The Elysia Nvelope is a powerful audio processor capable of making subtle or drastic changes to a sound by providing control over its attack and sustain characteristics. This is extremely useful for... View more
The 500C Fet Compressor features controls for input and output gain, plus the four selectable, time-honored compression rations of 4:1, 8:1, 12:1, and 20:1. In addition to taming peaks, its premium... View more
DN9630 is a AES50 to USB 2.0 Converter with up to 48 Bidirectional Channels The DN9630 greatly simplifies the connection of computers to AES50 audio networks to provide simultaneous multi-channel... View more
The Maselec MPL-2 is a brick-wall and high frequency limiter. It can be used to achieve high subjective levels and reduce unwanted high frequency levels (de-essing). The MPL-2 is also used to... View more
Load up your 500 Series rack with some dbx 560A Compressor/Limiters and go to work! The dbx 560A Compressor/Limiter offers legendary VCA-based compression in the increasingly popular 500 Series... View more
THE SWIFT is a 2 channel equalizer has been designed to be as much at home in tracking individual instruments or sitting across a stereo mix buss to equalise the final mix As with other units of... View more
The Chandler Germanium Compressor is yet another amazing piece from designer Wade Goeke. The Compressor can do that fast-attack / fast-release style of explosive compression. The Germanium series... View more
The EQP-500S is a powerful program EQ in a API 500 series format. These EQs deliver all of the punch and mojo of their full-sized counterparts. Equivalent to our 19" 2U EQP-1S3-SS. In the early... View more
1-channel Solid-state Electro-optical Compressor with Program-dependent Attack and Release Times, XLR and TRS I/O and External Power Supply The LA-2A (tube version) and LA-3A (solid state version)... View more
This Single channel discrete optical compressor, in the API 500 series form factor, based on the flagship Mastering Compressor. The Optograph's front end is balanced by an original Jensen input... View more
8 Channel Rack with PSU and Power Supply 48v. The BAE (formerly Brent Averill Enterprises) 8 Module Powered Rack can be used with any Neve 1073-style modules including:. Brent Averill 1023 . Brent... View more
Manufactured by Q2 Audio in close collaboration with Audio & Design, the F765 is a remake of the F760-N module and has now been adapted to the 500 series modular rack system It is authentic in every... View more
The Millenia NSEQ-4 is a Two Channel Class A Discrete Solid State Parametric Equalizer. A great sounding EQ! I had the NSEQ-2 which I Liked a lot. I used the solid state mode on most of the tracks I... View more
The AMS Neve 2264A CV a classic Mono Limiter Compressor. Independent Limiter and Compressor IN/OUT selectors. Transformer-coupled circuits. Originally designed in 1974, the Neve 2264A mono... View more
This is the Mastering Version of the Massive Passive with innovative repeatable, mechanically detented knobs of our own design. Range is clamped down for focus where mastering engineers live and... View more
The Overstayer M-A-S Model 8101 was designed to be an analog 'more' control. More color, more harmonics, more tone. With Rotary Switches. It gives you the harmonic character and peak rounding of... View more
The KuSh Audio Tweaker is an old soul with a post-modern brain. It is a versatile Side Chain Shaping Compressor. Its vintage, discrete VCA and bespoke detector are married to envelope-pushing... View more
The Seventeen is not the '76 compressor that your grandfather recorded with. The Seventeen is not the '76 compressor that your grandfather recorded with. It isn't even a remake but rather the Black... View more
The Stereo Bus Compressor Module (XR626) brings this classic audio glue to you with spectacular SuperAnalogue audio performance. The centre section compressor from the 1980's G-Series analogue... View more
The Radial Cube is a desk-top 3-slot power rack for the popular 500 series, designed to create the ultimate channel strip with 500 milliamps of available current. The Cube is a three module desktop... View more
The AMS Neve 8803 EQ is part of the exclusive Neve 88 Series. The 8803 is a dual channel equalizer and filter. Acclaimed 88 Series Equalization in a USB-compatible Rack Unit Like the other units in... View more
The A-Designs Audio EM-EQ2 is the answer for those who want the stellar sound of a Pultec equalizer plus the added benefit of modern performance and reliability. Many engineers and musicians would... View more
The Pete's Place Audio BAC-500 is a feedback-style FET compressor built around two discrete op amps and a custom wound output transformer. From the top down, the BAC's faceplate features a large... View more
The TUBE-TECH SMC 2B Stereo Multiband Compressor is an all tube-based compressor that adds the warmth of vintage quality masters to your mix. The TUBE-TECH SMC 2B Stereo Multiband Compressor features... View more
The Fatso EL7x is a full analog tape simulator and optimizer with classic knee compression. Analog warmth for a digital world. THE FATSO GOES TO ELEVEN. ELEVEN is a new compressor for the Fatso,... View more
The Heritage Audio 2264JR is a 2 slot 500 series Compressor and Microphone Preamplifier. Its compression features , key components and schematics are the same found on the Heritage Audio classic... View more
The JDK Audio R22 dual channel compressor features two channels of API's patented award winning compressor circuit in a rack mount unit with internal power supply. This is the same compressor circuit... View more
The name says it all. First introduced by Neve in 1970 it has been reproduced by many others since then, most notably BAE Audio and AMS-Neve. We are proud to introduce what, to our knowledge, is the... View more
The Highland Dynamics BG2 is an all-tube, fully transformer-balanced vari-mu compressor with automatic leveling capability. It has a front end in the style of a British-modified Altec 436 with a twin... View more
