{"title":"Phoenix Audio","description":"","products":[{"product_id":"n-8-di","title":"N-8 DI","description":"\u003cp\u003eThe N8 was also designed to be compact, rugged and road worthy so making it an excellent companion for live touring, broadcast or for more traditional recording studios where you need excellent direct inputs. The unit features an external 24V PSU with lockable connector so can easily be portable wherever you go.\u003c\/p\u003e\n\u003cp\u003eIts an excellent choice for guitar, bass or keyboards and many, many other instruments and the 10M ohm impedance means that you get the true \u0026amp; accurate sound of your instrument always without any sonic sacrifices.\u003c\/p\u003e","brand":"PHOENIX AUDIO","offers":[{"title":"Default Title","offer_id":51466778050879,"sku":"11384","price":2395.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/11384_full.jpg?v=1759898350"},{"product_id":"pivot-tone-channel-500","title":"Pivot Tone Channel\/500","description":"\u003cp\u003ePivot TC\/500 uses a powerful tone control pivot position EQ , a unique 3 position 'see-saw' EQ with 3 carefully selected pivot positions to cover low frequencies at 160hz, mid frequencies at 800hz and high frequencies at 1.6khz. A dark\/bright shaping control, allows you to 'see-saw' the EQ to darken your mix (add LF) or brighten the mix (add HF).\u003c\/p\u003e\n\u003cp\u003eThere is a also a 10 position LED metering that accurately represents the output level.\u003c\/p\u003e\n\u003cp\u003eThe unit can also be used in bypass mode, the ouput control can be driven bringing in the Class A discrete output circuitry and output transformer to add analogue colour and saturation to any source, and a pair of units would be excellent on a mix bus or mastering.\u003c\/p\u003e","brand":"PHOENIX AUDIO","offers":[{"title":"Default Title","offer_id":51466874880319,"sku":"13274","price":1125.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/13274_full.jpg?v=1759905683"},{"product_id":"ascent-one","title":"Ascent One","description":"\u003cp\u003e\u003cb\u003eA Versatile, Modern Class-A Mic Preamp\/DI\u003c\/b\u003e\nAvailable in mono (1\/2RU), dual mono (1RU) or with EQ in both mono \u0026amp; dual mono the Phoenix Ascent Mic Preamp\/DIs take a modern approach to Class-A circuit design that delivers a wide range of tones without sacrificing the beloved vibe of true Class-A design. The unique Ascent circuit can go from ultra-clean sounds suitable for audiophile recordings all the way to the warm, saturated tones reminiscent of the UK's most heralded vintage designs.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eHi-Fi Transformerless Mic Input Stage\u003c\/b\u003e\nOur exclusive electronically-balanced, transformerless mic input circuit delivers fast transients and the full frequency spectrum (from sub-bass to the highest air band), while still delivering the full, warm and smooth characteristics that make engineers love Class-A mic preamps. Boldly outperforming transformer-based designs in both the frequency response and slew rate, the Ascent delivers articulate, punchy and full-bodied input signals, allowing you to drive the output stage for a vast range of pure Class-A tones-from bold clarity to vintage warmth, and everything in-between.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLegendary Transformer-Balanced Output Stage\u003c\/b\u003e\nOur custom-wound  DB694 output transformer is coupled to Phoenix's proprietary, fully discrete DSOP-2 output amplifier. The DSOP-2 is a direct descendent of the venerable TF1 amp which Phoenix's head-designer, David Rees, developed as an upgrade for vintage Neve modules. Going beyond the TF1, the DSOP2 is the pinnacle of Class-A output circuit design, offering up a smooth transition from ultra-clean to beautifully saturated tones.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eUltra-High Impedance DI Circuit\u003c\/b\u003e\nThe Ascent mic pre series include very high input impedance DI circuits (10Mohm)-remarkably featuring no FETs-on every channel. This design means that guitar and bass pickups are not loaded, allowing the natural sound of both modern and vintage instruments to shine and actually enhancing the sound, sparkle and growl as if they were plugged into your favorite amp. Synths, drum machines, and even laptops can likewise be sweetened by the Ascent's DI.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eEasy and Intuitive In The Studio\u003c\/b\u003e\nBecause you're working with a clean, robust, electronically-balanced input signal, the Ascent Mic Preamp\/DI makes dialing in your exact sound easy, intuitive and quick. By working the familiar stepped input gain control (up to 70db alone) and the -30dB pad against the variable output fader (which provides an additional 10dB of gain), you can dial in your preferred tones without having to consider an overly complex gain architecture. It's all about driving the versatile DSOP-2 output stage to your exacting tastes, whatever they may be in any given moment. Like so many other engineers, you'll find yourself reaching for the Ascent Mic Preamp\/DI over and over again to reliably deliver a vast array of outstanding sounds for any instrument or voice you're recording.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eVari-Filter Control\u003c\/b\u003e\nPowereful variable high pass filter from 70hz to 400hz allowing you the ability to control and shapes tones of all types\u003c\/p\u003e","brand":"PHOENIX AUDIO","offers":[{"title":"Default Title","offer_id":51466934583615,"sku":"14499","price":2260.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/14499_full.jpg?v=1759912085"},{"product_id":"ascent-two","title":"Ascent Two","description":"\u003cp\u003e\u003cb\u003eA Versatile, Modern Class-A Mic Preamp\/DI\u003c\/b\u003e\nAvailable in mono (1\/2RU), dual mono (1RU) or with EQ in both mono \u0026amp;  dual mono the Phoenix Ascent Mic Preamp\/DIs take a modern approach to Class-A circuit design that delivers a wide range of tones without sacrificing the beloved vibe of true Class-A design. The unique Ascent circuit can go from ultra-clean sounds suitable for audiophile recordings all the way to the warm, saturated tones reminiscent of the UK's most heralded vintage designs.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eHi-Fi Transformerless Mic Input Stage\u003c\/b\u003e\nOur exclusive electronically-balanced, transformerless mic input circuit delivers fast transients and the full frequency spectrum (from sub-bass to the highest air band), while still delivering the full, warm and smooth characteristics that make engineers love Class-A mic preamps. Boldly outperforming transformer-based designs in both the frequency response and slew rate, the Ascent delivers articulate, punchy and full-bodied input signals, allowing you to drive the output stage for a vast range of pure Class-A tones-from bold clarity to vintage warmth, and everything in-between.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLegendary Transformer-Balanced Output Stage\u003c\/b\u003e\nOur custom-wound  DB694 output transformer is coupled to Phoenix's proprietary, fully discrete DSOP-2 output amplifier. The DSOP-2 is a direct descendent of the venerable TF1 amp which Phoenix's head-designer, David Rees, developed as an upgrade for vintage Neve modules. Going beyond the TF1, the DSOP2 is the pinnacle of Class-A output circuit design, offering up a smooth transition from ultra-clean to beautifully saturated tones.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eUltra-High Impedance DI Circuit\u003c\/b\u003e\nThe Ascent mic pre series include very high input impedance DI circuits (10Mohm)-remarkably featuring no FETs-on every channel. This design means that guitar and bass pickups are not loaded, allowing the natural sound of both modern and vintage instruments to shine and actually enhancing the sound, sparkle and growl as if they were plugged into your favorite amp. Synths, drum machines, and even laptops can likewise be sweetened by the Ascent's DI.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eEasy and Intuitive In The Studio\u003c\/b\u003e\nBecause you're working with a clean, robust, electronically-balanced input signal, the Ascent Mic Preamp\/DI makes dialing in your exact sound easy, intuitive and quick. By working the familiar stepped input gain control (up to 70db alone) and the -30dB pad against the variable output fader (which provides an additional 10dB of gain), you can dial in your preferred tones without having to consider an overly complex gain architecture. It's all about driving the versatile DSOP-2 output stage to your exacting tastes, whatever they may be in any given moment. Like so many other engineers, you'll find yourself reaching for the Ascent Mic Preamp\/DI over and over again to reliably deliver a vast array of outstanding sounds for any instrument or voice you're recording.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eVari-Filter Control\u003c\/b\u003e\nPowereful variable high pass filter from 70hz to 400hz allowing you the ability to control and shapes tones of all types\u003c\/p\u003e","brand":"PHOENIX AUDIO","offers":[{"title":"Default Title","offer_id":51466934649151,"sku":"14500","price":2995.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/14500_full.jpg?v=1759912095"},{"product_id":"ascent-two-eq","title":"Ascent Two EQ","description":"\u003cp\u003e\u003cb\u003eA Versatile, Modern Class-A Mic Preamp\/DI\u003c\/b\u003e\nAvailable in mono (1\/2RU), dual mono (1RU) or with EQ in both mono \u0026amp;  dual mono the Phoenix Ascent Mic Preamp\/DIs take a modern approach to Class-A circuit design that delivers a wide range of tones without sacrificing the beloved vibe of true Class-A design. The unique Ascent circuit can go from ultra-clean sounds suitable for audiophile recordings all the way to the warm, saturated tones reminiscent of the UK's most heralded vintage designs.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eHi-Fi Transformerless Mic Input Stage\u003c\/b\u003e\nOur exclusive electronically-balanced, transformerless mic input circuit delivers fast transients and the full frequency spectrum (from sub-bass to the highest air band), while still delivering the full, warm and smooth characteristics that make engineers love Class-A mic preamps. Boldly outperforming transformer-based designs in both the frequency response and slew rate, the Ascent delivers articulate, punchy and full-bodied input signals, allowing you to drive the output stage for a vast range of pure Class-A tones-from bold clarity to vintage warmth, and everything in-between.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLegendary Transformer-Balanced Output Stage\u003c\/b\u003e\nOur custom-wound  DB694 output transformer is coupled to Phoenix's proprietary, fully discrete DSOP-2 output amplifier. The DSOP-2 is a direct descendent of the venerable TF1 amp which Phoenix's head-designer, David Rees, developed as an upgrade for vintage Neve modules. Going beyond the TF1, the DSOP2 is the pinnacle of Class-A output circuit design, offering up a smooth transition from ultra-clean to beautifully saturated tones.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eUltra-High Impedance DI Circuit\u003c\/b\u003e\nThe Ascent mic pre series include very high input impedance DI circuits (10Mohm)-remarkably featuring no FETs-on every channel. This design means that guitar and bass pickups are not loaded, allowing the natural sound of both modern and vintage instruments to shine and actually enhancing the sound, sparkle and growl as if they were plugged into your favorite amp. Synths, drum machines, and even laptops can likewise be sweetened by the Ascent's DI.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eEasy and Intuitive In The Studio\u003c\/b\u003e\nBecause you're working with a clean, robust, electronically-balanced input signal, the Ascent Mic Preamp\/DI makes dialing in your exact sound easy, intuitive and quick. By working the familiar stepped input gain control (up to 70db alone) and the -30dB pad against the variable output fader (which provides an additional 10dB of gain), you can dial in your preferred tones without having to consider an overly complex gain architecture. It's all about driving the versatile DSOP-2 output stage to your exacting tastes, whatever they may be in any given moment. Like so many other engineers, you'll find yourself reaching for the Ascent Mic Preamp\/DI over and over again to reliably deliver a vast array of outstanding sounds for any instrument or voice you're recording.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cu\u003ePhoenix Ascent Gyrator EQs\u003c\/u\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAn EQ As Versatile As It Is Unique\u003c\/b\u003e\nPhoenix Audio's Ascent Gyrator EQ is one of today's most unique and musical EQs, allowing an incredible variety of sounds useful for everything from clean high-headroom mix buss tone shaping to deep frequency carving to smooth Class-A circuit saturation. Available either in our remarkable mono or dual mono Class-A Ascent Mic Preamp\/DIs in a stereo 1RU unit, the Ascent Gyrator EQ is as powerful as it is fun to use.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e4-Bands of Gyration\u003c\/b\u003e\nThe Gyrator EQ was first developed during what most consider the golden age of solid-state analog audio design: the 1970s. Originally designed to emulate the characteristics of an active inductor EQ (think Neve, API), the Gyrator EQ uses a rather clever combination of an amplifier, resistors and capacitors to accomplish incredibly smooth and musical frequency modifications. The modern-day Phoenix Ascent Gyrator EQ gives you High, High-Mid, Low-Mid and Low frequency bands, each notched to proven frequencies from a shimmering 15kHz on down to a thumping 40Hz. There's also a high pass filter at 80Hz, which can eliminate rumble or be used \"against\" low-end boosts for an extra range of unique EQ curves (think: Pultec). Even at extreme boosts and cuts, the Ascent Gyrator EQ's uniquely musical filters maintain the core quality of your original signal, allowing you to make bold, gut-level EQ moves that won't sound harsh, slurred or out of phase. Used more subtly, these four filters are capable of highly coherent tone shaping suitable for full mixes and mastering.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDriving the Output Circuit for More Tone Shaping\u003c\/b\u003e\nPhoenix Audio's renown DSOP-2 output amplifier, with its custom-wound transformer, is able to deliver everything from ultra-clean signals with abundant headroom to fat, fully saturated tones. By lowering the input attenuator and boosting the output signal, one can drive the DSOP-2 output stage for a wide variety of lush, Class-A saturation. Or, do the opposite-back off on the output while boosting the input-and you'll get huge, clean, hi-fi tones. Many engineers even use the Ascent Gyrator EQ completely flat in order to simply add the musicality of our proprietary amplifier circuits.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eVersatile And Effortless, Day After Day\u003c\/b\u003e\nThe Ascent Gyrator EQ is a powerfully versatile, high-quality studio tool. Unlike many Class-A EQs that just do \"their thing\" due to inherent distortion characteristics, the Ascent Gyrator EQ keeps the input signal clean, making it possible for the engineer to keep tones transparent or saturate them to taste. Importantly, doing so is effortless and intuitive due to the Ascent Gyrator's straight-forward design and unerring musicality. Those who own this EQ tell us that it quickly becomes their \"go to EQ\"-used effortlessly every day across a vast variety of instruments, voices and full mixes.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSheen Control\u003c\/b\u003e\nOur new sheen control brings life and vitality to your vocals and instruments by adding a super high freqency boost or cut and adding a sheen.\u003c\/p\u003e","brand":"PHOENIX AUDIO","offers":[{"title":"Default Title","offer_id":51466934714687,"sku":"14502","price":3945.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/14502_full.jpg?v=1759912104"},{"product_id":"nimbus-di","title":"Nimbus DI","description":"\u003cp\u003e\u003cb\u003eToday's Music Demands More and Better DIs\u003c\/b\u003e\nThe Phoenix Audio pure Class-A DI was so popular in our Ascent Series Mic Preamps that we've made it available in three stand alone versions: the mono Nimbus stage DI, the 2-channel (1\/2RU) Nice D Iand the 8-channel N8 (1RU). Over the past decade or so, the need for more DIs has skyrocketed as instrumentation has incorporated more and more electronic elements. From elaborate analog synth rigs, to multiple laptops, to loop-stations and more, getting excellent tone from multiple DIs is more important today than ever.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePure Class-A Tone at Input\u003c\/b\u003e\nThe Phoenix DIs are built around a fully discrete Class-A circuit design, all hand-wired with military-grade silver connections into rugged and portable steel boxes. Our transformerless, electronically balanced, ultra-high impedance (10Mohm) input stage assures that your signals are delivered into the circuit in their full glory. No treble roll off, or sluggish bass response as is rampant with so many DIs. Instead, you'll hear the full-bodied, punchy sounds necessary for delivering the powerful, often bombastic and complex, signals of modern music. Guitars and basses will sing; lush synths will swarm; hard-hitting drum machines will thump and crack-each sound rendered with its transients and full frequency spectrum in tact.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eVersatile Transformer-Balanced Output\u003c\/b\u003e\nThe output stage of the Nice DIs uses Phoenix Audio's renown DSOP-2, an all discrete output amp based on head-designer Dave Rees's infamous TF1 amp (which he developed for use in vintage Neve modules). With its custom-wound DB694 transformer and enormous headroom, the DSOP-2 can be driven to taste. Deliver more gain to achieve a beautifully saturated sound, back off for a cleaner, hi-fi sound, or choose any flavor in-between. And because these DIs can accept line level, you can use the N8, for example, anywhere a line-amp is necessary: along side your console, in a live setting, or simply in any patch to pick up that Class-A tone. With an easily recalled stepped gain control on every channel, dialing in your exact sound is a breeze. You'll find these to be the most musical, intuitive and versatile DIs you've ever used, capable of breathing new life into any direct injected signal.\u003c\/p\u003e","brand":"PHOENIX AUDIO","offers":[{"title":"Default Title","offer_id":51466934780223,"sku":"14503","price":563.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/14503_full.jpg?v=1759912113"},{"product_id":"gyrator-eq-500","title":"Gyrator EQ 500","description":"\u003cp\u003e\u003cb\u003eAn EQ As Versatile As It Is Unique\u003c\/b\u003e\nFrom clean high-headroom mix buss tone shaping to deep frequency carving to smooth Class-A circuit saturation and available either as a mono 500-series module (running at 24v) or coupled to two of our remarkable Class-A Ascent Mic Preamp\/DIs in a stereo 1RU unit, the Gyrator EQ is as powerful as it is fun to use.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e4-Bands of Gyration\u003c\/b\u003e\nThe Gyrator EQ was first developed during what most consider the golden age of solid-state analog audio design: the 1970s. Originally designed to emulate the characteristics of an active inductor EQ (think Neve, API), the Gyrator EQ uses a rather clever combination of an amplifier, resistors and capacitors to accomplish incredibly smooth and musical frequency modifications. The modern-day Phoenix DRS Gyrator EQ gives you High, High-Mid, Low-Mid and Low frequency bands, each notched to proven frequencies from a shimmering 15kHz on down to a thumping 40Hz. There's also a high pass filter at 80Hz, which can eliminate rumble or be used \"against\" low-end boosts for an extra range of unique EQ curves (think: Pultec). Even at extreme boosts and cuts, the Gyrator EQ's uniquely musical filters maintain the core quality of your original signal, allowing you to make bold, gut-level EQ moves that won't sound harsh, slurred or out of phase. Used more subtly, these four filters are capable of highly coherent tone shaping suitable for full mixes and mastering.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDriving the Output Circuit for More Tone Shaping\u003c\/b\u003e\nPhoenix Audio's renown DSOP-2 output amplifier, with its custom-wound transformer, is able to deliver everything from ultra-clean signals with abundant headroom to fat, fully saturated tones. By driving the output attenuator, one can drive the DSOP-2 output stage for a wide variety of lush, Class-A saturation. Many engineers even use the Gyrator EQ completely flat in order to simply add the musicality of our proprietary amplifier circuits.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eVersatile And Effortless, Day After Day\u003c\/b\u003e\nThe Gyrator EQ is a powerfully versatile, high-quality studio tool. Unlike many Class-A EQs that just do \"their thing\" due to inherent distortion characteristics, the  Gyrator EQ keeps the input signal clean, making it possible for the engineer to keep tones transparent or saturate them to taste. Importantly, doing so is effortless and intuitive due to the DRS Gyrator's straight-forward design and unerring musicality. Those who own this EQ tell us that it quickly becomes their \"go to EQ\"-used effortlessly every day across a vast variety of instruments, voices and full mixes.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSheen Control\u003c\/b\u003e\nSheen control adds a beautiful breath and presense  to vocals and instruments which need to come to life, with 16db control this gives great flexibility \u0026amp; power to really boost this or to cut if unwanted HF is present.\u003c\/p\u003e","brand":"PHOENIX AUDIO","offers":[{"title":"Default Title","offer_id":51467007492415,"sku":"15696","price":1265.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/15696_full.jpg?v=1759919488"},{"product_id":"nicerizer","title":"Nicerizer","description":"\u003cp\u003e\u003cb\u003eAnalog Summing In The Digital Age\u003c\/b\u003e\nRecording software companies brag about their \"mixer,\" but discerning engineers won't settle for in-the-box mixing when the dimension, punch, and articulation of analog summing can vastly improve their productions. Phoenix's Nicerizer series summing mixers incorporate features and circuitry that have made it a legendary tone machine.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eA Summing Mixer (not Amplifier)\u003c\/b\u003e\nThe distinction between a stereo mixer and a summing amplifier is important when considering your hybrid analog\/digital rig. In essence, a mixer incorporates a fuller range of features. The Nicerizer is decidedly a mixer, pulling crucial elements such as circuit overdrive and panning back into the analog realm where they truly outperform their digital emulations. Our dented pan-pots are unmatched for both precision stereo placement and ease of recall, and they are a key ingredient the huge, open sound of the Nicerizer.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDriving a Versatile, Class-A Input Circuit with our 'Drive Technology'\u003c\/b\u003e\nWith the Nicerizer, Phoenix takes a modern approach to Class-A circuit design. Our unique transformerless input stage delivers the full frequency spectrum with unrivaled clarity and punch. Transformers slow things down, which can be great in some cases, but if you're stuck with transformers, then you're stuck with slower transients (slew-rates), limiting the range of tonalities. Our electronically balanced input stage can be driven modestly for ultra-clear hi-fi sound, or you can engage the drive switch on any of the 16 channel individually to drive the circuit for a fatter, more saturated sound that only Discrete Class-A buffer amps annd custom wound output transformers can deliver.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLegendary Transformer-Balanced Output Stage\u003c\/b\u003e\nOnce mixed, the stereo signal hits a pair of our custom-wound DB694 output transformer, which we've coupled to Phoenix's proprietary, fully discrete DSOP-2 output amplifier. The DSOP-2 is the result of Phoenix's head-designer David Rees' forward-thinking solutions for upgrading vintage Neve consoles. Improve on Neve Indeed, the DSOP-2 represents the pinnacle of Class-A output circuits, offering a smooth transition from ultra-clean to beautifully saturated tones.\u003c\/p\u003e","brand":"PHOENIX AUDIO","offers":[{"title":"Default Title","offer_id":51467108679999,"sku":"16980","price":4230.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/16980_full.jpg?v=1759927888"},{"product_id":"theata","title":"Theata","description":"\u003cp\u003eTheata is truly a unique professional audio product designed for the studio, live \u0026amp; broadcast markets.\u003c\/p\u003e\n\u003cp\u003eAt the heart of the product is an world class instrument pre amplifier with eight ultra high impedance active Class A discrete instrument pre amps designed for guitars, keyboards, basses and just about every instrument you can throw at it, you can even input a balanced line level signal making it incredibly flexible.\nEach channel has its own dedicated 15db pad, phase reverse and ground lift.\u003c\/p\u003e\n\u003cp\u003eWith 30db of gain you have the ability to color, overdrive and saturate your instrument with luscious analogue tone through our famous Class A discrete circuitry and our custom wound transformers, in fact there are 10 transformers in the unit so you can really feel that analogue tone throughout this unit.\u003c\/p\u003e\n\u003cp\u003eAlso with so much gain you can even use your favorite tube microphone or with a booster unit a condenser or dynamic mic which is pretty crazy.\u003c\/p\u003e\n\u003cp\u003eThe Theata has 24 inputs, these are eight TRS inputs on the front, 8 channel D-sub inputs on the rear and eight TRS through inputs also on the front, these can be used to present another input source or for real creativity mix another signal with the input \u0026amp; through to create a new mixed sound which can have really exciting results.\u003c\/p\u003e\n\u003cp\u003eOn the rear the Theata has 20 outputs, these come in the form of 16 direct D-sub outputs with two dedicated to each channel, then two XLR mix master outputs and two master monitor outs.\nThe Theata also has a master insert send and return so you can insert your favorite outboard compressor or EQ and linking function so two channels can be merged into a 16 channel unit.\u003c\/p\u003e\n\u003cp\u003eBut the really exciting part of the Theata is its routing matrix each channel has its own left and right switching options, these can be used to route any and all of the eight channels to a master bus so that you can sum to the two channel mixing board that is part of the Theata. You can even send a mono signal to a stereo bus which can create some exciting options.\u003c\/p\u003e\n\u003cp\u003eAgain like all Phoenix Audio products, the mixing part of the Theata is a Class A active high gain voltage earth solution.\u003c\/p\u003e\n\u003cp\u003eFinally there is a stereo width effect which can create some really cool widening or mono effects for maxing for mix sound even better.\u003c\/p\u003e","brand":"PHOENIX AUDIO","offers":[{"title":"New","offer_id":51467903762751,"sku":"20179","price":3945.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/20179_full.jpg?v=1759951961"},{"product_id":"scion","title":"Scion","description":"\u003cp\u003eThe Phoenix Audio Scion comes from the Nicerizer family of products adding to Phoenix Audio's legendary line summing mixers which have been the heartbeat of many studios for over 20 years. Scion offers the sound and tone of a classic large format analog console but in a small rack-mount size.\u003c\/p\u003e\n\u003cp\u003eThe Scion features three distinct output options - Clean, Color, and Mix. The Clean setting provides a transformerless signal path with pristine highs and lows. The Color output employs Phoenix's classic transformer-coupled signal path for a punchier, vintage-inspired sound. Finally you can use the Mix mode to blend both the Clean and Color circuits. All three can be used simultaneously for recording three separate mixes.\u003c\/p\u003e\n\u003cp\u003eScion employs nothing but the best in Class A discrete analog circuitry design with 16 Class buffer amps, hardware analog panning, classic Phoenix transformers and Class A discrete output amplifiers. Every channel also features Phoenix Audio's new drive technology switching so they can push each individual channel's circuitry harder for more analog color and tone with attenuated output controls for easy recall and greater accuracy.\u003c\/p\u003e\n\u003cp\u003eThe Scion also has a master insert send and return so you can insert your favorite outboard compressor or EQ and linking function so two units can be merged into a true 32 channel unit which should satisfy every mixing application. Finally, there is a stereo width effect tool which can create some really cool widening effects with up to 25% more width or the ability to create a mono effect.\u003c\/p\u003e","brand":"PHOENIX AUDIO","offers":[{"title":"Default Title","offer_id":51468015927615,"sku":"21373","price":4230.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/21373_full.jpg?v=1759960648"},{"product_id":"ascent-500","title":"Ascent\/500","description":"\u003cp\u003eThe Phoenix Audio Ascent 500-Series Preamp is a Versatile, Modern Class-A Mic Preamp\u2028The Phoenix Ascent Mic Preamp take a modern approach to Class-A circuit design that delivers a wide range of tones without sacrificing the beloved vibe of true Class-A design. Versatility and superior sound have made the Ascent Pre-amp top-tier choice for engineers around the world and a modern day classic. Hi-Fi Transformerless Mic Input Stage\u2028Our exclusive electronically-balanced, transformerless mic input circuit delivers fast transients and the full frequency spectrum (from sub-bass to the highest air band), while still delivering the full, warm and smooth characteristics that make engineers love Class-A mic preamps. Boldly outperforming transformer-based designs in both the frequency response and slew rate, the DRS delivers articulate, punchy and full-bodied input signals, allowing you to drive the output stage for a vast range of pure Class-A tones\"from bold clarity to vintage warmth, and everything in-between. With a very high mic impedance of 10K, it is the perfect companion for ribbon mics and dynamics mic that often need specialist mic pre amps, the Shure SM7B particularly shines.\n \nLegendary Transformer-Balanced Output Stage\u2028Our custom-wound  DB694 output transformer is coupled to Phoenix's proprietary, fully discrete DSOP-2 output amplifier. The DSOP-2 is a direct descendent of the venerable TF1 amp which Phoenix's Audio designers : Shaun Leveque \u0026amp; David Rees, developed originally as an upgrade for vintage Neve modules. Going beyond the TF1, the DSOP2 is the pinnacle of Class-A output circuit design, offering up a smooth transition from ultra-clean to beautifully saturated tones.\n  \nEasy and Intuitive In The Studio\u2028Because you're working with a clean, robust, electronically-balanced input signal, the Ascent Mic Preamp makes dialing in your exact sound easy, intuitive and quick. By working the familiar stepped input gain control (up to 70db alone) and the -15dB pad against the variable output fader (which provides an additional 10dB of gain), you can dial in your preferred tones without having to consider an overly complex gain architecture. It's all about driving the versatile DSOP-2 output stage to your exacting tastes, whatever they may be in any given moment. Like so many other engineers, you'll find yourself reaching for the Ascent Mic Preamp\/DI over and over again to reliably deliver a vast array of outstanding sounds for any instrument or voice you're recording.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eVari-Filter Control\u003c\/b\u003e\nPowerful variable high pass filter from 45hz to 250hz allowing you the ability to control and shape tones of all types\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eVocal shaping Equalizer \u003c\/b\u003e\nUniquely designed vocal shaping Equalizer effects designed to benefit the vocalist with powerful equalizer controls including our classic Sheen control perfected or vocal recording with huge gain range control that always sounds musical and never harsh.\u003c\/p\u003e","brand":"PHOENIX AUDIO","offers":[{"title":"Default Title","offer_id":51468015993151,"sku":"21374","price":1130.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/21374_full.jpg?v=1759960657"},{"product_id":"nicerizer-16-mk2","title":"Nicerizer 16 mk2","description":"\u003cp\u003eThe Nicerizer 16 is designed to take the output out of the digital realm, and to add the Class A characteristics and feel before the final recording.\u003c\/p\u003e\n\u003cp\u003eThe Nicerizer 16 uses our well proven and loved Class A output stage, but also has our latest breakthrough in transformerless Class A, Discrete Line Input Technology.\u003c\/p\u003e\n\u003cp\u003eThe Nicerizer 16 is a 2U 19\" rack mountable 16 - 2 Summing Mixer, that can be stacked and linked in any multiple and various configurations to give high quality, line-level, Class A, discrete buffering, summing and mixing.\u003c\/p\u003e","brand":"PHOENIX AUDIO","offers":[{"title":"Default Title","offer_id":51468442534207,"sku":"5732","price":4230.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/5732_full.jpg?v=1759887052"},{"product_id":"nice-di","title":"Nice DI","description":"\u003cp\u003eThe Phoenix Audio (UK) Class A, all discrete, Stereo DI has been tested and used by many professionals in studio recording environments. And the comments are always the same...\"This is the definitive DI!!!\". The DI's characteristics are very noticeable on any input source, and is superb for \"sweetening\" the output from DAW or any other signal source.\u003c\/p\u003e\n\u003cp\u003eThe Phoenix Audio \"Nice DI\" is a high-quality, active, Stereo DI, with Class A, discrete, high-impedance inputs (10M), and Class A, discrete, transformer balanced outputs. It has been tested and used by many guitar professionals in studio recording environments, and the comments are always the same.....The overdrive is fantastic, the guitar sounds clean, clear, and un-restrained. This is the definitive DI!!!. The DI's characteristics are very noticeable on any input source, and is superb for \"sweetening\" the output from DAW or any other signal source.\u003c\/p\u003e\n\u003cp\u003eThe result is a brighter, clearer sound. A transformation of your instrument. And a STEREO unit for the price of many mono units.\u003c\/p\u003e","brand":"PHOENIX AUDIO","offers":[{"title":"New","offer_id":51468442599743,"sku":"5738","price":995.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/5738_full.jpg?v=1759887060"},{"product_id":"rmp-rack-kit","title":"RMP Rack Kit","description":null,"brand":"PHOENIX AUDIO","offers":[{"title":"Default Title","offer_id":51468442665279,"sku":"5746","price":102.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/5746_full.jpg?v=1759887069"},{"product_id":"drs-8-mk2","title":"DRS-8 mk2","description":"\u003cp\u003ePhoenix Audio (UK) is dedicated to the development of Class A discrete technology used within high build-quality equipment designed for both the professional and the home studio environment.\u003c\/p\u003e\n\u003cp\u003eThe DRS-8 Mic-Pre uses our well proven and loved Class A output stage (DSOP-2), but also has our latest breakthrough in transformerless Class A, Discrete Mic Input Technology which gives a \"valve-like\" sound.\u003c\/p\u003e\n\u003cp\u003eThe DRS-8 is the culmination of over 40 years experience designing Class A circuitry within the Audio Recording Industry.\u003c\/p\u003e\n\u003cp\u003eThe DRS-8 is based on the first Phoenix unit the DRS2, this bespoke product was launched by Phoenix Audio (UK) in the U.K. in November 1999, and has enjoyed an almost \"cult\" following ever since. The Class A output stage (TF1) was originally designed by David Rees, the designer of the famous Neve 2253 Limiter and 2254 Limiter\/compressor (amongst many other designs), as a retrofit for Neve modules, and the TF1 has now been superseded by the DSOP2 output stage.\u003c\/p\u003e\n\u003cp\u003eThe Class A, discrete, truly balanced, transformerless microphone input stage was designed to out-perform any transformer input for frequency response, yet has all the characteristics expected in a high quality Class A design.\u003c\/p\u003e","brand":"PHOENIX AUDIO","offers":[{"title":"Default Title","offer_id":51468446794047,"sku":"5976","price":5925.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/5976_full.jpg?v=1759887442"},{"product_id":"n90-drc-500","title":"N90-DRC\/500","description":"\u003cp\u003eThis product was originally conceived 20 years ago by David Rees but was never fully released.  The Phoenix N90-DRC\/500 compressor\/gate is designed around a VCA control with Class A discrete input and Class A transformer balanced output. The N90-DRC\/500 is intended to be driven 'by ear' .\u003c\/p\u003e\n\u003cp\u003eThere are no optimum settings that would cover all situations.  It is intended to be very musical and smooth and has quite a wide ranging effect. Musically the progressive curves are very kind - there is no sudden change on passing the threshold and audio processing is virtually \"seamless\". Technically the progressive curves are achieved using linear detection combined with logarithmic attenuation inside a closed control loop.\u003c\/p\u003e\n\u003cp\u003e\"Limiter sound\" is still provided by the higher ratios and there is a choice of attack times. The gate is more conventional but it's release time is composite with a hold time followed by a fade time.  This makes the gate very versatile in that as well as basic noise reduction it can also provide quite subtle changes to ambience or background.\u003c\/p\u003e","brand":"PHOENIX AUDIO","offers":[{"title":"Default Title","offer_id":51468529074495,"sku":"9793","price":1265.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/9793_full.jpg?v=1759893624"}],"url":"https:\/\/www.economik.com\/collections\/phoenix-audio.oembed?page=2","provider":"Studio Economik","version":"1.0","type":"link"}