{"title":"A-Designs","description":"","products":[{"product_id":"hammer-2","title":"HAMMER 2","description":"\u003cp\u003eWith an overall frequency range covering 30Hz to 40kHz, the HAMMER 2 couldn't be easier to use. Each channel features six detented rotary controls: three frequency selector knobs (Lo, Mid, Hi), which are stepped switches for easy recall, each with an accompanying gain knob providing continuously variable boost or cut of 12dB. Each band has a selectable center frequency and overlaps with the other bands in such a way that makes for a seamless transition throughout the entire spectrum.\u003c\/p\u003e\n\u003cp\u003eBoth channels also feature individual toggle switches for EQ In\/Out as well as Lo Cut (84Hz) and Hi Cut (8kHZ), filters that allow engineers to perform utilitarian EQ chores while still being able to bring the full power of the HAMMER 2's three bands to bear. Mainly intended as a \"broad stroke\" equalizer, the product's bandwidth (Q) is self-adjusting (floating), based on a combination of the amount of gain applied and the dynamics and frequency content of the program material.\u003c\/p\u003e\n\u003cp\u003eThe HAMMER 2's unique ability to have its Q \"move with the music\" is one the keys to its incredible musical performance and another reason why it's practically impossible to make signals sound bad at any frequency or gain setting. Along with its innovative tube-harmonic filtering circuit, a pair of carefully selected 12AT7 tubes-offering the most consistent control of any tube-and a custom, heavy-duty toroidal power transformer add the final touches to the HAMMER 2's signal path.\u003c\/p\u003e\n\u003cp\u003eLike its sibling-A-Designs Audio's NAIL compressor-the HAMMER 2 features a black, custom-milled, brushed 2U faceplate sporting custom-milled aluminum control knobs, a heavy-duty Carling toggle power switch, and a big blue jewel power indicator lamp-overall, a stunning combination of \"modern-retro\" looks that jump out of the rack.\u003c\/p\u003e\n\u003cp\u003e\"The HAMMER 2 is an inspired design whose sonic signature is far greater than the sum of its components,\" Montessi adds. \"Equally at home in tracking applications or as an insert effect on individual channels, the product is the ultimate full-range finishing device for submixes and master outputs. After all, what audio toolbox would be complete without a HAMMER 2\"\u003c\/p\u003e","brand":"A-DESIGNS","offers":[{"title":"Default Title","offer_id":51466719068479,"sku":"12783","price":3585.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/12783_full.jpg?v=1760017548"},{"product_id":"reddi-v2","title":"REDDI V2","description":"\u003cp\u003eThe number of A-Designs REDDIs in use on stages and studios all over the world is nothing short of staggering. Quite simply, there is no better sounding way to convert an instrument, or line level signal, to XLR.\u003c\/p\u003e\n\u003cp\u003eThe same tone and sound from the REDDI is now available in a dual mono 2RU rack mount version.  Designed with the help of top studio engineers and bass players, REDDI-v2 has been widely praised by engineers and musicians all over the world as the best-sounding DI solution on the market today.\u003c\/p\u003e\n\u003cp\u003eIt is important to note that the REDDI-v2 is not a high-gain device! Its gain structure has been painstakingly engineered to avoid the slightest compromise in sound quality. Inspired by the glorious sound of the Ampeg B-15 tube bass amp, the REDDI-v2 6N1-P tube-driven amplifier feeds signal directly into a hefty custom output transformer by Cinemag - a key component to providing a harmonically rich tone. The REDDI-v2's extremely wide frequency range (20Hz to 60kHz) prevents in-band phase shift, resulting in outstanding detail and realism. Another major benefit of its wide bandwidth is the prevention of LF phase shift by maintaining a linear response extending below the audible bass range, insuring a full, natural sound.\u003c\/p\u003e\n\u003cp\u003eThe REDDI-v2's distinctive bright red steel chassis sports 2 front-panel Neutrik XLR\/1\/4\" combo input jacks, 2 balanced XLR outputs, and 2 1\/4\" thru-puts, for sending signal to a bass amp - not only useful for live applications, but also for simultaneously recording direct and miked amp tracks in the studio.  A 0-16dB-Level control and a Red LED power indicator complete the front panel controls. The back panel contains a heavy-duty toggle switch for ground lift, along with the IEC power outlet.\u003c\/p\u003e\n\u003cp\u003eThe REDDI-v2 all-tube circuitry will enhance the character of any electrified instrument that runs through it -- not just bass -- but stereo keyboards, as well. Plug the pickup of an acoustic guitar through REDDI-v2 to add depth and fullness to its tone.  Capture and improve all the richness and life of an electric piano or analog synthesizer. Warm up sterile sounding digital keyboards or drum machines by strapping a REDDI-v2 across their outputs - for stereo!  The uses are endless.\u003c\/p\u003e","brand":"A-DESIGNS","offers":[{"title":"Default Title","offer_id":51466813112639,"sku":"12109","price":2195.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/12109_full.jpg?v=1759900877"},{"product_id":"pacifica","title":"Pacifica","description":"\u003cp\u003e\u003cb\u003e\"Big Iron\" Sound of the 70's - Unbelievable Bandwidth\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThe 1970s was a time of great change in pro audio. The introduction of solid-state electronics led to an explosion in  development and a very different sound than the tube gear of previous decades. The recording console in a high-end 1970s  studio was likely a Neve, an API, or a Quad Eight. These companies set the standards for audio quality \" with a unique  sound firmly imprinted on the popular recordings of the era.\u003c\/p\u003e\n\u003cp\u003eDesigned, built, and extensively \"ear-tested,\" by long-time recording industry veterans, the A Designs Pacifica takes its sonic  signature and name from the revered Quad Eight mixing console. However, the A-Designs Pacifica has a sound and  character all its own. Praised by top professionals for having the depth of a Neve, the midrange of an API and the high-end  of a Massenburg, the Pacifica has firmly established itself as the go-to preamp for an impressive list of Grammy-winning and  platinum-selling engineers and producers.\u003c\/p\u003e\n\u003cp\u003eThe streamlined feature set of the Pacifica delivers exactly what an audio professional needs to quickly record high-quality  tracks. Paying homage to the color scheme of the Quad Eight Pacifica console, the hand-crafted A Designs Pacifica sports a  rich, cream-colored finish with solid feeling red metal gain knobs, a red +48V phantom power push button with red LED  indicator, and grey push buttons for phase reverse and \"20dB pad - all giving the Pacifica a look reminiscent of California  girls, beach boys, and classic Woodies.\u003c\/p\u003e\n\u003cp\u003eIt also has two front-panel Hi-Z instrument inputs, but - just like a classic Woody - it's what's under the Pacifica's hood that  gives the Direct Inputs their distinctive sound. Unlike other preamps, Pacifica's DIs are routed through the input transformer,  passing signal through two transformers for added depth and richer tone....and these aren't just any transformers! They're  custom-designed input and output transformers built by Tom Reichenbach of Cinemag (whose father Ed built the  transformers for the original Quad Eight desks). The output transformers are custom wound and share the same design as  those found in the original Quad Eight.  The input transformers, however, are pure, proprietary A-Designs.\u003c\/p\u003e\n\u003cp\u003eAnother major component of Pacifica's stellar sound is its extreme bandwidth, ranging from way down at 9Hz all the way up  to 101kHz with  \u0026lt;1% distortion!  Along with the custom transformers, the linear response down below 10Hz provides the big,  punchy sound for which the Pacifica has become a contemporary classic. It also provides harmonic content well above the  range of human hearing, reducing in-band phase shift for more realism, along with the added benefit of delivering more  harmonic information to work with...turning your EQ into a creative tool rather than a corrective one.\u003c\/p\u003e\n\u003cp\u003eWhile some may believe the glory days of recording are over, Pacifica is living proof that they've never left us, and better  days are still ahead! Put an A-Designs Audio Pacifica in your rack, and hear the difference.\u003c\/p\u003e","brand":"A-DESIGNS","offers":[{"title":"Default Title","offer_id":51468381716799,"sku":"2719","price":3295.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/2719_full.jpg?v=1759882251"},{"product_id":"atty","title":"ATTY","description":"\u003cp\u003eATTY's attractive price point and tiny footprint (4-1\/2\" x 1-1\/2\" x 3\") makes it a highly versatile and convenient solution for many applications.  Suitable for use in any world-class recording facility, it can also serve as a cost-effective solution to more than a few problems faced by project studio owners, and is an invaluable addition to just about any live or remote broadcast rig.\u003c\/p\u003e\n\u003cp\u003eATTY's interface is simplicity personified. Housed in a rugged metal enclosure, it has two Neutrik XLR\/balanced 1\/4\" combo jacks and two balanced XLR outputs that deliver noise-free operation. A single convenient knob controls both output channels, and a Mute button lets you easily silence your source without having to change a dialed-in level.\u003c\/p\u003e\n\u003cp\u003eATTY's passive design allows it to be used in a plethora of applications, the most common being control of any line-level output device...but wait - there's more! Say you're recording kick drum and snare with an API 3124. The input gain is set at the sweet spot...but, due to the API's hot output, you need a touch of attenuation to protect your converters from clipping, and you don't want to change sound quality by using its pads or record with compression. ATTY is the answer.  Another useful application is wiring an ATTY in line with a stereo tube preamp (such as the A-Designs MP-2A) and exploring different in\/out level combinations without overloading other gear. It's also a handy device for maintaining level control of powered monitors that have a separate volume control on each speaker. Once you calibrate your monitors to equal levels, you need never touch them again.\u003c\/p\u003e\n\u003cp\u003eIf you find yourself in situations where more than two inputs and outputs require level control, be sure to check out ATTY's rack mountable big brother, the six-channel ATTY2'D.\u003c\/p\u003e\n\u003cp\u003eAdd an ATTY or two to your live or studio setup today.  You won't believe how much bang you get for your buck.\u003c\/p\u003e","brand":"A-DESIGNS","offers":[{"title":"New","offer_id":51468381782335,"sku":"2742","price":170.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/2742-4_full.jpg?v=1765230953"},{"product_id":"reddi","title":"REDDI","description":"\u003cp\u003eThe number of A-Designs REDDIs in use on stages and studios all over the world is nothing short of staggering. Quite simply, there just is no better sounding way to convert an instrument or line level signal to XLR.\u003c\/p\u003e\n\u003cp\u003eDesigned with the help of top studio engineers and bass players, REDDI has been widely praised by engineers and bassists all over the world as the best-sounding DI solution on the market today.\u003c\/p\u003e\n\u003cp\u003eIt is important to note that the REDDI is not a high-gain device! Its gain structure has been painstakingly engineered to avoid the slightest compromise in sound quality. Inspired by the glorious sound of the Ampeg B-15 tube bass amp, REDDI's 6N1-P tube-driven amplifier feeds signal directly into a hefty custom output transformer by Cinemag - a key component to providing a harmonically rich tone.\n \nREDDI'S extremely wide frequency range (20Hz to 60kHz) prevents in-band phase shift, resulting in outstanding detail and realism. Another major benefit of its wide bandwidth is the prevention of LF phase shift by maintaining a linear response extending below the audible bass range, insuring a full, natural sound.\u003c\/p\u003e\n\u003cp\u003eREDDI'S distinctive bright red steel chassis sports a front-panel Neutrik XLR\/1\/4\" combo input jack, balanced XLR output, and a 1\/4\" thru-put, for sending signal to a bass amp - not only useful for live applications, but also for simultaneously recording direct and miked amp tracks in the studio.  A 0-16dB-Level control and a bright blue LED power indicator complete the front panel controls.  On the back panel are heavy-duty toggle switches for power and ground lift, along with the IEC power outlet.\u003c\/p\u003e\n\u003cp\u003eThe REDDI's all-tube circuitry will enhance the character of any electrified instrument run through it - not just bass! Plug the pickup of an acoustic guitar through REDDI to add depth and fullness to its tone.  Capture and improve all the richness and life of an electric piano or analog synthesizer.  Warm up sterile sounding digital keyboards or drum machines by strapping a REDDI across their output.\u003c\/p\u003e","brand":"A-DESIGNS","offers":[{"title":"New","offer_id":51468412911935,"sku":"4360","price":1349.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/4360_full.jpg?v=1759885048"},{"product_id":"hm2-compressor-nail","title":"HM2 Compressor Nail","description":"\u003cp\u003eThe A-Designs NAIL is one of the most musical yet transparent compressors ever manufactured.  Housing hand selected tube circuitry and top-shelf components specifically chosen to best compliment and enrich the extended bandwidth of state of the art recording and mixing tools, the Nail is completely at home strapped across the main outs of hardware mixers or breathing analog warmth into DAW setups. While it has the ability to add character to any sound, it can also control dynamics very subtly in the background; and, unlike most compressors, the NAIL can be hit really hard without having the top end dragging down. Being able to switch from linked stereo to dual mono makes it a perfect tracking compressor as well; or, on a stereo mix, using dual mono with different settings on each side can have the effect of making the mix sound wider.\u003c\/p\u003e\n\u003cp\u003eThe NAIL's unique combination of Threshold, Hard Threshold, and Filter allow precise control over the amount of compression, the level at which it will engage, and the frequencies above which it will act.  There is no need for a Ratio control - it is continuously self-adjusting in response to program material.  With Hard Threshold disengaged, Threshold increases gain reduction (like an LA2A), the attack and release controls don't do much, and the NAIL becomes a model of simplicity - set its threshold and gain, and let the NAIL work its magic.  For finer control, Hard Threshold opens up a world of compression-\/envelope-shaping possibilities. Like the hard knee of a traditional compressor, Hard Threshold works in conjunction with the Filter - a variable HPF continuously tunable from 8Hz to 250Hz. Once the Hard Threshold is crossed, the NAIL will apply desired compression above the selected frequency and less to the frequencies below, preventing higher energy bass frequencies from triggering unwanted compression and ducking the entire mix. The Filter can also be used to enhance bottom end for bass-heavy music without throwing the mix's entire frequency spectrum out of whack, as a multi- band compressor often does.\u003c\/p\u003e\n\u003cp\u003eThe HM2's remaining continuously variable controls - Attack, Release, and Gain - function as expected; however, Attack and Release are dependent on the settings of the Hard Threshold and also respond dynamically to program material, making for a more flexible and musical performance than traditional \"once size fits all\" attack\/release circuits.  Other toggleable functions include In\/Out for quick A\/B comparison; Stereo Link On\/Off; and the ability to switch the NAIL's LED dual metering ladder (chosen for it's ultra fast response and the ability to see it clearly from across a dark-lit control room) from Gain Reduction to Level. Another one of the NAIL's incredibly cool features is its Mix knob, which provides continuously variable control between direct (dry) and compressed signal, enabling you to apply parallel compression to a sub-mix without losing two aux send\/return or mixer channels.\u003c\/p\u003e\n\u003cp\u003eHaving the capacity to easily reduce the amount of compression being applied without changing the settings or sound of the compressor is unbelievably useful - it's a mystery why more compressors don't have it. As its name suggests - whether it's transparently controlling dynamics while getting tracks into your DAW or hardware recorder, squashing sounds to give them more character, or putting the finishing touches on a final mix....the A-Designs HM2 Compressor Nails it!\u003c\/p\u003e","brand":"A-DESIGNS","offers":[{"title":"Default Title","offer_id":51468454658367,"sku":"6693","price":4075.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/6693_full.jpg?v=1759888244"},{"product_id":"p1","title":"P1","description":"\u003cp\u003eIt has a big low end, slightly forward midrange and extended highs. If you're a fan of the Quad Eight or API sound, you'll love the P-1!\u003c\/p\u003e\n\u003cp\u003eIt shines on vocals, instruments, room mics, piano, and on instruments with sharp transients such as drums and various percussion instruments.\u003c\/p\u003e\n\u003cp\u003eIf you're building a lunchbox with drum recording in mind, a pair of P-1s is a superb choice for overheads when you want to capture the entire kit - especially the sizzle of the cymbals.\u003c\/p\u003e","brand":"A-DESIGNS","offers":[{"title":"Default Title","offer_id":51468459868479,"sku":"7135","price":1275.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/7135_full.jpg?v=1759888704"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/collections\/A_Designs_Brand_Banner_Logo_Black.svg?v=1777396626","url":"https:\/\/www.economik.com\/collections\/a-designs.oembed?page=2","provider":"Studio Economik","version":"1.0","type":"link"}