90 volts course through discrete op-amp cards, custom transformers & meticulously crafted, Class A circuitry designed by the most trusted name in audio. 16 Channel Main Frame.
The 5088 is an expandable 16-channel line mixer that provides 8 group busses, 8 auxiliary sends, 4 stereo effects returns and a stereo output buss. That basic functionality of input and output routing, meters and faders provides a solid foundation on which you can build an analogue console to satisfy your own particular requirements, adding, for example, microphone preamplifiers, equalization and dynamics processing from the Portico line of modules - or even more input channels - to suit your facility's needs.
Completely Modular Design
The modular channel architecture of the 5088 means dependability, expandability, and flexibility. The system's modularity ensures easy maintenance and repair. It also allows custom configurations to be created with a larger input channel count, as well as the addition of Portico signal processing modules.
As your studio grows, your 5088 can also grow with the addition of more input channels. If the focus of your work changes over time or your audio systems evolve, you can adapt to meet the new challenges by reconfiguring the console accordingly.
The 5088 is a fundamentally different console philosophy, very carefully thought-out so that you don't have to waste money paying for functionality that you will never use. Instead of adding bells and whistles, Rupert and his team have focused on designing the most efficient, direct, and sweetest-sounding audio paths through a console that integrates seamlessly with any outboard gear in the world.
High voltage, discrete op-amp cards
The all-new, fully discrete analogue architecture in the 5088 represents a culmination of Rupert's vast analogue circuitry knowledge. Custom, high voltage and discrete op-amp cards have been designed especially for the 5088 that eliminate crossover distortion entirely. The new op amp cards offer extended headroom, dynamic range, and frequency response while generating exceptionally low noise and distortion.
Different from the Inside-Out
The circuit topology of the 5088 is unprecedented. With custom transformers coupling every single input and output (including the inserts), the sweet musical performance and bulletproof isolation expected from a Rupert Neve design are assured: there is not a single compromised signal path in the entire console. For signal amplification and control, all new, high voltage, discrete op-amp cards have been developed specifically for the 5088 that eliminate crossover distortion while offering extended headroom, dynamic range, and frequency response.
The 5088 is a culmination of Mr. Rupert Neve's vast analogue circuitry knowledge. As his first fully discrete mixing design in over 30 years, the 5088 incorporates and improves upon many of the same concepts, such as the single-sided, fully discrete amplification and complete transformer isolation that made his original designs so revered - except unlike many of those aging classics, maintenance is no longer a full time job.
Sound Without Compromise
To stay current in the recording business you must be able to continuously adapt your environment to the needs at hand. Because the 5088 is completely modular, channel strips and Portico processing modules like EQ, microphone preamplification and dynamics can be added or removed to meet constantly changing demands and eliminate the massive redundancies of consoles from yesteryear. If you don't need it, your console doesn't need it either.
The Input Channel
5088-Channel Description Beyond its exceptional sound quality, the 5088 channel strip is designed to effectively handle multiple normalled sources, creating master, group and aux mixes with great efficiency. With 8 auxes, 8 "Groups", "Solo", "Mute", "Send Follows Pan", "Aux to Group", a transformer coupled direct out and optional motorized fader automation on each channel, even the most complex mixes are within reach.
The Stereo Input Channel
Stereo Channel description In lieu of mono input channels with selectable Line 1 / Line 2 Inputs, Stereo Input Channels can be fitted to increase the channel count without having to add an expansion chassis. The Stereo Module has all of the group sends, six auxes, stereo width control, and individual trims and pans for each channel.
The Group Channel
With 4 pairs of FX returns and aux master controls, alongside high-quality 100mm faders, direct outs and transformer-coupled inserts for each of the 8 mix groups, the group master section provides the medium to control 4 stereo stem mixes while tying together an entire array of channel strips. If necessary, the insert returns and stereo FX returns can be used as an additional 16 inputs for summing.
The Monitor Master
The monitor master section has 6 source selections, 3 transformer-coupled speaker outputs, talkback, oscillator controls, 2 VU meters, stereo inserts, stereo level and control room master level. As with the the channel and group modules, anodized aluminum knobs provide the solid feel and response needed for precise adjustments.
Built around state-of-the-art motorized faders and DAW control over ethernet, SwiftMix combines the accuracy and convenience of digital automation with the unrivaled analogue sound of the Rupert Neve Designs 5088 Console.