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HomepageMixing BoardsLine & Summing Mixers › Dangerous Music 2-Bus LT
Dangerous Music 2-Bus LT

For those seeking a powerful, straightforward summing mixer, or those who wish to expand the number of channels in their current analog summing rigs, meet the 2-BUS LT.

Built with the same award-winning active summing electronics that have made our head designer Chris Muth legendary, the 2-BUS LT strips away non-essentials in order to bring the world's best analog sound within reach of anyone. You get sixteen channels of pristine analog summing, dual stereo outputs to feed both your monitoring chain and your mix path, and an expansion port for linking any of our summing mixers together for even more channels.

Unveil Your Sound With Active Analog Summing
Unlike passive summing boxes that require huge amounts of make-up gain to restore the lost audio, or line mixers masquerading as "summing mixers," the active electronics in the 2-BUS LT result in what Dangerous users describe as "a huge soundstage," "holographic sound," and "audible three-dimensionality." Panning is wide and precise, reverbs spacious and deep, bass powerful and engaging, treble and mids articulate and interesting. And within all that spacious sound, you get an incredibly focused and strong center image. When summing in analog, you're also allowing multiple converter channels to share the workload of getting your sounds into the analog environment. Once there, the 2-BUS LT's exceptional summing circuits will provide all the headroom plus a vast soundstage, allowing your mixes to truly shine.

Emulation Impossible
Many analog processors - from delays and reverbs to EQs, compressors and more - have been beautifully modeled in the digital realm, but analog summing remains impossible to emulate digitally. We've all experienced the frustration of a mix collapsing when relying on a single digital master fader to handle it all. The middle gets crowded, panning becomes blurry, reverbs lose dimension, and soon the mix just lacks appeal. By summing individual tracks or subgroups of tracks (often called "stems") with the 2-BUS LT's analog circuits, you get crystal clear sonic imaging and a wide-open soundstage. No matter how high your track count, all your recorded audio, software instruments, samplers, effects and plugins will sing with the detail, punch and clarity that only real analog summing can deliver. You'll struggle less, work faster and enjoy mixing more!

Making The Analog Investment
When you buy analog equipment, you're making a real investment that will hold its value for decades. Analog technology is time-tested. It won't require an expensive upgrade, become incompatible with your computer or DAW, or start crashing. No matter what music production system you're using in ten, fifteen, twenty years, the superior summing capabilities of the 2-BUS LT will always be a relevant, compatible and valuable centerpiece in your studio.
  • Frequency Response: 1 Hz-100 kHz within 0.3 dB
  • Total Harmonic Distortion: 0.006% in audio band
  • Intermodulation Distortion: 0.007% IMD60 4:1
  • Crosstalk @ 1 kHz: -92 dB
  • Noise floor: -81 dBu total energy in audio band
  • Max level: +24 dBu
  • Nominal operating level: +4 dBu
  • Input impedance: 25 kohm balanced
  • Output impedance: 50 ohms balanced (600 ohm drive capable)
  • Gain accuracy: +/- .25 dB
  • Power consumption: 25 watts
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    For more information about the 2-Bus LT, please visit the website of Dangerous Music
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