{"title":"Buzz Audio","description":"","products":[{"product_id":"dbc-20","title":"DBC-20","description":"\u003cp\u003eThe DBC-20 audio path uses our Class A discrete amplifier design in a balanced configuration from input to output, but for extra colour in this unit, we have a radio steel laminated transformer of our own design to couple into the diode bridge element. This overall combination produces a desirable compression character that can best be described as tight, colourful and rich with harmonics.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDYNAMIC RATIO POWER\u003c\/b\u003e\nIn the style of compressors from the 60's, the DBC-20 incorporates a self-adjusting ratio whereby the compression ratio is progressively increased with deepening gain reduction. This feature allows for the control of very dynamic signals (such as vocals) in a seamless fashion and is also a very desirable characteristic when used on complex percussive material.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eOPERATIONAL EASE\u003c\/b\u003e\nThis compressor is easy to get happening with six switched attack and release times covering a wide range, including an interesting auto release mode. Big knobs are provided for the amount of compression and the output gain control. The compressor can be switched to a Soft mode whereby dynamic peaks are partially retained. Another switch introduces a high pass filter to the side chain to lower compression sensitivity at low frequencies which is useful on the mix bus. The large knobs with pointers allow for accurate resetting of the compressor and the fast response 15 LED bar graph meter accurately displays gain reduction.\u003c\/p\u003e","brand":"BUZZ AUDIO","offers":[{"title":"Default Title","offer_id":51466769367359,"sku":"11214","price":2035.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/11214_full.jpg?v=1759897741"},{"product_id":"soc-m","title":"SOC-M","description":"\u003cp\u003eWe have also adjusted the RATIO's to suit mastering tasks and all the ratio's feature our famous \"soft knee\" characteristic. The SOC-M signal path utilizes our Class A discrete BE41 transistor amplifiers powered by a special low impedance power supply for vibrant sonic detail. As standard, the SOC-M is fitted with a Lundahl LL1517 output transformer providing a nice sheen to the sound. The unit is also available with a transformerless output option.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eanalog mid-side processing\u003c\/b\u003e\nBut not only is the Buzz Audio SOC-M a stereo compressor, it also incorporates a Mid-Side (or sum and difference) encoder and decoder which is a very powerful mastering tool. When set to MS mode, signals that are common to left and right are processed by Channel A and the left to right difference signals by Channel B. Check out the SOC-20 audio samples to see how powerful this process can be. In addition, when set to MS mode, the mid and side signals are available as balanced outputs on the rear panel insert send XLR's\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eside chain design\u003c\/b\u003e\nAt the flick of a switch, a 12dB\/octave high pass filter at 170Hz reduces the compressor sensitivity to low frequencies for more bass punch. We have also included a fully balanced side chain insert point so you can add additional equalisation to the compressor characteristic. The side chain monitor function allows you to hear what is returning into the insert point (the side chain) and you can also monitor the mid or side signals when the compressor is used in MS mode.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003edynamic range control\u003c\/b\u003e\nThe 5 ratio settings feature a soft knee characteristic whereby the selected ratio is only actually acheived at 10dB of gain reduction. Therefore very gentle compression is available when using 2:1 and 3:1 and even 10:1 is usable for material that needs stronger dynamic control. The unique differential side chain circuit of the SOC-M splits the audio into positive and negative waveform and processes it separately (attack and release parameters) with the resulting balanced signal controlling the Buzz Audio BE45 electro-optical attenuator. There are 5 compressor attack settings and 6 release settings that cover a wide range of response possibilities. In addition, our clever auto modes produce very musical results. The auto attack adapts to incoming audio rise time, and the auto release will decay quickly from short impulses but longer from sustained or low frequency signals.\u003c\/p\u003e","brand":"BUZZ AUDIO","offers":[{"title":"Default Title","offer_id":51467036000575,"sku":"16099","price":3990.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/16099_full.jpg?v=1759922135"},{"product_id":"soc-m-blk","title":"SOC-M-BLK","description":"\u003cp\u003eWe have also adjusted the RATIO's to suit mastering tasks and all the ratio's feature our famous \"soft knee\" characteristic. The SOC-M signal path utilizes our Class A discrete BE41 transistor amplifiers powered by a special low impedance power supply for vibrant sonic detail. As standard, the SOC-M is fitted with a Lundahl LL1517 output transformer providing a nice sheen to the sound. The unit is also available with a transformerless output option.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eanalog mid-side processing\u003c\/b\u003e\nBut not only is the Buzz Audio SOC-M a stereo compressor, it also incorporates a Mid-Side (or sum and difference) encoder and decoder which is a very powerful mastering tool. When set to MS mode, signals that are common to left and right are processed by Channel A and the left to right difference signals by Channel B. Check out the SOC-20 audio samples to see how powerful this process can be. In addition, when set to MS mode, the mid and side signals are available as balanced outputs on the rear panel insert send XLR's\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eside chain design\u003c\/b\u003e\nAt the flick of a switch, a 12dB\/octave high pass filter at 170Hz reduces the compressor sensitivity to low frequencies for more bass punch. We have also included a fully balanced side chain insert point so you can add additional equalisation to the compressor characteristic. The side chain monitor function allows you to hear what is returning into the insert point (the side chain) and you can also monitor the mid or side signals when the compressor is used in MS mode.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003edynamic range control\u003c\/b\u003e\nThe 5 ratio settings feature a soft knee characteristic whereby the selected ratio is only actually acheived at 10dB of gain reduction. Therefore very gentle compression is available when using 2:1 and 3:1 and even 10:1 is usable for material that needs stronger dynamic control. The unique differential side chain circuit of the SOC-M splits the audio into positive and negative waveform and processes it separately (attack and release parameters) with the resulting balanced signal controlling the Buzz Audio BE45 electro-optical attenuator. There are 5 compressor attack settings and 6 release settings that cover a wide range of response possibilities. In addition, our clever auto modes produce very musical results. The auto attack adapts to incoming audio rise time, and the auto release will decay quickly from short impulses but longer from sustained or low frequency signals.\u003c\/p\u003e","brand":"BUZZ AUDIO","offers":[{"title":"Default Title","offer_id":51467036361023,"sku":"16103","price":3990.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/16103_full.jpg?v=1759922173"},{"product_id":"ma-2-2b","title":"MA-2.2B","description":"\u003cp\u003eSo what is new in the MA2.2B:\nFunctions are now controlled with illuminated push button switches with \"clickless\" operation, no more thumps on the output.\u003c\/p\u003e\n\u003cp\u003eThe gain pot has been replaced with a calibrated 24 position Elma switch for accurate stereo matching between channels.\nWe have added a useful 19 segment peak output level meter. But, the original audio and power supply design of the MA-2.2 has been retained.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ebuzz audio heritage\u003c\/b\u003e\nacoustic guitar mic preamp Designed to provide transparent amplification to reveal the true source, they do not come any better than this. If you wish to record your sounds with the utmost warmth and clarity possible, you have found the tool for the job. And it's not just us blowing our trumpet here, it's what hundreds of users have told us over the years since we began building the very first MA-2 back in 1993, (re-vamped as the MA2.2 in 1999). The MA2.2B is a very high end product designed without low price as a primary goal, so it is an investment for sure. However, the high standard of workmanship and meticulously engineered construction means it will last a life time - something our users who purchased 20 years ago now experience.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eaudio path quality\u003c\/b\u003e\nThe circuitry used in the MA-2.2B preamp was developed by Buzz Audio designer Tim Farrant in the 1990's and was dubbed \"True Class A\". The resulting BE40 series of amplifiers exhibit very wide frequency response (into the mega-hertz ) and ultra fast slew rates (140V\/uS) even at 60dB of gain. These attributes, plus the inherently low distortion provide the exceptionally pure top end sound of the MA-2.2B. In addition, the over engineered power supply design with localized Class A regulators for each amplifier stage supplies the grunt needed for an authoritive and accurate bottom end - it sounds tight and never over blown. Instead of an input transformer we use a stack of Wima film capacitors and these do not exhibit the low frequency phase problems associated with transformers, and sound MUCH better than polarized capacitors found in competing high end products.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eapplications galore\u003c\/b\u003e\nAs many of our users have discovered, the MA-2.2B sounds amazingly vibrant when recording acoustic guitar and percussion. It is equally at home on vocal and piano duties - and you will be very surprised how tight a kick drum can sound using this preamp - no more bouncing balls! Stringed instruments, choirs and full orchestras will be reproduced with the full dynamic range they require with zero midrange harshness. One could say, this preamp records everything with an uncanny life-like accuracy. It is virtually uncolored but exhibits a huge amount of vibe and musicality. The low reactance Wima capacitor input stage stack matches well with all microphone types and the noise specification is within 0.5dB of the theoretical minimum possible, so ribbon, capacitor and dynamic mics' are no problem for this preamp. Indulge yourself!\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003econtrols and functions\u003c\/b\u003e\n\u003cb\u003eGAIN dB \u003c\/b\u003e- a 24 position Elma audio switch to set the gain of the preamp between +14 to +66dB.\n\u003cb\u003eMUTE \u003c\/b\u003e- when engaged, the audio output of the MA2.2B is switched off. On power up, the mute is always engaged to avoid thumps on the output.\n\u003cb\u003e-20dB \u003c\/b\u003e- when engaged, a 20dB resistive pad is inserted right at the input to cater for high input level signals.\n\u003cb\u003eØ REV\u003c\/b\u003e - when engaged, the polarity or phase of the input signal is reversed.\n\u003cb\u003eLO-Z\u003c\/b\u003e - changes the mic input loading from 3k ohms to 1k ohms, which can change the overall tone of the connected microphone.\n\u003cb\u003e48V \u003c\/b\u003e- when engaged 48V phantom power is supplied to the connected microphone. Note you need to hold this switch down for a few seconds to change it. On power up it is always set to off.\n\u003cb\u003ePOWER \u003c\/b\u003e- A handy power on\/off switch and associated power led, conveniently located on the front panel!\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eoptions\u003c\/b\u003e\naudio output transformer As standard the MA-2.2B has an unbalanced output, avoiding the extra stages required for the balanced function so as to keep the signal path as simple as possible. If you treat the output of the MA2.2B as balanced, you should have no problem with interconnection to other equipment. The unit can however be supplied or retrofitted with high spec Lundahl LL1517 output transformers. When the transformers are fitted, the direct unbalanced output is still available on the rear panel via a 1\/4\" jack socket. When fitted, the transformer add a bit more warmth to the sound. (We can also offer the Lundahl amorphous core LL1684 transformer to special order).\u003c\/p\u003e\n\u003cp\u003eThe MA2.2B is available with a grey (silver) or black face plate.\u003c\/p\u003e","brand":"BUZZ AUDIO","offers":[{"title":"Default Title","offer_id":51467036426559,"sku":"16104","price":2935.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/16104_full.jpg?v=1759922183"},{"product_id":"ma-2-2b-blk","title":"MA-2.2B-BLK","description":"\u003cp\u003eSo what is new in the MA2.2B:\nFunctions are now controlled with illuminated push button switches with \"clickless\" operation, no more thumps on the output.\u003c\/p\u003e\n\u003cp\u003eThe gain pot has been replaced with a calibrated 24 position Elma switch for accurate stereo matching between channels.\nWe have added a useful 19 segment peak output level meter. But, the original audio and power supply design of the MA-2.2 has been retained.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ebuzz audio heritage\u003c\/b\u003e\nacoustic guitar mic preamp Designed to provide transparent amplification to reveal the true source, they do not come any better than this. If you wish to record your sounds with the utmost warmth and clarity possible, you have found the tool for the job. And it's not just us blowing our trumpet here, it's what hundreds of users have told us over the years since we began building the very first MA-2 back in 1993, (re-vamped as the MA2.2 in 1999). The MA2.2B is a very high end product designed without low price as a primary goal, so it is an investment for sure. However, the high standard of workmanship and meticulously engineered construction means it will last a life time - something our users who purchased 20 years ago now experience.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eaudio path quality\u003c\/b\u003e\nThe circuitry used in the MA-2.2B preamp was developed by Buzz Audio designer Tim Farrant in the 1990's and was dubbed \"True Class A\". The resulting BE40 series of amplifiers exhibit very wide frequency response (into the mega-hertz ) and ultra fast slew rates (140V\/uS) even at 60dB of gain. These attributes, plus the inherently low distortion provide the exceptionally pure top end sound of the MA-2.2B. In addition, the over engineered power supply design with localized Class A regulators for each amplifier stage supplies the grunt needed for an authoritive and accurate bottom end - it sounds tight and never over blown. Instead of an input transformer we use a stack of Wima film capacitors and these do not exhibit the low frequency phase problems associated with transformers, and sound MUCH better than polarized capacitors found in competing high end products.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eapplications galore\u003c\/b\u003e\nAs many of our users have discovered, the MA-2.2B sounds amazingly vibrant when recording acoustic guitar and percussion. It is equally at home on vocal and piano duties - and you will be very surprised how tight a kick drum can sound using this preamp - no more bouncing balls! Stringed instruments, choirs and full orchestras will be reproduced with the full dynamic range they require with zero midrange harshness. One could say, this preamp records everything with an uncanny life-like accuracy. It is virtually uncolored but exhibits a huge amount of vibe and musicality. The low reactance Wima capacitor input stage stack matches well with all microphone types and the noise specification is within 0.5dB of the theoretical minimum possible, so ribbon, capacitor and dynamic mics' are no problem for this preamp. Indulge yourself!\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003econtrols and functions\u003c\/b\u003e\n\u003cb\u003eGAIN dB \u003c\/b\u003e- a 24 position Elma audio switch to set the gain of the preamp between +14 to +66dB.\n\u003cb\u003eMUTE \u003c\/b\u003e- when engaged, the audio output of the MA2.2B is switched off. On power up, the mute is always engaged to avoid thumps on the output.\n\u003cb\u003e-20dB \u003c\/b\u003e- when engaged, a 20dB resistive pad is inserted right at the input to cater for high input level signals.\n\u003cb\u003eØ REV\u003c\/b\u003e - when engaged, the polarity or phase of the input signal is reversed.\n\u003cb\u003eLO-Z\u003c\/b\u003e - changes the mic input loading from 3k ohms to 1k ohms, which can change the overall tone of the connected microphone.\n\u003cb\u003e48V \u003c\/b\u003e- when engaged 48V phantom power is supplied to the connected microphone. Note you need to hold this switch down for a few seconds to change it. On power up it is always set to off.\n\u003cb\u003ePOWER \u003c\/b\u003e- A handy power on\/off switch and associated power led, conveniently located on the front panel!\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eoptions\u003c\/b\u003e\naudio output transformer As standard the MA-2.2B has an unbalanced output, avoiding the extra stages required for the balanced function so as to keep the signal path as simple as possible. If you treat the output of the MA2.2B as balanced, you should have no problem with interconnection to other equipment. The unit can however be supplied or retrofitted with high spec Lundahl LL1517 output transformers. When the transformers are fitted, the direct unbalanced output is still available on the rear panel via a 1\/4\" jack socket. When fitted, the transformer add a bit more warmth to the sound. (We can also offer the Lundahl amorphous core LL1684 transformer to special order).\u003c\/p\u003e\n\u003cp\u003eThe MA2.2B is available with a grey (silver) or black face plate.\u003c\/p\u003e","brand":"BUZZ AUDIO","offers":[{"title":"Default Title","offer_id":51467036492095,"sku":"16105","price":2935.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/16105_full.jpg?v=1759922190"},{"product_id":"dbc-20-blk","title":"DBC-20-BLK","description":"\u003cp\u003eThe DBC-20 audio path uses our Class A discrete amplifier design in a balanced configuration from input to output, but for extra colour in this unit, we have a radio steel laminated transformer of our own design to couple into the diode bridge element. This overall combination produces a desirable compression character that can best be described as tight, colourful and rich with harmonics.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDYNAMIC RATIO POWER\u003c\/b\u003e\nIn the style of compressors from the 60's, the DBC-20 incorporates a self-adjusting ratio whereby the compression ratio is progressively increased with deepening gain reduction. This feature allows for the control of very dynamic signals (such as vocals) in a seamless fashion and is also a very desirable characteristic when used on complex percussive material.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eOPERATIONAL EASE\u003c\/b\u003e\nThis compressor is easy to get happening with six switched attack and release times covering a wide range, including an interesting auto release mode. Big knobs are provided for the amount of compression and the output gain control. The compressor can be switched to a Soft mode whereby dynamic peaks are partially retained. Another switch introduces a high pass filter to the side chain to lower compression sensitivity at low frequencies which is useful on the mix bus. The large knobs with pointers allow for accurate resetting of the compressor and the fast response 15 LED bar graph meter accurately displays gain reduction.\u003c\/p\u003e","brand":"BUZZ AUDIO","offers":[{"title":"Default Title","offer_id":51467036557631,"sku":"16106","price":2035.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/16106_full.jpg?v=1759922198"},{"product_id":"dbc-m-blk","title":"DBC-M-BLK","description":"\u003cp\u003e\u003cb\u003eaudio path color\u003c\/b\u003e\ndiscrete circuitsThe DBC-M is a Mastering version of the popular Buzz Audio DBC-20 diode bridge compressor and offers fully switched control for repeatable settings. The diode bridge gain reduction element coupled with our innovative side chain design delivers a vintage vibe like no other. The DBC-M audio path uses our Class A discrete amplifier designs in a balanced configuration from input to output with a radio steel laminated transformer to couple into the diode bridge element. This overall combination produces a desirable compression character that can best be described as tight, colourful and rich with harmonics.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003edynamic ratio power\u003c\/b\u003e\nIn the style of compressors from the 60's, the DBC-M incorporates a automatic ratio whereby the compression ratio is progressively increased with deepening gain reduction. This feature allows for the control of very dynamic signals in a seamless fashion and is also a very desirable characteristic when used on complex percussive material.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eoperational ease\u003c\/b\u003e\nThis compressor is easy to get happening with six switched attack and release times covering a wide range, including an interesting auto release mode. Big knobs with 24 position stepped Elma controls are provided for the amount of compression and the output gain. The compressor can be switched to a Soft mode whereby dynamic peaks are partially retained and another switch introduces a high pass filter to the side chain to lower compression sensitivity at low frequencies. The attractive \"point source\" red LED bar graph meter accurately displays gain reduction and the gloss finish knobs adds to the vintage feel of the DBC-M.\u003c\/p\u003e","brand":"BUZZ AUDIO","offers":[{"title":"Default Title","offer_id":51467036655935,"sku":"16107","price":2940.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/16107_full.jpg?v=1759922207"},{"product_id":"velox-ic","title":"Velox-IC","description":"\u003cp\u003e\u003cb\u003eLegacy\u003c\/b\u003e\nWe first manufactured the SOC-1.1 in 1999 and it brought to the market an optical (light dependant resistor) compressor with more user control than what was available at the time (LA series for example). The unit was emmensly popular and we built hundreds of them, but the construction was a bit messy and time consuming to build, so we recently retired the SOC-1.1 and have replaced it with the Velox!\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eNew Features\u003c\/b\u003e\nSo the Velox sports the same amazing compression character of the original SOC-1.1 but we have added a MIX control so you can blend the input signal with the compressor output, and we have installed a BASS filter into the side chain to reduce the sensitivity of the compressor at low frequencies. We have also introduced more options to cater for your budget. The entry level Velox is available with high quality Texas Instrument audio opamps or you can opt for the high end Class A discrete transistor BE41 amplifiers. In addition we offer an optional Lundahl LL1517 transformer output that can be fitted to both versions.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eControl Genius\u003c\/b\u003e\nThe Velox is very easy to use for recording individual tracks or on the stereo mix buss because of the \"soft knee\" characteristic. The AUTO attack and release settings have been perfected to provide natural compression and in many cases that's all you will ever need for acoustic or vocal work. The MIX control allows you to use the 20:1 (virtually brick wall limiting) compression and blend that with the input for more \"heavy\" sounds - the options are virtually endless - but what ever you choose works!.\u003c\/p\u003e\n\u003cp\u003eThe same compressor characteristic as the original SOC-1.1 but with additional features.\nOptional fully discrete transistor Class A or integrated circuit signal path.\nSmooth soft knee compression - does not dig holes in your tracks.\nMix control for blending the uncompressed and compressed signal further enhances the ratio selections.\nSide chain high pass filter (bass mode) for more bass punch on full mixes.\nBoutique hand made with loving care in New Zealand.\nAll high quality components and controls to last a life time.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eOptions\u003c\/b\u003e\nTo cater for your price range, we offer the Velox in two versions. The IC version uses nice Texas Instrument high end integrated circuit opamps in the signal path or you can opt for the DC version which utilises our Buzz Audio BE41 discrete opamps. Both versions can be supplied with a silver or black face plate. In addition, a Lundahl LL1517 output transformer can be fitted and this feeds the second set of output XLR's on the rear panel.\u003c\/p\u003e","brand":"BUZZ AUDIO","offers":[{"title":"Default Title","offer_id":51467338744127,"sku":"18719","price":2445.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/18719_full.jpg?v=1759940797"},{"product_id":"velox-ic-blk","title":"Velox-IC-BLK","description":"\u003cp\u003e\u003cb\u003eLegacy\u003c\/b\u003e\nWe first manufactured the SOC-1.1 in 1999 and it brought to the market an optical (light dependant resistor) compressor with more user control than what was available at the time (LA series for example). The unit was emmensly popular and we built hundreds of them, but the construction was a bit messy and time consuming to build, so we recently retired the SOC-1.1 and have replaced it with the Velox!\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eNew Features\u003c\/b\u003e\nSo the Velox sports the same amazing compression character of the original SOC-1.1 but we have added a MIX control so you can blend the input signal with the compressor output, and we have installed a BASS filter into the side chain to reduce the sensitivity of the compressor at low frequencies. We have also introduced more options to cater for your budget. The entry level Velox is available with high quality Texas Instrument audio opamps or you can opt for the high end Class A discrete transistor BE41 amplifiers. In addition we offer an optional Lundahl LL1517 transformer output that can be fitted to both versions.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eControl Genius\u003c\/b\u003e\nThe Velox is very easy to use for recording individual tracks or on the stereo mix buss because of the \"soft knee\" characteristic. The AUTO attack and release settings have been perfected to provide natural compression and in many cases that's all you will ever need for acoustic or vocal work. The MIX control allows you to use the 20:1 (virtually brick wall limiting) compression and blend that with the input for more \"heavy\" sounds - the options are virtually endless - but what ever you choose works!.\u003c\/p\u003e\n\u003cp\u003eThe same compressor characteristic as the original SOC-1.1 but with additional features.\nOptional fully discrete transistor Class A or integrated circuit signal path.\nSmooth soft knee compression - does not dig holes in your tracks.\nMix control for blending the uncompressed and compressed signal further enhances the ratio selections.\nSide chain high pass filter (bass mode) for more bass punch on full mixes.\nBoutique hand made with loving care in New Zealand.\nAll high quality components and controls to last a life time.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eOptions\u003c\/b\u003e\nTo cater for your price range, we offer the Velox in two versions. The IC version uses nice Texas Instrument high end integrated circuit opamps in the signal path or you can opt for the DC version which utilises our Buzz Audio BE41 discrete opamps. Both versions can be supplied with a silver or black face plate. In addition, a Lundahl LL1517 output transformer can be fitted and this feeds the second set of output XLR's on the rear panel.\u003c\/p\u003e","brand":"BUZZ AUDIO","offers":[{"title":"Default Title","offer_id":51467338907967,"sku":"18720","price":2445.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/18720_full.jpg?v=1759940807"},{"product_id":"essence","title":"Essence","description":"\u003cp\u003e\u003cb\u003econtrol genius\u003c\/b\u003e\nThe Essence attack \u0026amp; release settings have been carefully selected for a varied dynamic palette and the intelligent auto modes allow for really smooth \"set and forget\" operation. But unlike the slow LA designs, this compressor can also be fast! The soft knee opto action is perfect for smoothing the dynamics of vocals and a stereo pair will find immediate use to glue together stems, synths and the mix buss.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAudio path quality\u003c\/b\u003e\nThe input is coupled directly to our proprietary light dependant resistor gain reduction element via a Lundahl LL1540 input transformer. This is followed by a discrete signal path using our class-a BE40 amplifier for gain make up and the BE50 high current line driver to excite the Lundahl LL1517 output transformer. All this creates a very warm low end sound along with extended top end clarity.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCreative versatility\u003c\/b\u003e\nThe essence is the only 500 series compressor (that we know of) to feature a side chain insert point so you can apply equalisation to the compression characteristic to control certain parts of the audio spectrum. The insert can also be used to \"key\" the compressor from another sound for all sorts of creative pumping effects. In addition, there is on board side chain eq allowing you to quickly adjust the compressor sensitivity at high and low frequencies.\u003c\/p\u003e","brand":"BUZZ AUDIO","offers":[{"title":"Default Title","offer_id":51468441715007,"sku":"5593","price":1310.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/5593_full.jpg?v=1759886962"},{"product_id":"elixir","title":"Elixir","description":"\u003cp\u003e\u003cb\u003eaudio path quality\u003c\/b\u003e\nAll discrete signal path using our class-a BE40 amplifiers at the input and BE50 high current line drivers to excite the Lundahl LL1517 output transformer. The topology is quite different to most other mic preamps in that it is balanced from input to output. The instrument input features our BE43 \"bootstrapped FET\" high impedance interface that really pumps as a bass DI.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003emojo not mud\u003c\/b\u003e\nThe elixir is an ideal compliment to other 500 series preamps that feature a dark sound. The wide frequency response and fast transient response plus color from the output transformer generate a \"warm sweet liquid\" sound quality that sets it apart from that crowd. These attributes make the elixir particulary good at recording percussion, drums (you need to hear it on snare), vocals and stringed instruments.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003especs that matter\u003c\/b\u003e\nAs with all our preamps, the elixir noise floor is as low as we can make under the laws of physics and there is plenty of gain for low output ribbon and dynamic microphones. The output headroom at +34dBu is outstandingly unique in the 500 series format, and adds a feeling of real effortlessness to the sound quality. The transformer-less mic input presents a \"non-reactive\" load to the microphone which means you hear exactly what the microphone manufacturer intended, without the unpredictable nature of an input transformer.\u003c\/p\u003e","brand":"BUZZ AUDIO","offers":[{"title":"Default Title","offer_id":51468441780543,"sku":"5596","price":945.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/5596_full.jpg?v=1759886970"},{"product_id":"tonic","title":"Tonic","description":"\u003cp\u003e\u003cb\u003eAudio path qualities\u003c\/b\u003e\nAs with the other 500 Series modules in this range, the Tonic signal path uses our True Class A BE41 amplifiers followed by a BE50 buffer to excite the Lundahl output transformer. The resulting sound is big and open with a nice touch of transformer color. The design allows for +26dB headroom so major boosts at low frequencies are not a problem with the Tonic - it always sounds huge!\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eInductor-active filter blend\u003c\/b\u003e\nthe Tonic utilizes real inductors (chokes) in the high and low bands whilst the sweepable mid band features an active filter based on the Constant Amplitude Phase Shift circuit proposed my Mr Steve Dove in 1981. The combination of the old passive circuits with a modern active design gives you the best of both worlds. The chokes in the bass and treble provide the smooth sound of real resonance in addition to the versatility of the sweep mid band.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTone control\u003c\/b\u003e\nIf you wish to add some tone to your recordings, the Tonic is the perfect choice - it is excellent for applying broad eq strokes right across the audio spectrum. The versatile mid band can tame lower mid resonances or bring forward more presence in vocal recordings and the passive 18dB\/oct high pass filter will effectively remove unwanted low frequency content. The Tonic is an excellent partner to our Elixir mic pre - add an Essence compressor and you have a complete Buzz Audio channel strip in your 500 series rack!\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eControls and functions\u003c\/b\u003e\nThe low band and high band have centre detent pots for +\/-15dB of boost\/cut range. Toggle switches select bell or shelf mode on these two bands. The low band turnover frequency can be selected to 60Hz or 120Hz and the high band 5kHz or 11kHz.\u003c\/p\u003e\n\u003cp\u003eThe mid band frequency can cover the range of 75Hz to 11.5kHz via the x1\/x10 range switch. Another switch selects wide or narrow bandwidth (Q), and a centre detent pot sets the mid band +\/-15db boost\/cut range.\u003c\/p\u003e\n\u003cp\u003eAdditional toggles are provided to Bypass the module and to switch in the High Pass Filter. The high pass filter turnover frequency can be set by the user to 85Hz or 50Hz via jumpers on the circuit board. A Peak led lights up when the output level reaches +22dBu.\u003c\/p\u003e","brand":"BUZZ AUDIO","offers":[{"title":"Default Title","offer_id":51468441911615,"sku":"5600","price":1095.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/5600_full.jpg?v=1759886980"},{"product_id":"soc-20","title":"SOC-20","description":"\u003cp\u003e\u003cb\u003eAudio path quality\u003c\/b\u003e\nThe main signal path of the SOC-20 compressor (including the mid\/side processor) is made using our proprietary BE41 discrete class A amplifier with a Lundahl LL1517 transformer at the output. A special low impedance power supply design is used to enhance the sound quality of the BE41 amplifiers. The overall combination provides a sound character that is generally described by our users as \"desireable\"!\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMid-side processing power\u003c\/b\u003e\nWe have incorporated a mid-side (or sum and difference) encoder and decoder into the SOC-20. When set to M\/S mode, the stereo input is divided into signals that are common to left and right (mid) and signals that are not (side). The divided signals are sent to each channel of the SOC-20 then recombined at the output allowing you to adjust the dynamics of the stereo image.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSide chain flexibility\u003c\/b\u003e\nAt the flick of a switch, a high pass filter reduces the compressor sensitivity to low frequencies for more bass punch when used on program material. We have also included a fully balanced side chain insert point so you can add additional equalisation to the compressor characteristic or \"key\" the compressor with another source to create those pumping effects. The monitor function allows you to hear what is returning into the insert point and the mid or side signal when in that mode.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eControl genius\u003c\/b\u003e\nThere are 5 compressor attack settings and 6 release settings that cover a wide range of response possibilties. In addition, our intelligent auto modes allow for true \"set and forget\" operation. The 5 ratio settings allow for gentle levelling or strong compression up to full on squash.\u003c\/p\u003e","brand":"BUZZ AUDIO","offers":[{"title":"Default Title","offer_id":51468461015359,"sku":"7236","price":3270.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/7236_full.jpg?v=1759888824"},{"product_id":"qsp-20","title":"QSP-20","description":"\u003cp\u003e\u003cb\u003eAudio path quality\u003c\/b\u003e\nThe QSP-20 audio path uses our low noise BE41 class A discrete amplifier design in a balanced configuration at the input feeding a Lundahl audio c-core transformer at the output. Instead of the traditional input transformer we use hi-spec Wima coupling capacitors. The topology is quite different to most other mic preamps in that it is balanced from input to output. The DI inputs feature our BE43 \"bootstrapped FET\" input interface for a very full sound from your pick ups.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMicrophone friendly\u003c\/b\u003e\nIf you use dynamic and\/or ribbon microphones you know they sometimes need a lot of gain, which many low cost preamps and audio interfaces cannot provide. The QSP-20 provides up to 70dB of effortless gain for all situations and the transformer-less input matches all microphone types nicely. Think of the QSP as merely an extension of your microphone - everything sounds real.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecs that matter\u003c\/b\u003e\nHaving lots of gain is one thing, but importantly the preamp must also be quiet and the QSP does not disappoint here thanks to our perfected design. The very wide frequency response (even at high gain) ensures transients and high frequency content are preserved which make the QSP an excellent choice for percussion and acoustic insturments. But it never sounds \"brittle\", the output transformer add that nice touch of warmth to complete the sonic picture. The high output headroom of +29dBu means it is unlikely you will clip the QSP-20 before your audio interface does.\u003c\/p\u003e","brand":"BUZZ AUDIO","offers":[{"title":"Default Title","offer_id":51468461080895,"sku":"7238","price":2865.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/7238_full.jpg?v=1759888832"},{"product_id":"req-2-2-mastering","title":"REQ-2.2 - Mastering","description":"\u003cp\u003eThe Buzz Audio REQ-2.2 is a high-end mastering equalizer designed for precise and flexible audio shaping. Using inductor-based resonant circuits, it provides a wide range of frequency and bandwidth adjustments, offering up to 72 frequency options per channel. Its unique design avoids the limitations of traditional EQs while maintaining a big, open sound. The addition of a saturation feature allows for subtle harmonic distortion, adding warmth to the audio. Its sturdy design, intuitive controls, and retro aesthetics make it an excellent choice for mastering professionals.\u003c\/p\u003e","brand":"BUZZ AUDIO","offers":[{"title":"Default Title","offer_id":51468461146431,"sku":"7240","price":9100.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/7240_full.jpg?v=1759888840"},{"product_id":"kick-1","title":"KICK","description":"\u003cp\u003eThe KICK is a 500 Series diode bridge compressor that brings a distinct vintage-inspired character into a compact, modern format. Drawing influence from classic designs, it delivers a rich, harmonically detailed sound with a tight and controlled response. Its fully balanced signal path, paired with custom transformers and discrete Class A amplification, gives it a bold tonal presence that works especially well on drums, vocals, and mix elements that benefit from added weight and color.\u003c\/p\u003e\n\u003cp\u003eWhat sets the KICK apart is its dynamic compression behavior, where the ratio increases progressively as the signal pushes past the threshold. This allows it to handle everything from subtle leveling to more assertive control without sounding abrupt. The selectable attack and release settings, along with an auto release mode, provide flexibility for shaping the feel of the compression, while features like the soft mode and bass filter help retain musicality and low-end punch when needed.\u003c\/p\u003e\n\u003cp\u003eDesigned with hands-on use in mind, the KICK keeps operation straightforward with clearly defined controls for compression amount and output gain, along with visual feedback from its LED meter. Whether used for shaping individual tracks or adding cohesion to a mix, it offers a versatile balance of control and character that fits easily into a wide range of recording and mixing workflows.\u003cbr\u003e\u003c\/p\u003e","brand":"BUZZ AUDIO","offers":[{"title":"Default Title","offer_id":52870445760831,"sku":"60911","price":945.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/kick.jpg?v=1777651593"},{"product_id":"req-2-2-mastering-1","title":"REQ-2.2 - Mastering","description":"\u003cp\u003eThe REQ-2.2 Mastering Equalizer is a high-end stereo parametric EQ designed for precision work where detail, depth, and musicality matter most. Built around inductor-based circuitry, it delivers the unmistakable openness and smoothness associated with classic choke EQ designs, while offering a level of control and flexibility that suits modern mastering workflows. Its sound remains clear and natural even with significant adjustments, making it ideal for refining mixes without compromising their integrity.\u003c\/p\u003e\n\u003cp\u003eEach channel features four fully adjustable bands with a wide selection of frequency points and variable bandwidth, allowing for highly targeted shaping or broader tonal sculpting. The design uses parallel resonant circuits to achieve this flexibility while maintaining a clean signal path, resulting in a sound that feels both detailed and cohesive. Additional features like a high-pass filter and a selectable saturation stage provide further control, letting you subtly tighten the low end or introduce harmonic character when needed.\u003c\/p\u003e\n\u003cp\u003eThe REQ-2.2 is also designed with usability in mind, offering a clear layout and precise, stepped controls that make repeatable adjustments straightforward. With flexible connectivity options and the ability to link channels for stereo operation, it integrates easily into mastering environments. Combining refined analog tone with thoughtful control, it serves as a powerful tool for shaping final mixes with confidence and nuance.\u003cbr\u003e\u003c\/p\u003e","brand":"BUZZ AUDIO","offers":[{"title":"Default Title","offer_id":52870462931263,"sku":"60912","price":9100.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/req1.jpg?v=1777654072"}],"url":"https:\/\/www.economik.com\/collections\/buzz-audio.oembed?page=2","provider":"Studio Economik","version":"1.0","type":"link"}