prologue is a polyphonic analog synth equipped with a full-sized keyboard. Analog circuits, digital multi engine, DSP-based effects, endless possibilities for user customization
The lineup is comprised of two models that cover musicians' needs for not only stage use, but also studio, home, or touring use: 16-voice 61-key prologue-16, and the eight-voice 49-key prologue-8. These instruments are capable of sounds that go beyond existing analog synthesizers.
16/8-voice analog sound
The prologue is a polyphonic analog synthesizer with 8 or 16 multitimbral voices. KORG's analog synthesizer development in recent years has culminated in the prologue, which was designed using 11,000 discrete electronic components. Although the prologue is a flagship instrument, it still retains the inviting feel and accessibility of its predecessors. It features a pure analog path, impeccable sound quality, stunning presence unlike any other poly synth, and the same intuitive interface as the minilogue and monologue, granting you intuitive access to a vast world of analog synthesis.
The prologue uses a structure of 2VCO + MULTI ENGINE, 1VCF, 2EG, 1VCA, and 1LFO. In addition to distinctive, original circuitry, such as wave shaping to shape the oscillator's overtones and a sync/ring switch, prologue also features a two-pole low pass filter with enhanced sharpness, drive that adds powerful distortion, and a low cut (high pass) switch. Every detail has been improved on from minilogue and monologue. Its sound covers every sonic possibility: fat basses, powerful leads, and the beautiful pads that you expect from a polyphonic synthesizer.
Newly developed multi-engine
The ingenuity of prologue goes beyond its analog design. The newly developed multi engine is provided as VCO3, adding digital waveforms and FM. This multi engine, which is equipped with three different sound engines, can be combined with the analog VCOs to expand prologue's sonic potential far beyond that of a traditional analog synthesizer.
There are four types of noise generator, indispensable for percussive sounds or sound effects. Experience how digital filtering can produce direct changes in the color of the noise.
The VPM (Variable Phase Modulation) / FM oscillator was newly developed for prologue. Its metallic and sharp sounds with their complex overtones could never be obtained by analog means. With 16 types of oscillator and the SHAPE knob, you'll be intuitively guided through complex sound design. Combine these wave shapes with prologue's gorgeous analog filters, and prepare for sounds you never thought possible.
The user oscillator section lets you load oscillator programs of your own creation. Sixteen slots are provided, and one type of morphing wavetable oscillator is built-in as a preset.
The high-quality digital effects feature pristine 32-bit floating-point processing, and add a further polish to the sound of the prologue. With two effect units provided (a modulation effect and delay/reverb), you can choose from a wide variety such as chorus or ensemble, warm tape delay, or diverse reverbs. The user effect slots let you load effect programs of your own creation.
The prologue offers an SDK (Software Development Kit) that allows developers to program, customize and extend the capabilities of the multi-engine and digital effects and is expected to be available for download in the spring of 2018. The prologue provides 16 user oscillator slots and 16 user effect slots, and users can use the prologue Librarian software (also expected to be available for download in the spring of 2018) to load into their prologue new oscillators and effect programs created by developers with the prologue SDK (Software Development Kit).
What types of sound will you create by combining the expanded digital oscillators with analog synthesis You can create original programs and share code to participate in the user community. Start with sample code provided by KORG. The prologue belongs to you.
The exclusive VU meter is available only on the prologue-16, and indicates the newly developed master effect L.F. COMP. It's a low end booster/compressor using an analog circuit, delivering a solid sense of presence that cannot be obtained from a simple EQ. You'll particularly notice the difference in high-volume stage performances where maximum dynamics can be utilized.
prologue-16 61 keys (Natural touch keyboard with velocity)prologue-8 49 keys (Natural touch keyboard with velocity)
Analogue sound generator + Multi digital sound generator (Noise, VPM, User)
prologue-16 16 voicesprologue-8 8 voices
500 voices (more than 250 preload, 250 user programs).Each program provides a program sort function that includes voice mode and timbre settings, and allows up to 8 x 4 banks of live set programs to be registered.
4 (POLY, MONO, UNISON, CHORD).The VOICE MODE DEPTH setting allows different parameters to be varied for each mode.
Max two timbre (Main timbre, Sub timbre)Layer, crossfade, and split settings are possible.
6 types (Manual, Rise, Fall, Rise Fall, Random, Poly Random).Tempo and note range can be changed
8 (PROG NUM, CATEGORY, ALPHABETICAL, LIKE, FREQUENT, ENVELOPE, RANDOM, LIVE SET)
Main Synth Parameters
VCO1: WAVE (SAW, TRIANGLE, SQUARE), OCTAVE, PITCH, SHAPEVCO2: WAVE (SAW, TRIANGLE, SQUARE), OCTAVE, PITCH, SHAPEMODULATION: PITCH EG (ALL, VCO1+2, VCO2), PITCN EG INT, SYNC, RING, CROSS MOD DEPTHMULTI ENGINE: NOISE/VPM/USER, OCTAVE, TYPE, SHAPE MIXER VCO1, VCO2, MULTIVCF: CUTOFF, RESONANCE, EG INT, DRIVE, LOW CUT, KEYTRACKAMP EG: ATTACK, DECAY, SUSTAIN, RELEASEEG: ATTACK, DECAY, SUSTAIN, RELEASELFO: WAVE (SAW, TRIANGLE, SQUARE), MODE (FAST, SLOW, BPM), RATE, INT, TARGET (PITCH, SHAPE, CUTOFF)
Main Effect Parameters
MOD EFFECTS: OFF/ON/SELECT (CHORUS, ENSEMBLE, PHASER, FLANGER, USER), SPEED, DEPTHDELAY/REVERB: OFF/DELAY/REVERB, TIME, DEPTHL.F. COMP (prologue-16 only): OFF/ON, GAIN
Noise Generator: 4 typesVPM oscillator: 16 typesUser oscillator: 16 slots
CHORUS: 8 typesENSEMBLE: 3 typesPHASER: 8 typesFLANGER: 8 typesUSER: 16 slots
DELAY: 8 typesREVERB: 8 types
Wheels: Modulation wheel that can modify different parameters for each program, pitch wheelKnobs: PORTAMENTO knob, VOICE SPREAD knob (only on prologue-16)
Main: Real-time OLED oscilloscope provides visual feedback of parameter changesMULTI ENGINE section: 7 segments x 6 digit LED display
Headphone jack (Stereo phone jack)OUTPUT L/MONO, R jacks (monaural phone jack unbalanced)SYNC IN jack (3.5 mm [1/8"] mini jack, maximum input level 20 V)SYNC OUT jack (3.5 mm [1/8"] mini jack, output level 5 V)MIDI IN jackMIDI OUT jackUSB B jackEXPRESSION jackDAMPER jack (half damper is not supported)
AC Power Supply terminal
prologue-16: 38 Wprologue-8: 23 W
Dimensions (W x D x H)
prologue-16: 874 mm x 348 mm x 118 mm/34.41" x 13.70" x 4.65"prologue-8: 709 mm x 348 mm x 118 mm/27.91" x 13.70" x 4.65"
prologue-16: 9.1 kg/20.06 lbs.prologue-8: 7.5 kg/16.53 lbs.
AC power cable
Accessories (sold separately)
Soft Case SC-PROLOGUE soft case (For prologue-16/prologue-8)Sync Cable SQ-CABLE-6 Sync cableDamper Pedal DS-1H damper pedalPedal Switch PS-1 pedal switch, PS-3 pedal switchExpression/Volume Pedal XVP-20 Volume/Expression pedal, XVP-10 Expression/Volume pedalFoot Controller EXP-2 foot controller
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