{"title":"Prism Sound","description":"","products":[{"product_id":"titan","title":"Titan","description":"\u003cp\u003eThe Titan is a USB multi-track audio interface ideal for music and sound recording, multi-tracking, overdubbing, stem-based mastering, analogue summing and critical listening applications.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSignal path\u003c\/b\u003e\nTitan provides Prism Sound's renowned performance, sound quality and state-of-the-art clock technology in a dedicated unit compatible with both Windows (Vista, 7 and 8, 32 and 64 bit, ASIO as well as MAC OS X 10.4.11 and later (Intel). Once configured with a computer, Titan can also operate stand-alone using its S\/PDIF or AES3 I\/O.\u003c\/p\u003e\n\u003cp\u003eEight analogue input channels and up to 10 digital input channels are available as inputs for your audio workstation software through the host computer's audio driver. Similarly, eight analogue output channels, up to 10 digital output channels and stereo headphone outputs can play 20 different channels. For low-latency foldback or monitoring to headphones or main outputs, each output pair (1-2, 3-4 etc or the headphone output) can optionally be driven from the built-in DSP mixer with an individual local mix of any selection of inputs through the controller applet. All analogue inputs are electronically balanced with automatic unbalanced operation. Analogue outputs are electronically balanced with 'bootstrapping', i.e. level is maintained if one leg is grounded.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eNo-compromise, full Prism Sound audio quality\u003c\/b\u003e\nTitan makes no compromises on audio quality. It is the result of years of research and development into digital audio conversion and extensive dialogue with Prism Sound's customers.\u003c\/p\u003e\n\u003cp\u003eTitan has the same no-compromise analogue front and back ends as Orpheus with the same fully-balanced-throughout architecture, the same isolation barriers protecting the analogue from digital and computer interference, but with a wider range of PC interface options.\u003c\/p\u003e\n\u003cp\u003eTitan draws on Prism Sound's years of experience in developing digital audio products, including its range of audio test equipment, adopted by a wide variety of clients across the audio industry from pro-audio to consumer electronics. This experience means that Titan is well-behaved both as a computer peripheral and an audio processor.\u003c\/p\u003e\n\u003cp\u003eReliability is vitally important in professional recording. Prism Sound has always made extensive use of precise software calibration techniques in its converters - pots and tweaks are always unreliable, so there are none.\u003c\/p\u003e\n\u003cp\u003eThe design team has gone to great lengths to minimise noise and interference, in particular hum. All of the analogue circuits have galvanic isolation, while the unit's electronically balanced I\/O allows it to handle common mode interference sources as well as enabling trouble-free connection to unbalanced equipment.\u003c\/p\u003e\n\u003cp\u003eIt is often said that THD+N figures do not always correlate well with the perception of sound quality and this is true - partly because the traditional measures of THD+N or SINAD expressed as RMS figures are rather a broad measure. With this in mind, we have taken great care to make sure that not only is the Titan noise and distortion spectrum beyond reproach, but the RMS distortion result measures up to the state of the art.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eStandards compliant USB interface\u003c\/b\u003e\nPrism Sound has taken on board the increasing importance of native processing power for professional users and the fact that software products for standard PC and Mac platforms have been greatly enhanced in recent years. Titan uses a USB2 interface. This is a UAC2 (USB Audio Class 2) interface supported natively in Mac, iPad, Linux and Android, and in Windows via a driver.-\u003c\/p\u003e\n\u003cp\u003eTitan is easy to connect to your computer and to your outboard gear. For both Mac and PC platforms, there is a controller application to configure the unit and control its built-in mixer and other functions. Aside from the monitor and headphone level controls, everything else is operated solely from the Titan controller application. The controller software opens on-screen as a separate panel alongside your existing editing software.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eFlexible Inputs and Outputs\u003c\/b\u003e\nOur customers told us that many professional users wanted a highly integrated solution with instrument and microphone inputs, and line outputs that could be used for stereo or multi-channel monitoring and\/or foldback to performers. Titan offers eight analogue recording channels, eight monitoring outputs, stereo digital input and output on a phono connector plus concurrent optical digital I\/O ports that can interface to S\/PDIF or ADAT data formats, giving Titan a maximum capability of 18 concurrent input and output channels plus stereo headphones.\u003c\/p\u003e\n\u003cp\u003eTitan's eight analogue inputs support various capabilities. Titan has four really good mic amps with software-controlled gain in 1dB steps, individually-switchable phantom power - and very low noise and distortion. These inputs are auto-sensing, and support microphone and line input, with digitally-controlled mic gain in excess of 60dB. Two of these inputs also support direct injection (DI) instrument connections with quarter-inch jacks on the front panel. RIAA Equalization can be selected in the controller applet on channels 1 \u0026amp; 2 so that turntables can be connected for archiving or sampling applications. By selecting the input type (Mic or DI) , low- or high-impedance cartridges can be loaded with suitable termination impedances. All analogue inputs have individually-selectable Prism Sound \"Overkillers\" built in, just as on the higher-priced ADA-8XR, to catch those fast transients. The Overkiller threshold automatically follows the operating line-up level selection (+4dBu or -10dBV). Overkillers are ideal for percussive sounds, particularly drums, where headroom can be a problem.\u003c\/p\u003e\n\u003cp\u003eThe co-axial digital I\/O port can be switched in the Titan controller applet between S\/PDIF and AES3 formats. This control changes the operating voltage and the Channel Status format and is complemented by two in-line adaptor leads that provide external XLR connections for AES3 devices. Other connections include wordclock sync I\/O.\u003c\/p\u003e\n\u003cp\u003eTitan can also operate in a stand-alone mode using its ADAT or co-axial digital I\/O connections. Once set up using the Titan controller applet, the unit can be disconnected from the host computer and used independently. Titan will retain its settings when powered down so even if it is switched off, Titan can be re-powered and stand-alone operation can continue with the automatically-stored settings.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDigital Mixer\u003c\/b\u003e\nOur customers also identified a need for a unit that could provide low latency foldback to performers, particularly when tracking and overdubbing. In answer to this need, Titan has a powerful built-in digital mixer that can be configured from the host computer to provide foldback feeds to performers, each with their own stereo mix of workstation playback and any of the inputs.\u003c\/p\u003e\n\u003cp\u003eThe question of latency in computer interfaces, especially USB and FireWire boxes, is an important one. Obviously there are situations where the round-trip latency needs to be really short, like in overdubbing. The problem is that even if the latency on the interface and in the driver is as short as it could ever be, a native DAW is busy with plug-ins and other software and buffer times are probably set long. The only answer is to provide local foldback mixing in the interface. This is not new, and other products feature it, but most local mixers in competitive products are just too basic. Titan provides 'console quality' local mixing - every output has its own independent mixer, with channel strips for all inputs and workstation feeds, complete with fader, pan\/balance pot, solo and mute buttons, and full metering. Strips can be stereo or mono, and the mixes are dithered with filtered coefficients, just as in a top-end digital mixer.\u003c\/p\u003e\n\u003cp\u003eThere is a very small residual delay through the A\/D and D\/A conversion process in the foldback path, mostly from filters used for decimation and interpolation. However, with the low-latency Prism Sound DSP mixer, the worst-case delay through the A\/D and D\/A path is only 0.5ms and is significantly less at higher sampling rates. This is generally reckoned to be small enough not to be problematic.\u003c\/p\u003e\n\u003cp\u003eAlthough the unit's outputs will mainly be used for monitoring or foldback, the fact that they are of such high quality makes them suitable for a range of other applications such as insertion points, analogue summing or stem-based mastering.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eFlexible Monitoring\u003c\/b\u003e\nProfessional users demand more sophisticated monitoring capabilities and are getting used to surround sound with HDTV and DVD, so it is becoming important to support surround monitoring setups.\u003c\/p\u003e\n\u003cp\u003eAs well as wanting great analogue recording channels, the DAW user also needs top-quality monitoring. The eight analogue outputs on Titan allow monitor setups from multi-stereo up to 7.1 surround. Titan has a real volume knob which can be assigned to any or all of the analogue or digital outputs for use as a control room monitor control. There are two headphone amps, suitable for all types of headphones, each with its own independent volume control. As well as having its own workstation feed and mixer, the headphones can also be quickly switched across the other output pairs, which is handy for setting up.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSample Rate Conversion and Noise Shaping\u003c\/b\u003e\nThe digital output is equipped with the four Prism Sound SNS noise-shaping curves and includes Prism Sound's renowned synchronous sample-rate conversion, allowing outputs to various external devices at other sampling rates. The sample-rate converter can be used at the outputs as well as the inputs, so as well as dealing with unsynchronised or wrong-rate digital inputs, Titan can also generate, say, a live 44.1kHz output from a 96kHz session. Since Titan also includes the full suite of the famous Prism Sound 'SNS' noise shapers, you can also reduce to 16-bits at mastering-house quality.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eUnsurpassed Jitter Rejection\u003c\/b\u003e\nIn the 1990s Prism Sound pioneered testing of sampling and interface jitter and as a result our digital audio products deliver unsurpassed jitter rejection. Prism Sound digital audio products lock up fast and re-generate ultra-stable clock outputs. Another aspect of the traditional Prism Sound converter that is retained was the clocking - it's just as important as analogue-path considerations sound-wise. So whether it's providing a high-quality master clock for the rest of the room, or dealing with a jittery clock from outside, Titan is as rock-steady as its forbears.\u003c\/p\u003e","brand":"PRISM SOUND","offers":[{"title":"Default Title","offer_id":51466738041151,"sku":"10259","price":6145.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/10259_full.jpg?v=1759894833"},{"product_id":"atlas","title":"Atlas","description":"\u003cp\u003e\u003cb\u003eSignal path\u003c\/b\u003e\nAtlas provides Prism Sound's renowned performance, sound quality and state-of-the-art clock technology in a dedicated unit compatible with both Windows (Vista, 7 and 8, 32 and 64 bit, ASIO as well as MAC OS X 10.4.11 and later (Intel). Once configured with a computer, Atlas can also operate stand-alone using its ADAT, S\/PDIF or AES3 I\/O.\u003c\/p\u003e\n\u003cp\u003eEight analogue input channels and up to 10 digital input channels are available as inputs for your audio workstation software through the host computer's audio driver. Similarly, eight analogue output channels, up to 10 digital output channels and stereo headphone outputs can play 20 different channels. For low-latency foldback or monitoring to headphones or main outputs, each output pair (1-2, 3-4 etc or the headphone output) can optionally be driven from the built-in DSP mixer with an individual local mix of any selection of inputs through the controller applet. All analogue inputs are electronically balanced with automatic unbalanced operation. Analogue outputs are electronically balanced with 'bootstrapping', i.e. level is maintained if one leg is grounded.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMultichannel Digital Input and Output (MDIO) expansion\u003c\/b\u003e\nAs well as the built-in inputs and outputs Atlas can accommodate other optional digital interfaces such as Pro Tools | HDX and AES3 multichannel options through its MDIO expansion slot. This flexibility makes Atlas perfectly suitable for the home, native or project studio as well as larger multitracking facilities by seamless, reliable integration with the industry standard platforms. The MDIO expansion means Atlas is future-proof allowing further digital interface options to be developed and available such as Thunderbolt (to be confirmed).\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eNo-compromise, full Prism Sound audio quality\u003c\/b\u003e\nAtlas makes no compromises on audio quality. It is the result of years of research and development into digital audio conversion and extensive dialogue with Prism Sound's customers.\u003c\/p\u003e\n\u003cp\u003eAtlas draws on Prism Sound's years of experience in developing digital audio products, including its range of audio test equipment, adopted by a wide variety of clients across the audio industry from pro-audio to consumer electronics. This experience means that Atlas is well-behaved both as a computer peripheral and an audio processor.\u003c\/p\u003e\n\u003cp\u003eReliability is vitally important in professional recording. Prism Sound has always made extensive use of precise software calibration techniques in its converters - pots and tweaks are always unreliable, so there are none.\u003c\/p\u003e\n\u003cp\u003eThe design team has gone to great lengths to minimise noise and interference, in particular hum. All of the analogue circuits have galvanic isolation, while the unit's electronically balanced I\/O allows it to handle common mode interference sources as well as enabling trouble-free connection to unbalanced equipment.\u003c\/p\u003e\n\u003cp\u003eIt is often said that THD+N figures do not always correlate well with the perception of sound quality and this is true - partly because the traditional measures of THD+N or SINAD expressed as RMS figures are rather a broad measure. With this in mind, we have taken great care to make sure that not only is the Atlas noise and distortion spectrum beyond reproach, but the RMS distortion result measures up to the state of the art.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eStandards compliant USB interface\u003c\/b\u003e\nPrism Sound has taken on board the increasing importance of native processing power for professional users and the fact that software products for standard PC and Mac platforms have been greatly enhanced in recent years. Atlas uses a USB2 interface. This is a UAC2 (USB Audio Class 2) interface supported natively in Mac, iPad, Linux and Android, and in Windows via a driver.\u003c\/p\u003e\n\u003cp\u003eAtlas is easy to connect to your computer and to your outboard gear. For both Mac and PC platforms, there is a controller application to configure the unit and control its built-in mixer and other functions. Aside from the monitor and headphone level controls, everything else is operated solely from the Atlas controller application. The controller software opens on-screen as a separate panel alongside your existing editing software.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eFlexible Inputs and Outputs\u003c\/b\u003e\nAtlas Our customers told us that many professional users wanted a highly integrated solution with instrument and microphone inputs, and line outputs that could be used for stereo or multi-channel monitoring and\/or foldback to performers. Atlas offers eight analogue recording channels, eight monitoring outputs, stereo digital input and output on a phono connector plus concurrent optical digital I\/O ports that can interface to S\/PDIF or ADAT data formats, giving Atlas a maximum capability of 18 concurrent input and output channels plus stereo headphones.\u003c\/p\u003e\n\u003cp\u003eAtlas's eight analogue inputs support various capabilities. Atlas has eight high-grade microphone pre-amps with software-controlled gain in 1dB steps, individually-switchable phantom power, 20dB pads - and very low noise and distortion. These combo connector inputs support both microphone and line input, with digitally-controlled mic gain in excess of 60dB. Two front panel inputs also support direct injection (DI) instrument connections with quarter-inch jacks. RIAA Equalization can be selected in the controller applet on channels 1 \u0026amp; 2 so that turntables can be connected for archiving or sampling applications. By selecting the input type (Mic or DI) , low- or high-impedance cartridges can be loaded with suitable termination impedances. All analogue inputs have individually-selectable Prism Sound \"Overkillers\" built in, just as on the higher-priced ADA-8XR, to catch those fast transients. The Overkiller threshold automatically follows the operating line-up level selection (+4dBu or -10dBV). Overkillers are ideal for percussive sounds, particularly drums, where headroom can be a problem.\u003c\/p\u003e\n\u003cp\u003eThe co-axial digital I\/O port can be switched in the Atlas controller applet between S\/PDIF and AES3 formats. This control changes the operating voltage and the Channel Status format and is complemented by two in-line adaptor leads that provide external XLR connections for AES3 devices. Other connections include wordclock sync I\/O.\u003c\/p\u003e\n\u003cp\u003eAtlas can also operate in a stand-alone mode using its ADAT or co-axial digital I\/O connections. Once set up using the Atlas controller applet, the unit can be disconnected from the host computer and used independently. Atlas will retain its settings when powered down so even if it is switched off, Atlas can be re-powered and stand-alone operation can continue with the automatically-stored settings.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSOFTWARE\u003c\/b\u003e\nAtlas' front panel gives continuous visual indication of the unit's main settings and levels, but in-depth control is managed from the Atlas Controller applet. This runs on the DAW computer, and can be popped up whenever adjustments are needed.\u003c\/p\u003e","brand":"PRISM SOUND","offers":[{"title":"Default Title","offer_id":51466749641023,"sku":"10525","price":6295.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/10525_full.jpg?v=1759895557"},{"product_id":"mdio-pthdx","title":"MDIO-PTHDX","description":"\u003cp\u003ePrism Sound delivers the most digitally accurate solution for recording with Pro-Tools with the MDIO-HDX card for Atlas and Titan.\u003c\/p\u003e\n\u003cp\u003eThe card allows multiple units to be connected directly to an AVID Pro Tools HDX or HD Native system via AVID's \"Digilink\" connection delivering complete expandability. This has made Atlas and Titan the foundation of Pro-Tools systems worldwide.\u003c\/p\u003e\n\u003cp\u003eThe demand from professionals for ever increasing levels of performance has ensured the Prism Sound Atlas and Titan have become go to solutions for those which require more from their Pro-Tools systems.\u003c\/p\u003e","brand":"PRISM SOUND","offers":[{"title":"Default Title","offer_id":51466937401663,"sku":"14568","price":1370.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/14568_full.jpg?v=1759912468"},{"product_id":"lyra-ear-pr","title":"Lyra-Ear-pr","description":null,"brand":"PRISM SOUND","offers":[{"title":"Default Title","offer_id":51467050484031,"sku":"16252","price":190.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/16252_full.jpg?v=1759923482"},{"product_id":"dream-ada-128-mainframe-chassis","title":"Dream ADA-128 Mainframe Chassis","description":"\u003cp\u003eThe Dream ADA-128 is a 2U chassis that can accommodate up to 20 plug-in Modules.  These presently include eight-channel analogue input and output Modules and an eight-channel AES3 Module.  Four of the slots can accommodate a range of 64-channel Host Modules which include Pro Tools HDX and Dante Host Modules (and more to come).  As well as being able to route analogue and AES3 I\/O to and from Host media, full routing flexibility allows analogue to\/from AES3 routing without use of Host slots, and Host-to-Host bridging.\u003c\/p\u003e\n\u003cp\u003eThe Dream ADA-128 contains four independent clock generators, each of which can run at different sample rates and with different sync sources.  The ADA-128's Host and I\/O Modules can be dynamically assigned to these Clock Domains, allowing multiple workflows (such as separate project studios or ingest stations) to simultaneously share the resources of a single ADA-128's resources.\u003c\/p\u003e\n\u003cp\u003eEvery I\/O Module, as well as the unit's built-in Routing Module, have dedicated DSP capability, which will allow a wide range of future functionality to be added by a simple software download.\u003c\/p\u003e\n\u003cp\u003eThe Dream ADA-128 incorporates Prism Sound's unique Verifile technology, wherein every ADC in the system can add imperceptible metadata to its dither signal, allowing downstream processes to check that every sample in a stream is exactly as it left the ADC.  This reduces the need for expensive and unreliable listening tests of every minute of every digital recording or transmission.\u003c\/p\u003e\n\u003cp\u003eThese and many other unique capabilities make the Dream ADA-128 the only box you will ever need, no matter what your application.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMULTIROOM FACILITY\u003c\/b\u003e\nFour independent Clock Domains allow multiple room support with a single ADA-128. Share access to multi-channel resources between different studios.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePROTOOLS RECORDING\u003c\/b\u003e\nFour times as dense as an Avid HD I\/O 16-16 Analog solution. The Dream ADA-128 will build on Prism Sound's popularity in the quality-conscious Pro Tools world.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDOLBY ATMOS\u003c\/b\u003e\nThe Dream ADA-128 is set to become the centrepiece for studios worldwide as the only system supporting the full Dolby Atmos channel count of 128 channels in a single 2U unit.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAUDIO ARCHIVING\u003c\/b\u003e\nFor archival projects, accurate and reliable ingestion of large audio assets is of paramount importance. Verifile provides automatic ingest integrity checking without the need for human listening.\u003c\/p\u003e","brand":"PRISM SOUND","offers":[{"title":"Default Title","offer_id":51467886788927,"sku":"19955","price":10560.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/19955_full.jpg?v=1759950082"},{"product_id":"dream-ada-128-aes","title":"Dream ADA-128 AES","description":"\u003cp\u003eThe modular architecture of the 16 I\/O slots can also support 8 channels of AES per slot, allowing you even further flexibility to configure the ADA-128 to meet the needs of your system.\u003c\/p\u003e","brand":"PRISM SOUND","offers":[{"title":"Default Title","offer_id":51468109054271,"sku":"22506","price":3770.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/22506_full.jpg?v=1759970674"},{"product_id":"dream-ada-128-8ch-ad","title":"Dream ADA-128 8Ch-AD","description":"\u003cp\u003eThe Line in card is an 8-channel analogue input expansion card for the Dream ADA-128\u003c\/p\u003e","brand":"PRISM SOUND","offers":[{"title":"Default Title","offer_id":51468109119807,"sku":"22507","price":3840.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/22507_full.jpg?v=1759970683"},{"product_id":"dream-ada-128-8ch-da","title":"Dream ADA-128 8Ch-DA","description":"\u003cp\u003eThe Line out card is an 8-channel analogue output expansion card for the Dream ADA-128\u003c\/p\u003e","brand":"PRISM SOUND","offers":[{"title":"Default Title","offer_id":51468109185343,"sku":"22508","price":3840.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/22508_full.jpg?v=1759970691"},{"product_id":"dream-ada-128-pthdx-chassis","title":"Dream ADA-128 PTHDX Chassis","description":"\u003cp\u003eThe Dream ADA-128 is a 2U chassis that can accommodate up to 20 plug-in Modules.  These presently include eight-channel analogue input and output Modules and an eight-channel AES3 Module.  Four of the slots can accommodate a range of 64-channel Host Modules which include Pro Tools HDX and Dante Host Modules (and more to come).  As well as being able to route analogue and AES3 I\/O to and from Host media, full routing flexibility allows analogue to\/from AES3 routing without use of Host slots, and Host-to-Host bridging.\u003c\/p\u003e\n\u003cp\u003eThe Dream ADA-128 contains four independent clock generators, each of which can run at different sample rates and with different sync sources.  The ADA-128's Host and I\/O Modules can be dynamically assigned to these Clock Domains, allowing multiple workflows (such as separate project studios or ingest stations) to simultaneously share the resources of a single ADA-128's resources.\u003c\/p\u003e\n\u003cp\u003eEvery I\/O Module, as well as the unit's built-in Routing Module, have dedicated DSP capability, which will allow a wide range of future functionality to be added by a simple software download.\u003c\/p\u003e\n\u003cp\u003eThe Dream ADA-128 incorporates Prism Sound's unique Verifile technology, wherein every ADC in the system can add imperceptible metadata to its dither signal, allowing downstream processes to check that every sample in a stream is exactly as it left the ADC.  This reduces the need for expensive and unreliable listening tests of every minute of every digital recording or transmission.\u003c\/p\u003e\n\u003cp\u003eThese and many other unique capabilities make the Dream ADA-128 the only box you will ever need, no matter what your application.\u003c\/p\u003e","brand":"PRISM SOUND","offers":[{"title":"Default Title","offer_id":51468109250879,"sku":"22509","price":12070.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/22509_full.jpg?v=1759970700"},{"product_id":"over-killer","title":"Over-Killer","description":"\u003cp\u003eAn Over-Killer is an XLR barrel version of the same switchable soft-clip limiter found on our revered audio interfaces. Designed to get more out of your digital copy by allowing you to push levels while limiting the level of a balanced analogue signal to +18dBu.\u003c\/p\u003e\n\u003cp\u003eThe OVER-KILLER, with its unique super soft clip circuit, stays soft even when large overloads are present and does not become hard like less sophisticated systems.\u003c\/p\u003e\n\u003cp\u003eThe clip level is carefully set so that peak modulation is very close to the nominal maximum level. Many similar units lop off up to 1.25dB when switched into a circuit. With the flexibility of having the OVER-KILLER as an external unit, A\/D input sensitivity can be separately trimmed to push even closer to peak code.\nOVER-KILLERs are supplied as a set of two XLR barrels suitable for use with balanced stereo analogue signals.\u003c\/p\u003e","brand":"PRISM SOUND","offers":[{"title":"New","offer_id":51468464455999,"sku":"7595","price":431.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/7595_full.jpg?v=1759889205"},{"product_id":"lyra-2","title":"Lyra 2","description":"\u003cp\u003eLyra represents the pinnacle of compact audio interfaces. Packing Prism Sounds trusted, uncompromising AD\/DA conversion into a compact chassis perfect for use in the studio or on the road.\u003c\/p\u003e\n\u003cp\u003eBased on the Orpheus' audio path and clock circuitry, Lyra is ideal for those who don't require a large I\/O count, but do demand the highest quality and most transparent AD\/DA available.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eRENOWNED AD\/DA CONVERSION\u003c\/b\u003e\nLyra cuts no corners in its design and boasts the same trusted Prism Sound convertors used on countless hit records. It's ultra-transparent characteristic means what you put into the Lyra is exactly what you get out of it.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePRISTINE PRE-AMPLIFICATION\u003c\/b\u003e\nFeaturing two class-A microphone preamps, Lyra 2 guarantees superbly clean, detailed recordings that capture a performance the way it was intended.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSOFT-CLIP LIMITING (OVERKILLER)\u003c\/b\u003e\nLyra's analogue input channels include a switchable Prism Sound 'Overkiller' circuit. This soft-clip limiter gently absorbs transients and allows signal levels to be pushed to their limits without risk.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eQUALITY SUPPORT\u003c\/b\u003e\nPrism Sound's reputation for audio excellence has been matched only by its top quality after-sales support and technical advice. The longevity of a Prism Sound product is a testament to the dedicated team behind it.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSOFTWARE\u003c\/b\u003e\nLyra's hardware front panel gives continuous visual indication of the unit's main settings and levels, but in-depth control is managed from the Lyra control panel. This runs on the host computer, and can be brought into view whenever adjustments are needed.\u003c\/p\u003e\n\u003cp\u003eThe upper area of the control panel shows a panel of 'Global' settings for the entire group of connected interfaces and a panel of 'Unit' settings which is assignable to each connected unit in turn, using the enclosed drop-list. These settings are concerned with general parameters such as sync source and sample rate selection, metering and buffering modes. An 'Identify' button causes all the LEDs on the selected box to light, to assist with identification in multi-unit systems. To the right, there are large buttons for loading and saving setups, and for on-line help.\u003c\/p\u003e","brand":"PRISM SOUND","offers":[{"title":"Default Title","offer_id":51468525863231,"sku":"9680","price":4110.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/9680_full.jpg?v=1759893324"},{"product_id":"dream-ada-128-dante","title":"Dream ADA-128 Dante","description":"\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto [content-visibility:auto] supports-[content-visibility:auto]:[contain-intrinsic-size:auto_100lvh] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"5429961c-851b-486d-a28e-dcbf6d75ad9d\" data-testid=\"conversation-turn-44\" data-scroll-anchor=\"true\" data-turn=\"assistant\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"5429961c-851b-486d-a28e-dcbf6d75ad9d\" dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-2\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word dark markdown-new-styling\"\u003e\n\u003cp data-start=\"0\" data-end=\"584\"\u003eThe Prism Sound Dream ADA-128 Dante is a high capacity, network ready audio conversion system designed to deliver uncompromising sound quality with seamless audio over IP integration. Built within the modular Dream ADA-128 platform, the Dante Host Module provides 64 by 64 channels of bidirectional audio, enabling studios, broadcast facilities, and post production environments to connect directly to Dante networks using standard Ethernet infrastructure. This makes it easy to move large channel counts between rooms, control rooms, and recording systems with clarity and precision.\u003c\/p\u003e\n\u003cp data-start=\"586\" data-end=\"1174\"\u003eThanks to the ADA-128’s Advanced Digital Routing Architecture, Dante connectivity is not just an add on but a fully integrated part of the system. Any input can be routed to any output, allowing flexible signal flow between analogue, AES3, and Dante domains. Host modules can also function as bridges, supporting complex workflows such as digital splits, multi room facilities, or parallel recording systems. With support for a wide range of sample rates and high resolution audio, the Dream ADA-128 Dante ensures that networked audio retains the sonic integrity Prism Sound is known for.\u003c\/p\u003e\n\u003cp data-start=\"1176\" data-end=\"1728\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eThe system’s four independent clock domains further expand its versatility, enabling multiple studios or workflows to share a single chassis while operating at different sample rates or sync sources. Controlled via an intuitive touchscreen interface or browser based remote access, the Dream ADA-128 Dante offers a streamlined user experience suited to demanding professional environments. For facilities seeking scalable, future ready audio over IP conversion without compromising on audio performance, it provides a powerful and flexible centerpiece.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e","brand":"PRISM SOUND","offers":[{"title":"Default Title","offer_id":52269047087423,"sku":"SE-1709","price":4800.0,"currency_code":"CAD","in_stock":true}]},{"product_id":"mdio-dante","title":"MDIO-Dante","description":"\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"cdc1e668-a6f5-4c5f-b02d-bdf882c0d704\" data-testid=\"conversation-turn-26\" data-scroll-anchor=\"true\" data-turn=\"assistant\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"cdc1e668-a6f5-4c5f-b02d-bdf882c0d704\" dir=\"auto\" data-message-model-slug=\"gpt-5-2\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word dark markdown-new-styling\"\u003e\n\u003cp data-start=\"0\" data-end=\"531\"\u003eThe Prism Sound MDIO-Dante module brings the power and flexibility of Dante audio networking to Atlas and Titan interfaces, expanding their routing capabilities for modern studio and broadcast environments. With quick and straightforward installation, the module integrates seamlessly into your existing setup, allowing you to connect your interface to a Dante network in just minutes. This combination of advanced networking and Prism Sound’s renowned conversion quality creates a highly adaptable and professional audio solution.\u003c\/p\u003e\n\u003cp data-start=\"533\" data-end=\"962\"\u003eDante technology enables ultra-low latency performance, precise synchronization, and simple system expansion using standard Ethernet connections. With a single cable per device, studios and facilities can streamline their wiring while reducing clutter and installation time. Using Dante Controller software, devices on the network are automatically discovered, making routing, labeling, and configuration intuitive and efficient.\u003c\/p\u003e\n\u003cp data-start=\"964\" data-end=\"1320\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eHighly scalable and widely adopted across the audio industry, Dante allows Atlas and Titan users to integrate with a broad ecosystem of compatible products. From compact studio setups to large-scale facilities handling extensive channel counts, the MDIO-Dante module offers a flexible and future-ready way to connect, manage, and expand your audio network.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e","brand":"PRISM SOUND","offers":[{"title":"Default Title","offer_id":52316512747839,"sku":"SE-1737","price":1710.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/16001.jpg?v=1772487141"},{"product_id":"titan-ear-pr","title":"Titan-Ear-pr","description":"\u003cp data-start=\"0\" data-end=\"277\"\u003eThe Prism Sound TITAN-EAR-PR Rackmount Ears are a dedicated mounting solution designed specifically for the Titan audio interface. Supplied as a pair, they allow you to securely install your Titan into a standard equipment rack, creating a clean and professional studio layout.\u003c\/p\u003e\n\u003cp data-start=\"279\" data-end=\"599\"\u003eEngineered for a precise fit, these rackmount ears integrate seamlessly with the Titan chassis, ensuring stable support while maintaining the unit’s refined appearance. They are ideal for fixed studio installations, mobile racks, and broadcast environments where secure mounting and efficient use of space are essential.\u003c\/p\u003e\n\u003cp data-start=\"601\" data-end=\"776\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eSimple to attach and purpose-built for the Titan, the TITAN-EAR-PR set provides a practical way to transition your interface from desktop use to a fully rack-integrated setup.\u003c\/p\u003e","brand":"PRISM SOUND","offers":[{"title":"Default Title","offer_id":52316519498047,"sku":"SE-1738","price":190.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/earpr.jpg?v=1772487373"},{"product_id":"dream-ada8xr-8c-ad","title":"Dream ADA8XR 8C-AD","description":"\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"2a71566a-5783-451f-952f-c7ef935e69eb\" data-testid=\"conversation-turn-30\" data-scroll-anchor=\"true\" data-turn=\"assistant\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"2a71566a-5783-451f-952f-c7ef935e69eb\" dir=\"auto\" data-message-model-slug=\"gpt-5-2\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word dark markdown-new-styling\"\u003e\n\u003cp data-start=\"0\" data-end=\"459\"\u003eThe Prism Sound Dream ADA-8XR with 8C-AD module is a reference-grade modular A\/D converter designed for studios that demand uncompromising clarity and precision. Housed in a 2U rackmount chassis, the ADA-8XR platform is renowned for its transparent sound and long-standing presence in world-class recording, mastering, broadcast, and film facilities. With its modular architecture, it allows you to build a conversion system tailored exactly to your workflow.\u003c\/p\u003e\n\u003cp data-start=\"461\" data-end=\"965\"\u003eThe 8C-AD Analogue Line Input Module adds eight channels of electronically balanced analogue inputs via female XLR connectors, delivering exceptionally detailed and accurate analogue-to-digital conversion. Each channel features adjustable input sensitivity with fine trim control, allowing precise level matching across a wide range of sources. Prism Sound’s Overkiller progressive limiter is also available per channel, helping to prevent overload while preserving the integrity of dynamic performances.\u003c\/p\u003e\n\u003cp data-start=\"967\" data-end=\"1364\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eDesigned to reveal every nuance without adding coloration, the ADA-8XR with 8C-AD module is ideal for capturing vocals, instruments, ensembles, or full orchestral recordings with total confidence. Combined with the unit’s renowned clocking stability and flexible modular expansion options, it provides a highly adaptable and sonically transparent front end for demanding professional environments.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e","brand":"PRISM SOUND","offers":[{"title":"Default Title","offer_id":52316525330751,"sku":"SE-1740","price":3840.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/8cad3.jpg?v=1772488342"},{"product_id":"dream-ada8xr-8c-aes","title":"Dream ADA8XR 8C-AES","description":"\u003cp data-start=\"0\" data-end=\"471\"\u003eThe Prism Sound Dream ADA-8XR with 8C-AES module expands the converter’s capabilities with high-quality AES3 digital input and output, making it a powerful solution for professional digital audio environments. Designed to integrate seamlessly into the modular ADA-8XR platform, the 8C-AES module provides eight channels of digital audio input and eight channels of digital audio output, offering flexible connectivity for studio, broadcast, and post-production workflows.\u003c\/p\u003e\n\u003cp data-start=\"473\" data-end=\"920\"\u003eThe input and output sections operate independently, allowing them to be assigned to different signal paths with separate sample rates and synchronization settings. This flexibility supports complex routing scenarios and multi-format systems with ease. The module accommodates extended sample rates up to 192kHz, with support for both one-wire and Split96 two-wire modes, ensuring compatibility with a wide range of professional digital equipment.\u003c\/p\u003e\n\u003cp data-start=\"922\" data-end=\"1301\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eWith transformer-coupled connections and support for professional or consumer channel status, the 8C-AES module maintains the ADA-8XR’s reputation for stability and precision. Combined with Prism Sound’s renowned clocking and conversion performance, it delivers reliable digital interfacing that preserves the integrity and transparency of your audio throughout the signal chain.\u003c\/p\u003e","brand":"PRISM SOUND","offers":[{"title":"Default Title","offer_id":52316528148799,"sku":"SE-1742","price":2740.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/8aes.jpg?v=1772488636"}],"url":"https:\/\/www.economik.com\/collections\/prism-sound.oembed?page=2","provider":"Studio Economik","version":"1.0","type":"link"}