The Highland Dynamics BG2 Mono is an all-tube, fully transformer-balanced vari-mu compressor with automatic leveling capability. It has a front end in the style of a British-modified Altec 436 with a... View more
The Mastering Limiter is a Stereo Mastering Limiter with a 100% Analog Signal Path, Manual and Intelligent Release Modes, Touchscreen Interface and Variable Color
The TUBE-TECH SMC 2BM Stereo Multiband Compressor is an all tube-based compressor that adds the warmth of vintage quality masters to your mix. TUBE-TECH SMC2BM is the mastering version of the famous... View more
The Seventeen is not the '76 compressor that your grandfather recorded with. The Seventeen is not the '76 compressor that your grandfather recorded with. It isn't even a remake but rather the Black... View more
The Elysia Nvelope is a powerful audio processor capable of making subtle or drastic changes to a sound by providing control over its attack and sustain characteristics. This is extremely useful for... View more
Gyratec 23 "Ambler" Tilt equalizer is a tone control based on asomewhat different concept. The G23 is a Tilt-type Equalizer aimed mainly at mix and mastering - for the situations where you have a mix... View more
Emperor Limiteris an analog dynamics processor, which depending on the settings can work as a compressor, limiter or harmonics distortion generator. It was designed for creating the original, vivid,... View more
The DDL-500 features 10 seconds of pristine delay at a 192 kHz sample rate and a unique design that strictly limits the amount of digital circuitry to the bare minimum. 500 series is, by and large,... View more
The Cranesong Insigna is a 500-series module tube EQ designed by Dave Hill and comes from a long line of industry standard, high quality audio hardware. The unit is based around a dual triode circuit... View more
The Nvelope 500 is a powerful dual slot audio processor capable of making subtle or drastic changes to a sound by providing control over its attack and sustain characteristics. This is extremely... View more
The Maselec MPL-2 is a brick-wall and high frequency limiter. It can be used to achieve high subjective levels and reduce unwanted high frequency levels (de-essing). The MPL-2 is also used to... View more
The Pete's Place Audio BAC-500 is a feedback-style FET compressor built around two discrete op amps and a custom wound output transformer. From the top down, the BAC's faceplate features a large... View more
The Radial Cube is a desk-top 3-slot power rack for the popular 500 series, designed to create the ultimate channel strip with 500 milliamps of available current. The Cube is a three module desktop... View more
The Chandler Germanium Compressor is yet another amazing piece from designer Wade Goeke. The Compressor can do that fast-attack / fast-release style of explosive compression. The Germanium series... View more
The AMS Neve 8803 EQ is part of the exclusive Neve 88 Series. The 8803 is a dual channel equalizer and filter. Acclaimed 88 Series Equalization in a USB-compatible Rack Unit Like the other units in... View more
TC2290-DT is a delay solution featuring a dedicated hardware interface, full DAW integration and powerful presets fuelling inspiration and instant character to your tracks. Capable of conjuring up... View more
The SA2RATE can directly cooperate with devices having a nominal output level of -10 dB, such as synthesizers, samplers, drum machines etc. The new version of SA2RATE is extended with a BOOST... View more
THE SWIFT is a 2 channel equalizer has been designed to be as much at home in tracking individual instruments or sitting across a stereo mix buss to equalise the final mix As with other units of... View more
8 Channel Rack with PSU and Power Supply 48v. The BAE (formerly Brent Averill Enterprises) 8 Module Powered Rack can be used with any Neve 1073-style modules including:. Brent Averill 1023 . Brent... View more
This Single channel discrete optical compressor, in the API 500 series form factor, based on the flagship Mastering Compressor. The Optograph's front end is balanced by an original Jensen input... View more
This is the Mastering Version of the Massive Passive with innovative repeatable, mechanically detented knobs of our own design. Range is clamped down for focus where mastering engineers live and... View more
The EQP-500S is a powerful program EQ in a API 500 series format. These EQs deliver all of the punch and mojo of their full-sized counterparts. Equivalent to our 19" 2U EQP-1S3-SS. In the early... View more
The AMS Neve 2264A CV a classic Mono Limiter Compressor. Independent Limiter and Compressor IN/OUT selectors. Transformer-coupled circuits. Originally designed in 1974, the Neve 2264A mono... View more
The 500C Fet Compressor features controls for input and output gain, plus the four selectable, time-honored compression rations of 4:1, 8:1, 12:1, and 20:1. In addition to taming peaks, its premium... View more
The Millenia NSEQ-4 is a Two Channel Class A Discrete Solid State Parametric Equalizer. A great sounding EQ! I had the NSEQ-2 which I Liked a lot. I used the solid state mode on most of the tracks I... View more
The KuSh Audio Tweaker is an old soul with a post-modern brain. It is a versatile Side Chain Shaping Compressor. Its vintage, discrete VCA and bespoke detector are married to envelope-pushing... View more
Manufactured by Q2 Audio in close collaboration with Audio & Design, the F765 is a remake of the F760-N module and has now been adapted to the 500 series modular rack system It is authentic in every... View more
1-channel Solid-state Electro-optical Compressor with Program-dependent Attack and Release Times, XLR and TRS I/O and External Power Supply The LA-2A (tube version) and LA-3A (solid state version)... View more
The Stereo Bus Compressor Module (XR626) brings this classic audio glue to you with spectacular SuperAnalogue audio performance. The centre section compressor from the 1980's G-Series analogue... View more
