{"title":"Recording Hardware","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eCapture every detail with precision using our professional recording hardware. From audio interfaces and converters to preamps and control surfaces, we offer the essential tools for high-quality recording in any studio setup. Whether you're tracking vocals, instruments, or full productions, get the reliability and sound quality you need.\u003c\/p\u003e","products":[{"product_id":"titan","title":"Titan","description":"\u003cp\u003eThe Titan is a USB multi-track audio interface ideal for music and sound recording, multi-tracking, overdubbing, stem-based mastering, analogue summing and critical listening applications.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSignal path\u003c\/b\u003e\nTitan provides Prism Sound's renowned performance, sound quality and state-of-the-art clock technology in a dedicated unit compatible with both Windows (Vista, 7 and 8, 32 and 64 bit, ASIO as well as MAC OS X 10.4.11 and later (Intel). Once configured with a computer, Titan can also operate stand-alone using its S\/PDIF or AES3 I\/O.\u003c\/p\u003e\n\u003cp\u003eEight analogue input channels and up to 10 digital input channels are available as inputs for your audio workstation software through the host computer's audio driver. Similarly, eight analogue output channels, up to 10 digital output channels and stereo headphone outputs can play 20 different channels. For low-latency foldback or monitoring to headphones or main outputs, each output pair (1-2, 3-4 etc or the headphone output) can optionally be driven from the built-in DSP mixer with an individual local mix of any selection of inputs through the controller applet. All analogue inputs are electronically balanced with automatic unbalanced operation. Analogue outputs are electronically balanced with 'bootstrapping', i.e. level is maintained if one leg is grounded.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eNo-compromise, full Prism Sound audio quality\u003c\/b\u003e\nTitan makes no compromises on audio quality. It is the result of years of research and development into digital audio conversion and extensive dialogue with Prism Sound's customers.\u003c\/p\u003e\n\u003cp\u003eTitan has the same no-compromise analogue front and back ends as Orpheus with the same fully-balanced-throughout architecture, the same isolation barriers protecting the analogue from digital and computer interference, but with a wider range of PC interface options.\u003c\/p\u003e\n\u003cp\u003eTitan draws on Prism Sound's years of experience in developing digital audio products, including its range of audio test equipment, adopted by a wide variety of clients across the audio industry from pro-audio to consumer electronics. This experience means that Titan is well-behaved both as a computer peripheral and an audio processor.\u003c\/p\u003e\n\u003cp\u003eReliability is vitally important in professional recording. Prism Sound has always made extensive use of precise software calibration techniques in its converters - pots and tweaks are always unreliable, so there are none.\u003c\/p\u003e\n\u003cp\u003eThe design team has gone to great lengths to minimise noise and interference, in particular hum. All of the analogue circuits have galvanic isolation, while the unit's electronically balanced I\/O allows it to handle common mode interference sources as well as enabling trouble-free connection to unbalanced equipment.\u003c\/p\u003e\n\u003cp\u003eIt is often said that THD+N figures do not always correlate well with the perception of sound quality and this is true - partly because the traditional measures of THD+N or SINAD expressed as RMS figures are rather a broad measure. With this in mind, we have taken great care to make sure that not only is the Titan noise and distortion spectrum beyond reproach, but the RMS distortion result measures up to the state of the art.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eStandards compliant USB interface\u003c\/b\u003e\nPrism Sound has taken on board the increasing importance of native processing power for professional users and the fact that software products for standard PC and Mac platforms have been greatly enhanced in recent years. Titan uses a USB2 interface. This is a UAC2 (USB Audio Class 2) interface supported natively in Mac, iPad, Linux and Android, and in Windows via a driver.-\u003c\/p\u003e\n\u003cp\u003eTitan is easy to connect to your computer and to your outboard gear. For both Mac and PC platforms, there is a controller application to configure the unit and control its built-in mixer and other functions. Aside from the monitor and headphone level controls, everything else is operated solely from the Titan controller application. The controller software opens on-screen as a separate panel alongside your existing editing software.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eFlexible Inputs and Outputs\u003c\/b\u003e\nOur customers told us that many professional users wanted a highly integrated solution with instrument and microphone inputs, and line outputs that could be used for stereo or multi-channel monitoring and\/or foldback to performers. Titan offers eight analogue recording channels, eight monitoring outputs, stereo digital input and output on a phono connector plus concurrent optical digital I\/O ports that can interface to S\/PDIF or ADAT data formats, giving Titan a maximum capability of 18 concurrent input and output channels plus stereo headphones.\u003c\/p\u003e\n\u003cp\u003eTitan's eight analogue inputs support various capabilities. Titan has four really good mic amps with software-controlled gain in 1dB steps, individually-switchable phantom power - and very low noise and distortion. These inputs are auto-sensing, and support microphone and line input, with digitally-controlled mic gain in excess of 60dB. Two of these inputs also support direct injection (DI) instrument connections with quarter-inch jacks on the front panel. RIAA Equalization can be selected in the controller applet on channels 1 \u0026amp; 2 so that turntables can be connected for archiving or sampling applications. By selecting the input type (Mic or DI) , low- or high-impedance cartridges can be loaded with suitable termination impedances. All analogue inputs have individually-selectable Prism Sound \"Overkillers\" built in, just as on the higher-priced ADA-8XR, to catch those fast transients. The Overkiller threshold automatically follows the operating line-up level selection (+4dBu or -10dBV). Overkillers are ideal for percussive sounds, particularly drums, where headroom can be a problem.\u003c\/p\u003e\n\u003cp\u003eThe co-axial digital I\/O port can be switched in the Titan controller applet between S\/PDIF and AES3 formats. This control changes the operating voltage and the Channel Status format and is complemented by two in-line adaptor leads that provide external XLR connections for AES3 devices. Other connections include wordclock sync I\/O.\u003c\/p\u003e\n\u003cp\u003eTitan can also operate in a stand-alone mode using its ADAT or co-axial digital I\/O connections. Once set up using the Titan controller applet, the unit can be disconnected from the host computer and used independently. Titan will retain its settings when powered down so even if it is switched off, Titan can be re-powered and stand-alone operation can continue with the automatically-stored settings.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDigital Mixer\u003c\/b\u003e\nOur customers also identified a need for a unit that could provide low latency foldback to performers, particularly when tracking and overdubbing. In answer to this need, Titan has a powerful built-in digital mixer that can be configured from the host computer to provide foldback feeds to performers, each with their own stereo mix of workstation playback and any of the inputs.\u003c\/p\u003e\n\u003cp\u003eThe question of latency in computer interfaces, especially USB and FireWire boxes, is an important one. Obviously there are situations where the round-trip latency needs to be really short, like in overdubbing. The problem is that even if the latency on the interface and in the driver is as short as it could ever be, a native DAW is busy with plug-ins and other software and buffer times are probably set long. The only answer is to provide local foldback mixing in the interface. This is not new, and other products feature it, but most local mixers in competitive products are just too basic. Titan provides 'console quality' local mixing - every output has its own independent mixer, with channel strips for all inputs and workstation feeds, complete with fader, pan\/balance pot, solo and mute buttons, and full metering. Strips can be stereo or mono, and the mixes are dithered with filtered coefficients, just as in a top-end digital mixer.\u003c\/p\u003e\n\u003cp\u003eThere is a very small residual delay through the A\/D and D\/A conversion process in the foldback path, mostly from filters used for decimation and interpolation. However, with the low-latency Prism Sound DSP mixer, the worst-case delay through the A\/D and D\/A path is only 0.5ms and is significantly less at higher sampling rates. This is generally reckoned to be small enough not to be problematic.\u003c\/p\u003e\n\u003cp\u003eAlthough the unit's outputs will mainly be used for monitoring or foldback, the fact that they are of such high quality makes them suitable for a range of other applications such as insertion points, analogue summing or stem-based mastering.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eFlexible Monitoring\u003c\/b\u003e\nProfessional users demand more sophisticated monitoring capabilities and are getting used to surround sound with HDTV and DVD, so it is becoming important to support surround monitoring setups.\u003c\/p\u003e\n\u003cp\u003eAs well as wanting great analogue recording channels, the DAW user also needs top-quality monitoring. The eight analogue outputs on Titan allow monitor setups from multi-stereo up to 7.1 surround. Titan has a real volume knob which can be assigned to any or all of the analogue or digital outputs for use as a control room monitor control. There are two headphone amps, suitable for all types of headphones, each with its own independent volume control. As well as having its own workstation feed and mixer, the headphones can also be quickly switched across the other output pairs, which is handy for setting up.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSample Rate Conversion and Noise Shaping\u003c\/b\u003e\nThe digital output is equipped with the four Prism Sound SNS noise-shaping curves and includes Prism Sound's renowned synchronous sample-rate conversion, allowing outputs to various external devices at other sampling rates. The sample-rate converter can be used at the outputs as well as the inputs, so as well as dealing with unsynchronised or wrong-rate digital inputs, Titan can also generate, say, a live 44.1kHz output from a 96kHz session. Since Titan also includes the full suite of the famous Prism Sound 'SNS' noise shapers, you can also reduce to 16-bits at mastering-house quality.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eUnsurpassed Jitter Rejection\u003c\/b\u003e\nIn the 1990s Prism Sound pioneered testing of sampling and interface jitter and as a result our digital audio products deliver unsurpassed jitter rejection. Prism Sound digital audio products lock up fast and re-generate ultra-stable clock outputs. Another aspect of the traditional Prism Sound converter that is retained was the clocking - it's just as important as analogue-path considerations sound-wise. So whether it's providing a high-quality master clock for the rest of the room, or dealing with a jittery clock from outside, Titan is as rock-steady as its forbears.\u003c\/p\u003e","brand":"PRISM SOUND","offers":[{"title":"New","offer_id":51466738041151,"sku":"10259","price":6145.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/10259_full.jpg?v=1759894833"},{"product_id":"atlas","title":"Atlas","description":"\u003cp\u003e\u003cb\u003eSignal path\u003c\/b\u003e\nAtlas provides Prism Sound's renowned performance, sound quality and state-of-the-art clock technology in a dedicated unit compatible with both Windows (Vista, 7 and 8, 32 and 64 bit, ASIO as well as MAC OS X 10.4.11 and later (Intel). Once configured with a computer, Atlas can also operate stand-alone using its ADAT, S\/PDIF or AES3 I\/O.\u003c\/p\u003e\n\u003cp\u003eEight analogue input channels and up to 10 digital input channels are available as inputs for your audio workstation software through the host computer's audio driver. Similarly, eight analogue output channels, up to 10 digital output channels and stereo headphone outputs can play 20 different channels. For low-latency foldback or monitoring to headphones or main outputs, each output pair (1-2, 3-4 etc or the headphone output) can optionally be driven from the built-in DSP mixer with an individual local mix of any selection of inputs through the controller applet. All analogue inputs are electronically balanced with automatic unbalanced operation. Analogue outputs are electronically balanced with 'bootstrapping', i.e. level is maintained if one leg is grounded.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMultichannel Digital Input and Output (MDIO) expansion\u003c\/b\u003e\nAs well as the built-in inputs and outputs Atlas can accommodate other optional digital interfaces such as Pro Tools | HDX and AES3 multichannel options through its MDIO expansion slot. This flexibility makes Atlas perfectly suitable for the home, native or project studio as well as larger multitracking facilities by seamless, reliable integration with the industry standard platforms. The MDIO expansion means Atlas is future-proof allowing further digital interface options to be developed and available such as Thunderbolt (to be confirmed).\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eNo-compromise, full Prism Sound audio quality\u003c\/b\u003e\nAtlas makes no compromises on audio quality. It is the result of years of research and development into digital audio conversion and extensive dialogue with Prism Sound's customers.\u003c\/p\u003e\n\u003cp\u003eAtlas draws on Prism Sound's years of experience in developing digital audio products, including its range of audio test equipment, adopted by a wide variety of clients across the audio industry from pro-audio to consumer electronics. This experience means that Atlas is well-behaved both as a computer peripheral and an audio processor.\u003c\/p\u003e\n\u003cp\u003eReliability is vitally important in professional recording. Prism Sound has always made extensive use of precise software calibration techniques in its converters - pots and tweaks are always unreliable, so there are none.\u003c\/p\u003e\n\u003cp\u003eThe design team has gone to great lengths to minimise noise and interference, in particular hum. All of the analogue circuits have galvanic isolation, while the unit's electronically balanced I\/O allows it to handle common mode interference sources as well as enabling trouble-free connection to unbalanced equipment.\u003c\/p\u003e\n\u003cp\u003eIt is often said that THD+N figures do not always correlate well with the perception of sound quality and this is true - partly because the traditional measures of THD+N or SINAD expressed as RMS figures are rather a broad measure. With this in mind, we have taken great care to make sure that not only is the Atlas noise and distortion spectrum beyond reproach, but the RMS distortion result measures up to the state of the art.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eStandards compliant USB interface\u003c\/b\u003e\nPrism Sound has taken on board the increasing importance of native processing power for professional users and the fact that software products for standard PC and Mac platforms have been greatly enhanced in recent years. Atlas uses a USB2 interface. This is a UAC2 (USB Audio Class 2) interface supported natively in Mac, iPad, Linux and Android, and in Windows via a driver.\u003c\/p\u003e\n\u003cp\u003eAtlas is easy to connect to your computer and to your outboard gear. For both Mac and PC platforms, there is a controller application to configure the unit and control its built-in mixer and other functions. Aside from the monitor and headphone level controls, everything else is operated solely from the Atlas controller application. The controller software opens on-screen as a separate panel alongside your existing editing software.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eFlexible Inputs and Outputs\u003c\/b\u003e\nAtlas Our customers told us that many professional users wanted a highly integrated solution with instrument and microphone inputs, and line outputs that could be used for stereo or multi-channel monitoring and\/or foldback to performers. Atlas offers eight analogue recording channels, eight monitoring outputs, stereo digital input and output on a phono connector plus concurrent optical digital I\/O ports that can interface to S\/PDIF or ADAT data formats, giving Atlas a maximum capability of 18 concurrent input and output channels plus stereo headphones.\u003c\/p\u003e\n\u003cp\u003eAtlas's eight analogue inputs support various capabilities. Atlas has eight high-grade microphone pre-amps with software-controlled gain in 1dB steps, individually-switchable phantom power, 20dB pads - and very low noise and distortion. These combo connector inputs support both microphone and line input, with digitally-controlled mic gain in excess of 60dB. Two front panel inputs also support direct injection (DI) instrument connections with quarter-inch jacks. RIAA Equalization can be selected in the controller applet on channels 1 \u0026amp; 2 so that turntables can be connected for archiving or sampling applications. By selecting the input type (Mic or DI) , low- or high-impedance cartridges can be loaded with suitable termination impedances. All analogue inputs have individually-selectable Prism Sound \"Overkillers\" built in, just as on the higher-priced ADA-8XR, to catch those fast transients. The Overkiller threshold automatically follows the operating line-up level selection (+4dBu or -10dBV). Overkillers are ideal for percussive sounds, particularly drums, where headroom can be a problem.\u003c\/p\u003e\n\u003cp\u003eThe co-axial digital I\/O port can be switched in the Atlas controller applet between S\/PDIF and AES3 formats. This control changes the operating voltage and the Channel Status format and is complemented by two in-line adaptor leads that provide external XLR connections for AES3 devices. Other connections include wordclock sync I\/O.\u003c\/p\u003e\n\u003cp\u003eAtlas can also operate in a stand-alone mode using its ADAT or co-axial digital I\/O connections. Once set up using the Atlas controller applet, the unit can be disconnected from the host computer and used independently. Atlas will retain its settings when powered down so even if it is switched off, Atlas can be re-powered and stand-alone operation can continue with the automatically-stored settings.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSOFTWARE\u003c\/b\u003e\nAtlas' front panel gives continuous visual indication of the unit's main settings and levels, but in-depth control is managed from the Atlas Controller applet. This runs on the DAW computer, and can be popped up whenever adjustments are needed.\u003c\/p\u003e","brand":"PRISM SOUND","offers":[{"title":"New","offer_id":51466749641023,"sku":"10525","price":6295.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/10525_full.jpg?v=1759895557"},{"product_id":"bclk","title":"BCLK","description":"\u003cp\u003eThe B80 and B16 MOTHERSHIP daughter card slots can be used for amazing AD\/DA conversion, but also for digital IO and word clock output.  The BCLK card features 8 BNC style word clock outputs plus an AES\/EBU clock output.  An extremely low jitter, high quality clock is generated by the BMBx card (Burl MotherBoard) and passed along the BBB (Burl BackBone) to each B80 and B16 daughter card slot.  With the BCLK card, a word clock distribution of 92 total outputs can be achieved with one B80 MOTHERSHIP.  An added feature of the BCLK card is that it can output multiples of the system word clock.  For instance if you are running a 96kHz session, you can output 48kHz, 96kHz or 192kHz from each BCLK word clock bank.\u003c\/p\u003e","brand":"BURL AUDIO","offers":[{"title":"New","offer_id":51466753802559,"sku":"10621","price":1295.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/10621_full.jpg?v=1759895921"},{"product_id":"cg-2000","title":"CG-2000","description":"\u003cp\u003eThe CG Series includes  three distinct models tailored to different types of studios.The CG-2000 is designed for the needs of broadcasting and post production, the CG-1800 for small to large-scale video\/audio synchronization systems, and the CG-1000 for recording studios, live sound applications and professional musicians.\u003c\/p\u003e\n\u003cp\u003eThe crystal oscillator is the heart of the clock generator. In each model of the CG Series, an OCXO (oven-controlled crystal oscillator) is used for its high precision, and the fact it is not influenced by the temperature of the environment. Boasting a clock frequency precision of 0.01 ppm*1, which exceeds that of a TCXO (temperature-compensated crystal oscillator), this unit is key in the creation of high-precision synchronization systems - with word output frequency stability of ±0.005ppm or less per day.\u003c\/p\u003e\n\u003cp\u003eThe CG-2000 is equipped with an external input connector that supports a 10MHz signal.  This allows it to be connected to a rubidium clock or GPS clock for even higher precision.\u003c\/p\u003e\n\u003cp\u003eExternal clock jitter is reduced using an original TASCAM circuit design that incorporates a high-performance video clock generator engineered with a FPGA*2 and a PLL (phase-locked loop) circuit with a discrete filter. This enables a stable clock signal to be provided to the video\/word outputs - improving system stability. The glitch-free relock circuit prevents noise and skipping sounds caused by master clock dropouts.\u003c\/p\u003e\n\u003cp\u003eIn addition to (12) word clock outputs and (4) video outputs, the digital outputs include (2) AES3\/AES11 and (2) S\/PDIF outputs, making this unit useful for large-scale audio\/video synchronization systems, and a wide variety of other applications. Of the (12) word outputs, two also support x2Fs, x4Fs and 256Fs output - enabling them to be used in systems with ProTools and other DAW software.\u003c\/p\u003e\n\u003cp\u003eThe CG Series has multiple functions to support maintenance, and the identification of issues if problems occur. The analyzer function measures output device termination, input level measurement (for CG-2000 and CG-1800), and the measurement of input frequencies. These built-in features enable the devices to provide troubleshooting support. Additionally, a logging function enables issues to be listed, and saved to a CSV file format on a USB flash drive.\u003c\/p\u003e\n\u003cp\u003eSince crystal oscillators change over time, regular calibration is necessary. In order to avoid possible sync problems, timely inspections - along with regular maintenance is required. The CG Series has a self-correction function, enabling users to conduct maintenance using an external signal input*3 and simple operations.\u003c\/p\u003e\n\u003cp\u003eAmphenol BNC connectors on the chassis use nuts for coupling - making them very durable, Also, a single circuit board is used for each connector - providing excellent resistance to the twisting and pulling of cables, and the suppression of interference between connectors.\u003c\/p\u003e\n\u003cp\u003eThe CG Series is the latest in the line of innovative TASCAM professional digital products - engineered with the latest digital clocking technology.\u003c\/p\u003e","brand":"TASCAM","offers":[{"title":"Default Title","offer_id":51466758586687,"sku":"10873","price":6599.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/10873_full.jpg?v=1759896481"},{"product_id":"rednet-mp8r","title":"Rednet MP8R","description":"\u003cp\u003eThe MP8R features eight high-quality remote-controlled mic preamps developed specifically for the RedNet range, and backed by thirty years of mic preamplifier development. Each preamp has a dual input impedance of 10k or 2.4k ohms, allowing flexibility when running multiple mic pres in parallel. The device includes eight auxiliary outputs with automatic DSP-based gain tracking for digital \"splits\". Following the mic pres are eight channels of Focusrite's legendary high-precision A\/D converters, operating at up to 192kHz\/24-bit with minimum latency and offering class-leading dynamic range and overall performance. The MP8R features a rugged, roadworthy exterior and high internal build quality. In addition, the unit offers a compact 1U rack-mount form factor.\u003c\/p\u003e","brand":"FOCUSRITE","offers":[{"title":"Default Title","offer_id":51466759110975,"sku":"10893","price":5999.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/10893_full.jpg?v=1759896558"},{"product_id":"rednet-d64r","title":"Rednet D64R","description":"\u003cp\u003eD64R supports up to 64 channels of both coaxial and optical MADI interfaces and is completely bi-directional, allowing the use of any Dante components including RedNet's high quality interface products with a MADI system - or MADI components with a Dante system. D64R features a sample rate converter (SRC) on each input and output allowing interfacing between MADI and Dante irrespective of the sample rate at which either system is operating. Connect a Dante network to MADI-based digital consoles, computer cards, converters and much more. In addition to both coax and optical MADI interfaces, RedNet D64R provides Word Clock in and out. The D64R features a rugged, roadworthy exterior and high internal build quality, with Ethernet and power supply redundancy. In addition, it offers a compact 1U rack-mount form factor for a full 64 channels of I\/O.\u003c\/p\u003e","brand":"FOCUSRITE","offers":[{"title":"Default Title","offer_id":51466759176511,"sku":"10895","price":5079.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/10895_full.jpg?v=1759896569"},{"product_id":"rednet-hd32r","title":"Rednet HD32R","description":"\u003cp\u003eThe Pro Tools system is connected to the HD32R via standard Mini DigiLink ports. HD32R acts as a 64-channel (32 in\/32 out) digital break in\/out box, operating in the same way as a standard interface, and supporting a wide range of Pro Tools|HDX and HD cards. Up to six HD32R modules can be used with a Pro Tools|HDX system and three with Pro Tools|HD, allowing the maximum channel count for either. The HD32R features a rugged, roadworthy exterior and high internal build quality, with Ethernet and power supply redundancy. In addition, it offers a compact 1U rack-mount form factor for a full 32 channels of I\/O.\u003c\/p\u003e","brand":"FOCUSRITE","offers":[{"title":"Default Title","offer_id":51466759242047,"sku":"10896","price":3799.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/10896_full.jpg?v=1759896579"},{"product_id":"pure2","title":"Pure2","description":"\u003cp\u003ePure2 is a mastering-grade 24-bit, 192 kHz AD\/DA 2-channel converter and master clock that includes a relay-controlled volume attenuator. It features Antelope Audio's world-renowned Acoustically Focused Clocking (AFC) technology, and also utilizes pristine analog circuitry, driven by a proprietary multi-stage linear power supply for unsurpassed digital clarity and analog realism.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLEXIBLE CONTROL\u003c\/b\u003e\nAccess all Pure2 features via Mac \u0026amp; PC app or through the front-panel controls\nAll Pure2 features are available in an intuitive software control panel for Mac or Windows provides users the ability to manage all facets of the device operation. Pure2 is also configurable via the front panel with user-definable presets.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eEASY LIFE\u003c\/b\u003e\nWe know the engineer's life \nFis not a glamorous one. So we tried to make it easier.\nYou can set up Pure2 in a couple of minutes. All you actually need is one USB cable (provided in the box) and a laptop of your choosing (Win 7.1 or higher \/ Mac OSx 10.9 or higher) and you can start capturing stereo audio at 192 kHz.\nAfter setting it up, just download the Control Panel, a few clicks and you're set.\u003c\/p\u003e","brand":"ANTELOPE AUDIO","offers":[{"title":"Default Title","offer_id":51466759766335,"sku":"10915","price":3660.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/10915_full.jpg?v=1759896634"},{"product_id":"e44","title":"E44","description":"\u003cp\u003eBuilt upon the legacy of the industry-leading LynxONE and LynxTWO cards, the E series takes a leap forward to offer the highest performance A\/D and D\/A conversion system ever incorporated into a PCI Express card. In fact the E44 performance even eclipses that of the Lynx Aurora converters. Since 1998, Lynx has provided high-reliability add-in cards engineered for 24\/7 operation. The E series improves upon this tradition with upgraded enhancements for I\/O protection and shielding of computer noise and their associated power supplies.\u003c\/p\u003e\n\u003cp\u003eThe E44 is roughly the equivalent of the LynxTWO-A in a PCI Express format. The E22 closely corresponds to the Lynx L22.\u003c\/p\u003e\n\u003cp\u003eThe E44 card utilizes sophisticated design methodologies to achieve high performance levels. Components are meticulously chosen to support low noise and distortion. Circuit topologies are compact and cancel external noise pickup. Capacitors with solid dielectrics provide high reliability and long life. Considerable effort is applied to PCB layout which focuses on component placement and routing of traces, as well as copious use of copper planes for shielding and power distribution.\u003c\/p\u003e\n\u003cp\u003eThe power available from the PCI Express bus offers a particular challenge due to the lack of a negative supply rail which is required to power analog amplifier stages. The E series utilizes a unique scheme to generate supply rails that are extremely low noise while being very tolerant of poorly designed computer power supplies.\u003c\/p\u003e\n\u003cp\u003eThe use of field-programmable-gate-arrays (FPGA) is another core technology pioneered for use in audio devices by Lynx. The E series uses the latest devices with a wealth of resources for parallel processing in our 16 X 8 mixer and V2 DMA engine which maximizes throughput on the PCIe bus while minimizing CPU workload. As always, FPGA's allow for field-upgradeability to add features in the future.\u003c\/p\u003e","brand":"LYNX STUDIO TECHNOLOGY","offers":[{"title":"Default Title","offer_id":51466760913215,"sku":"10940","price":1385.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/10940_full.jpg?v=1759896743"},{"product_id":"e22","title":"E22","description":"\u003cp\u003eThe E22 PCI Express cards are designed to satisfy the most demanding professional recording and broadcast studio requirements. In fact the E22 performance even eclipses that of the Lynx Aurora converters. Since 1998, Lynx has provided high-reliability add-in cards engineered for 24\/7 operation. The E series improves upon this tradition with upgraded enhancements for I\/O protection and shielding of computer noise and their associated power supplies.\u003c\/p\u003e\n\u003cp\u003eThe E22 cards utilize sophisticated design methodologies to achieve high performance levels. Components are meticulously chosen to support low noise and distortion. Circuit topologies are compact and cancel external noise pickup. Capacitors with solid dielectrics provide high reliability and long life. Considerable effort is applied to PCB layout which focuses on component placement and routing of traces, as well as copious use of copper planes for shielding and power distribution.\u003c\/p\u003e\n\u003cp\u003eThe power available from the PCI Express bus offers a particular challenge due to the lack of a negative supply rail which is required to power analog amplifier stages. The E series utilizes a unique scheme to generate supply rails that are extremely low noise while being very tolerant of poorly designed computer power supplies.\u003c\/p\u003e\n\u003cp\u003eThe use of field-programmable-gate-arrays (FPGA) is another core technology pioneered for use in audio devices by Lynx. The E series uses the latest devices with a wealth of resources for parallel processing in our 16 X 8 mixer and V2 DMA engine which maximizes throughput on the PCIe bus while minimizing CPU workload. As always, FPGA's allow for field-upgradeability to add features in the future.\u003c\/p\u003e","brand":"LYNX STUDIO TECHNOLOGY","offers":[{"title":"Default Title","offer_id":51466760978751,"sku":"10941","price":1145.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/10941_full.jpg?v=1759896750"},{"product_id":"24ai","title":"24Ai","description":"\u003cp\u003eThe 24Ai from MOTU is a single rack space USB 2.0 interface with industry-standard AVB networking for sub-millisecond network latency, and offers twenty-four channels of analog audio input combined with three banks of ADAT optical, for a total of seventy-two channels of I\/O. The unit connects to a computer through USB 2.0, which provides more than enough bandwidth for the twenty-four analog channels, and when connected through AVB networking, supports hundreds of network channels.\u003c\/p\u003e\n\u003cp\u003eAll devices on an AVB network can stream audio to and from a computer, and everything can be controlled simultaneously from any computers, tablets, and smart phones connected to the network. The interface delivers excellent analog performance with digitally controlled analog trim on the analog inputs, and includes a forty-eight-channel software mixer modeled after large format mixing consoles, DSP effects with 32-bit floating point precision, flexible matrix-style routing and splitting, stand-alone operation, and Wi-Fi control.\u003c\/p\u003e","brand":"MOTU","offers":[{"title":"Default Title","offer_id":51466761404735,"sku":"10957","price":1424.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/10957_full.jpg?v=1759896808"},{"product_id":"24ao","title":"24Ao","description":"\u003cp\u003eThe 24Ai and 24Ao are two new members of MOTU's high-end audio interface lineup that includes the 1248, 8M and 16A. You can mix and match their complementary I\/O configurations and unify operation with their shared AVB audio networking platform.\u003c\/p\u003e\n\u003cp\u003eThe 24Ao offers twenty-four analog outputs. Both units include three 8-channel ADAT optical banks, for a total of 72 channels each (24 analog plus 48 optical). Use the 24Ai and 24Ao to add analog I\/O to your computer, or as a flexible optical expander and mixer. Or both!\u003c\/p\u003e\n\u003cp\u003eAll analog I\/O is supplied on multi-channel DB-25 D-sub connectors and Phoenix connectors for convenient, flexible wiring into studio and industrial installations alike. If you need individual quarter-inch connectors, check out the 16A interface.\u003c\/p\u003e\n\u003cp\u003eBritish analog mixing consoles are renowned for their musical EQ profiles. The 24Ai and 24Ao meticulously model these classic EQs to give you the very same, magical EQ response found on these coveted desks. Each input channel also provides a classic compressor module with optional peak\/RMS operation. Groups and the Main Mix bus are equipped with MOTU's Leveler™, an accurate model of the legendary Teletronix™ LA-2A™ optical leveling amplifier, known for its unique and highly sought-after Automatic Gain Control (AGC) characteristics.\u003c\/p\u003e\n\u003cp\u003eWith one click on the routing grid, you can route any source signal to any destination. Sources can be analog or digital inputs on the interface, computer channels, mixer bus outputs, or audio network streams from other devices on the network. Destinations include interface outputs, host software inputs, mixer inputs, or any other device (or computer) on the AVB network. You can even split any single input (or stereo pair) to unlimited multiple output destinations.\u003c\/p\u003e","brand":"MOTU","offers":[{"title":"Default Title","offer_id":51466761470271,"sku":"10958","price":1375.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/10958_full.jpg?v=1759896818"},{"product_id":"avb-switch","title":"AVB Switch","description":"\u003cp\u003eAVB fulfills the promise of a true A\/V standard that brings together the worlds of networking technology and professional audio\/video.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIEEE 802.1 compliant AVB networking\u003c\/b\u003e\nThe MOTU AVB Switch™ allows you to quickly and easily build an AVB-compliant audio (or video) network, with five 1-Gigabit AVB ports for any AVB devices (even other switches), plus an extra sixth port for bridging to a standard Ethernet network. Enjoy the many benefits of AVB, including plug-and-play operation, guaranteed quality of service, and self-regulated network resource management.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePlug-and-play operation\u003c\/b\u003e\nConnect MOTU AVB devices with standard shielded CAT-5e or CAT-6 cables and go. The MOTU AVB Switch supports automatic device discovery and network bandwidth management among connected AVB devices. No IT expertise required.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eStandard cabling\u003c\/b\u003e\nUse standard CAT-5e or CAT-6 Ethernet cables up to 100 meters long between the MOTU AVB Switch and other AVB devices or switches.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eGigabit operation\u003c\/b\u003e\nGigabit operation means you make the most of what AVB has to offer, with very high audio channel counts and very low network latency.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eGuaranteed Quality of Service (QoS)\u003c\/b\u003e\nIn an AVB Ethernet network, all existing audio and video streams are maintained, regardless of other network traffic.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eNetwork-wide clock and sync\u003c\/b\u003e\nAVB provides a network-wide time base for better-than-sample-accurate phase lock across all connected devices. Timing accuracy is down to the nanosecond. In a MOTU AVB system, network-wide sync can be established with one click.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSupport for standard Ethernet\u003c\/b\u003e\nAVB can coexist with standard ethernet, for connecting standard ethernet devices like Airports or other Wi-Fi routers, Ethernet hubs, and even entire Ethernet networks in your home, office or studio. Any of the ports on the MOTU AVB Switch support standard Ethernet. A sixth port is provided for standard Ethernet only, so that you don't have to use up one of the five AVB ports for standard Ethernet duties.\u003c\/p\u003e","brand":"MOTU","offers":[{"title":"Default Title","offer_id":51466761568575,"sku":"10959","price":555.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/10959_full.jpg?v=1759896829"},{"product_id":"track16","title":"Track16","description":"\u003cp\u003eAnd don't let its compact size deceive you. There's plenty of I\/O available for a well-equipped personal studio, ready for multi-player recording sessions. Track16's pristine mic preamps, balanced line-level audio connections, and renowned MOTU engineering deliver world-class audio quality.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTwo mic inputs with individual preamps - Record two separate mics or a matched pair\u003c\/b\u003e\nTrack16's mic inputs are equipped with pristine, transparent preamps and offer individually adjustable 48V phantom power and -20 dB pad. All settings can be adjusted directly using the MIC 1 and MIC 2 buttons, or from Track16's CueMix software running on your computer. Mic inputs can be operated individually or in stereo pairs, as needed.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTwo guitar inputs - Hi-Z guitar inputs deliver true guitar sound\u003c\/b\u003e\nWithout proper impedance levels, direct \"DI\" guitar input won't sound right when you run it through your guitar amp plug-ins and virtual stomp boxes. Track16's two guitar jacks provide high-impedance load characteristics suitable for passive and active pickups alike, to deliver proper guitar tone to your host software. For even more authentic feel and response when using virtual guitar amp and cabinet plug-ins, use a ZBox guitar impedance adapter.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTwo pairs of line inputs - Connect a keyboard and your iPad\u003c\/b\u003e\nTrack16 analog inputs are designed to be flexible, so that you can address a wide range of recording situations. The balanced quarter-inch line inputs provide proper level matching for keyboards, analog mixers, effects processors, or other gear with either -10 dB or +4 dB reference level input. The stereo eighth-inch \"mini\" input is great for an iPad or other consumer devices.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMain outs and line outs - Four analog outputs\u003c\/b\u003e\nConnect a pair of powered studio monitors to the main outs. The line outs can be used for a variety of purposes, such as driving a 2nd set of studio monitors or acting as a completely independent output pair (for a separate mix going to a mixing board or stage wedges, for example).\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMIDI I\/O - Connect your MIDI gear directly\u003c\/b\u003e\nTrack16 provides MIDI input and output featuring sample-accurate timing with supporting software. Connect a MIDI keyboard, sound module or control surface, and you are ready to go. The FireWire or USB connection to the computer carries both MIDI and audio so you don't need to connect an additional USB cable for MIDI.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eFlexible power - Run Track16 bus-powered or stand-alone\u003c\/b\u003e\nFor mobile laptop operation, Track16 can run on bus power from its FireWire connection to the computer. For USB 2.0 or stand-alone operation (without a computer), simply connect the included power adapter to the power port on the breakout cable. Track16's custom-designed breakout cable provides ultimate shielding and protection. If you are using Track16's option breakout box, connect the power adapter to the breakout box, just like all the other breakout connections.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTwo headphone jacks - Work with others, free from noise restrictions\u003c\/b\u003e\nCan't find your headphone adapter No problem. Both quarter-inch and eighth-inch jacks are provided. Or connect two pairs of phones simultaneously. A second phone jack can be a life-saver when you need to finish the mix with your colleague in close proximity to neighbors or loved ones you don't want to disturb. The phones can mirror the main outs, with independent volume control, or they can mirror any other Track16 output pair.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDigitally controlled analog trim - Analog quality with digital precision\u003c\/b\u003e\nTrack16's preamps deliver clean sound, 53 dB of gain, and adjustments in approximately 1 dB increments using the front-panel trims or the on-screen CueMix software. The gain adjustment itself is smooth, and the digital control gives you both precision and the ability to save and recall trim settings. So you get the best of both worlds: analog trim with digital precision and control. Trim is adjusted at the input, before the mixer, so it applies to all mixes. Mix levels are controlled separately from trim, so you never sacrifice sound quality for a balanced mix. The optical digital inputs can be trimmed, too.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBalanced line inputs and main outs - Protect your sound from environmental noise\u003c\/b\u003e\nTrack16 balanced I\/O connections are well-protected against RF interference, AC hum, and other noise-producing environmental factors.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDigital input\/output - Optical I\/O in three standard formats\u003c\/b\u003e\nDigital transfers are an essential fact of daily studio life. Track16 supports all three industry standard optical formats: 8-channel ADAT (at 1x sample rates), 4-channel SMUX (at 2x sample rates),\nand 2-channel TOSLink (optical S\/PDIF) at standard sample rates up to 96 kHz.\u003c\/p\u003e","brand":"MOTU","offers":[{"title":"New","offer_id":51466761830719,"sku":"10967","price":399.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/10967_full.jpg?v=1759896864"},{"product_id":"audio-express","title":"Audio Express","description":"\u003cp\u003e\u003cb\u003eMulti-channel audio for your Mac or PC\u003c\/b\u003e\nThanks to MOTU's Hybrid interface technology, the Audio Express connects to any current Mac or PC via FireWire or high-speed USB 2.0. Connect your mic, guitar, keyboard, and digital input, and you are ready to make pro-quality recordings in your personal studio.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eHands-on mixing for studio and stage\u003c\/b\u003e\nQuickly balance the levels of your mic, guitar, keyboard, and a S\/PDIF device, right from the front panel. Each instrument has its own volume control. Route inputs directly to any output pair, each with its own unique mix: main outs, line outs, S\/PDIF out, and phones.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSimplicity by design\u003c\/b\u003e\nConnect your powered speakers. Plug in your instruments. Adjust their volumes with the front panel knobs. Double-click to install the drivers. What could be easier The Audio Express is designed to be simple to use, so you can focus on your music and performance.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eStudio-grade sound\u003c\/b\u003e\nThe Audio Express delivers MOTU's renowned, award-winning audio interface technology to your personal studio with the pristine audio quality, advanced engineering, and rock-solid performance that MOTU interfaces are known for worldwide.\u003c\/p\u003e","brand":"MOTU","offers":[{"title":"Default Title","offer_id":51466762092863,"sku":"10979","price":599.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/10979_full.jpg?v=1759896905"},{"product_id":"8pre-usb-system","title":"8pre USB System","description":"\u003cp\u003eThe 8pre audio interface delivers everything you need to turn your computer into a powerful 24-bit, 96kHz digital audio workstation. The 8pre provides eight microphone\/instrument preamps with pristine 96kHz analog recording and playback, combined with 8 channels of ADAT optical digital I\/O. Expand your system by connecting additional 8pres or other MOTU audio interfaces.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eThe 8pre as your primary audio interface\u003c\/b\u003e\nUse the included CueMix™ software to mix all 16 inputs from your computer. Eight channels of ADAT optical I\/O make the 8pre an ideal companion for a digital mixer. Two ADAT lightpipe connections work together to support a full 8 channels of optical digital I\/O at any sample rate up to 96kHz.\u003c\/p\u003e\n\u003cp\u003eConnect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Then monitor all of these live inputs via the 8pre's main outs or headphone jack - with virtually no monitoring latency and no processor drain on your computer. You can even create separate monitor mixes for the main outs and headphones. Control everything, including talk-back and listen-back, from the included CueMix Console™ software, just like a large studio console.\u003c\/p\u003e\n\u003cp\u003eThe 8pre includes a 16-channel MIDI interface. Simply connect the 8pre to your computer with any USB cable, and both MIDI and audio are ready to go. Connect any MIDI device, such as a controller keyboard, synth module, automated control surface or drum machine. Timing is sample-accurate with supporting software.\u003c\/p\u003e\n\u003cp\u003eThe 8pre provides cross-platform compatibility with Mac OS X (10.6 or higher), Windows (8\/7\/Vista) and all of your favorite audio software and host-based effects via WDM\/ASIO\/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac OS, with 24-bit recording\/editing and 32-bit mixing\/processing\/mastering.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eThe 8pre as a microphone preamp expansion interface\u003c\/b\u003e\nThe 8pre is really two products in one. When it is not connected to a computer via USB, the 8pre functions as an eight-channel analog to digital (optical) converter. Connect the 8pre to your MOTU 828, 896, Traveler or even another 8pre via the optical \"lightpipe\" connection to add eight high-quality microphone pre-amps to your system. Since the connection is digital, 100% pristine sound is maintained, down to the very last sample.\u003c\/p\u003e\n\u003cp\u003eThe 8pre is the perfect way to instantly add eight more mic inputs to any audio interface or digital mixer with optical I\/O. If you have a MOTU interface with on-board CueMix DSP mixing, such as the 828 (mkII or mk3), 896 (HD or mk3) or Traveler (original or mk3), the 8pre inputs appear directly in the host interface's CueMix mixer to becomes a transparent extension of your system, operating together with your primary interface as a single, integrated unit - even when the host interface is not connected to a computer and is instead operating as a stand-alone mixer.\u003c\/p\u003e\n\u003cp\u003eIf you have an 828mk3, 896mk3, 2408mk3, digital mixer or other audio device that supports 96kHz optical and also has two optical inputs, the 8pre connects to it via both optical ports to provide a full eight channels of analog to optical conversion at the 88.2 or 96kHz sample rates.\u003c\/p\u003e","brand":"MOTU","offers":[{"title":"Default Title","offer_id":51466762158399,"sku":"10984","price":845.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/10984_full.jpg?v=1759896916"},{"product_id":"convert-2","title":"Convert 2","description":"\u003cp\u003e\u003cb\u003eOur Next-Generation Converter\u003c\/b\u003e\nDangerous has been building award-winning, standard-setting converters since 2002 when the Dangerous Monitor's onboard digital-to-analog converter (DAC) swiftly became the industry reference. We've been asked over the years to build a stand alone DAC, and they're finally here in the CONVERT series. Eager to embrace the opportunity to develop a new and better DAC, we designed the CONVERT series converters from the ground up, utilizing cutting-edge digital technology coupled to a Chris Muth designed analog circuit that delivers our signature sound: open, articulate and powerful from top to bottom. The CONVERT-2 goes beyond transparency - you won't just hear everything, you'll hear it beautifully.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIt's All About Implementation\u003c\/b\u003e\nWhile in theory most converters should be the same, among those who truly understand this hotly debated and endlessly researched area of audio technology, the mantra is implementation, implementation, implementation. How a converter's components are selected, tweaked and assembled according to a specific design, and then tuned for superior performance within that plan is what sets a converter apart - for better or worse. The Dangerous CONVERT-2 has been developed by a team of experts with deep, up-to-the-minute knowledge of digital and analog converter technology.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eFine Tuning The Analog Side\u003c\/b\u003e\nA legend among mixing and mastering engineers for decades, Chris Muth has designed the analog gear used to mix and master an endless list of hit records and classic reissues. Chris's powerful, articulate, hi-fi designs dominated the big studios in New York City since the 80s, and via Dangerous his designs have become essential components in the best modern DAW-based mixing and mastering studios. When we set out to develop a new dedicated stereo DAC, Chris brought his relentless design philosophy and world-renowned sound to the CONVERT's analog technology. Not only did he develop the audiophile-grade analog audio path, Chris also meticulously fine tuned the low-pass reconstruction filters mandatory to implementing any DAC. These filters lie at the heart of how a converter will perform, and the CONVERT series has the jaws of top pros hitting the floor when they hear the big natural sound and the powerful, ultra-clear low-end.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePerfecting The Digital Side\u003c\/b\u003e\nWe brought in digital guru Paul Messick to make sure the digital side of the CONVERT-2 would sing in perfect harmony with its finely tuned analog circuit. Paul rigorously refined the CONVERT's JetPLL ultra-low jitter clocking technology until it surpassed the JET's stated specs, resulting in the virtual elimination of jitter throughout the audio band and beyond. Gone are the sonic headaches and end-of-day fatigue brought on by long-term exposure to jittery digital audio systems. The CONVERT-2's superbly implemented digital technology delivers such a natural, open and non-irritating sound that you'll forget you're even listening to converted 0s and 1s.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDetailed Information \u0026amp; Delightful Inspiration\u003c\/b\u003e\nReaching beyond transparency and accuracy, the sound of the CONVERT-2 is so open and 3-dimensional that many are saying that these are the most beautiful, natural sounding converters they've ever heard. Whether your focus is tracking, mixing or mastering, when you choose a dedicated stereo DAC, you're choosing the unit you'll trust to make all your sonic judgments, from choosing a mic to deciding how much limiting to use in mastering. You need your DAC to be honest, but you also need it to sound beautiful. With the CONVERT you get the uncanny combination of detailed information and delightful inspiration.\u003c\/p\u003e","brand":"DANGEROUS MUSIC","offers":[{"title":"Default Title","offer_id":51466767597887,"sku":"11149","price":4600.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/11149_full.jpg?v=1759897509"},{"product_id":"convert-8","title":"Convert 8","description":"\u003cp\u003e\u003cb\u003eDedicated Multi-Channel Digital-To-Analog Conversion\u003c\/b\u003e\nPatched into one of our award-winning analog summing units like the 2-BUS+ or the D-BOX - or to your favorite analog console - the CONVERT-8 will empower you to create the spacious, three-dimensional soundscapes that only real analog summing can deliver. Compatible with all of today's digital signals (including the ubiquitous ADAT format) the CONVERT-8 is ready to take on any mixing or monitoring job from standard stereo and 2.1 to 5.1 and the increasingly popular 7.1 surround format. Recognizing the needs of those who don't need more analog inputs, the CONVERT-8 brings today's very best digital-to-analog conversion within reach of any studio.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eOur Next-Generation Converters\u003c\/b\u003e\nDangerous has been building award-winning, standard-setting converters since 2002 when the Dangerous Monitor's onboard digital-to-analog converter swiftly became the industry reference. We've been asked over the years to build a stand alone DAC, and they're finally here in the CONVERT series. Eager to embrace the opportunity to develop a new and better DAC, we designed the CONVERT-8 from the ground up, utilizing cutting-edge digital technology coupled to a Chris Muth designed analog circuit that delivers our signature sound: open, articulate and powerful from top to bottom. As a dedicated digital-to-analog converter, The CONVERT-8 has been optimized for the job of delivering stunning sound when mixing, mastering and monitoring while tracking. The CONVERT-8 goes beyond transparency: you won't just hear everything, you'll hear it beautifully.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIt's All About Implementation\u003c\/b\u003e\nWhile in theory most converters should be the same, among those who truly understand this hotly debated and endlessly researched area of audio technology, the mantra is implementation, implementation, implementation. How a converter's components are selected, tweaked and assembled according to a specific design, and then tuned for superior performance within that plan is what sets a converter apart - for better or worse. The Dangerous CONVERT-8 has been developed by a team of experts with deep, up-to-the-minute knowledge of digital and analog converter technology.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eFine Tuning The Analog Side\u003c\/b\u003e\nA legend among mixing and mastering engineers for decades, Chris Muth has designed the analog gear used to mix and master an endless list of hit records and classic reissues. Chris's powerful, articulate, hi-fi designs dominated the big studios in New York City since the 1980s, and via Dangerous his designs have become essential components in the best modern mixing and mastering DAW-based studios. When we set out to develop a new dedicated stereo D-A converter, Chris brought his relentless design philosophy and world-renowned sound to the CONVERT's analog technology. Not only did he develop the audiophile-grade analog audio path, Chris also meticulously fine tuned the low-pass reconstruction filters mandatory to implementing any DAC. These filters lie at the heart of how a converter will perform, and the CONVERT series has the jaws of top pros hitting the floor when they hear the big natural sound and the powerful, ultra-clear low-end.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePerfecting The Digital Side\u003c\/b\u003e\nWe brought in digital guru Paul Messick to make sure the digital side of the CONVERT series would sing in perfect harmony with its finely tuned analog circuit. Paul rigorously refined the CONVERT's JetPLL ultra-low jitter clocking technology until it surpassed the JET's stated specs, resulting in the virtual elimination of jitter in the audio-band and beyond. Gone are the sonic headaches and end-of-day fatigue brought on by long-term exposure to jittery digital audio systems. The CONVERT-8's superbly implemented digital technology delivers such a natural, open and non-irritating sound that you'll forget you're even listening to converted 0s and 1s.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDetailed Information \u0026amp; Delightful Inspiration\u003c\/b\u003e\nReaching beyond transparency and accuracy, the sound of the CONVERT-8 is so open and 3-dimensional that many are saying that these are the most beautiful, natural sounding converters they've ever heard. Whether your focus is tracking, mixing or mastering, when you choose a dedicated DAC, you're choosing the unit you'll trust to make all your judgements. You need your DAC to be honest, but you also need it to sound beautiful. With the CONVERT you get the uncanny combination of detailed information and delightful inspiration.  Coupled with any of our analog summing mixers - or with your favorite console - the CONVERT-8 not only assures that you'll hear the best sound possible, but you'll be printing that amazing sound into your final prints.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eYour New Master Clock\u003c\/b\u003e\nIt's no secret that many digital audio systems are slaved to the best sounding clock in the rack, and The CONVERT's customized JetPLL ultra-low jitter technology is winning shootouts again and again - subsequently sending expensive external clocks into retirement. Simply use the Word Clock output and set the CONVERT into Master mode from the front panel, and all the digital gear in your studio can benefit from The CONVERT's cutting-edge Jitter Elimination Technology (JET).\nand you've got best-in-class desktop remote control over the CONVERT's front panel input selectors.  Add the CONVERT-8 to your existing Monitor ST\/SR rig to seamlessly add today's best DAC to your surround monitoring system.\u003c\/p\u003e","brand":"DANGEROUS MUSIC","offers":[{"title":"Default Title","offer_id":51466767663423,"sku":"11150","price":5365.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/11150_full.jpg?v=1759897519"},{"product_id":"micro-clock-mk3","title":"Micro Clock mk3","description":"\u003cp\u003eThe Micro Clock MkIII is a significant redesign of its predecessor, the Micro Clock MkII. Core technological improvements include lower-jitter crystal oscillators, higher-quality galvanic transformer isolation in the signal path, dedicated output drivers with better isolation, higher-precision signal division, and much heavier noise filtration throughout the circuit. All of this results in a more robust, lower-jitter clock signal than the Micro Clock MkII, with even more desirable harmonics in the clock's spectral band that impart an undeniable musical quality to the conversion process. The feature set has expanded to include an LED frequency display, six BNC outputs capable of up to 384kHz, AES and RCA S\/PDIF outputs capable of up to 192kHz, an optical S\/PDIF output capable of up to 96kHz, and removable 1U rack ears.\u003c\/p\u003e","brand":"BLACK LION AUDIO","offers":[{"title":"Default Title","offer_id":51466774380863,"sku":"11331","price":1199.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/11331_full.jpg?v=1759898150"},{"product_id":"echo-express-se-i","title":"Echo Express SE I","description":"\u003cp\u003e\u003cb\u003eUse One PCIe Expansion Card With Computers Lacking Slots\u003c\/b\u003e\nToday's ultra-light notebooks, mini, and all-in-one desktop computers now have tremendous processing power-power that many thought would only be possible in full-size workstation or large desktop computers. For pros in the creative fields, processing power alone is not enough. Take the latest Mac Pro. Reviewers love its performance, but make a point of mentioning its lack of internal expansion capabilities compared to the old towers the new model replaces. If you want to add more capabilities, think external-the latest Pro is loaded with Thunderbolt 2 and USB 3.0 ports, but it lacks the PCIe expansion slots necessary for you to install specialty audio, video, networking, and storage controller interface cards. With the Echo Express SE I, Sonnet has created a solution that leverages the paradigm shift enabled by Thunderbolt technology, allowing PCIe expansion slots to be connected outside a computer. This desktop Thunderbolt 2-to-PCIe card expansion system is ideal for connecting one professional video capture, audio interface, SAS or SATA HBA, 16Gb or 8Gb Fibre Channel, 10Gigabit Ethernet, or RAID controller PCIe card to any Mac or Windows PC(1) with a Thunderbolt port.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eFull Performance in a Small and Light Package\u003c\/b\u003e\nThe Echo Express SE I is small, light, and perfect for use in situations where connecting only a single PCIe card is needed. Measuring a compact 5.6 inches wide by 8.6 inches long by 3.5 inches tall, the SE I was designed to have a small footprint, yet large enough to support the vast majority of Thunderbolt-compatible PCIe cards. The SE I's small size doesn't limit its performance; installed in this system, a card will perform the same as when installed in an Echo Express SE II, Echo Express III-D, or Echo Express III-R.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSupports 4K Video\u003c\/b\u003e\nThe SE I features Thunderbolt 2 technology, which provides ample bandwidth for many of the most demanding, highest performance PCIe cards, and incorporates support for the DisplayPort 1.2 protocol, which enables video streaming to a 4K video monitor. While delivering maximum performance when connected to a computer with Thunderbolt 2 ports, the SE I is also fully compatible with computers with 10Gbps Thunderbolt technology, supporting most cards at full-performance. And like the other Echo Express models, the SE I includes two Thunderbolt ports to support daisy chaining of up to six devices from a single port on your computer.\u003c\/p\u003e","brand":"SONNET","offers":[{"title":"Default Title","offer_id":51466775724351,"sku":"11355","price":615.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/11355_full.jpg?v=1759898221"},{"product_id":"112d","title":"112D","description":"\u003cp\u003eThe seventh in MOTU's new series of high-end audio interfaces, the 112D serves as the flagship digital interface of the new line, offering 24 channels of AES\/EBU, 24 channels of ADAT optical and 64 channels of MADI (AES10) for a total of 112 simultaneous digital I\/O channels, all in a single rack space. Operating on its own or as a component of a MOTU AVB network system, the 112D shares the many powerful mixing, routing, networking and wireless control features found in MOTU's award-winning AVB interface lineup.\u003c\/p\u003e\n\u003cp\u003eThe 112D can serve as a central digital hub, allowing you to unify your mixing console, audio workstation and other digital audio gear, and then link it all to an AVB audio network with sub-millisecond routing, hundreds of audio channels, standard Ethernet infrastructure and long, affordable cable runs.\u003c\/p\u003e","brand":"MOTU","offers":[{"title":"New","offer_id":51466778509631,"sku":"11412","price":2095.0,"currency_code":"CAD","in_stock":true},{"title":"Open Box","offer_id":52279706812735,"sku":"11412-OPE","price":1849.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/11412_full.jpg?v=1759898394"},{"product_id":"10mx","title":"10MX","description":"\u003cp\u003e\u003cb\u003eFUSION OF FLAWLESS CLOCKING TECHNOLOGIES\u003c\/b\u003e\n10MX features the atomic precision of 10M and Trinity's groundbreaking jitter management algorithm\u003c\/p\u003e\n\u003cp\u003e10MX is the newest and the premier member of the Isochrone family. It features technologies from two of Antelope's legendary products. The atomic precision of the 10M and the sophisticated jitter-management algorithm of Trinity are combined in a futuristic, 1U rack space enclosure, providing the world's most stable and musical clocking.\u003c\/p\u003e\n\u003cp\u003e10MX is a fusion of proven technologies and contemporary industrial design, where no compromises are allowed and both build-quality, and performance-excellence are top priority. The new Rubidium Atomic Clock is an epiphany of more than 20 years' expertise in the digital audio world, making vividly real the clarity, depth, width and 3-dimensionality distinctive of the analog sound.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eATOMIC CLOCKING\u003c\/b\u003e\n10MX fits any studio environment - from recording to mixing and mastering\u003c\/p\u003e\n\u003cp\u003e10MX is perfectly suited for recording, mixing and mastering environments. Its form factor, occupying only 1U of rack space, makes it ideal for live sound application where rack slots are precious commodity.\nThe multiple atomic outputs allow up to 10 devices to be clocked simultaneously over BNC outputs of 10MHz. The unit can also be used as a master clock with 4 outputs, supporting the outstanding sampling rate of up to 768 kHz via BNC. Two more clocking outputs are available via AES and two via S\/PDIF.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eADVANCED CONTROL\u003c\/b\u003e\nAccess all features of 10MX via its user-friendly software app or from the sleek front panel\nThe new Rubidium Atomic Clock is equally easy manageable either from the front panel or the intuitive software control panel available for OS X and Windows, connecting via a USB port.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTHE LEGEND GROWS\u003c\/b\u003e\nThe 10MX continues the legacy of the world renowned 10M and Trinity\u003c\/p\u003e\n\u003cp\u003eThe new Rubidium Atomic Clock is an epiphany of more than 20 years' expertise in the digital audio world, making vividly real the clarity, depth, width and 3-dimensional distinctive of the analog sound.\u003c\/p\u003e","brand":"ANTELOPE AUDIO","offers":[{"title":"Default Title","offer_id":51466780377407,"sku":"11509","price":9865.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/11509_full.jpg?v=1759898548"},{"product_id":"usbpre-2","title":"USBPre-2","description":"\u003cp\u003eSound Devices' USBPre 2 is a high-resolution, portable hardware interface for Mac- and Windows-based digital audio. The USBPre 2 is the industry's highest performance and most flexible portable interface, connecting professional microphones, line-level sources, consumer audio electronics, and S\/PDIF digital sources with Mac OS and Windows computers via USB.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePrecision Microphone Preamplifiers\u003c\/b\u003e\nUSBPre 2 includes two discrete-transistor microphone preamps with 24-bit converters and sampling rates up to 192 kHz. These preamplifiers provide the highest performance in any portable interface. Their topology is shared with Sound Devices' award-winning 744T Digital Audio Recorder. Peak limiters, high-pass filters, and a 15 dB pad provide overload protection. All analog-to-digital and digital-to-analog conversion is performed by the USBPre 2 for superior audio performance.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eComputer Connectivity\u003c\/b\u003e\nUSBPre 2 is a class-compliant audio device. This allows for simple plug-and-play connection to computers running Mac OS, Windows, and Linux. There are no drivers to install for the USBPre 2 and there are no software-only features. All additional controls and settings are available on back panel DIP switches. The USB port also provides power to the unit, both when connected as an audio interface and when used in Stand-Alone operation.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eOutput Connectivity Flexibility\u003c\/b\u003e\nTo interconnect with sound systems big and small, the USBPre 2 includes numerous output connection types, including balanced mic- or line-level on XLR, unbalanced consumer line-level on RCA, S\/PDIF coaxial (RCA) and optical (Toslink). The outputs have their own, dedicated front-panel level control. Use the balanced line-level signals to connect to powered loudspeakers. Use the optical S\/PDIF to connect to hi-fi systems. Use the coaxial S\/PDIF output in Stand-Alone mode for a portable microphone preamplifer with digital output for any production application.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eInformative Metering\u003c\/b\u003e\nAccurate signal level metering is essential for any sound engineer. The USBPre 2 includes a 23-segment, multicolor LED meter for precise level indication. The meter is switchable between input signal metering and playback signal metering. The meter indicates both VU and peak (PPM) ballistics.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eStand-Alone Operation\u003c\/b\u003e\nThe USBPre 2 can be used in Stand-Alone mode where it operates as a high-quality, portable microphone preamplifier and analog-to-digital converter. Digital signals connected to the USBPre 2 are converted to analog and available at the headphone, XLR, and RCA outputs. Stand-Alone operation requires the unit to be connected to a USB power source. Stand-Alone mode is a great option when an additional microphone preamplifer, A-D converter, or D-A converter is required.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eField-Tested Reliability\u003c\/b\u003e\nLike all of Sound Devices products, the USBPre 2 is designed to stand up to the most demanding environments. Its extruded aluminum chassis and aluminum panels, machined knobs, metal connectors, and laser-etched nomenclature are designed to hold up to years of abuse.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eClass Compliant Drivers\u003c\/b\u003e\nAs a class-compliant audio device, the USBPre 2 is limited to a maximum data rate of 24-bit, 48 kHz in Windows, Linux, and Mac OS versions 10.4 to 10.5.7. Mac OS 10.5.8 and higher support the audio class 2.0 device and can address the USBPre 2 up to 24-bit, 192 kHz.\u003c\/p\u003e\n\u003cp\u003eTo enable higher sampling rates in Windows OS, download the available Windows ASIO driver.\u003c\/p\u003e","brand":"SOUND DEVICES","offers":[{"title":"Default Title","offer_id":51466780442943,"sku":"11517","price":1840.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/11517_full.jpg?v=1759898557"},{"product_id":"ocx-hd","title":"OCX HD","description":"\u003cp\u003e\u003cb\u003e\u003ci\u003e768 KHZ HD MASTER CLOCK\u003c\/i\u003e\u003c\/b\u003e\n\u003ci\u003eThe perfect solution for mastering, recording and project studios, film-scoring, post-production and live sound \u003c\/i\u003e\nFor over a decade, Antelope's legendary OCX Master Clock has been a dominant force in the audio world.\u003c\/p\u003e\n\u003cp\u003eThis legacy now continues with the newest master clock by Antelope Audio \" Isochrone OCX HD.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTHE NEW STANDARD IN CLOCKING\u003c\/b\u003e\n\u003ci\u003eOCX HD and the vast choice of clocking options it offers studio professionals make it the most versatile audio clock on the market\u003c\/i\u003e\nOCX HD raises the bar yet again, delivering sample rate support of up to 768 kHz, Antelope's best-in-class 4th generation Acoustically Focused Clocking (AFC) jitter management algorithm and oven-controlled crystal oscillator.\u003c\/p\u003e\n\u003cp\u003eOCX HD Master Clock offers a great variety of clocking options \" 10 configurable in pairs Word Clock Outputs on BNC, four AES\/EBU Outputs and two more on S\/PDIF. This vast assortment of connectivity makes the OCX HD the most versatile audio master clock on the market, while proven, proprietary clocking technology delivers the most musical and reliable audio sync generation on the market.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eVIDEO CLOCKING\u003c\/b\u003e\n\u003ci\u003eAll that you love about Antelope's cult Trinity Master Clock now in just 1U\u003c\/i\u003e\nAdditionally, OCX HD offers two Word Clock Inputs and a Video Sync Input, which can resolve to a huge variety of SD and HD formats, as well as clock distribution with gear-boxing, and pull-up and pull-down rates, as featured in the triple clock powerhouse, Trinity Master Clock. A 10 MHz Input allows for syncing with Antelope's newest Atomic Clock - 10MX.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eADVANCED CONTROL\u003c\/b\u003e\n\u003ci\u003eAccess all OCX HD features via Antelope Audio's flexible software control panel\u003c\/i\u003e\nAntelope's latest master clock benefits from flexible firmware update functionality, as featured in all new-generation Antelope products, allowing for fast and easy firmware updates on the user-friendly software control panel, available for both OS X and Windows.\u003c\/p\u003e\n\u003cp\u003eThe desktop app provides convenient remote control to simplify project workflow. The device is also easily configurable from an elegant front panel, which will add a futuristic aesthetic to any gear rack.\u003c\/p\u003e","brand":"ANTELOPE AUDIO","offers":[{"title":"Default Title","offer_id":51466819207487,"sku":"12209","price":2530.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/12209_full.jpg?v=1759901262"},{"product_id":"symphony-i-o-mkii-thunderbolt-chassis-no-modules","title":"Symphony I\/O MkII Thunderbolt Chassis - No Modules","description":"\u003cp\u003e\u003cb\u003eMeet Symphony I\/O Mk II\u003c\/b\u003e\nSymphony I\/O Mk II is a multi-channel audio interface featuring Apogee's flagship AD\/DA conversion, modular I\/O (up to 32 inputs and outputs), intuitive touchscreen display and optional world-class microphone preamps. Designed to deliver professional sound quality for audio recording, mixing and mastering, Symphony I\/O Mk II is the ultimate music production centerpiece for any modern studio. With its option card flexibility, Symphony I\/O Mk II can provide direct connectivity to one of 4 different platforms - Thunderbolt, Pro Tools HD, Dante+ Pro Tools HD, or Waves SoundGrid network.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLegendary Sound Quality\u003c\/b\u003e\nApogee engineers have made it their passion to improve every new flagship product by using the latest in electrical components and designing optimized circuitry that often exceeds the expectations of the component manufacturer. This is the Apogee Advantage. Symphony I\/O Mk II is the culmination of this 30 year commitment and raises the bar on all Apogee products before it with even better audio clarity and sonic transparency. In fact, when equipped with either the 8-8 or 16-16 modules, Symphony I\/O Mk II outperforms all other multi-channel audio interfaces available for Pro Tools HD, network or Thunderbolt based systems, making it the flagship audio interface for the entire professional audio industry and the obvious choice for countless GRAMMY winning artists, producers, songwriters and engineers.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eInput and Output flexibility\u003c\/b\u003e\nThere is a Symphony I\/O Mk II solution for everyone; the home studio, project studio, commercial recording studio and scoring stage. Choose from four base I\/O configurations, 2-6, 8-8, 16-16, or 8-8 with 8 mic preamps and easily expand as your studio grows. With two module slots and the capacity for up to 32 inputs and outputs of A\/D \u0026amp; D\/A conversion per unit, Symphony I\/O Mk II offers the best per-channel value of any interface in its category.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLowest Latency. Superior Sound Quality.\u003c\/b\u003e\nSymphony I\/O Mk II Thunderbolt delivers the full potential of Thunderbolt 2 performance with the lowest latency, unmatched CPU efficiency and 2 ports for connecting additional peripherals.\u003c\/p\u003e\n\u003cp\u003eSymphony I\/O Mk II Thunderbolt relies on Apogee's proprietary Thunderbolt driver, written from the ground up to offer unmatched performance and efficiency. When using Logic Pro X, latency has been reduced to an astounding 1.35 ms round-trip, allowing you to monitor through your DAW, plug-ins included, simplifying your workflow and leveraging the power of your Mac. Even when your session's DSP demands require a higher buffer setting, Symphony I\/O's ultra-low latency means no longer having to choose between power and speed.\u003c\/p\u003e\n\u003cp\u003eTo accommodate different workflow preferences, Symphony I\/O Mk II Thunderbolt features optional direct hardware monitoring through Symphony Control Software with 0.6ms of latency.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDevours Bits. Sips CPU.\u003c\/b\u003e\nSymphony I\/O Mk II Thunderbolt's custom driver includes a revolutionary Direct Memory Access (DMA) engine to more efficiently read and write data directly to Mac memory independent of the Mac CPU. The DMA engine, running on Symphony I\/O Mk II Thunderbolt's hardware logic chip, increases the driver's efficiency and provides the highest resolution signal possible to the DAC stage. This implementation allows the driver to crunch an enormous amount of data at an amazing speed, while making a very light demand on your Mac CPU. You benefit with lower latency, more plug-in power, and a transparent and encompassing listening experience.\u003c\/p\u003e","brand":"APOGEE","offers":[{"title":"Default Title","offer_id":51466820518207,"sku":"12216","price":4695.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/12216_full.jpg?v=1759901307"},{"product_id":"quintessence","title":"Quintessence","description":"\u003cp\u003eThis DAC includes dual stereo XLR outputs (Main and Monitor) with +18 and +24 dBu peak output levels.  An intuitive push-button system and rotary knob controls analog Volume adjustment for the Monitor Output with a resolution of ¼ dB over an 80 dB range, and fine calibration of the Main outputs by 0.1 dB steps for a ±0.7 dB range.\u003c\/p\u003e\n\u003cp\u003eThe Quintessence has two AES and one SPDIF inputs, which accept standard sample rates from 44.1 kHz to 192 kHz.  Switching between inputs recalls independent Monitor Volume settings from memory for ease of use and ABX comparison.  Other features include BAL\/UNBAL, Mono, Polarity Inversion, and personalized illumination settings.\u003c\/p\u003e","brand":"LAVRY ENGINEERING","offers":[{"title":"Default Title","offer_id":51466835525951,"sku":"12480","price":12695.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/12480_full.jpg?v=1759902214"},{"product_id":"usb-pro","title":"USB Pro","description":"\u003cp\u003eUSB-Pro is a high-resolution stereo digital audio converter (DAC) and direct box that is designed to connect to any computer system to seamlessly transfer digital audio to analog.\u003c\/p\u003e\n\u003cp\u003eA stereo pair of balanced XLR audio outputs with adjustable level control then feeds the signal to a microphone preamplifier, PA system, mixing console or even a powered speaker! Made for plug and play simplicity, the USB-Pro will automatically be listed as an available sound card in the audio settings in all popular operating systems including Windows XP, Windows 7\/8, and Mac OSX.\u003c\/p\u003e\n\u003cp\u003eConnection to a computer is accomplished through a standard USB type-B port. Digital-to-analog conversion can be monitored on headphones through the 3.5mm analog output to check signal quality and level before connecting to a sound system. A mono-sum switch may be engaged to check for phasing or for connection to a mono system. Should hum or buzz caused by ground loops be encountered, two recessed side-access switches allow the user to insert isolation transformers into the signal path. To further reduce susceptibility to noise, this is augmented with a ground lift switch that lifts pin-1 on both XLR jacks.\u003c\/p\u003e\n\u003cp\u003eAs with all Radial products, the USB-Pro is designed to handle the rigors of professional touring. Our unique book-end design creates protective zones around the switches, connectors and controls to keep them out of harm's way. Inside, our time-tested I-beam construction assures the sensitive internal PC board will not torque, which could cause premature part failure. Finally, a full bottom no-slip pad provides mechanical isolation and electrical insulation to ensure quiet operation.\u003c\/p\u003e","brand":"RADIAL ENGINEERING","offers":[{"title":"Default Title","offer_id":51466855907647,"sku":"12852","price":339.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/12852_full.jpg?v=1759903855"},{"product_id":"da-6400","title":"DA-6400","description":"\u003cp\u003eTASCAM's DA-6400 is an all-new 64-track recorder that records to an internal SSD drive caddy for live and event recording. Professional I\/O options like MADI and DANTE make it ideal for live recording, event capture, or as a backup for critical DAW sessions. Available with a single or dual\/redundant power supply, the DA-6400 is an unbeatable option for professional remote recording.\u003c\/p\u003e\n\u003cp\u003eIncluded with the DA-6400 is an AK-CC25 hot-swappable caddy containing a high-performance 240GB TASCAM solid-state drive. The caddy includes a USB 3 jack for stand-alone use - simply hand the drive to the client to offload the BWAV files into their DAW session. The DA-6400 records 64 tracks at 48kHz\/24-bit or 32 tracks at 96kHz\/24-bit. Included on the rear panel are SMPTE timecode, word clock, RS-422, parallel and Ethernet connections.\u003c\/p\u003e\n\u003cp\u003eI\/O options for the DA-6400 include the IF-MA64\/EX interface card, with both coaxial and optical MADI connections. This card includes a redundant coaxial connection so that MADI is passed through even if power is lost, making it an ideal backup recorder for DAW sessions. Other I\/O options include the lower-cost IF-MA64\/BN coaxial MADI card, IF-DA64 Dante card, and IF-AE16 AES\/EBU card, with more to come.\u003c\/p\u003e\n\u003cp\u003eNo dedicated recorder combines the high performance, flexible operation, and complete reliability of TASCAM's DA-6400 solid-state 64-track recorder.\u003c\/p\u003e","brand":"TASCAM","offers":[{"title":"Default Title","offer_id":51466867310911,"sku":"13091","price":6599.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/13091_full.jpg?v=1759904882"},{"product_id":"tascam-us-16x08","title":"US-16X08","description":"\u003cp\u003eEight Ultra-HDDA microphone preamps deliver the cleanest and quietest operation in their class while delivering up to 56dB of gain. An additional eight line inputs are provided, two of them switchable to instrument level for direct guitar or bass recording. Eight balanced line outputs are also available, two with a level control on the front panel for monitoring.\u003c\/p\u003e\n\u003cp\u003eBuilt into the US-16x08 is a DSP Mixer for low-latency digital mixing. Each channel has four-band EQ and compression for polished-sounding monitor mixes. In addition to interface mode, the US-16x08 can be used stand alone as a standalone mic preamp. Mac and Windows drivers are provided, as well as USB Class Compliant 2.0 drivers for tablets like Apple's iPad. MIDI input and output are also available on the rear panel.\u003c\/p\u003e\n\u003cp\u003eWhether using the ergonomically-designed angled desktop stand or mounting with the included rack ears, the US-16x08 includes analog I\/O for almost any music recording application.\u003c\/p\u003e","brand":"TASCAM","offers":[{"title":"Default Title","offer_id":51466867376447,"sku":"13100","price":679.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/13100_full.jpg?v=1759904895"},{"product_id":"uac-2","title":"UAC-2","description":"\u003cp\u003e\u003cb\u003eLive performance\u003c\/b\u003e\nNow you can get the best out of your laptop at every gig. 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Sync your MIDI controllers, sound modules, and drum machines. Archive your favorite recordings in high-resolution formats. The UAC-2 provides everything you need, in one compact device.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDesktop audio enhancement\u003c\/b\u003e\nThink your headphones and speakers already sound pretty great Treat yourself by plugging them into the UAC-2 instead of your computer's audio outputs. Now you can enjoy the ultimate in streamed high-resolution audio-all the way up to 24-bit\/192 kHz-in full fidelity\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eComplete connectivity\u003c\/b\u003e\nThe UAC-2 works with everything from legacy USB 2.0 laptops and desktops, all the way up to the latest-generation Mac or Windows USB 3.0-equipped computers. Or plug in an AC adapter and Apple Camera Connection kit or Lightning to USB Camera Adapter (sold separately) and use it with your iPad.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMIDI\u003c\/b\u003e\nThe UAC-2's MIDI input and output connectors ensure rock-solid synchronization between your computer and devices such as electronic keyboards, controllers, drum machines, and synthesizer or sampler modules\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eUSB 3.0 SuperSpeed\u003c\/b\u003e\nThe SuperSpeed USB 3.0 transfer protocol supported by the UAC-2 is ten times faster than USB 2.0 and six times faster than FireWire 800. The result Low-latency (2.2ms roundtrip @ 96 kHz\/32 samples) for improved performance from your DAW software, and a stable data stream that is unaffected by computer jitter (slight variations in timing), so there's no need to connect an external master clock source. What's more, the extra bus voltage carried by USB 3.0 (900 mA, as opposed to the 500 mA carried by USB 2.0) allows for the use of higher-end electronic components such as the advanced preamps and converters in the UAC-2\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eThe Hardware\u003c\/b\u003e\nThe USB 3.0 connector on the rear panel carries digital signal to and from your computer in addition to providing power to the UAC-2-no batteries or external power required. Dual front panel combo XLR\/TRS inputs allow you to connect a wide variety of microphones as well as line-level signals from electronic keyboards and music players-even passive instruments such as electric guitars and basses. Dual-balanced TRS output jacks enable you to connect the UAC-2 to amplifiers or self-powered speakers, and there's an independent ¼\" stereo headphone jack with dedicated volume control for private monitoring of the input or output signal.\u003c\/p\u003e\n\u003cp\u003eDedicated input gain controls and Clip LEDs make it easy to set optimum input levels, and a large Output knob enables fast control over overall output level. A phantom power switch applies +48 volts to the mic inputs, allowing you to use the UAC-2 with studio-quality condenser microphones, and a three-way Direct Monitoring switch enables monitoring of input signal with zero latency in both mono and stereo. MIDI In and Out connectors allow interfacing with devices such as electronic keyboards and drum machines. Last but not least, a Class Compliant Mode switch enables the UAC-2 to be connected to an iPad.*\n* Optional power adapter and Apple Camera Connection kit or Lightning to USB Camera Adapter required\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eUpsampling\u003c\/b\u003e\nThe UAC-2 uses high-end components such as the Burr Brown PCM4202 analog-to-digital converter and AKM AK4396 digital-to-analog converter. In addition, the UAC-2 performs 4-times upsampling during both analog-to-digital (A\/D) and digital-to-analog (D\/A) conversion. In other words, when the sampling frequency is set to 44.1 kHz or 48 kHz, the UAC-2 processes the signal at high resolution 176.4 kHz or 192 kHz. For A\/D conversion, this means less aliasing noise; for D\/A conversion, this means increased clarity and fidelity.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eExtend your capabilities with software\u003c\/b\u003e\nUAC-2 MixEfx is a free Macintosh and Windows compatible application designed specially by Zoom for the UAC-2. With UAC-2 MixEfx, you can set mix parameters and add high-quality effects such as reverb and echo. Other features include a low cut filter, phase reverse, AUTO GAIN control for each input. UAC-2 MixEfx even has three memory slots for saving user settings with quick recall\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eState of the art editing with every interface\u003c\/b\u003e\nThe Zoom UAC-2 comes with a free download license for Steinberg's Cubase LE music production software, providing not just the ability to capture incredible high-resolution \/ low-latency audio in every box, but to do spectacular things with it.\nTake your recordings to a more professional level. 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Two combo inputs with independent gain knobs and multi-color level indicators allow you to connect mics, keyboards, mixers, and more. 48V phantom power can be supplied to both inputs, and input 1 supports Hi-Z for connecting guitars, basses, or other passive instruments. MIDI input and output jacks allow you to use devices like keyboards, controllers, synthesizers, and drum machines.\u003c\/p\u003e\n\u003cp\u003eSeparate TRS and RCA output jacks provide multiple options for connecting DJ mixers, monitors, and other gear. Finally, an independent headphone output with dedicated volume control gives you complete flexibility while monitoring.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eYour Mix, Your Way\u003c\/b\u003e\nThe U-24 has flexible monitoring options for dialing in the perfect mix with zero latency. Balance the cue and main out signals when you're DJ'ing, or create a mix of click track and main out signals during live performances. 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Without constraint.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eHDX ENGINE\u003c\/i\u003e\n\u003cb\u003eUncompromising performance.\u003c\/b\u003e\nPro Tools | Ultimate is the platform. The HDX hardware accelerator is the engine. And it is built to perform. 18 DSP processing cores. Up to 2,048 voices with the Hybrid Engine. Up to 192 I\/O channels. 0.7 ms latency. From recording the biggest bands to mixing Dolby Atmos, against the tightest timelines, this is the power to remove barriers so you can create your greatest work.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eThe HDX PCIe card. Finely tuned.\u003c\/b\u003e\nWith 18 DSP cores and two high-performance FPGA chips, the Pro Tools | HDX PCIe card is a powerhouse. And it's finely tuned to process thousands of audio streams at staggering speeds. The central FPGA rapidly routes signal around the card - one sample at a time - with no latency. While the DSPs handle mixer and real-time plugin processing at an amazing 6.3 GHz aggregate clip. The result Dedicated horsepower to mix the biggest sessions. And immense performance to record directly into them - with real-time effects.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCapability you can count on.\u003c\/b\u003e\nThe HDX Engine matches its phenomenal performance with rock-solid reliability. A second FPGA guarantees 256 voices per PCIe card. And it streams audio to and from your host CPU at uniform 32-bit float precision, preserving the highest possible audio quality throughout the system's gain structure. So when the work is mission critical and you press record, you're backed by exceptional, unwavering capability. You can depend on it.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePower. Plus more power.\u003c\/b\u003e\nHDX Systems support up to three PCIe cards, so you can meet the scope of any project. Record orchestras. Mix immersive audio. And expand to the extremes with access to 2,048 voices with the Hybrid Engine. It's extraordinary, scalable capability to make the most demanding music and audio post productions possible.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDigiLink and DigiSerial. High-performance ports.\u003c\/b\u003e\nThe HDX PCIe card connects to Pro Tools hardware over uniquely designed connectivity formats. Two DigiLink ports provide 64 channels of I\/O and ensure the highest fidelity audio in and out of the HDX Engine. DigiLink also allows Pro Tools to automatically compensate for hardware insert delays. While the DigiSerial Port is part of a patented technology, providing unmatched sample-accurate synchronization of video frame edges with audio.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eSOFTWARE\u003c\/i\u003e\n\u003cb\u003eMade for each other.\u003c\/b\u003e\nHDX Systems combine immense performance with simplicity through deep integration. It starts with Pro Tools | Ultimate. And as you build out your system, you will always work in this one software environment. Faster and more creatively. With each component - software, DSP acceleration, and hardware I\/O - perfectly joined together as one system.\u003c\/p\u003e\n\u003cp\u003eThe Hybrid Engine. Now available.\nThe patented Hybrid Engine maximizes the performance of Pro Tools by using native and DSP processing more harmoniously. With a massive 2,048 voices in Pro Tools | Ultimate and immediate access to HDX's onboard DSP, you can run bigger sessions more smoothly\"even with one-card systems. And with the ability to toggle between Native and DSP modes on a track-by-track basis, you can nullify the distracting effects of latency simply by clicking a button.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAAX DSP. Hybrid effects.\u003c\/b\u003e\nAAX DSP plugins give you the best of both worlds. DSP when you need it. Native processing when you don't. And because an HDX System operates with uniform precision, they sound equally brilliant in both domains. Record in real time with DSP power. Then switch to native mode and use the same plugins. With or without your HDX hardware attached. All in Pro Tools.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eArchitected to go all out.\u003c\/b\u003e\nWith the ability for 64-bit double precision processing, the AAX plugin architecture delivers unmatched dynamic range and sound quality. Because a single plugin can access both low- and high-latency signal networks, CPU intensive effects run with incredible efficiency. This translates to creative freedom, so you can use the plugins you want, when you want. And have total confidence your system can keep up.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAn open platform. And growing.\u003c\/b\u003e\nPro Tools | Ultimate comes with over 70 AAX DSP plugins. But the universe of AAX DSP effects extends way beyond that with over 250 plugins available from the most respected plugin manufacturers in audio. 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An extraordinary limiter, conceived and optimised for professional studio, stage, and broadcast applications, offers essential operational safety with its capability to limit an input's overload of up to 17 dB without audible distortion (max. input level + 30 dBu).\u003c\/p\u003e\n\u003cp\u003eThe M16D provides multichannel conversion in reference quality - at an unbeatable price\/performance ratio!\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":51466875896127,"sku":"13305","price":5890.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/13305_full.jpg?v=1759905806"},{"product_id":"m16da","title":"M16DA","description":"\u003cp\u003eCombinations of the M-16 DA and M-32 DA converters allow for setups with 16, 32, 48, or 64 channels, according to your individual application or budget. 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Following on the overwhelming success of the B2 BOMBER ADC and the BAD4, the BAD8 employs a next-generation analog circuit path and the latest in analog to digital conversion. This is a no-compromise design utilizing all class-A, discrete transistor circuitry and the legendary BX1 transformer coupled input.\nThe BAD8 benefits from the new form factor of the BX1 transformer, allowing for more channel density. 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Aurora (n) models give you up to 32-channel recording and playback to microSD for stand-alone operation or confidence recording, as well as two audiophile-grade headphone outs, while a TFT LCD display provides immediate status information. Leveraging high-end Lynx Hilo technology and utilizing cutting-edge FPGA processors, Aurora (n) delivers even greater transparency, with significantly lower noise and distortion than previous models.\u003c\/p\u003e","brand":"LYNX STUDIO TECHNOLOGY","offers":[{"title":"Default Title","offer_id":51466880188735,"sku":"13404","price":3795.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/13404_full.jpg?v=1759906293"},{"product_id":"aurora-n-16-usb","title":"Aurora (n) 16 USB","description":"\u003cp\u003eThe Aurora (n) 16-USB with preinstalled LT-USB option provides you with pro-quality digital conversion and ultra-low-latency performance. The Aurora (n) 16-USB gives you up to 192kHz analog to digital and digital to analog conversion with front panel control of all routing and sample rate options. Word clock and MIDI I\/O connectors provide you with additional sync options, and the preinstalled LT-USB card provides you with maximum bandwidth and minimal latency. Aurora (n) models give you up to 32-channel recording and playback to microSD for stand-alone operation or confidence recording, as well as two audiophile-grade headphone outs, while a TFT LCD display provides immediate status information. Leveraging high-end Lynx Hilo technology and utilizing cutting-edge FPGA processors, Aurora (n) delivers even greater transparency, with significantly lower noise and distortion than previous models.\u003c\/p\u003e","brand":"LYNX STUDIO TECHNOLOGY","offers":[{"title":"Default Title","offer_id":51466880254271,"sku":"13405","price":5745.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/13405_full.jpg?v=1759906304"},{"product_id":"aurora-n-24-hd","title":"Aurora (n) 24 HD","description":"\u003cp\u003eThis Aurora (n) 24-HD with preinstalled LT-HD option provides you with pro-quality digital conversion and ultra-low-latency performance. The Aurora (n) 24-HD gives you up to 192kHz analog to digital and digital to analog conversion with front panel control of all routing and sample rate options. Word clock and MIDI I\/O connectors provide you with additional sync options, and the preinstalled LT-HD card provides you with maximum bandwidth and minimal latency. Aurora (n) models give you up to 32-channel recording and playback to microSD for stand-alone operation or confidence recording, as well as two audiophile-grade headphone outs, while a TFT LCD display provides immediate status information. Leveraging high-end Lynx Hilo technology and utilizing cutting-edge FPGA processors, Aurora (n) delivers even greater transparency, with significantly lower noise and distortion than previous models.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTransparency Matters\u003c\/b\u003e\nSignal coloration is additive and can kill an otherwise pristine mix. That's why a colored mix begins to collapse while the transparent mix has space, definition and a level of detail that is simply unattainable with converters that add color and distortion. Lynx's hallmark sonic transparency is why Lynx converters are being used in the most mission-critical audio applications and in the world's finest recording facilities. Lynx converters have been specified for their uncanny ability to convert signals without adding any artifacts or color. For audio engineers and producers demanding the most pristine recordings and mixes Lynx is the converter of choice at facilities like Dolby's new mega complex of audio research, Skywalker Sound, NPR, and the Smithsonian Institute. Lynx converters pass the most stringent tests and shoot outs to become the sought after converters for these discerning professionals. Precision matters more than ever and there is no place for even the slightest coloration or degradation of the signal.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDiscrete Converter Array\u003c\/b\u003e\nSome manufacturers use multiple converters on a single chip. 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This has many sonic advantages by significantly reducing crosstalk and distortion while increasing dynamic range and performance.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eHilo Converter Technology (HCT)\u003c\/b\u003e\nDesign and technology borrowed from the development of the Hilo is used to significantly improve specifications and transparency over previous models while attaining stunning Hilo-like performance.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cu\u003eFuture-Proof Design\u003c\/u\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003eConfigurable I\/O\u003c\/u\u003e\n\u003c\/p\u003e\u003cli\u003eAdd Channels - Start with eight, sixteen or twenty four channels and later add additional groups of eight channels for up to thirty two total.\u003c\/li\u003e\u003cli\u003eAdd Modules - Digital (AES\/EBU, now shipping), Mic Pre Amp (available March 2018) \u0026amp; Analog Summing modules to be released in 2018. More are being designed now for future release.\u003c\/li\u003e\u003cli\u003eAdd Connection Method - Thunderbolt, DANTE, ProTools|HD or USB via LSlot Cards\u003c\/li\u003e\u003cli\u003eAdd Functionality - Via firmware updates. Just as we have for Hilo and Aurora we will continue to improve the Aurora(n)'s functionality and build in new feature sets.\u003c\/li\u003e\n\u003cb\u003eSynchroLock 2™\u003c\/b\u003e\nAll new SynchroLock 2™ high-performance sample clock technology provides a whopping 300,000:1 reduction in jitter, 5 second lock time and absolute accuracy. Word clock I\/O provides one input and three outputs on BNC connectors.","brand":"LYNX STUDIO TECHNOLOGY","offers":[{"title":"Default Title","offer_id":51466880319807,"sku":"13406","price":7220.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/13406_full.jpg?v=1759906316"},{"product_id":"aurora-n-32-hd","title":"Aurora (n) 32 HD","description":"\u003cp\u003eThis Aurora (n) 32-HD with preinstalled LT-HD option provides you with pro-quality digital conversion and ultra-low-latency performance. The Aurora (n) 32-HD gives you up to 192kHz analog to digital and digital to analog conversion with front panel control of all routing and sample rate options. Word clock and MIDI I\/O connectors provide you with additional sync options, and the preinstalled LT-HD card provides you with maximum bandwidth and minimal latency. 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The Aurora (n) 32-TB gives you up to 192kHz analog to digital and digital to analog conversion with front panel control of all routing and sample rate options. Word clock and MIDI I\/O connectors provide you with additional sync options, and the preinstalled LT-TB card provides you with maximum bandwidth and minimal latency. Aurora (n) models give you up to 32-channel recording and playback to microSD for stand-alone operation or confidence recording, as well as two audiophile-grade headphone outs, while a TFT LCD display provides immediate status information. Leveraging high-end Lynx Hilo technology and utilizing cutting-edge FPGA processors, Aurora (n) delivers even greater transparency, with significantly lower noise and distortion than previous models.\u003c\/p\u003e","brand":"LYNX STUDIO TECHNOLOGY","offers":[{"title":"Default Title","offer_id":51466880680255,"sku":"13410","price":8595.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/13410_full.jpg?v=1759906361"},{"product_id":"aurora-n-32-dnt","title":"Aurora (n) 32 DNT","description":"\u003cp\u003eThis Aurora (n) 32-DNT with preinstalled LT-DNT option provides you with pro-quality digital conversion and ultra-low-latency performance. The Aurora (n) 32-DNT gives you up to 192kHz analog to digital and digital to analog conversion with front panel control of all routing and sample rate options. Word clock and MIDI I\/O connectors provide you with additional sync options, and the preinstalled LT-DNT Dante card gives you maximum networking bandwidth, with minimal latency. Aurora (n) models give you up to 32-channel recording and playback to microSD for stand-alone operation or confidence recording, as well as two audiophile-grade headphone outs, while a TFT LCD display provides immediate status information. 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Word clock and MIDI I\/O connectors provide you with additional sync options, and the preinstalled LT-HD card provides you with maximum bandwidth and minimal latency. Aurora (n) models give you up to 32-channel recording and playback to microSD for stand-alone operation or confidence recording, as well as two audiophile-grade headphone outs, while a TFT LCD display provides immediate status information. Leveraging high-end Lynx Hilo technology and utilizing cutting-edge FPGA processors, Aurora (n) delivers even greater transparency, with significantly lower noise and distortion than previous models.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTransparency Matters\u003c\/b\u003e\nSignal coloration is additive and can kill an otherwise pristine mix. That's why a colored mix begins to collapse while the transparent mix has space, definition and a level of detail that is simply unattainable with converters that add color and distortion. Lynx's hallmark sonic transparency is why Lynx converters are being used in the most mission-critical audio applications and in the world's finest recording facilities. Lynx converters have been specified for their uncanny ability to convert signals without adding any artifacts or color. For audio engineers and producers demanding the most pristine recordings and mixes Lynx is the converter of choice at facilities like Dolby's new mega complex of audio research, Skywalker Sound, NPR, and the Smithsonian Institute. Lynx converters pass the most stringent tests and shoot outs to become the sought after converters for these discerning professionals. Precision matters more than ever and there is no place for even the slightest coloration or degradation of the signal.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDiscrete Converter Array\u003c\/b\u003e\nSome manufacturers use multiple converters on a single chip. While that is one way to fit many converter channels in a single rack space while lowering costs, it comes at a steep cost in performance. At Lynx, the analog signal path for each channel has been designed as a self-contained and shielded circuit. Each channel pair has its own dedicated conversion device. This has many sonic advantages by significantly reducing crosstalk and distortion while increasing dynamic range and performance.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eHilo Converter Technology (HCT)\u003c\/b\u003e\nDesign and technology borrowed from the development of the Hilo is used to significantly improve specifications and transparency over previous models while attaining stunning Hilo-like performance.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cu\u003eFuture-Proof Design\u003c\/u\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003eConfigurable I\/O\u003c\/u\u003e\nAdd Channels - Start with eight, sixteen or twenty four channels and later add additional groups of eight channels for up to thirty two total.\nAdd Modules - Digital (AES\/EBU, now shipping), Mic Pre Amp (available March 2018) \u0026amp; Analog Summing modules to be released in 2018. More are being designed now for future release.\nAdd Connection Method - Thunderbolt, DANTE, ProTools|HD or USB via LSlot Cards\nAdd Functionality - Via firmware updates. Just as we have for Hilo and Aurora we will continue to improve the Aurora(n)'s functionality and build in new feature sets.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSynchroLock 2\u003c\/b\u003e\nAll new SynchroLock 2 high-performance sample clock technology provides a whopping 300,000:1 reduction in jitter, 5 second lock time and absolute accuracy. Word clock I\/O provides one input and three outputs on BNC connectors.\u003c\/p\u003e","brand":"LYNX STUDIO TECHNOLOGY","offers":[{"title":"Default Title","offer_id":51466880811327,"sku":"13412","price":7150.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/13412_full.jpg?v=1759906383"},{"product_id":"aurora-n-24-dnt","title":"Aurora (n) 24 DNT","description":"\u003cp\u003eThis Aurora (n) 24-DNT with preinstalled LT-DNT option provides you with pro-quality digital conversion and ultra-low-latency performance. The Aurora (n) 24-DNT gives you up to 192kHz analog to digital and digital to analog conversion with front panel control of all routing and sample rate options. Word clock and MIDI I\/O connectors provide you with additional sync options, and the preinstalled LT-DNT Dante card gives you maximum networking bandwidth, with minimal latency. Aurora (n) models give you up to 32-channel recording and playback to microSD for stand-alone operation or confidence recording, as well as two audiophile-grade headphone outs, while a TFT LCD display provides immediate status information. Leveraging high-end Lynx Hilo technology and utilizing cutting-edge FPGA processors, Aurora (n) delivers even greater transparency, with significantly lower noise and distortion than previous models.\u003c\/p\u003e","brand":"LYNX STUDIO TECHNOLOGY","offers":[{"title":"Default Title","offer_id":51466880876863,"sku":"13413","price":8165.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/13413_full.jpg?v=1759906395"},{"product_id":"aurora-n-16-hd","title":"Aurora (n) 16 HD","description":"\u003cp\u003eThis Aurora (n) 16-HD with preinstalled LT-HD option provides you with pro-quality digital conversion and ultra-low-latency performance. The Aurora (n) 16-HD gives you up to 192kHz analog to digital and digital to analog conversion with front panel control of all routing and sample rate options. Word clock and MIDI I\/O connectors provide you with additional sync options, and the preinstalled LT-HD card provides you with maximum bandwidth and minimal latency. Aurora (n) models give you up to 32-channel recording and playback to microSD for stand-alone operation or confidence recording, as well as two audiophile-grade headphone outs, while a TFT LCD display provides immediate status information. Leveraging high-end Lynx Hilo technology and utilizing cutting-edge FPGA processors, Aurora (n) delivers even greater transparency, with significantly lower noise and distortion than previous models.\u003c\/p\u003e","brand":"LYNX STUDIO TECHNOLOGY","offers":[{"title":"Default Title","offer_id":51466880942399,"sku":"13414","price":5745.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/13414_full.jpg?v=1759906407"},{"product_id":"aurora-n-16-tb","title":"Aurora (n) 16 TB","description":"\u003cp\u003eThis Aurora (n) 16-TB with preinstalled LT-TB option provides you with pro-quality digital conversion and ultra-low-latency performance. The Aurora (n) 16-TB gives you up to 192kHz analog to digital and digital to analog conversion with front panel control of all routing and sample rate options. Word clock and MIDI I\/O connectors provide you with additional sync options, and the preinstalled LT-TB card provides you with maximum bandwidth and minimal latency. Aurora (n) models give you up to 32-channel recording and playback to microSD for stand-alone operation or confidence recording, as well as two audiophile-grade headphone outs, while a TFT LCD display provides immediate status information. Leveraging high-end Lynx Hilo technology and utilizing cutting-edge FPGA processors, Aurora (n) delivers even greater transparency, with significantly lower noise and distortion than previous models.\u003c\/p\u003e","brand":"LYNX STUDIO TECHNOLOGY","offers":[{"title":"Default Title","offer_id":51466881007935,"sku":"13415","price":6545.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0901\/6931\/1551\/files\/13415_full.jpg?v=1759906419"},{"product_id":"aurora-n-16-dnt","title":"Aurora (n) 16 DNT","description":"\u003cp\u003eThis Aurora (n) 16-DNT with preinstalled LT-DNT option provides you with pro-quality digital conversion and ultra-low-latency performance. The Aurora (n) 16-DNT gives you up to 192kHz analog to digital and digital to analog conversion with front panel control of all routing and sample rate options. Word clock and MIDI I\/O connectors provide you with additional sync options, and the preinstalled LT-DNT Dante card gives you maximum networking bandwidth, with minimal latency. Aurora (n) models give you up to 32-channel recording and playback to microSD for stand-alone operation or confidence recording, as well as two audiophile-grade headphone outs, while a TFT LCD display provides immediate status information. 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Word clock and MIDI I\/O connectors provide you with additional sync options, and the preinstalled LT-HD card provides you with maximum bandwidth and minimal latency. Aurora (n) models give you up to 32-channel recording and playback to microSD for stand-alone operation or confidence recording, as well as two audiophile-grade headphone outs, while a TFT LCD display provides immediate status information. 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