The StudioLive 16R Series: 18-input, 16-channel Series III stage box and rack mixer
The StudioLive 16R Series III rack mixer is a perfect partner for your StudioLive Series III console/recorder, serving as either a simple stage box or a combination stage box and monitor mixer. Since Series III rack mixers and consoles can network using AVB, you can connect your StudioLive 16R to a Series III front-of-house console with one lightweight CAT5e or CAT6 Ethernet cable, eliminating the need for a heavy, expensive copper snake-and the signal degradation that goes with long analog cable runs. You can even remote control the StudioLive 16R's preamps and phantom power from your networked Series III console. In stage box + monitor mixer mode, the StudioLive 16R not only serves as an excellent networked stage box, it is a full blown monitor mixer with far more processing and mixing power than any mixer in its class-all packed into just one rackspace. (1U).
The most powerful rack mixer in its class.
When we say the StudioLive® Series III stage boxes and rack mixers are by far the most powerful rackmount digital mixers in their class, that's no idle claim. The result of ten years of R&D, third-generation StudioLive Series III rack mixers are fully recallable, including remote-controlled XMAX preamps. Yet despite their extensive features, StudioLive Series III rack mixers actually improve upon PreSonus®' legendary ease of use while letting you customize their workflow and operations in software to fit the way you work. The coveted StudioLive sound is better than ever, including third-generation Fat Channel processing, re-engineered from the ground up, and vintage-style EQs and compressors. Add built-in AVB networking, multitrack recording via USB 2.0 and AVB, onboard stereo recording to SD Card, and a complete suite of software, and you have a mixing and recording powerhouse that's equally formidable as a stage box/monitor mixer, as a rackmount front-of-house mixer controlled from a touchscreen computer or tablet, and as the heart of your studio.
A third-generation Fat Channel.
StudioLive Series III rack mixers boast the same third-generation Fat Channel processing found in StudioLive Series III consoles. Delivering digital precision with the heart and soul of analog, the Series III Fat Channel implements a plug-in-style workflow that features vintage-style EQ and compression options on every channel, from classic tube limiters to passive EQs. In addition to channel processing, all StudioLive Series III mixers offer 6-band, fully parametric EQ on all mix outputs. Enjoy extensive, studio-style processing when recording, mixing monitors, or even running the front-of-house system.
Customize scenes and presets in new and powerful ways-including your way.
With StudioLive Series III, we've upped the ante and given you more flexibility when working with scenes and presets. Mixer scenes now include Scene Safe. Similarly, we've expanded the concept of Fat Channel presets so that presets have, for practical purposes, become like scenes for individual channels, not only saving input and Fat Channel settings but also aux send and bus assignments. Of course you can also use preset filters to choose what you want to recall.
Create buses and groups to suit your workflow with FlexMixes.
Don't you hate it when you're setting up for a show and find you have an unused subgroup-but you're short one monitor mix That's not a problem anymore, thanks to six FlexMixes that can be individually designated as aux, subgroup, or matrix mixes. These 6 FlexMixes are in addition to the 2 internal effects sends and the stereo main bus, giving you a total of 10 mix buses, not counting the solo buses. We also provided eight Filter DCAs so you can more easily and flexibly control groups of channels. These are only a few of the many ways you can customize your StudioLive Series III rack mixer exactly to your needs and workflow.
Integrated software package with professional DAW, remote-control apps, and one-touch recording.
PreSonus StudioLive Series III mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly or over a wired network from anywhere using UC Surface touch-control software for Mac, Windows, Android, and iPad®. Remote control the mixer's recallable XMAX preamps and Fat Channel processing with Studio One Artist for low-latency recording with effects. (Reverb-drowned singers: rejoice!) Completely automate virtual soundchecks and record shows with Capture. Save mixer scenes with your live recordings in Capture and edit both in Studio One Artist. StudioLive Series III mixers and software work together to form a cohesive ecosystem that helps you achieve your creative vision.
Network-ready, with a choice of recording methods.
Networking isn't the future of professional audio systems; it's here now. StudioLive 16R Series III rack mixers come equipped with an AVB Ethernet connection that enables you to network multiple StudioLive Series III mixers and compatible computers and stream up to 32 channels of audio to and from a Mac or Windows PC. You also get 18x18 recording via USB 2.0, giving you a choice of computer recording methods. Each channel can independently access its analog input or its dedicated digital return from your computer. Alternatively, quickly and easily record the main mix-or any other stereo mix-to the built-in SD Card recorder. Upload a show for fans, give the band a reference recording, and more, no computer required. You can even simultaneously multitrack record to your laptop via USB or AVB and record in stereo to SD.
Remote mix control available on a plethora of both wired and wireless devices.
In addition to the AVB recording connection, StudioLive Series III rack mixers sport a 1 Gb Ethernet port that can connect to a wireless router or directly to a computer, providing remote control of virtually all features. Mix wirelessly or over a wired network from anywhere using UC Surface for Mac®, Windows®, iPad®, and Android tablet. Even add a second-or third, or even fourth!-screen for fast workflow. Musicians can control their monitor mixes onstage with QMix®-UC for iPhone®, iPod® touch, or Android device without the need for large monitor networks. Go wireless, wired, or both.
Simple but versatile audio connections.
We kept the StudioLive Series III rack mixers' front and rear panels clean and simple, yet they have all the connections you need. All 16 channel inputs on the StudioLive 16R use locking combo jacks to accept microphone- or line-level signals. You also get a pair of unbalanced RCA jacks as additional inputs for Channels 15 and 16 for easy connectivity to smartphones, media players, and other consumer audio sources. In addition to main L/R outputs and headphone jack, you get six FlexMix outputs that can each be independently configured as subgroups, monitor outputs, or matrix outputs. The result is a versatile set of connections that provide the access you need in a compact, 1U package.
Connect a StudioLive Series III rack mixer, and you'll instantly hear details and an open high end you'd expect to find only in an expensive studio console. We built our reputation designing great-sounding analog circuits, including our famous XMAX solid-state, Class A preamps, and we put all of that experience into designing StudioLive Series III consoles and rack mixers. We didn't cut corners on components, and we just say "No!" to noisy, crosstalk-y ribbon cables. As a result, StudioLive Series III mixers deliver the high-end audio quality you need to preserve your hard-earned reputation for producing great-sounding mixes and recordings.
Now includes Studio Magic Plug-in Suite.
This suite of plug-ins adds a wealth of fresh sounds and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies - these are real-deal workhorses that you'll rely on for countless mixes.
Local Inputs and Outputs
18 total inputs
16 mic/line channel inputs + 2 RCA inputs
6 ¼-inch TRS FlexMix outputs
2 XLR (L/R) Main outputs
Stereo headphone output
Channels and Buses
16 input channels
1 stereo digital return (SD Card, AVB, or USB)
6 FlexMixes (can be designated as aux, subgroup, or matrix mixes)
2 internal effects sends
Stereo main bus
6 Filter DCAs for easily and flexibly controlling groups of channels
1 Ethernet control network port
Dynamic, Self Assigned, and Manual IP address modes
1 Locking XLR Ethernet AVB audio network port
Onboard stereo SD recorder
18x18 USB recording interface
32x32 AVB recording interface
Intuitive Fat Channel signal processing on every channel with:
A/B settings comparison
Highpass filter and polarity reverse
Gate/expander with sidechain
Compressor with sidechain
4-band parametric EQ on inputs
6-band parametric EQ on outputs
Delay on every input
Delay on every output
Professionally programmed library of presets
Vintage EQ and compressor models available on every input
8 31-band graphic EQs
2 internal effects buses: combination of reverbs and delays with modern and vintage options
Built-in real-time analyzer
Scenes and Presets
Create, save, and edit up to 100 scenes
Scene management with:
Scene Safe-prevents a scene change from affecting designated "safe" channels
Create, save, and edit channel settings and copy/paste between channels
Advanced channel preset options can save and recall:
Channel type and name
Input settings (preamp, +48V phantom power, polarity, pan)
Fat Channel A & B settings
Aux and effects send levels and pan
Select button color
8 Quick Scenes
8 Mute groups
Studio-quality converters with 115 dB dynamic range
48 kHz operation with 24-bit resolution (44.1 kHz option coming soon)
Actively Integrated Software
UC Surface touch control software for Mac®, Windows®, iPad®, and Android
Studio One® Artist digital audio workstation software for Mac and Windows
Capture multitrack recording software for Mac and Windows
QMix®-UC aux-control software for iOS® and Android available free from Apple App Store and Google Play
Input Type: Combo locking XLR mic-¼" TRS line
Frequency Response to Main Output (at unity gain): 20-20 kHz, ±0.5 dBu
Input Impedance: 1 k
THD to Main Output: <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd): 94 dB
Common Mode Rejection Ratio (1 kHz at unity gain): 65 dB
Gain Control Range (±1 dB): 0 dB to +60 dB
Maximum Input Level (unity gain): +12 dBu
Phantom Power (±2 VDC): 48 VDC, switchable per channel
Unbalanced Inputs (Ch. 15-16)
Type: RCA Female, unbalanced (stereo pair)
Maximum Input Level: +12 dBu, ±0.5 dBu
Type: XLR Male, balanced
Maximum Output Level: +24 dBu, ±0.5 dBu
Output Impedance: 100
Type: ¼" TRS Female, balanced
Maximum Output Level: +18 dBu, ±0.5 dBu
Output Impedance: 100
Type: ¼" TRS Female, active stereo
Maximum Output: 100 mW/ch. @ 60 load
Frequency Response: 20 Hz - 20 kHz (± 0.5 dB)
THD+N: 0.01%, 1 kHz, max gain, 20 Hz BW, unwtd
S/N Ratio: 96 dB, 1 kHz, max gain, 20 Hz BW, unwtd
Input to Output: -90 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)
Adjacent Channels: -87 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)
Digital Audio and Control
ADC Dynamic Range: 115 dB (A-wtd, 48 kHz)
DAC Dynamic Range: 115 dB (A-wtd, 48 kHz)
USB Recording Port: USB 2.0, Type-B
Network Control Port: RJ-45
AVB Audio Network Port: Locking XLR Ethernet
Internal Processing: 32-bit, oating point
Sampling Rate: 48 kHz (44.1 kHz coming soon)
A/D/A Bit Depth: 24
Reference Level for 0 dBFS: +18 dBu
Total System Latency: 1.9 ms (local routing, analog in-analog out, all processing active)
Jitter: <20 ps RMS (20 Hz - 20 kHz)
Jitter Attenuation: >60 dB (1 ns in, 1 ps out)
Power / Environmental
Input-Voltage Range: 90 to 230 VAC (±10%)
Power Requirements (continuous): 85W
Recommended Ambient Operating Temperature: 0 to 40 Celsius / 32 to 104 Fahrenheit
Height: 1.75" (45mm)
Width: 19" (483mm)
Depth: 12" (305mm)
Weight: 8.6 lbs. (3.9 kg)