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Gyraf Audio Gyratec XXI

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$5035.71
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Magneto-Dynamic Infundibulum G21 Magneto-Dynamic Infundibulum is ALMOST ready - there is a premature picture of it among the new mugshots, but it's final appearance will change a bit in production (the elliptic filter will be omitted, and the bypass knob will be in-line with the rest). The G21 is something as simple/complex as a fully... View more

Gyraf Audio Gyratec XIV

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$4476.28
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The Gyraf Audio Gyratec XIV is a true tube, all passive, stereo equalizer. It consist of five bands - each with 11 switchable frequencies, variable "Q", and boost/cut selection. It also has an output level trim, and a "hard" relay bypass control. The two channels are linked - controlled with one set of knobs. The... View more

Gyraf Audio Gyratec X

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$4393.60
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The Gyraf Audio Gyratec X is a true tube stereo compressor based on the classic variable-mu principle. This method - controlling the gain by altering quesient current in differential tube pairs - is much faster than the optical method. The speed is why it was widely used in early limiter devices such as the Fairchild 670 or the Universal Audio... View more

Gyraf Audio Gyratec IX

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$2671.35
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The Giraf Audio Gyratec IX is a dual true tube microphone preamp - made like our mother did it. It's a simple, yet powerfull unit, based on a variable-gain input tube stage driving a tube SRPP output stage. No silicon or other crap in signal path. The controls on the Gyratec IX are as follows: The input level switch - in eleven steps - sets... View more

Gyraf Audio Gyratec II

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$3187.67
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The Gyraf Audio Gyratec II is our most popular product to date. It is basically an all-tube recording channel, combining a microphone/line preamp, an equalizer and an optical compressor. Although solid state electronics is used - in power supply and sidechain - the audio signal never gets touched by anything but tubes, transformers and passives.... View more

Gyraf Audio Gyratec III

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$3582.61
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* Prices in U.S. dollars. Settings
The Gyraf Audio Gyratec III is a true tube stereo compressor based on the opto VCA principle. This method - controlling the gain by the means of a light dependent resistor - is not as fast as the vari-mu method, but much more subtle sonically. This principle is known from eg. the classic Universal audio LA2, LA3 and LA4 compressors.. We have... View more

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