32Classic 16Ch console, pre-wired for Dante

16 channel analog console with Harrison 32C 4 band EQ and HP/LP filters on every channel.

Transformer balanced microphone preamps and transformer balanced main stereo mix output.

Pre-wired Dante integration via built-in professional grade AD/DA converters; direct Ethernet interface to a DAW.

Two internal Dante/converter cards provide 32 in x 32 out per card at 96 kHz; appear as two devices on the Dante network and are combined to a single Ethernet link.

Typical factory pre-connections include channel direct outs and playback to the channel Dante card, plus master section links for main mix, cue/matrix, monitor Dante inputs, and surround monitor inputs.

All analog I/O fully balanced on DB25 connectors with Tascam AES59 pinout; duplicated connectors let you access analog outs while also feeding Dante.

Converter/Dante cards include RJ45 Dante ports, TTL word clock input, and integrated Ethernet switch.

Console optimized for DAW workflows with inline record/mixdown modes, inserts, direct outs, auxes, groups, and 0 dB fader lock.

Comprehensive monitor section with multiple external inputs and 11.1 or 7.1.4 surround capability.

Front panel mic/instrument input assignable to any channel for quick overdubs.

General Specifications:

Console configuration 16 channel Harrison 32Classic pre wired for Dante

Module type 32C input strips with transformer balanced mic preamps and 32C four band EQ

Inline or split operation with channel insert and direct out on every channel

Universal internal power supply and fanless cooling

Microphone Input:

Gain range 20 dB to 70 dB in stepped increments

Equivalent input noise better than minus 129 dBu

Transformer balanced and earth free

Line Input:

Input impedance 10 k ohms bridging

Trim range plus or minus 9.5 dB

Maximum input level plus 24 dBu

Transformer balanced and earth free

Output:

Maximum output level plus 24 dBu

Output impedance 30 ohms typical

Main mix output 75 ohms when output transformer engaged

Balanced and earth free

Distortion and Noise:

THD at 50 dB gain less than 0.01 percent

Frequency response 20 Hz to 20 kHz plus or minus 0.25 dB

A to D and D to A THD plus N less than 0.01 percent at plus 4 dBu

High Frequency EQ:

32C shelving type

Boost and cut range program dependent with musical Q

Low Frequency EQ:

32C shelving type

Boost and cut range program dependent with musical Q

Mid Frequency EQ:

32C peaking type two sweepable mids

Musical proportional Q behavior

High Pass and Low Pass Filters:

Continuously variable high pass and low pass per channel

Adjustable to remove rumble and ultra high content

Buses and Aux Sends:

Group buses 8 mono assignable

Aux sends 4 mono plus 1 stereo cue

Direct out per channel switchable pre or post fader

Monitoring:

Control room monitor section up to 12 speakers including 7.1.4 layouts

External monitor inputs and alternate monitor outputs on master section

Talkback and slate functions

Dante and Converter Section:

Factory pre wired Dante interface integrated to channel and bus points

Two converter and Dante cards each 32 input by 32 output

Total Dante capacity 64 by 64 at 44.1 or 48 kHz or 32 by 32 at 88.2 or 96 kHz

Single RJ45 Dante network port with word clock input on BNC

Typical mapping Dante playback to channels 1 to 16 and Dante direct outs from channels 1 to 16

Converter Performance:

A to D maximum input level plus 24 dBu

A to D THD plus N less than 0.01 percent at plus 4 dBu

D to A maximum output level plus 24 dBu

D to A THD plus N less than 0.01 percent at plus 4 dBu

Frequency response 20 Hz to 20 kHz plus or minus 0.25 dB

I O and Connectivity:

DB25 Tascam pinout for analog direct outs groups mains cue matrix aux and monitor I O

RJ45 Dante primary network port

BNC word clock input 75 ohm

Controls and Switches:

100 mm channel faders with solo and mute

Channel EQ in or out and filter in or out

Bus assign switches and pre or post direct out select

Monitor source select speaker select and dim controls