanding mastering engineer to the sound quality hungry project studio owner. The combination of Hi and Lo shelf and Lo\/Mid frequency T just creates a ton of very nice EQ shaping possibilities!\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDescription\u003c\/b\u003e\nTUBE-TECH HLT 2A is a stereo unit, featuring low and high cut filters, low and high shelving filters and a T-filter. The shelving filters are designed around a high gain tube amplifier. The T-filter is a passive filter placed between the shelving filters and the output amplifier. All three sections are supplied with a in\/out switch. The low and high cut filters are also passive with a slope of 6dB\/octave.\u003c\/p\u003e\n\u003cp\u003eA bypass switches the whole filter section out of the amplifier circuit, keeping the output stage in the circuit. The T-filter is like a seesaw. When the low end goes up, the high end goes down and visa versa. When the potentiometer is turned clockwise, the high frequencies are boosted and the low frequencies are attenuated. When the potentiometer is turned counter clockwise, the low frequencies are boosted and the high frequencies are attenuated.\u003c\/p\u003e\n\u003cp\u003eThe unit is all tube based except for the power supply. Input and output have fully floating transformers. All DC voltages are stabilized, except the anode voltage for the output stage.\u003c\/p\u003e","brand":"TUBE-TECH","offers":[{"title":"Default Title","offer_id":51466779197759,"sku":"11433","price":6190.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/11433_full.jpg?v=1759898500"},{"product_id":"mkh-800-twin-nx","title":"MKH 800 TWIN Nx","description":"\u003cp\u003eThe MKH 800 TWIN is a universal studio condenser microphone of exceptional quality. It includes a dual capsule consisting of two symmetrical push-pull transducers with high linearity. This is a \"side fire\" microphone with the two cardioid pick-up patterns of the transducer aligned back-to-back across the axis of the microphone. The signals of both transducers are not combined in the microphone in order to generate differing pick-up patterns but are available separately as two channels at the microphone output. This allows the pick-up patterns of the MKH 800 TWIN to be remotely adjusted. The signals can be combined in any desired way in the mixing console in order to create all pick-up patterns from omni-directional to figure-8 with an infinite number of intermediate stages. Based on the legendary MKH 800, this microphone opens up to a new dimension of studio recordings.\u003c\/p\u003e","brand":"SENNHEISER","offers":[{"title":"Default Title","offer_id":51466786275647,"sku":"11651","price":4725.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/11651_full.jpg?v=1759899054"},{"product_id":"535-la","title":"535-LA","description":"\u003cp\u003eModeled after API's highly prized console-based 325 booster cards, the 535 can both amplify and attenuate incoming and outgoing signals for ultimate flexibility-all while providing API's trademark warmth and tone.\u003c\/p\u003e\n\u003cp\u003eThe 535 excels at adding warmth to a variety of signals. Recommended uses include:\n\u003c\/p\u003e\u003cli\u003eWarm up digital signals of all kinds\u003c\/li\u003e\u003cli\u003eAdd Tone to Keyboard rigs\u003c\/li\u003e\u003cli\u003eAdd warmth to any mix\u003c\/li\u003e\nAudio playback devices, mic preamps, or audio processing devices that do not have their own level control will also benefit from the added tone and control of the 535-LA.\n\u003cp\u003eThe 535-LA also includes a balanced input, a polarity switch, a 20dB pad for incoming signal attenuation and a three position toggle switch, which allows for different output gain levels from the transformer. This is designed to drive long balanced lines with low distortion just as the 325 booster card does. Output gain range is from 6dB to 45dB. The 535 utilizes the discrete 2510 and 2520 Op-Amps along with API's proprietary transformers to create the unique, warm and reliable sound that API users expect.\u003c\/p\u003e","brand":"API","offers":[{"title":"Default Title","offer_id":51466786373951,"sku":"11653","price":825.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/11653_full.jpg?v=1759899062"},{"product_id":"a14m-studio-red","title":"A14M Studio - Red","description":"\u003cp\u003eThe A14-M Studio full range speaker is the smallest member of the PSI Audio A-Series professional studio monitor range. Housed in an extremely compact cabinet, the A14-M Studio is designed to implement highest possible SPL and broad bandwidth. The A14-M Studio is ideal for studio application where the ultimate in precision and portability is required. Packed into its compact dimensions, is all the technology of its larger brothers.\u003c\/p\u003e\n\u003cp\u003eThe powerful bi-amplified output features the unique \"AOI\" output stages, while the active crossover, with integrated \"CPR\", delivers unprecedented impulse behavior with excellent stereo imaging. The crossover is also Studio optimized for maximum phase coherence, projecting a wide horizontal and vertical ideal listening area. Designed to work in harmony with the full range of A series monitors the A14-M Studio also makes ideal rear speakers in a surround sound setup, or can be developed in to a more powerful system by adding the A225-M sub thus protecting your investment.\u003c\/p\u003e\n\u003cp\u003eAlso available: A14-M Broadcast. Equipped with protective grill, mounting bracket and front level setting to become a perfectly versatile and portable high end monitor.\u003c\/p\u003e","brand":"PSI AUDIO","offers":[{"title":"Default Title","offer_id":51466786505023,"sku":"11655","price":2315.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/11655_full.jpg?v=1759899082"},{"product_id":"avaa-c20-black","title":"AVAA C20 - Black","description":"\u003cp\u003e\u003cb\u003eWhat does the AVAA do\u003c\/b\u003e\nThe AVAA is designed to absorb the standing modes between 15 and 120 Hz in a room. It will do so just like passive absorbers but in a much more efficient way and using up much less space. Each operating AVAA will have the same effect as a hole in the wall much larger than the dimensions of the AVAA (that is 0.2 m2). The exact ratio will depend on the frequency and environment but typically range between 5 and 20.\u003c\/p\u003e\n\u003cp\u003eThe AVAA will affect the impedance of the air and \"suck\" low frequencies around it.\u003c\/p\u003e\n\u003cp\u003eTherefore the best position to place an AVAA is in the most rigid corners as that is where all room modes will be most present.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eHow does it work\u003c\/b\u003e\nNote that this technology has several international patents pending.\nA microphone will measure the acoustic pressure in front of an acoustic resistance.\nThe acoustic resistance is designed to let air through but reducing significantly the pressure.\nA transducer membrane is driven to absorb the volume of air going through the acoustic resistance.\nThis significantly reduced the acoustic pressure (between 15 and 120 Hz) around the microphone and around the AVAA.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eWhat does the AVAA not do \u003c\/b\u003e\nThe AVAA is a solution for room modes below 120 Hz and absorbs low frequencies only. The AVAA will not absorb frequencies above approximately 150 Hz. It is therefore not a total solution for acoustically bad rooms. For best results, it needs to be combined with passive absorption in higher frequencies.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eWhat effect will the AVAA have in my room\u003c\/b\u003e\nThe AVAA will have the same effect, on frequencies from 15 to 120 Hz, as opening a window about 5 to 10 times the size of the AVAA. This will impact sound in the time, frequency and space dimensions.\n\u003c\/p\u003e\u003cli\u003eTime: it will significantly reduce reverberation time in these frequencies especially on room modes.\u003c\/li\u003e\u003cli\u003eFrequency: with more precise and tighter bass, the masking effect of higher frequencies is reduced. Details in higher frequencies also become clearer.\u003c\/li\u003e\u003cli\u003eSpace: with less indirect sound in the room, the location of the sound is more accurate making the sound image more precise.\u003c\/li\u003e \n\u003cb\u003eHow many AVAAs do I need\u003c\/b\u003e\nAn acoustician will be able to compute the effect of a certain number of AVAAs in a particular room.\n\u003cp\u003eDepending on the dimension and type of room as well as the result required, between 2 and 8 AVAAs are necessary. For very small rooms a minimum of two AVAAs is recommended to have a symmetrical effect. For most normal size rooms (between 20 and 80 m2) it is recommended to use 4 AVAAs and for larger rooms the number can be increased to 6 or 8.\u003c\/p\u003e","brand":"PSI AUDIO","offers":[{"title":"Default Title","offer_id":51466787193151,"sku":"11668","price":4540.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/11668_full.jpg?v=1759899162"},{"product_id":"a17m-red","title":"A17M - Red","description":"\u003cp\u003eThe A17-M is THE REFERENCE of near field monitors. Powerful for its size, it delivers an uncompromised quality in term of stereo image, low end control and transparency all over the bandwidth. Are you ready to step ahead\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eYour success story with the A17-M\u003c\/b\u003e\nOnly you know where your story begins, and who knows where it will take you With the A17-M, you can trust your judgement every step of the way. Listen better, create faster.\u003c\/p\u003e\n\u003cp\u003eYou can trust your speakers, since it is their sound that has earned PSI Audio the respect of audio professionals all around the world. Building on over 40 years of experience and continuous development, the A17-M is the definitive nearfield monitor. Assess your work comprehensively without a subwoofer \" or enhance the A17-M with a Sub A125-M, for example. Whatever story you need to tell, the A17-M helps you get your message across \" a friend you should definitely listen to.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePerfect Stereo Image\u003c\/b\u003e\nStereo is more than just volume differences between the left and right channels. Phase relations are paramount to determine the accurate position of a signal in the acoustic space \" and hence equally important in the development of PSI Audio speakers. The accurate phase alignment provided by PSI Audio CPR technology recreates the vivid spatial listening experience as it was intended. Instrument placement, reverb envelopes, even compression artefacts are easy to identify with the phase-corrected reproduction of PSI Audio speakers.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eHandmade tweeter\u003c\/b\u003e\nWhat do you do when you cannot find a driver appropriate for the sonic accuracy you want to achieve with your speaker At PSI Audio, we decided to just build our own then.\u003c\/p\u003e\n\u003cp\u003eThe tweeter used in the A17-M is unique, our own development and built by hand in our manufacture in Switzerland. Superior to any market-bought solutions, our tweeter offers unparalleled clarity, subtlety and fidelity. It took a lot of time and effort to create this tweeter \" certainly a lot more than buying one from an international supplier would have.\u003c\/p\u003e\n\u003cp\u003eBut the result is absolutely worth it.\u003c\/p\u003e","brand":"PSI AUDIO","offers":[{"title":"Default Title","offer_id":51466787389759,"sku":"11671","price":3405.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/11671_full.jpg?v=1759899180"},{"product_id":"a214m-black","title":"A214M - Black","description":"\u003cp\u003ePSI Audio A214-M is mainly designed as a \"centre\" speaker for surround monitoring applications. However, the unit may also be used as a basic component for all monitoring requirements.\u003c\/p\u003e\n\u003cp\u003eThe A214-M employs two woofers of 147mm and one tweeter of 100mm, for a programme power-handling of 160W. The speaker has sufficient acoustical output to satisfy the requirements of post-production and film mixing suites, as well as for other mixing applications.\u003c\/p\u003e\n\u003cp\u003ePSI active loudspeakers feature CPR (Compensated Phase Response) and AOI (Adaptive Output Impedance) technology that is a hallmark of the company. A major advantage is that it allows monitor systems to be made up from different models, without any detriment to the overall phase response of the system.\n \nThe shallow height of the A214-M (less than 200mm) allows the speaker to be easily incorporated into surround installations where space is an important factor\u003c\/p\u003e","brand":"PSI AUDIO","offers":[{"title":"New","offer_id":51466787520831,"sku":"11672","price":4620.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/11672_full.jpg?v=1759899193"},{"product_id":"a215m-black","title":"A215M - Black","description":"\u003cp\u003eThe evolution of mastering and multichannel techniques, as well as the arise of personal studios, lead us to think that a new shape of monitors could begin a new trend.\nThe innovative architecture of PSI Audio A215-M produces outstanding performances for mastering in full range and does not need an extra bass-extention. This floorstanding monitor benefits from perfectly coincident sources.\nIt has been optimized for a listening in sitting or standing position and reproduces the sonic space with a remarkable precision. Moreover, the A215-M features all the most advanced technological innovations of the brand : high-yield G class amplification, CPR, AOI, ALG and PSC that make PSI Audio monitors so specific.\nThe A215-M is designed to be integrated in harmony with all the rest of the M series monitor range. The A215-M can easily be used in stereo or in surround systems.\u003c\/p\u003e","brand":"PSI AUDIO","offers":[{"title":"New","offer_id":51466787586367,"sku":"11673","price":7179.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/11673_full.jpg?v=1759899202"},{"product_id":"a21m-red","title":"A21M - Red","description":"\u003cp\u003eThe A21-M has unmatched impulse response and stereo image.\nIt is an astonishing monitor used for the most demanding audio productions, allowing the user to be in full control of the sound image in all regards down to the finest details.\u003c\/p\u003e\n\u003cp\u003eThe powerful bi-amplified output stages features the unique \"AOI\" output stages and has a protection circuit, which can be monitored via the red LED on the front panel.\nThe active crossover, with integrated \"CPR\", gives the A21-M unprecedented impulse behavior - with excellent stereo imaging. The crossover is also optimized for maximum phase coherence, projecting a wide horizontal and vertical ideal listening area.\nThe electronics are housed in a unit mechanically isolated from the speaker cabinet to avoid resonance at high sound pressure levels.\nDesigned to work in harmony with the full range of A series monitors the A21-M also makes ideal front speakers in a surround sound setup, or can be developed in to a more powerful system by adding the A225-M sub - thus protecting your investment.\u003c\/p\u003e","brand":"PSI AUDIO","offers":[{"title":"Default Title","offer_id":51466787684671,"sku":"11674","price":5420.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/11674_full.jpg?v=1759899211"},{"product_id":"a25m-red","title":"A25M - Red","description":"\u003cp\u003eThe tweeter unit is hand-crafted in-house in order to ensure performance and accuracy. These highly optimised features make the A25-M unique. A true reference speaker for stereo and surround sound applications where ultimate precision is required. The powerful tri-amplified output stages features the unique \"AOI\" output stages and has a protection circuit, which can be monitored via the red LED on the front panel. The active crossover, with integrated \"CPR\", gives the A25-M unprecedented impulse behavior - with excellent stereo imaging.\nThe crossover is also optimized for maximum phase coherence, which allows for a very broad horizontal and vertical ideal listening area. Tilting the mid-high range unit by 90 maintains the directivity accuracy when using the speaker horizontally. The A25-M's electronics are housed in a unit mechanically isolated from the speaker cabinet to avoid resonance at high sound pressure levels.\nDesigned to work in harmony with the full range of A series monitors the A25-M also makes ideal front speakers in a surround sound setup, or can be developed in to a more powerful system by adding the pair A225-M sub - thus providing an upgrade path and protecting your investment.\u003c\/p\u003e","brand":"PSI AUDIO","offers":[{"title":"Default Title","offer_id":51466787750207,"sku":"11675","price":10050.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/11675_full.jpg?v=1759899220"},{"product_id":"sub-a225m-red","title":"Sub A225M - Red","description":"\u003cp\u003eAn exceptional piece of acoustic design, the A225-M sub-woofer\/bass extension is equally suited to use as a mono sub-woofer in a surround sound application or as a bass extension in a stereo system. Designed to work in harmony with the A225-M Sub, all PSI Audio 'A' series speakers feature a frequency response roll-off function that, when combined with the A225-M Sub, extends the frequency range down to an incredible 24 Hz, whilst maintaining a flat response.\nThe powerful class G outputs feature PSI Audio's unique \"AOI\" output stages, giving the A225-M an unprecedented impulse behavior. Each driver and amplifier unit is secured by a protection circuit, which is monitored by a red LED on the front panel.\nThe electronics are housed in a unit mechanically isolated from the speaker cabinet to avoid resonance at high sound pressure levels. To provide stability and avoid cabinet resonance A225-M is built with a double-box design, combining two cabinets into a single beautifully finished unit.\u003c\/p\u003e","brand":"PSI AUDIO","offers":[{"title":"Default Title","offer_id":51466788602175,"sku":"11676","price":6835.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/11676_full.jpg?v=1759899230"},{"product_id":"karacter-500","title":"Karacter 500","description":"\u003cp\u003eThe karacter 500 is a box full of vibrant colors. It covers a complete spectrum including mastering-grade saturation, tube-inspired distortion and glorious destruction. Gone are the days when only racks full of outboard gear could achieve these elusive and highly desirable styles of tonal coloration...\nThis all-in-one solution offers two separate channels which can be set up for dual mono, linked stereo or linked and unlinked M\/S operation. Integrated mix stages for parallel signal processing and the unique Color Control add to its remarkable flexibility.\nThe entire unit is designed with discrete class-A topology, so even the most lo-fi sounds will benefit from the karacter's high-end touch. Enhance your tracks or decimate eve- rything - It's a matter of karacter.\u003c\/p\u003e","brand":"ELYSIA","offers":[{"title":"Default Title","offer_id":51466788700479,"sku":"11677","price":1430.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/11677_full.jpg?v=1759899238"},{"product_id":"8040bpm","title":"8040BPM","description":"\u003cp\u003eThe Genelec 8040B studio monitor produces high SPL, low colouration and broad bandwidth in a modest enclosure. It contains drivers, matched power amplifiers, active crossover and protection circuitry. The 8040 Minimum Diffraction Enclosure (MDE™) and advanced Directivity Control Waveguide (DCW™) technologies provide superior frequency balance and neutral sound imaging in all production environments. 8040B features Genelec Intelligent Signal Sensing (ISS™) circuitry which switches the monitor to standby when no audio input is detected (ErP 2013 Directive).\u003c\/p\u003e\n\u003cp\u003eIts superior performance makes it ideal for many applications, such as music studios, post-production facilities, mobile vans, radio and TV broadcasting.\u003c\/p\u003e","brand":"GENELEC","offers":[{"title":"Default Title","offer_id":51466789290303,"sku":"11718","price":1649.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/11718_full.jpg?v=1759899318"},{"product_id":"dd4-drum-mic-pack","title":"DD4 Drum Mic Pack","description":"\u003cp\u003eEach microphone set consists of the M82 handling kick drum duties, the M80-SH on snare, and the M81-SH for toms. The DD4 ship in the heavy-duty hard shell FC80 flight case and include multiple drum mounts (M782, M784 and M785) and a SGMC-5R five-meter XLR cable with a right angle female connector for each microphone in the set.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eM80-SH\u003c\/b\u003e\nTELEFUNKEN Elektroakustik created the M80-SH for use on snare drum and vocal applications where a lower profile microphone with right angle XLR cable is needed. The M80-SH is the same exact circuit as the M80 Standard, housed in a shorter microphone body with a built-on stand mount. The wide frequency response and higher SPL capabilities of the M80-SH offer the user a superior alternative to the midrange-laden character of many of the industry's standard dynamic microphones. A tight cardioid polar pattern and a frequency response boasting a subtle rise in the high end result in a microphone that is equally suitable for snare drum, vocals or instruments on both the stage and the studio. The M80-SH is finished on both the headgrille and body with a durable, textured black powder coat.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eM81-SH\u003c\/b\u003e\nThe M81-SH was designed with the goal of developing a mic that would not only complement the M80-SH, but also stand out in a universe filled with dynamic microphone options. Building off many of the strengths of the M80, the TELEFUNKEN M81-SH retains the same minimal proximity effect, superior feedback rejection, and an articulate mid-range. However, with the M81-SH, the top end is pulled back a bit, yielding a flatter overall frequency response. This combination results in a microphone with a wealth of body and clarity, making it a great tool for fattening up toms, percussion and horns, or taming brighter vocals or thinner sounding sources. The M81-SH is identical to the M81 in circuit, but housed in a shorter microphone body with a built-on stand mount, and finished in a durable, textured dark gray powder coat on both the headgrille and body.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eM82\u003c\/b\u003e\nThe TELEFUNKEN Elektroakustik M82 is a robust large diaphragm end-address dynamic microphone that has been designed for kick drum and vocal broadcast applications. Hand-assembled in CT, USA, the M82 features two independently functioning EQ switches: KICK EQ and HIGH BOOST, which in turn offer four unique voices. The M82's KICK EQ switch engages a passive filter that reduces some of the lower mid-range frequencies (centered around 350Hz) commonly cut when processing a kick drum. The HIGH BOOST switch tilts the upper mid-range and high frequencies (starting around 2kHz with a 6dB boost by 10kHz) to allow for extra articulation. In the flat setting (both switches off), the M82 is equally suited for vocals, guitar amps, and brass.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAccessories\u003c\/b\u003e\nEach drum pack consists of the M782 Kick Drum Microphone Mount, an M784 and M785 Drum Mount, an SGMC 5 meter (16.4 feet) XLR Cable with right angle female XLR connector, and an HC85 Hard Shell Flight Case\u003c\/p\u003e","brand":"TELEFUNKEN","offers":[{"title":"Default Title","offer_id":51466789683519,"sku":"11725","price":2093.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/11725_full.jpg?v=1759899382"},{"product_id":"twin-pak","title":"Twin Pak","description":"\u003cp\u003eWhen the engineering team at Empirical Labs sets out to build a microphone preamp, you can be sure it'll deliver spectacular sound, be effortless to work, and will provide features unlike any other device in its class. To that end, we proudly present Mike-E, a high performance transformer-coupled mic preamp with a noise floor far below any microphone's self noise, combined with a one-of-a-kind compressor\/saturator circuit that delivers classic knee compression as well as versatile tonal 'coloring' that can replicate many of the best characteristics of vintage analog recording equipment.\n \nIn today's modern age of digital recorders, DAWs and software plug-ins, Mike-E is the ultimate solution for getting a clean and strong, yet warm and musical signal into the box...and it couldn't be easier to work - its front panel layout is so straight ahead that even inexperienced engineers will have no problem moving around on it right away.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMic Preamp\u003c\/b\u003e\nThis is a super low noise transformer input amplifier section with the gain under precise digital control. The signal to noise far exceeds any microphone in existence. Having used many mic preamps over the years, we've implemented a unique stepped gain control that should be impervious to the normal flakiness that age causes to pots and detented switches.  A \"Bad!\" LED indicates when the input signal is overloading the circuit.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCompSat\u003c\/b\u003e\nThe CompSat's unique circuitry sets the Mike-E apart from all other mic preamps.\n \n\u003c\/p\u003e\u003cli\u003eSATURATOR -  a multi stage soft-clipping circuit. At lower levels, a triode-type saturation affects the signal. As the level increases, a second unique clip circuit starts to more severely flatten out the peaks.\u003c\/li\u003e\u003cli\u003eCOMPRESSOR - based on ELI's world famous Distressor, but with other characteristics (including a much longer attack time).  Preset ratios include: 2:1, 4:1, 8:1...and, of course, Nuke.\u003c\/li\u003e\u003cli\u003eEMPHASIS - a two-stage circuit that boosts and soft clips high frequencies before the CompSat™ circuit, and then cuts the frequencies after it. Emphasis has the added perk of improving signal to noise, and is the reason analog tape decks used emphasis to begin with.\u003c\/li\u003e\u003cli\u003eMIX - provides \"parallel compression\" technique achieved by mixing between the compressed and the dry (or uncompressed) signal. This can often help maintain transients and a sense of dynamic range while enhancing the low level nuances.\u003c\/li\u003e \nOther features include a front panel instrument input that allows the unit to function as an ultra-clean Direct Box and stereo-linking capabilities. Mike-E can also be combined with an EQ (such as the ELI Lil FrEQ), transforming it into one of the most powerful, flexible and complete channel strips on the market.","brand":"EMPIRICAL LABS","offers":[{"title":"Default Title","offer_id":51466813374783,"sku":"12120","price":4549.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/12120_full.jpg?v=1759900910"},{"product_id":"nu-mu","title":"Nu Mu","description":"\u003cp\u003eThe Manley Nu Mu Stereo Limiter Compressor uses the special T-Bar mod tube front end of the legendary Variable Mu with same super smooth side chain and timing characteristics followed by a high voltage discrete and FET solid-state amplifying and output stage for a faster and punchier audio path. It is like a \"clean\" version of the Variable Mu, especially suited for modern digital and electronic music where you don't necessarily need to color or mask the sound like we did in the early days of digital.\u003c\/p\u003e\n\u003cp\u003eFeaturing Manley's new HIP function, the Manley Nu Mu finesses dynamic control to bring up lower level details without knocking the life out of exciting transients. Smartly engineered to build efficiently and esthetically designed to elicit ravishing compliments from your clients, both visually and ergonomically, the Manley Nu Mu breaks new ground in performance and value, all proudly hand-built in California, of course!\u003c\/p\u003e","brand":"MANLEY LABS","offers":[{"title":"Default Title","offer_id":51466820714815,"sku":"12223","price":4420.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/12223_full.jpg?v=1759901329"},{"product_id":"elop","title":"ELOP+","description":"\u003cp\u003eWell, for starters, we have now added a 3:1 compression ratio feature which opens up the doors to greater versatility, especially for 2-buss applications. The 2016 ELOP+ has been completely re-engineered from the ground-up, beginning with our amazing modern high voltage switching power supply purpose-designed for our vacuum tube audio circuits. With careful reference to our sonic past, we have deployed our highest performance vacuum tube line amplifier and White Follower output stage in this new version all housed in a build-efficient chassis behind a drop-dead gorgeous precision-CNC-milled faceplate, all proudly made in America, of course. The new Manley ELOP+ is everything you love about our legendary ELOP, plus!\u003c\/p\u003e","brand":"MANLEY LABS","offers":[{"title":"New","offer_id":51466820878655,"sku":"12224","price":4425.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/12224_full.jpg?v=1759901342"},{"product_id":"hlt2am","title":"HLT2AM","description":"\u003cp\u003eThe TUBE-TECH HLT 2A is an all-new kind of Equalizer, combining High and Low shelving Eq plus Hi and Low cut filters with an innovative T filter \"tilt\" midrange Eq. It's the first time this combination of filters has been designed in the analog domain.\u003c\/p\u003e\n\u003cp\u003eThe midrange T-Filter \"tilts\" the entire spectrum around a selectable midrange frequency point. Frequencies above that point increase (or decrease) while frequencies below that point decrease (or increase). This unique topology, provides a powerful and uniquely efficient way to get beautiful-sounding overall equalization. As such, the Tube-Tech HLT-2A is destined to become a \"go-to\" equalizer in high-end mastering houses,smaller project studios, and everything in between.\u003c\/p\u003e\n\u003cp\u003eLike all Tube-Tech processors, the stereo HLT-2A possesses a warmth and character that breathes life into a track and gives it an organic body that somehow manages to occupy real physical space inside a stereo mix.\u003c\/p\u003e\n\u003cp\u003eHowever, the functionality of the HLT-2A is unique in the Tube-Tech line \" and indeed in the world of analog processing. Users will find that the HLT-2A generates quick, intuitive results that can range from mild to extreme, and it sounds great on individual tracks or strapped across the drum bus or the mix bus.\u003c\/p\u003e\n\u003cp\u003eHLT 2A is a stereo unit, featuring active low and high shelving EQ and a passive T-filter plus passive Hi\/Lo cut filters. The shelving EQ's are designed around a high gain tube amplifier, and the T- filter and Hi\/Lo filters are passive filters placed after the active shelving EQ and before the output amplifier. All sections are supplied with a bypass switch. The HLT2A furthermore features an overall bypass switch.\u003c\/p\u003e\n\u003cp\u003eThe low and high cut filters are also passive with a slope of 6dB\/octave. A bypass switches the whole filter section out of the amplifier circuit, keeping the output stage in the circuit. The T-filter is like a seesaw. When the low end goes up, the high end goes down and visa versa.\u003c\/p\u003e\n\u003cp\u003eWhen the potentiometer is turned clockwise, the high frequencies are boosted and the low frequencies are attenuated. When the potentiometer is turned counter clockwise, the low frequencies are boosted and the high frequencies are attenuated.\u003c\/p\u003e\n\u003cp\u003eThe unit is all tube based except for the power supply, input and output have fully floating transformers and all DC voltages are stabilized, except the anode voltage for the output stage.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eHow Does It Sound\u003c\/b\u003e\nThe TUBE-TECH HLT 2A marks a different approach to EQ'ing. It is a very powerful overall shaping EQ, yet extremely simple to operate. Simply put, the HLT2A will yield good results for basically any material and application, ranging from the demanding mastering engineer to the sound quality hungry project studio owner. The combination of Hi and Lo shelf and Lo\/Mid frequency T just creates a ton of very nice EQ shaping possibilities!\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDescription\u003c\/b\u003e\nTUBE-TECH HLT 2A is a stereo unit, featuring low and high cut filters, low and high shelving filters and a T-filter. The shelving filters are designed around a high gain tube amplifier. The T-filter is a passive filter placed between the shelving filters and the output amplifier. All three sections are supplied with a in\/out switch. The low and high cut filters are also passive with a slope of 6dB\/octave.\u003c\/p\u003e\n\u003cp\u003eA bypass switches the whole filter section out of the amplifier circuit, keeping the output stage in the circuit. The T-filter is like a seesaw. When the low end goes up, the high end goes down and visa versa. When the potentiometer is turned clockwise, the high frequencies are boosted and the low frequencies are attenuated. When the potentiometer is turned counter clockwise, the low frequencies are boosted and the high frequencies are attenuated.\u003c\/p\u003e\n\u003cp\u003eThe unit is all tube based except for the power supply. Input and output have fully floating transformers. All DC voltages are stabilized, except the anode voltage for the output stage.\u003c\/p\u003e","brand":"TUBE-TECH","offers":[{"title":"Default Title","offer_id":51466853187903,"sku":"12794","price":8245.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/12794_full.jpg?v=1759903560"},{"product_id":"qb1-a","title":"QB1-A","description":"\u003cp\u003eThis is a Class-D active ATL speaker with analogue and digital inputs, featuring exceptional electro-mechanical engineering finessed by DSP control, and immense headroom (4825W per channel) wedded to pinpoint dynamics for unparalleled speed, depth, accuracy and power.\u003c\/p\u003e\n\u003cp\u003eWith a maximum SPL of 132dB at one metre and a quartet of 10-inch carbon fibre\/Nomex piston bass drivers, the QB1-A can certainly produce level - but not at the expense of accuracy or increased distortion. The cutting-edge on-board DSP provides driver unit optimisation, EQ and sophisticated crossover networks, while the wired RJ45 desktop control provides user-friendly access to user EQ settings via its backlit display and jog wheel, with the ability to store up to four user setup presets. Even the physical dimensions have been carefully considered: at 1092 x 820 x 520 millimetres (WHD), the QB1-A will retrofit into almost all existing studio soffits. Thanks to its ATL™ design, free-standing use has no impact on its effortlessly smooth bass response. Whether soffit-mounted or not, the QB1-A delivers the transparency, resolution, extended frequency response and wide, consistent imaging demanded by the international audio elite.\u003c\/p\u003e","brand":"PMC","offers":[{"title":"Default Title","offer_id":51466854105407,"sku":"12821","price":0.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/12821_full.jpg?v=1759903685"},{"product_id":"mb2s-passive-center","title":"MB2S Passive Center","description":"\u003cp\u003eThe MB2S allows higher SPL's without distortion and loss of definition normally associated with a device of its size. The distinctive MB2S includes the PMC 75 mid driver that has taken the limits of soft dome design and construction to its ultimate conclusion.\u003c\/p\u003e\n\u003cp\u003eThe Radial™ low frequency driver allows massive controlled excursions and avoids the effects of power compression, by cooling via its cast alloy exo-skeleton and new rear vented magnet.\u003c\/p\u003e\n\u003cp\u003eAs with all PMC models there is matching low profile centre channels (MB2S-C) and subwoofers for use in surround configuration (XB2S).\u003c\/p\u003e","brand":"PMC","offers":[{"title":"Default Title","offer_id":51466854596927,"sku":"12833","price":18350.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/12833_full.jpg?v=1759903716"},{"product_id":"8340apm","title":"8340APM","description":"\u003cp\u003eThe 8340A features Genelec MDE and DCW technologies, Class D amplification, a flow optimized reflex port, very high sound pressure level, low colouration and broad bandwidth as well as universal mains power supply. Fully backward compatible, the 8340A shares all technical attributes and outstanding benefits of all SAM Systems family-members such as Genelec AutoCal™ and Genelec Loudspeaker Manager (GLM™) control network technologies which allow adjustments of all aspects of monitor settings.\u003c\/p\u003e\n\u003cp\u003eCovering all possible analogue or digital audio applications, the 8340A is the most advanced monitoring solution for recording studios, post-production houses, digital edit suites, radio, TV and outside broadcasting. You can now focus all your creativity in the audio productions with a reliable monitoring tool, anywhere you are.\u003c\/p\u003e\n\u003cp\u003eThe 8300-601 GLMTM control software package is recommended.\u003c\/p\u003e","brand":"GENELEC","offers":[{"title":"Default Title","offer_id":51466855776575,"sku":"12850","price":2274.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/12850_full.jpg?v=1759903829"},{"product_id":"karacter","title":"Karacter","description":"\u003cp\u003eOn top of everything the 500 series module has to offer, the amazing special feature of the rack version is its CV capability: By feeding external control voltages into the karacter it is possible to modulate or recall its Drive and Mix parameter settings. Analog synth, MIDI-to-CV interfaces and many other kinds of sources can be used to feed the karacter with oscillators, value sweeps and setup changes.\u003c\/p\u003e","brand":"ELYSIA","offers":[{"title":"Default Title","offer_id":51466859282751,"sku":"12918","price":2080.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/12918_full.jpg?v=1759904214"},{"product_id":"the-swift","title":"The Swift","description":"\u003cp\u003eAs with other units of ours, such as The Phoenix, all controls are clearly labelled and setting up the eq is quick and easy, so we named it after Britain's fastest bird in level flight.\u003c\/p\u003e\n\u003cp\u003eThis two channel equaliser had been designed to be as much at home in tracking individual instruments or sitting across a stereo mix buss to equalise the final mix. As with other units of ours, such as The Phoenix, all controls are clearly labelled and setting up the eq is quick and easy, so we named it after Britain's fastest bird in level flight.\u003c\/p\u003e\n\u003cp\u003eTHE SWIFT utilises influences of 2 classic designs of the \"golden days\" of all valve recording with improvements to bring the specs up-to-date for today's pro use, plus added features of our own designs.\u003c\/p\u003e\n\u003cp\u003eThe main electronics are based around a 1950s EMI desk but with extended top and bass response. It had a BAXANDALL type active eq which we've kept and we added a Presence switch to give a broad band lift to mid\/hi frequencies. This is based on one invented by Vic Keary in 1963 and used in his own mixing desks.\u003c\/p\u003e\n\u003cp\u003eThe mid lift controls are based on the Pultec design and are passive. For speedy operation and economy we have chosen just 4 frequencies, with 3 \"Q\" settings.\u003c\/p\u003e\n\u003cp\u003eSpecial features of ours are Hi Pass Filter, Mid Cut and \"Air\" (all passive). An interesting (Pultec type) effect can be obtained by setting the High Pass Filter at its last setting which combines a shelving bass cut with a filter at very low frequency, then using plenty of bass lift at either 50 or 100 Hz.\u003c\/p\u003e\n\u003cp\u003eAll pots are continuously variable. We have chosen not to use indented ones for subtlety and reliability reasons.\u003c\/p\u003e\n\u003cp\u003eGain is on switches, for comparison purposes. BYPASS switch disconnects the electronics so you hear the unadulterated original signal. No metering is provided as it was deemed to be just a distraction. The Swift can output + 20 dBu without noticeable distortion and it's practically noiseless.\u003c\/p\u003e\n\u003cp\u003eAlthough The Swift is influenced by old designs, our electronic design is a great improvement on the old ones. There are only two valves per channel to keep colouration minimal. We use modern, specially designed, Sowter transformers and valves (tubes) not used before in this type of circuit. They simply sound better and the technical spec is outstanding. In all fairness to the original designers, these valves were probably not then available at the design stage so this gives us a little advantage!\u003c\/p\u003e","brand":"THERMIONIC CULTURE","offers":[{"title":"Default Title","offer_id":51466867147071,"sku":"13085","price":5895.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/13085_full.jpg?v=1759904873"},{"product_id":"mkh-8060","title":"MKH 8060","description":"\u003cp\u003eWhether it's a feature film, a documentary, an outdoor shoot or a studio production, the MKH 8060 will provide high quality sound to match your great pictures. Handily compact it shows its strengths as a professional shotgun microphone: The MKH 8060 delivers an absolute natural sound and outstanding off-axis linearity, attenuating sound coming from the side without coloration. Like all mics of the 8000-family it can be easily combined with the MZD 8000 digital module, turning it into a full-fledged digital microphone.\u003c\/p\u003e","brand":"SENNHEISER","offers":[{"title":"New","offer_id":51466867441983,"sku":"13103","price":2300.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/13103_full.jpg?v=1759904920"},{"product_id":"rc1","title":"rc1","description":"\u003cp\u003e\u003cb\u003eCompatible products\u003c\/b\u003e\nThe twotwo range of compact monitors and their associated subs\u003c\/p\u003e","brand":"PMC","offers":[{"title":"Default Title","offer_id":51466872291647,"sku":"13190","price":1170.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/13190_full.jpg?v=1759905392"},{"product_id":"512v","title":"512V","description":"\u003cp\u003eSonically, it delivers the instantly recognizable API sound at an affordable price, and in the scalable API 500 Series format. Offering an impressive 65 dB of gain, the 512v includes front panel Variable Output control, switchable 3:1 output transformer selection, phantom power, switchable polarity, -20 dB pad, and Mic or Instrument\/Line selector. The front panel Combo-style XLR and 1\/4 inch connector combined with rear panel mic access allows for additional flexibility when installed into an API lunchbox, API's 10 position 500V vertical rack, or into an API console.\u003c\/p\u003e\n\u003cp\u003eThe API 512v remains faithful to the circuit designs of API's founder Saul Walker. Artfully combining those circuits with API's proprietary transformers and the incomparable 2520 op-amp, the 512v is a highly musical and rich-sounding analog mic pre, equally at home in commercial recording spaces as it is in smaller home studios. Fully featured and still hand assembled, the 512v exhibits the reliability, long life, and uniformity which are characteristic of all API products.\u003c\/p\u003e","brand":"API","offers":[{"title":"Default Title","offer_id":51466873241919,"sku":"13225","price":1375.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/13225_full.jpg?v=1759905500"},{"product_id":"3124v","title":"3124V","description":"\u003cp\u003eAdditionally, the 3124V offers Variable Output Level Control and switchable 3:1 output transformer selection. The unit has an internal 48-volt phantom power supply, which is switchable for each channel, as well as -20dB pad switches that affect both the mic and Hi-Z instrument inputs, both located on the front panel.\u003c\/p\u003e\n\u003cp\u003eThe 3124V also features up to 65dB of gain. Additionally, the Hi-Z front panel inputs feed directly to the op amps, which allow a low level input such as a guitar or bass to be amplified without a matching transformer or direct box. These Hi-Z inputs can take levels as high as +20dBu, making them perfect for keyboards and other high level devices. The mic preamp outputs are on rear panel male XLR connectors.\u003c\/p\u003e","brand":"API","offers":[{"title":"Default Title","offer_id":51466881892671,"sku":"13431","price":4545.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/13431_full.jpg?v=1759906502"},{"product_id":"3124mv","title":"3124MV","description":"\u003cp\u003eThe 3124MV is designed with the professional engineer in mind, it gives four channels of the highest possible quality mic preamp. However, the 3124MV provides an additional audio mixer with a transformer balanced output, keeping the unit size and price reasonable.\u003c\/p\u003e\n\u003cp\u003eThe 3124MV utilizes the same microphone preamp circuit that is used in all API consoles. It uses the RE-115 K mic input transformer along with the same output transformer that is used in API equalizers. The unit offers Variable Output Level Control, switchable 3:1 output transformer selection, and an internal 48-volt phantom power supply, which is front panel switchable for each channel. Also provided is a front panel -20 dB pad switch that affects both the mic and line in. A 1\/4\" phone jack is available on the rear panel for each channel as an insert tip-send\/ ring-return placed between the mic pre amp output and the mixer input.\u003c\/p\u003e\n\u003cp\u003eThe 3124MV provides up to 65 dB of gain. The Hi-Z front panel input goes directly to the op-amp, allowing a low level input such as a guitar or bass to be amplified without a matching transformer or direct box. This Hi-Z input can accept input levels as high as +20 dBu, making it perfect for keyboards and other high level devices. The rear output is an XLR connector.\u003c\/p\u003e\n\u003cp\u003eAdditionally, the 3124MV adds a stereo panner with a level control, and a post \"fader\" aux send. The stereo panners and the aux sends are bussed to master output controls and then to the rear panel jacks. A stereo AUX return is provided to return effects or cascade additional mixers for more inputs. The unique stereo aux return control acts to balance the left\/right signal, yet staying stereo. It can also be used as a mono return.\u003c\/p\u003e","brand":"API","offers":[{"title":"Default Title","offer_id":51466881958207,"sku":"13432","price":5235.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/13432_full.jpg?v=1759906513"},{"product_id":"mpressor-500","title":"Mpressor 500","description":"\u003cp\u003eThe Mpressor 500 brings the heritage of our extremely powerful rack mount mpressor into the 500 series format. Like its bigger brother, the mpressor 500 combines serious punch with a full and detailed class-A sound. Its great tone and flexibility make it an excellent choice for recording and mixing, while its remarkable special features take it far beyond the borders of what normal compressors can do.\u003c\/p\u003e\n\u003cp\u003eExtreme time constants, negative ratios, \"antilog\" release and elysia's innovative gain reduction limiter provide a whole spectrum of unique dynamics shaping options. A new feature of the 500 series module is its switchable THD boost allowing on-the-fly signal coloration and saturation effects capable of delivering a grittier flavor.\u003c\/p\u003e\n\u003cp\u003eIts massive sound, next generation features and its creative approach make the mpressor 500 a truly outstanding tool in the world of dynamics processing - the compressor from the future.\u003c\/p\u003e","brand":"ELYSIA","offers":[{"title":"Default Title","offer_id":51466882023743,"sku":"13433","price":1070.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/13433_full.jpg?v=1759906524"},{"product_id":"m905-analog","title":"m905 Analog","description":"\u003cp\u003eThe is our second generation stereo monitor controller, engineered from the ground up to provide unrivaled sonic purity with a comprehensive and powerful feature set.\u003c\/p\u003e\n\u003cp\u003eThe m905 Analog is now available without the built in DAC. This system is offered for users who already have an investment in DACs, whether stand-alone or built into their interface. System configuration is exactly the same, with all the same great monitoring features, except no digital inputs and an second pair of balanced analog inputs. The m905 Analog brings this world class performance into reach of almost any engineer or recording studio. Also, users can always upgrade their m905 Analog to the Digital version at anytime.\u003c\/p\u003e","brand":"GRACE DESIGN","offers":[{"title":"New","offer_id":51466889363775,"sku":"13588","price":4595.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/13588_full.jpg?v=1759907345"},{"product_id":"8341apm","title":"8341APM","description":"\u003cp\u003eHigh headroom three-way with unbelievable imaging. The 8341A is the point source monitor with the perfect blend of size and performance.\u003c\/p\u003e\n\u003cp\u003eSmart Active Monitor (SAM™) Systems\n \nMinimum Diffraction Coaxial (MDC™) Driver Technology\u003c\/p\u003e","brand":"GENELEC","offers":[{"title":"Default Title","offer_id":51466906173759,"sku":"13854","price":4349.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/13854_full.jpg?v=1759908866"}],"url":"https:\/\/www.economik.com\/collections\/0-financing.oembed","provider":"Studio Economik","version":"1.0","type":"link"}