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DPA

ST2015

2015 Stereo Pair with Holders and Windscreens in a Zip Case


$2,048.00 CAD
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Description

In a live situation when a conventional cardioid pattern isn't quite open enough, choose a pair of 2015 Compact Wide Cardioids. They work ideally as overheads to capture a balanced sound of the entire group of instruments, like a drum kit.

Also, when recording instrument groups with complex radiation patterns, the wide cardioid (also known as hemispheric, subcardioid or hypocardioid) design covers a greater sound angle and is an excellent choice.

Durable, reinforced construction The 2015 is constructed to withstand rough handling on a hectic live stage. It has a thicker, more robust body construction of brass that is very durable and known for its corrosion resistance and tolerance against metal fatigue. In addition to the heavy-duty materials used, the surfaces of the mic handle and grille are treated with a protective black chrome finish, which ensures more graceful ageing.

Uniform cardioid directionality The 2015 has a wide cardioid capsule with DPA's famously flat off-axis response. Besides a high gain-before-feedback, this characteristic makes it easier for sound engineers to handle bleed from other instruments at close proximity. The 2015 picks up off-axis sounds in a very natural and attenuated way. Spacious, wide cardioid pick-up pattern The 2015 can be positioned near the drum kit, closer than you would normally place overhead microphones, and still capture sound evenly across the entire drum kit. This closer position results in stronger signal from the drum kit and therefore less bleed from the stage.

Natural and precise sound reproduction Like all other DPA microphones, the 2015 delivers pure, transparent sound quality.

Compact design for unobtrusive placement on stage Although the 2015 can be purchased as a single mic, it really shines as a matched stereo pair, selected with +/- 1.5 dB sensitivity tolerance. The compact design of this stereo pair ensures an open, natural sound pick-up without blocking any of the exciting action on stage.

Features

Durable, reinforced construction

Uniform wide cardioid directionality

Spacious sound due to a wide cardioid pick-up pattern

Natural and precise sound reproduction

Compact design for unobtrusive placement on stage

Specifications

Directional pattern: Wide cardioid
Principle of operation: Pressure gradient
Cartridge type: Pre-polarized condenser
Frequency response: 20 Hz - 20 kHz
Effective frequency range, ±2 dB, at 30 cm (11.8 in): 40 Hz to 18 kHz
Sensitivity, nominal, ±2 dB at 1 kHz: 12 mV/Pa; -37.7 dB re. 1 V/Pa
Equivalent noise level, A-weighted: Typ. 18 dB(A) re 20 µPa (max. 20 dB(A))
Distortion, THD < 1%: 147 dB SPL (150 dB SPL peak)
Dynamic range: Typ. 132 dB
Max. SPL, THD 10%: 150 dB SPL (153 dB SPL peak)
Switchable attenuator, filters etc. -
Rated output impedance: 60 Ω
Minimum load impedance: 2 kΩ
Cable drive capability: 100 m (328 ft)
Output balance principle: Impedance balancing with Active Drive
Common mode rejection ratio (CMRR): > 60 dB
Power supply (for full performance): P48 (Phantom Power)
Current consumption: 0.7 mA
Connector: XLR-3M. Pin 1: shield, Pin 2: signal + phase, Pin 3: - phase
Color: Matte black
Weight: 83 g (2.9 oz)
Microphone diameter: 19 mm (0.75 in)
Capsule diameter: 17 mm (0.67 in)
Microphone length: 94 mm (3.7 in)
Maximum output voltage, RMS: 8.7 V (21 dBu)
Polarity: +V at pin 2 for positive sound pressure
Temperature range: -40C to 45C (-40F to 113F)
Relative humidity (RH): Up to 90%
Sensitivity selection tolerance (at 1 kHz): ±1.5 dB

Key applications:


Overheads on drums
Grand piano, away or close to the strings
Horn groups
Vibraphones
Xylophones
Large marimbas
Other large instruments

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