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Eventide DDL500

The DDL-500 features 10 seconds of pristine delay at a 192 kHz sample rate and a unique design that strictly limits the amount of digital circuitry to the bare minimum.

500 series is, by and large, analog and we thought long and hard about introducing a digital product to that world. Our mantra was "as analog as possible," said RM. "The DDL-500s digital circuitry was kept to a minimum - just the chips necessary for delay. All of the other sound-shaping features are implemented in the analog domain. The design goal was to create a digital delay with an analog soul."

Delay time can be varied smoothly either manually or by connecting an LFO to the remote input allowing short delays to be used for comb filter and flanging effects. The DDL-500 is also capable of extremely long delays (up to 160 seconds at a 16 kHz sample rate) allowing long passages to be captured for looping.

From short delays for double tracking, to ridiculously long delays for whatever reason, to creating swept delay and tape echo class effects, the DDL-500 brings it all in a single 500 series slot.
  • Sample Rate: 192kHz to 12kHz
  • Resolution: 24 bits
  • Minimum Delay: 0.11 milliseconds
  • Maxiumum Delay: 10 seconds @ 192kHz 60 seconds @ 12kHz
  • Input: Max 24dBu, 18k­ impedance
  • Output: Max 24dBu, 50­ impedance
  • Insert Send: Max 10dBu, 2k­ impedance
  • Insert Return: Max 20dBu, 50k­ impedance
  • Power: +16V 200mA, -16V 100mA
  • Specifications
    Sample Rate: 192kHz to 12kHz
    Resolution: 24 bits
    Minimum Delay: 0.11 milliseconds
    Maximum Delay: 10 seconds @ 192kHz, 160 seconds @ 12kHz

    Input: Max 24dBu, >18k impedance
    Output: Max 24dBu, 50k impedance
    Insert Send: Max 10dBu, 2k impedance
    Insert Return: Max 20dBu, 50k impedance

    Power: +16V 200mA, -16V 100mA
    Free shipping in Canada. Conditions
    Additional information
    For more information about the DDL500, please visit the website of Eventide
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