{"title":"Drawmer","description":"","products":[{"product_id":"mxpro30","title":"MXPRO30","description":"\u003cp\u003eDrawing on our many years experience in professional audio we have developed a series of lower-cost Drawmer dynamic signal processors, the MX Pro range. Aimed at the musician, project studio and live performer, who is determined not to compromise on quality, but have to work to a tighter budget.\nBy using circuit elements drawn from existing top-of-the-line Drawmer products and by simplifying the control systems where possible, the MX Pro range is no less sophisticated than our other units, despite the price tag. As a result the inexperienced user gains the benefits of Drawmer quality and performance, combined with lower cost and simplicity of operation.\u003c\/p\u003e","brand":"DRAWMER","offers":[{"title":"Default Title","offer_id":51466724704575,"sku":"10103","price":1175.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/10103_full.jpg?v=1759894323"},{"product_id":"mxpro60","title":"MXPRO60","description":"\u003cp\u003eThe MX60 is also ideally suited to project studio and live sound applications. Functioning as a studio grade mic pre-amp, Program AdaptiveTM gate, de-esser, compressor, limiter, three band EQ and multi band tube saturation stage, the MX60 offers the user more options than competitive units currently available.\u003c\/p\u003e\n\u003cp\u003eDrawing on our many years experience in professional audio we have developed a series of lower-cost Drawmer dynamic signal processors, the MX Pro range. Aimed at the musician, project studio and live performer, who is determined not to compromise on quality, but have to work to a tighter budget. By using circuit elements drawn from existing top-of-the-line Drawmer products and by simplifying the control systems where possible, the MX Pro range is no less sophisticated than our other units, despite the price tag. As a result the inexperienced user gains the benefits of Drawmer quality and performance, combined with lower cost and simplicity of operation.\u003c\/p\u003e\n\u003cp\u003eGrass Roots - The MX60 draws its technology from the most successful of Drawmer products. The mic pre-amp features the same discrete component design found in the legendary Drawmer 1960, the de-esser is derived from the MX50, the VCA based compressor is similar to the MX30, while the peak limiter and gate can be tracked back to the DL241 compressor\/limiter.\u003c\/p\u003e","brand":"DRAWMER","offers":[{"title":"Default Title","offer_id":51466724999487,"sku":"10106","price":1575.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/10106_full.jpg?v=1759894330"},{"product_id":"mc2-1","title":"MC2.1","description":"\u003cp\u003eWith the Drawmer MC2.1 Monitor Controller incorporated into your system you combine the clarity, fidelity and transparency of the highest quality monitoring circuit with the complexity of a host of mix checking features. It is versatile and intuitive, but above everything else, where the Drawmer MC2.1 excels is in it's accuracy and ability to faithfully reproduce what has been recorded.\n \nThe MC2.1 incorporates four inputs with three stereo balanced speaker outputs, plus a dedicated mono speaker\/sub-woofer output each with individual left\/right trims under the unit to provide complete control over level matching. The active circuit has been designed to faithfully produce the audio signal whilst removing many of the problems that a passive circuit will bring. In addition, it has a host of mix checking features not often found on other controllers, such as individual left\/right cut, as well as two seperate headphone amplifiers and a talkback facility, making the MC2.1 a true engineers tool.\u003c\/p\u003e\n\u003cp\u003eWhether you're mastering a cd\/dvd, recording, checking a mix for balance and e.q, doing A\/B comparisons, plus a mutlitude of other tasks, you'll have spent weeks designing the perfect studio environment and a fortune on active speakers, dynamics processors, various microphone and preamplifier combinations as well as a whole room full other gear, one thing is for sure - a monitor controller is central to every recording setup and probably the most important element of the entire signal chain - providing the 'reference' listening signal that enables the user to achieve the optimal mic placements, the perfect balance and EQ etc. There is one thing that should always be absolutely guaranteed - that you can rely on the accuracy of your monitor controller.\u003c\/p\u003e","brand":"DRAWMER","offers":[{"title":"Default Title","offer_id":51466725196095,"sku":"10107","price":1215.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/10107_full.jpg?v=1759894338"},{"product_id":"1973","title":"1973","description":"\u003cp\u003eExpanding on the renowned range of dynamics processors Drawmer introduce an affordable Three Band Stereo FET Compressor that every engineer will completely appreciate - the 1973. The culmination of 30 years of development and experience, the 1973 combines the functionality and control of the world class Drawmer S3 with the familiarity and quality of the illustrious 1960 and 1968, providing three bands of transparent, intuitive compression for the price of a conventional single full band compressor.\n \nHow does the 1973 differ from a full band compressor In essence, the 1973 comprises a set of crossover filters that splits the audio signal into three frequency bands, each split signal then passes through its own compressor and is independently adjusted, after which the signals are recombined and the final Wet\/Dry mix and levels can be adjusted. The advantage is that one band's compression has no affect on the others.\n \nWhat's so good about a three band compressor anyway The 1973 can pull off amazing feats that a single-band compressor could never accomplish. For example, it can easily prevent an acoustic guitar, cello, or double bass from sounding boomy on low notes without thinning the highs.\n \nAre you recording a vocal track that sounds too shrill The timbre can easily be altered without eliminating detail and clarity. Adding heavier compression in the bass band can add to the thickness and richness of the voice, in the mid band raspiness is controlled, whilst compression to the high band can give sizzle and definition to an otherwise bland voice. In addition, sibilance can easily be tamed.\n \nIn a mastering situation, having independent control over each band can resolve a problem mix, pulling out individual instruments, brightening the brilliance\/air or making the bottom end of a mix sound huge while simultaneously avoiding \"pumping\" or \"breathing\" artifacts and increasing headroom.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIntuitive Layout\u003c\/b\u003e\nMultiband compressors can be intimidating and difficult to use due to the number of controls and poor lay out, with this in mind, the 1973 has been designed to be as simple, familiar and intuitive as possible whilst still giving complete control over the audio.\n \nThe front panel consists of three near identical compressor bands, flowing left to right, with the Variable Crossover Frequency knobs seperating them. To the right are the large, illuminated V.U. Meters, with Output controls underneath.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMix Control - Pricisely Control the Amount of Compression Applied!\u003c\/b\u003e\nIncorporated into the 1973 is the 'Mix' Control. This acts like a 'parallel compression' effect that mixes the Wet (compressed) and Dry (original) signals to provide a simple and exact way of controlling the amount of compression used - all with the turn of a single knob.\u003c\/p\u003e\n\u003cp\u003eOne criticism of multiband compression is that it is possible to take the effect too far and ruin a mix - this is easily prevented with the 1973 by the use of the Mix control just by mixing in less of the wet signal and more dry. By the same token, the mix control can add more compression simply by adding more of the wet signal. It's that simple!\u003c\/p\u003e","brand":"DRAWMER","offers":[{"title":"Default Title","offer_id":51466753933631,"sku":"10637","price":2735.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/10637_full.jpg?v=1759895938"},{"product_id":"mcb","title":"MCB","description":"\u003cp\u003eThe MCB Rack Mounting Kit contains two side panels\/ears, a front facia, and also a lead that brings the AUX input from the back of the MC2.1 to the front panel for easy access. Also included are the necessary screws, an assembly instruction manual and even an allen key.\u003c\/p\u003e","brand":"DRAWMER","offers":[{"title":"Default Title","offer_id":51466763960639,"sku":"11032","price":275.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/11032_full.jpg?v=1759897179"},{"product_id":"dl241xlr","title":"DL241XLR","description":"\u003cp\u003eIts combination of features, displays and well designed control functions make it an outstanding product for a vast range of broadcast, sound reinforcement, and recording applications. The DL241 'Auto-Compressor' incorporates many automatic functions allowing the engineer to achieve optimum results in the minimum set up time but does not compromise skilled users with limited controls. Its sophisticated design produces a smooth, transparent and warm sonic performance.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eExpander\/Gate\u003c\/b\u003e\nDrawmer's unique \"Programmed Adaptive Expansion\" circuitry allows effective 'single control operation' producing a fast smooth response and eliminating 'chatter' on or around threshold. This design differs from that of conventional Expanders in that the Expansion Ratio, Hold Attack and Release continually adapt themselves to the dynamics of the incoming signal. The Expander\/Gate provides 80dB range and variable threshold from +20dB to 70dB with an OFF position. Switching is provided for 'Fast' or 'Slow' release characteristics. The 'Fast' mode can be used for instruments with rapid decay times or for additional tightening of the gating effect. The 'Slow' mode is more suitable for vocals and instruments with longer decay times or can be used to smooth over rough fade outs. A single LED indicates gating action.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCompressor\u003c\/b\u003e\nA full Auto Attack\/Release Compressor with variable Threshold and Ratio successfully combines the smoothness of the 'Soft Knee' principle with the precision of a 'Ratio' control. The advantage of this combination is that instead of the onset of compression being sudden at the threshold point the ratio increases over a 10dB input level range until it reaches the ratio set on the front panel control, thus achieving a more natural sounding compression. Selectable manual or fully automatic Attack and Release times dramatically extend the application range and user scope of the DL241. Selecting the 'Auto' mode removes the need for manual adjustment and is particularly valuable when the program being treated does not have predictable or consistent dynamics, often the case when processing a complete mix or a virtuoso bass guitar performance. Under manual control the wide range of adjustment available gives the user the ability to create dynamic effects as well as normal compression.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePeak Level. 'Zero Response Time', 'Zero Overshoot' circuitry\u003c\/b\u003e\nThis provides an absolute limit to the peak level of the output signal, adjustable from OdB to +16dB above system level. When set to the required level, any excessive peaks will be stopped and the gain momentarily decreased if necessary. The 'Zero Response Time' is essential to avoid unpleasant distortion when mastering for CD or sending any signal to digital equipment. 'Zero Response Time' means that the DL241 provides complete protection from even the fastest and shortest signal 'spikes' (overloads), making the unit also ideally suited for speaker system protection in sound reinforcement applications.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMetering\u003c\/b\u003e\nComprehensive bar graph displays give 'at a glance' indications of gain reduction, and output signal level Gain reduction from 1dB to -30dB is shown simultaneously with signal level from -20dB to +15dB Other single LEDs indicate function status of Gating Acton, Auto Mode, Bypass, Peak Limiting, Stereo Linking, and Power On.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eStereo Link\u003c\/b\u003e\nWhen processing stereo signals, linking should be used to prevent image shifting. This facility ties both channels together. Using channel 1 (left) as the master channel removes the need to duplicate control settings for both channels.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBypass\u003c\/b\u003e\nA fully balanced hard-wire bypass connects the input directly to the output allowing signal to pass through the unit with no power applied. In bypass the VU level meter displays the Input signal.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eOperating Level\u003c\/b\u003e\nThe operating level of the DL241 can be instantly switched, independently on each channel, for either +4dBu or 10dBu operation using a rear panel push switch.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eInput\/Output\u003c\/b\u003e\nThe DL241 is available with either XLR connections and fully balanced inputs and outputs, or with stereo jack (TRS) connections, fully balanced inputs and single ended outputs.\u003c\/p\u003e","brand":"DRAWMER","offers":[{"title":"Default Title","offer_id":51466771857727,"sku":"11284","price":1765.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/11284_full.jpg?v=1759897942"},{"product_id":"mc3-1","title":"MC3.1","description":"\u003cp\u003eIt can still faithfully reproduce what has been recorded, but the MC3.1 comes with more inputs, better control and extended channel routing all housed in a stylish aluminium desktop \"wedge\" form factor.\u003c\/p\u003e\n\u003cp\u003eAdditions include a digital SPDIF (24 bit\/192kHz) input, giving a total of 5 individually switchable sources. Full cue mix facilities provide separate source selection for main or cue outputs and the two headphone amplifiers. A secondary preset volume control provides repeatable calibrated output.\u003c\/p\u003e\n\u003cp\u003eSpeaker level matching remains, now with switchable Mono\/Sub output. Low\/Mid\/High band solo, Internal Talkback Mic with footswitch control, and External Talkback Mic input are all new additions.\u003c\/p\u003e","brand":"DRAWMER","offers":[{"title":"Default Title","offer_id":51466852892991,"sku":"12792","price":1875.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/12792_full.jpg?v=1759903541"},{"product_id":"1978","title":"1978","description":"\u003cp\u003eThe award winning Drawmer 1978 builds on the success of the 1973 multiband FET compressor and adorns an unparalleled array of controls to give complete mastering over your mix, and all in a deceptively simple 1U frame.\u003c\/p\u003e\n\u003cp\u003eIn addition to the usual Ratio, Threshold, Attack and Release controls, the 1978 features four character switches offering a wide range of compression flavours, as well as a variable saturation control to add harmonic distortion to the signal. Side chain functionality is also included with side chain insert points on both channels and a very comprehensive and flexible Side Chain EQ section which offers LF and HF controls with a choice of specific shapes and frequencies for precise frequency-conscious compression such as de-essing. A wet\/mix control also allows you to blend the processed signal with the dry for parallel compression.\u003c\/p\u003e\n\u003cp\u003eIn addition, a fast reacting Dual colour backlit VU Meter is employed to provide a visual indication of the amount of saturation added. Time delay relays are incorporated into the outputs to provide clean power-up and down with no pops or bangs, and a low hum toroidal linear power supply. The Drawmer 1978 is a truly flexible compressor made in the UK with high-quality components.\u003c\/p\u003e\n\u003cp\u003eThe 1978 is a Buss Compressor like no other - compression with character, controlled distortion, tonal shaping, wet\/dry mixing - others have tried but have never managed to build a compressor that is this versatile and yet intuative. It's never been easier to get that elusive characteristic sound that sets you apart from the rest. Glue your mix, bring out the bass, control the highs, add warmth, distortion, smoothen, widen, sound less digital more analogue - and at a price that's right for even the smallest studio. Winner of the Resolution Award 2016 in the dynamics category.\u003c\/p\u003e","brand":"DRAWMER","offers":[{"title":"Default Title","offer_id":51466896998719,"sku":"13680","price":1895.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/13680_full.jpg?v=1759907806"},{"product_id":"cmc2","title":"CMC2","description":"\u003cp\u003eSuch as the MC2.1 and MC3.1, whilst retaining all the necessary features that the smaller project studio would require without the cost of the advanced features that would seldomly be used.\u003c\/p\u003e\n\u003cp\u003eCan you trust the audio that your current monitor controller is providing Is it colouring the sound \nFor all Drawmer monitor controllers it is imperative that what you record is exactly what you hear. The active circuit has been designed to faithfully produce the audio signal whilst removing many of the problems that a passive circuit will bring. There is one thing that should always be absolutely guaranteed - that you can rely on the accuracy of your monitor controller.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAccurate \u0026amp; Transparent\u003c\/b\u003e\nWith the same Drawmer pedigree as the MC2.1, the CMC2 circuit is just as transparent and accurate. It's switches and paralleled custom-quad knobs have excellent channel matching, a smooth feel.\nYou hear exactly what you've recorded!\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMultiple Connections\u003c\/b\u003e\nThe CMC2 is very well connected: with 2 Stereo balanced jack inputs, plus a 3.5mm jack for your Smartphone\/MP3 Player, with variable level control. It supports 2 sets of stereo monitors plus a sub-woofer, each with individual switches so you can activate them in any order, especially useful for A\/B comparisons.\u003c\/p\u003e\n\u003cp\u003eIn addition, it has a professional quality headphone output with a separate amplifier and level control, that provide the same audio quality and mix checking as the CMC2 does through the speakers.\u003c\/p\u003e\n\u003cp\u003eKey Mix check features such as Phase Reverse, Mono, Dim \u0026amp; Mute are also included, to enable you to examine the quality of your recordings with ease.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCompact\u003c\/b\u003e\nThe CMC2 packs a lot of features into a small package. With a footprint of just 18x16cm and a very low profile the CMC2 won't hog your desk space like some other controllers do. And if your on the move it's small enough to pop into a bag to take anywhere.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTough \u0026amp; Secure\u003c\/b\u003e\nWhilst being smart and stylish the rugged, all steel enclosure will withstand the knocks and bumps of the studio, and, coupled with the high quality components used, the CMC2 is built to last. In addition, a Kensington security slot provides protection from thieves\u003c\/p\u003e","brand":"DRAWMER","offers":[{"title":"Default Title","offer_id":51466912235839,"sku":"13942","price":552.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/13942_full.jpg?v=1759909368"},{"product_id":"mc7-1","title":"MC7.1","description":"\u003cp\u003eDesigned to provide all the mix checking features required for surround recordings without compromising on those used in stereo monitoring. It has the same pristine \u0026amp; transparent design as others from the Drawmer monitor controller pedigree, with a rugged desk top \"wedge\" form factor as used in the popular MC3.1.\u003c\/p\u003e\n\u003cp\u003eWhether it is producing audio for film or television, or transporting the listener directly into the venue of an all encompassing orchestral piece, be it in 5.1, 7.1, quadraphonic, DTS, Dolby Digital EX,THX Surround EX™, DTS-HD™, Dolby Atmos, etc., one thing is sure, the number of users that wish to listen to audio within a surround setting has been growing and will continue to do so. There has been an ever increasing number of surround products coming to market, not only blue ray players and home cinema but also on mobile and media devices. For example, Apple devices have been capable of reproducing 7.1 surround since iOS 9.3. Therefore, it is likely that at some point every artist and engineer will consider trying surround sound, or fear being left behind.\u003c\/p\u003e\n\u003cp\u003eBoasting two sets of balanced 7.1 Inputs, a 7.1 through, 1 Balanced Stereo Input and a convenient front panel Aux Input, with Balanced 7.1 Speaker outs and an independent Stereo main out with its own sub woofer option, there are no shortage of connectivity options. The Drawmer MC7.1 is capable of supporting any speaker seup, from mono, to stereo, various modes of surround, or 8 independent channels, depending on input type and speaker positioning.\u003c\/p\u003e\n\u003cp\u003eThe MC7.1 is a powerful Surround Monitor Controller in its own right, but is also perfect for controlling and checking your stereo mixes. This is one area where other surround monitoring controllers fall short. All studios, whether dedicated to film audio post production, or small home studio will at at some time (if not most of the time) work in stereo as well as surround. Aside from the surround capabilities, the MC7.1 contains the same comprehensive set of stereo \"mix check\" functions that are presented on the MC3.1 and which can of course be applied to the stereo input channel or any of the surround channels when these are routed to stereo.\u003c\/p\u003e\n\u003cp\u003eThe ability to \"mix down\" the surround mix to the FL and FR speakers OR the independent Stereo main speakers combined with the comprehensive cut or solo matrix means any combination of the surround channels can be listened to in the front mains. Want to focus in on the rear channels Simply mix down to the front stereo speakers then solo them out of the mix! Whilst soloing out the centre or LFE channels give a central mono representation across the fronts or stereo mains!\u003c\/p\u003e\n\u003cp\u003eSpeaker level matching with switchable Mono\/Sub output, the popular Low\/Mid\/High band solo feature, Internal Talkback Mic with footswitch control, and External Talkback Mic input are all brought over from the MC3.1, completing the rich array of features available on the MC7.1.\u003c\/p\u003e","brand":"DRAWMER","offers":[{"title":"Default Title","offer_id":51466916725055,"sku":"14029","price":2735.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/14029_full.jpg?v=1759909821"},{"product_id":"cmc3","title":"CMC3","description":"\u003cp\u003eThere is one thing that should always be absolutely guaranteed - that you can rely on the accuracy of your monitor controller. Can you trust the audio that your current monitor controller is providing Is it colouring the sound There are far to many monitor controllers available that do in one way or another - Drawmer monitor controllers do not flavour, colour, warm, improve or brighten the signal, the active circuit has been designed to faithfully produce the audio signal whilst removing many of the problems that a passive circuit will bring. For all Drawmer monitor controllers it is imperative that what you record is exactly what you hear.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAccurate \u0026amp; Transparent\u003c\/b\u003e\nWith the same Drawmer pedigree as the MC2.1, the CMC3 circuit is just as transparent and accurate. It has been designed to remove the limitations that a passive circuit brings, such as the ability to increase the volume for quiet passages and improved mix checking, without adding the artifacts that lesser quality active circuits introduce.\u003c\/p\u003e\n\u003cp\u003eYou hear exactly what you've recorded!\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePrecision\u003c\/b\u003e\nThe CMC3 supports 3 sets of stereo monitors, plus a dedicated mono speaker\/sub-woofer output, each can be switched individually and simultaneously and in any order, especially useful for A\/B comparisons. You can listen to multiple speakers with the same sub-woofer, or turn the sub-woofer off altogether.\u003c\/p\u003e\n\u003cp\u003eThe volume control utilizes a parallelled custom quad pot for excellent channel matching and smooth feel, as does the secondary preset volume control on the front. This provides repeatable calibrated output level for the monitors, so that at the flick of a switch the engineer can hear the mix at the same predetermined volume, time after time, without having to meticulously adjust controls.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMultiple Connections\u003c\/b\u003e\nThe CMC3 is very well connected with 4 stereo inputs in total: 1x SPDIF digital input (24 bit\/192kHz), using the same DAC chipset as our established MC3.1 monitor controller, 2 stereo balanced jack inputs, plus a 3.5mm jack with variable level control for your Smartphone\/MP3 Player.\u003c\/p\u003e\n\u003cp\u003eIn addition, it has a 2 professional quality headphone outputs with a separate amplifier and level control, that provide the same audio quality and mix checking as the CMC3 does through the speakers. Talkback is also included with internal or external microphone, level control and audio routing to a dedicated mono output jack \u0026amp; headphones.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAdvanced Mix Checking\u003c\/b\u003e\nThe comprehensive mix checking facilities of the CMC3 include dim, mono, phase reverse, left and right cut as well as an easy access mute switch, allowing you to check the quality of your recordings: tune into your mix to hear any unwanted artefacts, test the effectiveness of the stereo mix, check for phase cancellation, listen to the stereo difference. Features that many monitor controllers lack.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCompact\u003c\/b\u003e\nThe CMC3 packs a lot of features into a small unit. The whole package is presented in a very low profile desktop enclosure of just 3.5cm high with a footprint of 27x16cm (10.5\"x6.5\"x1.4\").\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTough \u0026amp; Secure\u003c\/b\u003e\nWhilst being smart and stylish the rugged, all steel enclosure will withstand the knocks and bumps of the studio, and, coupled with the high quality components used, the CMC3 is built to last. In addition, a Kensington security slot provides protection from thieves.\u003c\/p\u003e","brand":"DRAWMER","offers":[{"title":"Default Title","offer_id":51466942808383,"sku":"14694","price":1228.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/14694_full.jpg?v=1759913189"},{"product_id":"cmc7","title":"CMC7","description":"\u003cp\u003eIn order to maintain it's compact proportions and to keep the product budget friendly the CMC7 does away with controls that can often be found within your workstation software and concentrates on essential features such as ease of use and the quality of the signal path, ensuring that the audio is transparent and accurate across all channels and operation intuitive.\u003c\/p\u003e\n\u003cp\u003eWhether it is producing audio for film or television, or transporting the listener directly into the venue of an all-encompassing orchestral piece, one thing is sure, the number of users that wish to listen to audio within a surround setting has been growing and will continue to do so. There has been an ever-increasing number of surround products coming to market, not only blue ray players and home cinema but also on mobile and media devices. For example, Apple devices have been capable of reproducing 7.1 surround since iOS 9.3. Therefore, it is likely that at some point every artist and engineer will consider trying surround sound, or fear being left behind. The budget friendly CMC7 allows you to do this without the large financial outlay that other setups will produce.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAccurate \u0026amp; Transparent\u003c\/b\u003e\nComing from the same stable as the MC2.1, MC3.1 and MC7.1 you can be sure of the same high quality for the Drawmer CMC7 Surround Monitor Controller. The circuit is just as transparent and accurate. It's controls have the same quality feel and operation and the huge volume knob provides excellent channel matching, and smooth feel.\u003c\/p\u003e\n\u003cp\u003eYou hear exactly what you've recorded!\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSurround Sound\u003c\/b\u003e\nThe 8 inputs and outputs are provided via two balanced 25 pin d-sub connectors wired to the Tascam standard making connecting easy. It allows for 8 independent channels, 5.1, 7.1, quadraphonic, DTS, Dolby Digital EX,THX Surround EX™, DTS-HD™, Dolby Atmos, etc, the setup is up to the user.\u003c\/p\u003e\n\u003cp\u003eWith the Stereo Mix switch active the surround mix can be bounced down to a 2.1 signal in the front left and right monitors and sub-woofer, to test the quality of the recording when in stereo. In addition, it has a professional quality stereo headphone output with a separate amplifier and level control, that provides private mix checking, a DIM switch reduces output by 20dB and a MUTE switch is also available to cut the output completely.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePrecision\u003c\/b\u003e\nThe circuit design of the CMC7 ensures that the channel matching of all 8 channels is consistent throughout the full range of the volume control. Other manufaturers of surround controllers use multi-ganged potentiometers to achieve the levels of the 8 channels, this is especially true of passive surround controllers, this simplifies the circuit but leads to discrepancies in the level of each channel, especially at the lower and upper volumes, where accurate channel matching can vary wildly.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCompact\u003c\/b\u003e\nThe CMC7 packs a lot of features into a small package. With a footprint of just 18x16cm and a very low profile the CMC7 won't hog your desk space like some other controllers do. And if your on the move it's small enough to pop into a bag to take anywhere.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTough \u0026amp; Secure\u003c\/b\u003e\nWhilst being smart and stylish the rugged, all steel enclosure will withstand the knocks and bumps of the studio, and, coupled with the high quality components used, the CMC7 is built to last. In addition, a Kensington security slot provides protection from thieves.\u003c\/p\u003e\n\u003cp\u003eCan you trust the audio that your current monitor controller is providing Is it colouring the sound For all Drawmer monitor controllers it is imperative that what you record is exactly what you hear. There is one thing that should always be absolutely guaranteed - that you can rely on the accuracy of your monitor controller.\u003c\/p\u003e","brand":"DRAWMER","offers":[{"title":"Default Title","offer_id":51466942873919,"sku":"14695","price":1228.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/14695_full.jpg?v=1759913200"},{"product_id":"1974","title":"1974","description":"\u003cp\u003eIt has the ability to perform subtle shaping for mastering purposes that require a delicate touch and easy recall, but is just as capable of tonal sculpting, adding the analogue warmth and character that is near impossible to emulate in the digital domain.\u003c\/p\u003e\n\u003cp\u003eGet immersive with the stereo operation, with one set of controls for both channels. The versatile design features dual channel precision stepped potentiometers, providing exceptional accuracy for fast and simple recall. The fully variable bandwidth allows you to control the parametric mid bands, making adjustments as surgically precise or as broad and natural sounding as you could ever require. Fully adjustable low and high cut filters are also included, ideal for tuning out undesirable signals at the frequency extremes. It also features a switchable slope allowing you to alter the focus at the high and low frequencies plus a low peak setting that magnifies the bottom end. The 1974 is perfect for tonal shaping, staying true to the sound of the 70s and ideal for any musician.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eGenuine Stereo Operation with Indented and Accurate Potentiometers. \u003c\/b\u003eThe genuine stereo linked operation of the 1974 makes adjustment quick and extremely simple using just one set of controls to alter both channels. Gone is the wasted time spent fiddling about on every control trying to match the settings of the left and right channels with each other. The 1974 uses precision potentiometers, each one being matched for left\/right accuracy to within fine tolerances by our trained technicians, so that both channels operate identically, and also have indented operation, providing exceptional accuracy for fast and simple recall.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eFully Parametric with Totally Variable Bandwidth. \u003c\/b\u003eThe 1974 is a true 'parametric' equaliser, with the four bands having fully variable frequency controls and offer cut and boost of +\/-12dB's. However, unlike EQ's with a no bandwidth adjustment, or a simple switch, the two mid bands have completely variable filter bandwidth controls enabling the user to focus in on very narrow sections of the audio spectrum or apply a broad natural sounding filter, or, of course, anything in between the two. This makes the 1974 incredibly versatile and capable of modifying everything from subtly fine tuning mixes to tone sculpting problematic recordings.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eVariable Low and High Cut Filters. \u003c\/b\u003eThe 1974 also includes fully variable low and high cut filters, ideal for tuning out undesirable signals. The low cut (otherwise known as High Pass Filter) having a range of 10Hz-225Hz and the high cut (otherwise known as Low Pass Filter) 4kHz-32kHz. The beauty of being fully variable is that, unlike fixed frequency filters, it is easy to sweep both controls to find the perfect setting and remove sounds with pinpoint accuracy. This is especially useful when bracketing individual tracks where it will be necessary to cut the bass to remove rumble and top to remove hiss, as these undesirable signals will just add up as the tracks are layered. For instance, cut everything instrument below 100Hz except those within that spectrum, such as the kick, bass or synths etc to provide extra headroom to work and also tighten up the bass making it sound less muddy. And likewise for the high frequencies.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSwitchable Slope Setting. \u003c\/b\u003eVery few analogue parametric equalisers have an adjustable slope on the low and high cut filters, and is yet another feature of the 1974 that allows you to take control of your audio. The filter slopes of the 1974 have been chosen for their musicality - allowing you to adjust the focus of the audio at the bottom and top ends of your recording but not so harsh as to be a very noticeable brick wall filter. At the bottom end slopes of 6, 9 and 12dB per octave plus a Peak setting are available, and at the high end 6 and 12dB's per octave.\u003c\/p\u003e\n\u003cp\u003eThe Peak setting is quite a unique feature in that it adds a narrow bell shape to the 12dB per octave low cut filter at the knee frequency just before it rolls off. Especially useful on kick drums, it magnifies and gives extra weight to the hit whilst still filtering out any subsonic junk and without muddying the lower mid. It'll give your kick an added sense of power and precision.\u003c\/p\u003e","brand":"DRAWMER","offers":[{"title":"Default Title","offer_id":51467030888767,"sku":"16036","price":1895.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/16036_full.jpg?v=1759921699"},{"product_id":"1976","title":"1976","description":"\u003cp\u003eThe 1976 3 band stereo saturation and width processor has been designed to inject character, colour \u0026amp; life into your recordings and live sound in a style endemic of the classic equipment of the 1970's. The completely analogue saturation of the 1976 will provide the realism that plug-ins can only aspire to, replacing the harsh, sterile digital sound with fullness, softness and warmth. Why emulate saturation when you can have the real thing\u003c\/p\u003e\n\u003cp\u003eInspired by the highly acclaimed saturation and width features of our DC2476 Digital Mastering Processor the 3 bands of independent saturation of the 1976 have been designed to add the pleasing imperfections that are so endemic in classic gear. Saturation is ideal for adding fullness to your music, taking your music from a cold, bleak landscape to a warm, bright vista.\u003c\/p\u003e\n\u003cp\u003eIn addition, however, unlike conventional saturation products the 1976 also features 3 bands of stereo width control to really bring out the depth and add real presence to your mix, and all with a single, yet comprehensive set of controls that provide genuine stereo operation.\u003c\/p\u003e","brand":"DRAWMER","offers":[{"title":"Default Title","offer_id":51467030954303,"sku":"16037","price":1895.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/16037_full.jpg?v=1759921708"},{"product_id":"mc1-1","title":"MC1.1","description":"\u003cp\u003eHot on the heels of the Drawmer MC2.1 well known for its functionality and transparency comes its new sibling the MC1.1 Monitor Preamp, offering the same fantastic sound but with a revised feature set more suitable for a less complex post production booth or home use where multiple speaker setups are not permissible or even required, and with the addition of a new RIAA phono stage the MC1.1 is a great solution for your precious turntable setup.\u003c\/p\u003e\n\u003cp\u003eThe front panel is dominated by the two large, independent volume controls for the main line outs and the headphone amplifier, both incorporate a paralleled custom quad pot for excellent channel matching and the smoothest possible action. There are also individual switches for each input source and output section making an elegantly simple yet functional user interface.\u003c\/p\u003e","brand":"DRAWMER","offers":[{"title":"Default Title","offer_id":51467032265023,"sku":"16058","price":1035.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/16058_full.jpg?v=1759921908"},{"product_id":"1970","title":"1970","description":"\u003cp\u003eThe 1970 Dual F.E.T. Compressor and Pre-Amplifier builds on a heritage inspired by the first pro audio \"tool box\" compressor, the illustrious Drawmer 1960, but with a greatly expanded feature set, making it one of the most adaptable mic preamplifier\/compressors on the market today. Bringing vintage audio characteristics at an affordable price.\n \nWhilst the feature set of the 1970 is similar to the Drawmer 1960, and the layout of the controls will add to the comparisons, the 1970 has been greatly improved and the D.I. EQ has been fine tuned to be more accurate than its stable-mate, with various enhancements.\n \nThe 1970 use the latest THAT Corporation technology in the 2 mic preamps to provide ultra clean, transparent and precise recordings that can be processed at a later stage using your favourite warming method, be it saturation, valve, transformer or tape. In addition each channel is capable of 66dB of gain, with switchable mic impedance for accurate mic matching to bring out the best from any microphone used. Phantom power, phase reverse and a high pass filter are also included.\n \nFrom tracking instruments via the dedicated D.I. input, to recording vocals via the ultra clean mic pre's, recording a guitar cabinet with two microphones, or a singer playing guitar, or even stereo buss compression using the comprehensive linking and mix facilities, the 1970 is the perfect versatile tool for any studio or live event.\u003c\/p\u003e","brand":"DRAWMER","offers":[{"title":"Default Title","offer_id":51467087053119,"sku":"16637","price":2735.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/16637_full.jpg?v=1759925758"},{"product_id":"1977","title":"1977","description":"\u003cp\u003e\u003cb\u003eVintage, Precision \u0026amp; Saturation\u003c\/b\u003e\nIf you're looking to add vintage characteristics and analogue musicality to your recordings then look no further than the 1977, Drawmer's most comprehensive channel strip to date.\u003c\/p\u003e\n\u003cp\u003eThe 1977 gives you the clarity of an ultra clean preamplifier, the precision of the three band parametric equaliser, the silkiness of the soft knee compressor and added to this the ability to dial in as much warmth as you desire via the 3 types of variable harmonic saturation.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePristine \u0026amp; Versatile Pre-Amplifier\u003c\/b\u003e\nThe pristine preamplifier not only incorporates mic, line and instrument D.I. with 66dB of stepped gain, allowing you to make ultra clean, transparent and precise recordings, sweeten up dull audio or perfect your guitar sound, but also mic matching via switched impedance that brings out the best of every mic in your studio. Whether high-end, ribbon or even your dullest mic you will be able to find it's sweet spot.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePrecise Parametric Equaliser with Variable Bandwidth.\u003c\/b\u003e\nThe 1977 incorporates a true 'parametric' equaliser which takes it's inspiration from 1970's-era analogue gear, with three bands of fully variable frequency control and cut and boost of +\/-12dB's and, in addition, a fully variable bandwidth control of the mid band, making it incredibly versatile and capable of modifying everything from subtle fine tuning to tone sculpting problematic recordings, and, of course, anything in between.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSwitch the Order\u003c\/b\u003e\nThe engineer has control over the order of the signal path to operate as either Gain-Equaliser-Compressor-Output or as Gain-Compressor-Equaliser-Output, with each creating a distinctly different tonal quality and coloration.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSilky Smooth vintage Compression.\u003c\/b\u003e\nA full featured compressor allows you to control the dynamics of your recordings and our trademark 'Big' and 'Air' modes help to preserve the very deep lows and enhance the sparkling highs that lesser compressor's remove.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eClean, Warm or Overdriven with totally controllable Saturation\u003c\/b\u003e\nThe compressor section also incorporates variable harmonic Saturation with a choice of 3 styles, that will allow you to warm up your recordings with complete precision.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eGet the correct level first time\u003c\/b\u003e\nThe output section includes a wet\/dry mix for parallel processing that allows you to easily dial in how much EQ, compression and saturation is used via a single knob, plus an output fade control to either add fade outs or to boost the level to match high end audio interface audio input levels, along with a large backlit VU meter for accurate monitoring. And finally, a Preamp Direct switch that bypasses the EQ, compressor and saturation completely to provide an ultra clean microphone output.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eVintage brought to the modern era\u003c\/b\u003e\nThe result of all these features is a modern take on vintage gear that gives you an incredible degree of control over the clarity, tone and warmth of your recordings, helping you to capture perfect audio every time.\u003c\/p\u003e","brand":"DRAWMER","offers":[{"title":"Default Title","offer_id":51467912511807,"sku":"20332","price":2735.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/20332_full.jpg?v=1759952862"},{"product_id":"1971","title":"1971","description":"\u003cp\u003eThe 1971 offers 2 channels of fully featured 4-band parametric EQ. It has the ability to perform subtle shaping for mastering purposes that require a delicate touch and easy recall, but is just as capable of tonal sculpting, adding the analogue warmth and character that is near impossible to emulate in the digital domain.\u003c\/p\u003e\n\u003cp\u003eThe versatile design features dual channel precision stepped potentiometers, providing exceptional accuracy for fast and simple recall. All four bands have fully variable frequency controls and each offer a cut and boost function. Additionally, the two mid bands have completely variable filter bandwidth controls, enabling the user to focus on very narrow sections of the audio spectrum, or apply a broad natural sounding filter, and anything in between. Fully adjustable low and high cut filters are also included, ideal for tuning out undesirable signals at the frequency extremes. It also features switchable slopes on the low and high bands, allowing you to alter the focus at the top and bottom frequencies plus a low peak setting that magnifies the bottom end. The 1971 is perfect for tonal shaping, staying true to the sound of the 70s and ideal for any recording engineer or musician.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eFully Parametric with Totally Variable Bandwidth.\u003c\/b\u003e\nThe 1971 is a true ‘parametric' equaliser, with the four bands having fully variable frequency controls and offer cut and boost of +\/-12dB's. However, unlike EQ's with a no bandwidth adjustment, or a simple switch, the two mid bands have completely variable filter bandwidth controls enabling the user to focus in on very narrow sections of the audio spectrum or apply a broad natural sounding filter, or, of course, anything in between the two. This makes the 1971 incredibly versatile and capable of modifying everything from subtly fine tuning mixes to tone sculpting problematic recordings.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eVariable Low and High Cut Filters.\u003c\/b\u003e\nThe 1971 includes fully variable low and high cut filters (10Hz-225Hz and 4kHz-32kHz respectively), ideal for tuning out undesirable signals. The beauty of being fully variable is that, unlike fixed frequency filters, it is easy to sweep both controls to find the perfect setting and remove sounds with pinpoint accuracy. This is especially useful when bracketing individual tracks.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSwitchable Slope Setting. \u003c\/b\u003e\nVery few analogue parametric equalisers have an adjustable slope on the low and high band filters, and is yet another feature of the 1971 that allows you to take control of your audio. The filter slopes of the 1971 have been chosen for their musicality - allowing you to adjust the focus of the audio at the bottom and top ends of your recording but not so harsh as to be a very noticeable brick wall filter. At the bottom end filter slopes of 6, 9 and 12dB per octave plus a Peak setting are available, and at the high end 6 and 12dB's per octave.\u003c\/p\u003e\n\u003cp\u003eThe Peak setting adds a narrow bell shape to the 12dB per octave low band filter at the knee frequency just before it rolls off. Especially useful on kick drums, it magnifies and gives extra weight to the hit whilst still filtering out any subsonic junk and without muddying the lower mid. It'll give your kick an added sense of power and precision.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCrush\u003c\/b\u003e\nA feature that is unique to the 1971 is the CRUSH button. A switchable option available on each band, it adds a fixed time constant, auto gain makeup compressor, whilst also giving a wider rounder bandwidth. In addition it introduces some musically pleasing harmonics.\u003c\/p\u003e\n\u003cp\u003eThe effectiveness of the Crush button will vary depending on the frequency band that it is used in and also on the instrument that it is applied to. Use it in the lower frequencies to fattten up the kick, tom or snare drums, bass guitar and other elements of the rhythm section. In the mid frequencies it will help to warm the mix and enhance the presence. It will thicken the guitars and add punch to the percussion, increase the attack of a piano, as well as help to bring out the raspiness in a vocal, for example. At the high frequencies it will bring out the shimmer of cymbals and brighten the string instruments.\u003c\/p\u003e\n\u003cp\u003eThe effect is progressive, so as more boost is added to the band the CRUSH effect is more apparent. If you wish to apply much more boost to a band in order to obtain more ‘crush' be sure to keep an eye on the EQ O\/L Led to ensure that the band level doesn't reach the rails. Use the switch to listen to A\/B comparisons to hear the effectiveness of the feature.\u003c\/p\u003e","brand":"DRAWMER","offers":[{"title":"Default Title","offer_id":51468053905727,"sku":"21833","price":2735.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/21833_full.jpg?v=1759964727"},{"product_id":"mq-1","title":"MQ-1","description":"\u003cp\u003eThe Drawmer MQ-1 Vintage EQ is a sophisticated single-channel, seven-band parametric equalizer inspired by the legendary Motown EQs of the 1960s. Designed for use with 500-series racks, it offers seven fixed-frequency controls for shaping sound with precision, featuring proportional Q curves for smooth, musical results. With its 100% analog design, the MQ-1 enables ±10 dB boosts or cuts across its bands, allowing you to sculpt sound with clarity and finesse. Its \"CRUSH\" feature introduces harmonic saturation for added warmth and depth, making it ideal for enhancing bass presence, mids, and high-end shimmer. This ensures a characterful analog experience, especially effective when driven harder.\u003c\/p\u003e\n\u003cp\u003eDesigned and manufactured in England, the MQ-1 blends classic tonal aesthetics with modern reliability. Perfect for studio professionals and enthusiasts alike, it integrates easily into your 500-series setup and includes a bypass switch for A\/B comparisons. Whether you're working with vocals, drums, guitars, or full stereo mixes, the MQ-1 provides the flexibility to add depth, clarity, and vintage warmth to your recordings.\u003c\/p\u003e","brand":"DRAWMER","offers":[{"title":"Default Title","offer_id":51468176097599,"sku":"23299","price":525.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/23299_full.jpg?v=1759978052"},{"product_id":"mq-2","title":"MQ-2","description":"\u003cp\u003eThe Drawmer MQ-2 Stereo Vintage EQ \u0026amp; Compressor is a professional-grade audio processor designed to deliver rich, warm, and dynamic sound. Inspired by the iconic \"Motown EQ\" of the 1960s, this stereo device features a 7-band proportional Q parametric equalizer and a program-dependent one-knob compressor. Its fully analog circuitry offers seven musically tuned bell curves with a variable cut\/boost range of ±10 dB, designed to bring out the best in your sound across the frequency spectrum. The MQ-2 also incorporates a \"CRUSH\" feature that adds harmonic saturation for classic analog warmth and character, ideal for enhancing bass, midrange, and treble elements in your mix.\u003c\/p\u003e\n\u003cp\u003eWith intuitive controls and stereo-linked processing, the MQ-2 simplifies achieving professional sound quality. Features like switchable EQ\/Compressor signal paths, hardwired bypass, and flexible output gain adjustment provide versatility for various audio setups. Housed in a robust design for 500-series racks, it's an excellent choice for studios seeking vintage-inspired tonal control and sonic enhancement.\u003c\/p\u003e","brand":"DRAWMER","offers":[{"title":"Default Title","offer_id":51468176195903,"sku":"23300","price":805.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/23300_full.jpg?v=1759978066"},{"product_id":"sp2120","title":"SP2120","description":"\u003cp\u003eAs its name suggests, the 1U, two channel processor eliminates the possibility of 'unauthorised' excessive sound pressure levels on speaker systems (as caused by spikes and pops in the system, or by over-enthusiast djs\/engineers) which could result in damage to both chassis drivers and amplifier electronics. In addition only the maintenance engineer and the venue manager hold a key. The unit also gives a wide variety of venues, such as clubs, theatres, pubs, schools, universities etc. the opportunity to comply with the local legislation regarding noise levels.\u003c\/p\u003e\n\u003cp\u003eThe SP2120 front panel features an integral security lock to ensure that adjustments to maximum volume levels are implemented by key holders only. In 'unlocked' mode two front panel pre-sets are exposed and available for adjustment by the installer. The first calibrates the 16 segment Left\/Right bargraphs to the incoming audio and dictates the point at which 'protection' processing commences. The second sets the absolute volume level to which the sound system is allowed to perform. If the SP2120 receives increased signal levels, the transparent 'protection' circuitry is activated which maintains the specified system volume level without degradation in sound quality. The SP2120 greatly benefits from Drawmer's 25 years experience in designing industry standard dynamic processing devices. Its signal path combines a mixture of 'multiple time constant' circuitry and automatic gain control (AGC) which allow small overloads to sound louder - even though they're not.\n \nIts concept and development was encouraged by Drawmer distributors and installers dissatisfied with other protection systems currently available. These often take the form of a crude switch, either turning off the power or disconnecting the speakers, both of which are 'disruptive' in any event.\u003c\/p\u003e","brand":"DRAWMER","offers":[{"title":"Default Title","offer_id":51468423528767,"sku":"4601","price":1423.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/4601_full.jpg?v=1759885488"},{"product_id":"d-clock","title":"D Clock","description":"\u003cp\u003eDigital audio facilities often require a number of clock sources, which are used to synchronise outboard processors to the system clock rate using external clock inputs. It uses a high stability TCXO (temperature compensated xtal oscillator) along with a microcontroller to measure the incoming sample rate to an accuracy of 2ppm and displays the information in three different formats, actual frequency (to one decimal place), nominal frequency +\/- ppm error, or nominal frequency plus percentage of pull up or pull down.\n \nIt has both AES\/EBU and BNC word clock inputs featuring a zero latency loopthrough output with switchable high impedance to maintain the correct level of the digital signal for onward distribution. Sixteen BNC clock outputs are situated on the rear panel with a further four BNC clock outputs on the front panel for quick patching to other digital devices.\n \nThe wordclock outputs can be fed from the wordclock input at any sample rate between 32KHz and 768KHz or derived from an AES11 input or stripped from an AES3 audio signal at any sample rate between 32KHz and 192KHz. Using an audio signal to provide the clock means even products without a wordclock output, such as some analogue to digital converters, or one of the many mic pre-amplifiers with internal A\/D conversion but no word clock output, can be the master wordclock source for the whole digital studio.\u003c\/p\u003e","brand":"DRAWMER","offers":[{"title":"Default Title","offer_id":51468423594303,"sku":"4602","price":1695.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/4602_full.jpg?v=1759885496"},{"product_id":"ds201","title":"DS201","description":"\u003cp\u003eSetting up noise gates can be tedious and unrewarding. For example, when attempting to separate a signal from unwanted noise or crosstalk that is relatively high in level, spurious triggering of the gate by unwanted components within the sound can be a serious problem. This can often be experienced in the studio when recording a drum kit. If a gate is used to clean up the snare drum sound it is quite likely that the nearby hi-hats will spill into the snare drum microphone and cause the gate to open. Increasing the threshold level may cure this problem, but then there is a very real danger that any quieter snare drum beats may not cause the gate to open at all and the performance can easily be ruined.\u003c\/p\u003e\n\u003cp\u003eThe DRAWMER solution to this problem is the inclusion of two variable filters, one high-pass and one low-pass, which act upon the side-chain keying circuitry. By setting the output switch to key listen the user can hear the action of the filters and adjust them to reject high frequency spillage from the hi-hats. This now enables the gate to only open on the lower frequencies present in the snare drum.\u003c\/p\u003e\n\u003cp\u003eDrawmer pioneered the concept of frequency conscious gating, and the Drawmer DS201 was the first noise gate to include this feature.\u003c\/p\u003e\n\u003cp\u003eThe very fast attack of the DS201 means that it can open in a matter of micro seconds, thus preserving the natural attack of whatever sound is being gated and the comprehensive envelope controls mean that the gain can be changed at whatever rate best suits the material being processed. With vocals for example, a fairly fast attack is needed so as not to clip the leading consonants but a slower release time will prevent the end of words being clipped off and will also fade out any noise gradually rather than cutting it off abruptly. This latter point is very important as the human ear is far more sensitive to rapidly changing noise levels than to a constant low level noise.\u003c\/p\u003e\n\u003cp\u003eAnother important role played by the gate is in the reshaping of existing sounds. An example of this might involve a simple sampling delay line used to store a sound to be re-triggered later and added to a mix. A gate can be used to impart a slower attack or faster decay to the sound and careful setting of the decay envelope can effectively hide any noise present at the end of the sample. When using a sampler or drum machine the gate can be considered a triggered envelope shaper, and the wide range allowed by the envelope controls make the DS201 ideal for this application.\u003c\/p\u003e\n\u003cp\u003eThe unit can be switched to accept a key input, which allows the gate to be triggered externally. An example of this would be to use a snare drum signal to open the gate on a separate ambient microphone to create a natural alternative to gated reverb.\u003c\/p\u003e\n\u003cp\u003eEach channel can be individually switched from Gating to Ducking for 'voice over' applications or the removal of 'clicks' and 'pops'.\u003c\/p\u003e","brand":"DRAWMER","offers":[{"title":"Default Title","offer_id":51468426772799,"sku":"4613","price":1518.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/4613_full.jpg?v=1759885522"},{"product_id":"dl241","title":"DL241","description":"\u003cp\u003eIts combination of features, displays and well designed control functions make it an outstanding product for a vast range of broadcast, sound reinforcement, and recording applications. The DL241 'Auto-Compressor' incorporates many automatic functions allowing the engineer to achieve optimum results in the minimum set up time but does not compromise skilled users with limited controls. Its sophisticated design produces a smooth, transparent and warm sonic performance.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eExpander\/Gate\u003c\/b\u003e\nDrawmer's unique \"Programmed Adaptive Expansion\" circuitry allows effective 'single control operation' producing a fast smooth response and eliminating 'chatter' on or around threshold. This design differs from that of conventional Expanders in that the Expansion Ratio, Hold Attack and Release continually adapt themselves to the dynamics of the incoming signal. The Expander\/Gate provides 80dB range and variable threshold from +20dB to 70dB with an OFF position. Switching is provided for 'Fast' or 'Slow' release characteristics. The 'Fast' mode can be used for instruments with rapid decay times or for additional tightening of the gating effect. The 'Slow' mode is more suitable for vocals and instruments with longer decay times or can be used to smooth over rough fade outs. A single LED indicates gating action.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCompressor\u003c\/b\u003e\nA full Auto Attack\/Release Compressor with variable Threshold and Ratio successfully combines the smoothness of the 'Soft Knee' principle with the precision of a 'Ratio' control. The advantage of this combination is that instead of the onset of compression being sudden at the threshold point the ratio increases over a 10dB input level range until it reaches the ratio set on the front panel control, thus achieving a more natural sounding compression. Selectable manual or fully automatic Attack and Release times dramatically extend the application range and user scope of the DL241. Selecting the 'Auto' mode removes the need for manual adjustment and is particularly valuable when the program being treated does not have predictable or consistent dynamics, often the case when processing a complete mix or a virtuoso bass guitar performance. Under manual control the wide range of adjustment available gives the user the ability to create dynamic effects as well as normal compression.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePeak Level. 'Zero Response Time', 'Zero Overshoot' circuitry\u003c\/b\u003e\nThis provides an absolute limit to the peak level of the output signal, adjustable from OdB to +16dB above system level. When set to the required level, any excessive peaks will be stopped and the gain momentarily decreased if necessary. The 'Zero Response Time' is essential to avoid unpleasant distortion when mastering for CD or sending any signal to digital equipment. 'Zero Response Time' means that the DL241 provides complete protection from even the fastest and shortest signal 'spikes' (overloads), making the unit also ideally suited for speaker system protection in sound reinforcement applications.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMetering\u003c\/b\u003e\nComprehensive bar graph displays give 'at a glance' indications of gain reduction, and output signal level Gain reduction from 1dB to -30dB is shown simultaneously with signal level from -20dB to +15dB Other single LEDs indicate function status of Gating Acton, Auto Mode, Bypass, Peak Limiting, Stereo Linking, and Power On.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eStereo Link\u003c\/b\u003e\nWhen processing stereo signals, linking should be used to prevent image shifting. This facility ties both channels together. Using channel 1 (left) as the master channel removes the need to duplicate control settings for both channels.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBypass\u003c\/b\u003e\nA fully balanced hard-wire bypass connects the input directly to the output allowing signal to pass through the unit with no power applied. In bypass the VU level meter displays the Input signal.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eOperating Level\u003c\/b\u003e\nThe operating level of the DL241 can be instantly switched, independently on each channel, for either +4dBu or 10dBu operation using a rear panel push switch.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eInput\/Output\u003c\/b\u003e\nThe DL241 is available with either XLR connections and fully balanced inputs and outputs, or with stereo jack (TRS) connections, fully balanced inputs and single ended outputs.\u003c\/p\u003e","brand":"DRAWMER","offers":[{"title":"Default Title","offer_id":51468427002175,"sku":"4619","price":1695.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/4619_full.jpg?v=1759885539"},{"product_id":"dl441","title":"DL441","description":"\u003cp\u003eThe inclusion of new sophisticated 'automated' circuitry allows the engineer to precisely control both the dynamic range and 'absolute' peak level of the programme instantly, without sacrificing essential control parameters. This perfect balance of features makes the DL441 ideal for use in sound reinforcement and outside broadcast applications where an economy in rack space is essential. Each channel combines a fully professional 'Auto Attack\/Release' Compressor with a variable threshold 'Peak Level' Limiter on the output providing a transparent 'endstop'. High resolution bar-graph displays on each channel allow gain reduction and output level to be viewed simultaneously, of particular importance in darkened concert hall or control room situations.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCompressor\u003c\/b\u003e\nThe compressor section can be switched to provide either HARD or SOFT knee compression In both the HARD and SOFT modes a Ratio control is available. In the SOFT mode the ratio increases gradually over a 10dB input level range until it reaches the ratio set on the front panel control, thus achieving a more natural sounding compression In HARD mode the compressor provides a more precise means of controlling gain, where the ratio as set on the front panel is applied immediately the signal exceeds threshold. This is particularly useful in many broadcast applications. HARD knee compression can also be used creatively as an effect, particularly in the treatment of drum and guitar sounds, or for giving rock vocals a 'compressed sound'.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAuto Attack and Release\u003c\/b\u003e\nRemoves the need for manual adjustment by producing a response which constantly follows the dynamics of the signal. This enables the DL441 to preserve crisp transients without allowing excessive peaks to occur. A smooth yet lively recovery from compression minimizes side effects such as 'pumping' and 'breathing'. This feature is particularly valuable when the program being treated does not have predictable or consistent dynamics, such as complete mixes, vocals or 'slapped and pulled' bass guitar.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePeak Level Limiter, 'Zero Response Time', 'Zero Overshoot' circuitry\u003c\/b\u003e\nProvides an absolute limit to the peak level of the output signal, adjustable from 0db to +16dB above system level. 'Zero Response Time' transparent limiting means that the DL441 provides complete protection from even the fastest and shortest signal overloads, making the unit ideally suited for speaker system protection in sound reinforcement applications. The sophisticated circuitry will also prevent unpleasant distortion when used for digital mastering.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMetering\u003c\/b\u003e\nComprehensive bar graph displays give 'at a glance' indications of gain reduction, and input\/output signal level Gain reduction from 1dB to 30dB is shown simultaneously with signal level from 10dB to +10dB. When the channel is in BYPASS the output bar graph displays the input signal level. Other single LEDs indicate function status of Hard\/Soft compression, Bypass, Peak Limiting, Linking, and Power on.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBypass\u003c\/b\u003e\nA fully balanced hard-wire bypass connects the input directly to the output allowing signal to pass through the unit with no power applied.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eStereo Linking\u003c\/b\u003e\nChannels 1-2 and\/or 3-4 can be stereo linked, where the left channel of the stereo pair becomes the master.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eOperating Level\u003c\/b\u003e\nThe operating level of the DL441 can be instantly switched, independently on each channel, for either +4dBu or 10dBu operation using a rear panel push switch.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eInput\/Output\u003c\/b\u003e\nThe DL441 is provided with balanced inputs and outputs on XLR connections.\u003c\/p\u003e","brand":"DRAWMER","offers":[{"title":"Default Title","offer_id":51468427198783,"sku":"4620","price":2110.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/4620_full.jpg?v=1759885547"},{"product_id":"da-6","title":"DA-6","description":"\u003cp\u003eThe distribution of mono and stereo balanced audio signals from a single source to multiple destinations has many applications including multi-zone sound reinforcement installations, live sports events coverage, broadcast studios, video suites, duplication or indeed anywhere high quality audio has to be distributed to a number of locations down long cable runs.\u003c\/p\u003e\n\u003cp\u003eThe stereo Input features individual left\/right level controls with LED bargraph metering enabling the correct balancing of stereo material or two mono signals. Each of the six outputs incorporate further left\/right level controls and a Mono\/Stereo switch providing the selection of either one stereo output or two mono outputs per channel. This feature allows the DA-6 to function as either a 1 x stereo input\/6 x stereo outputs or 1 x mono input\/12 x mono output unit or any combination of the two.\u003c\/p\u003e\n\u003cp\u003eThe output section consists of a Channel Select so that the individual left\/right output level of each channel is displayed on the output LED bargraph and can be monitored by the Headphone jack socket. A pair of auxiliary link stereo jack sockets (TRS) are provided via the rear panel for connection to further DA-6 units for the distribution of even more channels.\u003c\/p\u003e","brand":"DRAWMER","offers":[{"title":"Default Title","offer_id":51468427297087,"sku":"4621","price":1505.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/4621_full.jpg?v=1759885557"},{"product_id":"la12","title":"LA12","description":"\u003cp\u003eThe unit provides one stereo input with master 'gain' and 'balance' controls and twelve stereo outputs, each with individual output level control. It may be used to distribute one stereo signal to up to twelve different outputs. A typical application example would be for the distribution of one stereo signal to other rooms\/areas within a complex e.g. nightclub, shopping mall etc., but it may be used for a variety of other applications, such as real time cassette duplication.\u003c\/p\u003e","brand":"DRAWMER","offers":[{"title":"Default Title","offer_id":51468427362623,"sku":"4623","price":1365.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/4623_full.jpg?v=1759885565"},{"product_id":"kickbox-4x4","title":"Kickbox 4x4","description":"\u003cp\u003eIts extremely high audio quality, robust build and portability make it the ideal tool to provide multiple outputs for live sound, broadcast coverage, sports events, live recording, press conferences, corporate events and any situation where distribution of high quality audio is required. It incorporates 4 studio grade mic\/line pre-amps, each providing up to 66dB of gain and 16 balanced output stages, each with the option of transformer isolation and comprehensive linking facilities.\u003c\/p\u003e\n\u003cp\u003eThe 4x4 is supplied as standard in a road proof case with a removable lid for unhindered access to all controls and connections.\u003c\/p\u003e","brand":"DRAWMER","offers":[{"title":"Default Title","offer_id":51468427460927,"sku":"4625","price":2210.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/4625_full.jpg?v=1759885575"},{"product_id":"1960","title":"1960","description":"\u003cp\u003eThe Drawmer 1960 is a two channel unit with each channel comprised of a completely natural sounding \"soft knee\" vacuum tube compressor and an extremely low noise microphone pre-amplifier with switchable 48 volt phantom power. A further auxiliary instrument pre-amp with EQ is also provided.\u003c\/p\u003e\n\u003cp\u003eThis powerful combination of the classic valve circuit, offering unsurpassed tonality, and the low noise balanced microphone input with up to 60dB of gain has allowed engineers throughout the world to exploit the full potential of high performance condenser microphones. An example of this would be the direct to digital stereo recording of live classical music without the necessity of a mixing console.\u003c\/p\u003e\n\u003cp\u003eThe Compressor: Because the compressor is a soft knee type, it requires few controls. Strictly speaking, a soft knee design does not have a rigidly defined threshold but the title 'Threshold' has been retained for the \"amount of compression\" control for the sake of familiarity. The Threshold range is continuously variable between infinity and -24dB, the theory being that signals below the threshold are essentially unprocessed and the signals exceeding this threshold are subjected to increasing amounts of gain reduction dependent on by how much they exceed the threshold.\u003c\/p\u003e\n\u003cp\u003eThe attack and release times are switchable rather than being continuously variable and this method of operation falls into line with that of its all valve predecessors. Attack simply offers a-choice of slow, medium and fast whilst release has six settings. Positions one to four have fixed release times whilst positions five and six are two different programme dependent release time modes making the unit ideally suited to programme material with complex dynamics such as complete stereo mixes and vocals. Interestingly, the attack times are further modified by the choice of release setting so the range of choices are wider than it might first appear.\u003c\/p\u003e\n\u003cp\u003eBecause compression is a form of controlled gain reduction, a stage of make-up amplification follows the compressor section giving a range of +20dB. The VU meters may be switched to monitor either the amount of gain reduction taking place or the output signal level and the two channels may be used either independently or as a stereo pair, depending on the setting of the stereo link switch.\u003c\/p\u003e\n\u003cp\u003eThe side chain access points may be used to patch in equalisers to enable the compressor to act as a de-esser. As with other Drawmer products, the by-pass switch offers a choice of Normal. By-pass and Side Chain Listen modes so that if you have patched in any additional side chain processing, you can easily monitor what effect it is having.\u003c\/p\u003e\n\u003cp\u003eIn addition to the balanced microphone and line inputs on the rear of the unit an auxiliary input on the front panel gives direct access for guitars or electronic instruments. Equalization is provided along with sufficient gain to overload the tube pre-amp for sustain effects. The Aux input is a valuable addition as it combines the virtues of a D.I. box and equalizer with the compressor allowing the instrument to be simultaneously processed and routed to the mixing console or directly to the recorder.\u003c\/p\u003e","brand":"DRAWMER","offers":[{"title":"Default Title","offer_id":51468454592831,"sku":"668","price":4185.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/668_full.jpg?v=1759878088"},{"product_id":"1979","title":"1979","description":"\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto [content-visibility:auto] supports-[content-visibility:auto]:[contain-intrinsic-size:auto_100lvh] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-69039bcd-c718-8330-ad1b-676888d2b573-41\" data-testid=\"conversation-turn-76\" data-scroll-anchor=\"true\" data-turn=\"assistant\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] thread-sm:[--thread-content-margin:--spacing(6)] thread-lg:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] thread-lg:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"b5a6c3dd-d369-44b6-b33b-8515fd81412a\" dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-4o\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full break-words dark markdown-new-styling\"\u003e\n\u003cp data-start=\"0\" data-end=\"495\"\u003eThe Drawmer 1979 is a modern, all-in-one 1U channel strip that brings together clean analog precision with vintage-style warmth and musicality. Designed for tracking, mixing, and tone shaping, it features a transparent mic\/line\/instrument preamp, a unique Lift module, a fully variable 3-band parametric EQ, and a soft-knee FET compressor all tailored to provide professional-grade signal control in both studio and live environments.\u003c\/p\u003e\n\u003cp data-start=\"497\" data-end=\"963\"\u003eAt the front end, the preamp offers up to 66dB of stepped gain, with impedance switching for optimizing any microphone from ribbons to condensers. The Lift function, originally introduced in the 1972 model, enhances quieter elements of a signal without compressing louder ones, making it perfect for vocals, ambient recordings, and acoustic instruments. It subtly enhances dynamic balance while preserving clarity and detail which makes it ideal for “set and forget” usage.\u003c\/p\u003e\n\u003cp data-start=\"965\" data-end=\"1527\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eThe 1979 also gives engineers full control over tone and dynamics with a smooth, musical EQ, a flexible signal chain (EQ \u0026gt; Comp or Comp \u0026gt; EQ), and a wet\/dry blend for parallel processing. The VU meter, make-up gain, and bypass switch make level management intuitive and precise. Whether you're sculpting a vocal, tightening up a bass guitar, or gluing a mix together, the Drawmer 1979 offers a flexible and powerful toolset in a compact, rack-ready format handmade in the UK to exacting standards.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e","brand":"DRAWMER","offers":[{"title":"Default Title","offer_id":51525507481919,"sku":"25316","price":1925.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/19791.jpg?v=1762188890"},{"product_id":"d-clock-r","title":"D Clock R","description":"\u003cp data-start=\"0\" data-end=\"523\"\u003eThe Drawmer D-Clock-R is a rugged, professional-grade dual redundant word clock distribution amplifier, engineered for maximum reliability in mission-critical environments such as broadcast facilities, live venues, and studios. Building on the foundation of the original D-Clock, the D-Clock-R introduces full redundancy for both power and clock inputs, ensuring uninterrupted operation even in the event of a fault or power failure which makes it ideal for any application where stability is non-negotiable.\u003c\/p\u003e\n\u003cp data-start=\"525\" data-end=\"1075\"\u003eAt its core, the D-Clock-R features two auto-sensing BNC clock inputs that accept either word clock or AES3id signals, automatically switching between the default and auxiliary sources as needed. It provides 16 re-buffered BNC outputs 12 on the rear panel and 4 on the front to distribute clock signals across complex digital setups with ease. The front panel includes a high-precision 16-character LCD display, offering three display modes: actual frequency, ±ppm error, and % pull-up\/down, all with an accuracy of 2 ppm.\u003c\/p\u003e\n\u003cp data-start=\"1077\" data-end=\"1574\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eThe dual internal universal-voltage power supplies work in parallel under normal conditions and offer instant automatic failover if one supply fails, guaranteeing seamless operation. With classic Drawmer build quality, a 1U rackmount form factor, and an aluminium front panel, the D-Clock-R delivers dependable, high-performance clock distribution in a compact, road- and studio-ready unit, designed and handmade in the UK for the highest standards of reliability and precision.\u003c\/p\u003e","brand":"DRAWMER","offers":[{"title":"Default Title","offer_id":51525507547455,"sku":"25317","price":1965.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/dclock1.jpg?v=1762190404"},{"product_id":"1968-mk2","title":"1968 MK2","description":"\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto [content-visibility:auto] supports-[content-visibility:auto]:[contain-intrinsic-size:auto_100lvh] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-69039bcd-c718-8330-ad1b-676888d2b573-45\" data-testid=\"conversation-turn-78\" data-scroll-anchor=\"true\" data-turn=\"assistant\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] thread-sm:[--thread-content-margin:--spacing(6)] thread-lg:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] thread-lg:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"1e0a002b-3e66-4803-98a2-2b22f37300ff\" dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-4o\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full break-words dark markdown-new-styling\"\u003e\n\u003cp data-start=\"0\" data-end=\"523\"\u003eThe Drawmer 1968 MkII is a high-end dual-channel vacuum tube compressor that merges vintage sonic character with modern precision, making it an exceptional tool for both mix bus and mastering applications. Housed in a compact 1U chassis, it combines a FET compression stage with a 12AX7 valve makeup gain stage, delivering a warm, open sound even under heavy compression. Its soft-knee design eliminates the need for a ratio control, ensuring a naturally musical response across various sources.\u003c\/p\u003e\n\u003cp data-start=\"525\" data-end=\"1071\"\u003eOne of the standout features of the 1968 MkII is its extensive timing control, offering six attack settings (2–50ms) and six release options, including both fixed and program-dependent modes that adapt to complex material for smooth, consistent dynamics. The addition of ‘BIG’ and ‘BIGGER’ modes on each channel helps preserve low-end clarity by reducing compression on fundamental bass frequencies while still controlling their harmonics which is perfect for preserving punch on drums, bass, or full mixes without introducing pumping.\u003c\/p\u003e\n\u003cp data-start=\"1073\" data-end=\"1679\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eEngineered for flexibility and transparency, the 1968 MkII features stereo link or dual mono operation, side-chain access for external EQ or de-essing, and a three-way output mode (Normal, Bypass, and Side-Chain Listen). Illuminated VU meters with a +10dB switch and red clipping indicators offer clear visual feedback. Ruggedly built and handmade in the UK, the Drawmer 1968 MkII blends analog warmth with surgical control which makes it a go-to solution for producers, mixers, and mastering engineers seeking that elusive balance between vintage tone and modern workflow precision.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e","brand":"DRAWMER","offers":[{"title":"Default Title","offer_id":51525507645759,"sku":"25318","price":2775.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/19681.jpg?v=1762189625"},{"product_id":"1972","title":"1972","description":"\u003cp data-start=\"0\" data-end=\"509\"\u003eThe Drawmer 1972 Dual Mic, Line and Instrument Pre-Amplifier is a refined studio tool designed to capture recordings with exceptional clarity and control. Suitable for everything from budget dynamic microphones to high-end ribbon and condenser models, it delivers clean, detailed results across a wide range of sources. With dedicated mic, line, and front panel DI inputs, it adapts easily to vocals, acoustic instruments, electric guitars, and more, making it a versatile centerpiece for any recording setup.\u003c\/p\u003e\n\u003cp data-start=\"511\" data-end=\"1026\"\u003eEach channel is built around advanced THAT Corporation technology, offering up to 66dB of stepped gain along with output trim for precise level control. Fully variable high-pass and low-pass filters allow you to remove unwanted rumble or hiss directly at the source, while the musical Shape control provides a smooth tilt EQ to rebalance bass and treble. Three selectable mic impedance settings add further flexibility, enabling accurate microphone matching or subtle tonal shaping depending on your creative goals.\u003c\/p\u003e\n\u003cp data-start=\"1028\" data-end=\"1528\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eA defining feature of the 1972 is Drawmer’s exclusive Lift control, designed to bring out very low-level details without introducing noise or affecting louder passages. This makes it especially effective for dynamic performances such as piano, vocals, and ambient recordings. With its robust steel chassis, analogue VU metering, and carefully engineered power supply, the 1972 combines thoughtful design with dependable performance for modern studios seeking precision and character in equal measure.\u003c\/p\u003e","brand":"DRAWMER","offers":[{"title":"Default Title","offer_id":52273085448511,"sku":"SE-1723","price":1895.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/19721.jpg?v=1772482934"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/collections\/Drawmer_Logo_colour-black.svg?v=1777402993","url":"https:\/\/www.economik.com\/collections\/drawmer.oembed?page=2","provider":"Studio Economik","version":"1.0","type":"link"}