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Ninja V plus unit with H265 Pre-activated,EVAstylehard case. Neoprene sleeve case, Master Caddy, Battery eliminator, 1 x DC docking connector

The world?s first
8K RAW HDR monitor recorder
The Ninja V+ is the next stage in the evolution of the multi-award winning Atomos Ninja, delivering up to 8Kp30 and 4Kp120 continuous recording in Apple ProRes RAW while inheriting HDR, 4Kp60 RAW and video as well as HDp120 slow motion from it?s little brother, Ninja V.

With the ability to capture in 8Kp30 and 4Kp120, the Ninja V+ allows you to stay ahead of the game and manage your projects whilst ensuring that you have the flexibility to grow your system. Future-proofed quality and formats allow you to stay compatible with newly released and existing cameras, in a world where new cameras are released frequently and technology is advancing at an incredible pace.

The Ninja V+ takes advantage of the new Atomos Silicon chip, the AtomIC3, AtomOS 10 and the incredible efficiency of ProRes RAW to deliver these increased resolutions and frame rates. The new formats also integrate seamlessly into the timeline of your existing ProRes RAW or ProRes projects, without huge storage or processing overheads.

Open standard formats from every camera
Apple ProRes is the world?s Pro Video standard for Video and RAW capture, and the number of cameras which support RAW recording over HDMI on the Ninja V+ continues to grow. ProRes RAW combines the visual and workflow benefits of RAW video with the incredible real-time performance of ProRes, giving filmmakers enormous latitude when adjusting the look of their images, making it an ideal solution for HDR workflows.

The Ninja V+ also captures up to 4Kp60 in 10-bit 4:2:2 from almost every camera manufacturer, like Panasonic, Nikon, Olympus, Leica, Fujifilm, Z Cam, RED and ARRI. It also builds upon the great workflow and versatility of Ninja V, that unites the world?s leading camera manufacturers and the industry standard editing software for our customers.

The Ninja Solution
Smaller cameras are incredibly capable these days, but they can still be limited in terms of battery life when recording RAW and high frame rates, use expensive internal media and can have recording limits. The Ninja V+ provides a solution to these issues with longer recording times, professional power solutions and affordable SSD media options. In addition, you get a stunningly bright 5.2? monitor with an astounding 1000nits " 10.5 stops of HDR, plus a huge range of features that can enhance your workflow, from AtomOS Monitor Assist features like Focus Peaking, Zoom, Vectorscopes & False Color through to Safe Areas and Cine Guides. Our AtomHDR engine also processes the incoming Log/RAW/HDR signals from your camera or device and displays the HDR screen of the Ninja V+.

8K Resolution Revolution

Ready for the future - Starting with the Canon EOS R5
The Ninja V+ will record 8Kp30 ProRes RAW from the Canon EOS R5 mirrorless camera via a standard HDMI 2.0 connection. Atomos and Canon have worked together for the past 2 years to bring customers a world first in capturing stunning 8K RAW and HDR images with incredible clarity and detail in a compact and configurable system that is very affordable in comparison to other 8K setups. Explore all possibilities when shooting in 8K. Canon and Atomos have democratized 8K for the masses with no compromise in quality. More to come in late 2021 with an update from Canon.

More power. Less weight.
Pairing the Ninja V+ with the Canon EOS R5 gives you a powerful yet compact 8K camera package that fits in your hands and can be flexibly built out to suit your needs. It can be the basis of a compact cinema rig or you can easily create a lightweight setup. The Canon EOS R5 with a 24mm Cine Lens, Ninja V+, NPF battery and media comes in under 3KG/7lb, which can be easily carried by a wide range of aerial drones, gimbals and stabilizers, vehicles and robot arms.

Resolution means creative flexibility
With the broad canvas of 8K resolution, your options for creative crops into a region of interest, allowing you to extract multiple 4K shots from a single camera angle. This allows you to create additional shots for cutaways to break up the edit that are higher in resolution than if the shots were extracted from a single 4K source.

Create multiple high-resolution vertical or square crops in regions of interest in post for social media, which can be previewed on the Ninja V+ with social media frame guides. This allows you to maximize the camera?s resolution to achieve 4K 9:16 vertical aspect ratios without having to compromise the way you shoot for mainstream delivery.

Stabilise without compromise
With the incredible resolution of 8K video, the final shot will likely still have a resolution of 4K or 6K. You can integrate with other 8K footage on the timeline and still look great.

Razor sharp screenshots
High resolution screenshots from 8K full frame cameras offer the ability to create scene plates for small scale virtual production stages or use in other content platforms.

Pristine 4Kp120 ProRes RAW with SONY and Z CAM
The Ninja V+ allows you to capture content at up to 4Kp120 in pristine ProRes RAW for high frame rate video that has exceptional image quality. This is a great alternative to using the internal compressed codecs on your camera for high frame rate recording, as they can apply higher levels of colour compression and subsampling, leading to potential artifacts or limitation in the edit/grade.

See the unseen
Capture and visualize the unseen with 4Kp120 recording at up to ProRes RAW from the Ninja V+ and Sony FX6/FX9 and Z CAM E2 /E2-M4 models, with more models to follow. Fully harness the dynamic range of the sensor, capture every aspect of motion and movement directly via RAW over SDI* or HDMI. Another benefit is being able to play back the high frame rate video captured on the Ninja V+ at various play back speeds to preview the adjustments you can make on your NLE timeline. See the Ninja V+ Pro Kit section for information on capturing 4Kp120 ProRes RAW from the SDI RAW output of the Sony FX9* and Sony FX6*.

*The FX9 requires the XDCA-FX9 Extension unit and both the FX6 and FX9 require the AtomX SDI module with RAW activation (or the Pro Kit).


With the flexibility of providing options for RAW, visually lossless edit ready files, and proxy/sharable files, scale your needs for quality and file size.

  • Apple ProRes RAW supporting 16bit RAW outputs from camera via HDMI and optionally via SDI

  • Apple ProRes An industry standard edit-ready codec from Apple with scalable levels of compression.

  • Avid DNx An industry standard edit-ready codec for Avid editors with scalable levels of compression.

  • H.265 (HEVC) The highly efficient compressed codec allows you to create high-quality files with a low bit rate and small file size for sharing. You can also create 4K HDR 10-bit deliverables and have the option to ?bake in? LUTs to achieve the final pixel LOOK without the need to grade the footage.
  • Specifications

    Physical Specifications
    Dimensions (W x H x D mm) : 151 x 91.5 x 31 mm
    Weight : 360 g / 12.7 oz
    Mount points : 1 x Anti rotation 1/4" / 3/8 top and bottom

    Ambient operating temperature : Up to 40 Degrees Celsius

    Construction and Control
    Body : Aluminium with ABS plastic
    Cooling : Actively controlled fan and Heat Sink
    Tally light : Rear and front
    Multi-function button : Power / lock Screen
    AtomXpansion slot : Yes

    Input voltage : 6.2V to 16.8V
    Operating power : 5.8-7.2v
    Compatible batteries : NPF L series
    Built in battery : No
    Battery Run time (Record) : 5200mAh - up to 2hrs (monitor & record 4K 60p)
    Continuous power : Via Optional AtomX SYNC Module
    DC in connector : Via DC Jack on Battery eliminator
    Dtap : Via Battery Eliminator and optional DTap to DC cable

    Touchscreen : SuperAtom IPS panel (capacitive touch)
    Size : 5.2"
    Resolution : 1920 x 1080
    PPI : 427
    Bit depth : 10Bit (8+2 FRC)
    Backlight Type : Edge lit
    Brightness (cdm2 / nits) : 1000 +/- 10%
    Aspect ratio : 16 : 9
    De-interlace mode : I > P and PSF > P
    Color Gamut : Rec.709
    Calibration support : Atomos Calibrator with Xrite i1 Display Pro / Plus (Retail)

    Color Pipeline
    Gamma : Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log, Olympus OM Log, Lecia L Log
    Gamut : Bt2020, DCI P3, PDCI p3 65 Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020 Panasonic V Gamut Arri Alexa Wide Gamut Rec709 JVC LS300 Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
    3D LUT Display : .Cube Format
    3D LUT Down Stream : Loop out
    3DLUT 50/50 : Yes
    Monitoring Modes : Native / HLG / PQ / 3D LUT
    HDR output Conversion : Log / HDR to HLG / PQ / Dolby Vision

    Video Input
    HDMI : 1 x HDMI (2.0) 4k p60
    HDMI RAW : Apples ProRes RAW up to 8k
    SDI : Optional via AtomX SDI module
    SDI RAW : Optional Activation Key required
    Bit Depth : 8/10-Bit Video / RAW up to 12Bit
    Video Chroma Subsampling : 420 and 422
    HDCP copy protection : Not supported

    HDMI : RAW - white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut
    SDI : Optional via AtomX SDI module

    Video Output
    HDMI : 1 x HDMI (2.0) 4k p60
    SDI loop out : Optional Via AtomX SDI module
    SDI Play out : Optional Via AtomX SDI module
    Video Chroma Subsampling 422
    Bit Depth : 10Bit Video

    Web Streaming
    USB UVC : Optional Via Connect 4k

    Video Signal Conversion
    HDMI to SDI : Optional Via AtomX SDI module
    SDI to HDMI : Optional Via AtomX SDI module

    Audio In/Out
    Audio Quality : 24/48kHz
    Audio Codec : PCM
    HDMI : 8ch 24Bit, input dependent
    SDI : 12ch 24Bit, input dependent
    Analogue Audio in : 3.5mm 2ch.
    Analogue Audio Out : 3.5mm 2ch.
    Headphone out : 3.5mm 2ch.

    Timecode / Sync
    Embedded HDMI
    Time of day : Yes, Time and Date
    LTC : via 3.5mm audio Jack input (Requires post processing)
    Wireless SYNC : Via Optional AtomX SYNC Module

    Resolution and Frame Rates (Record, Monitor & Playback)
    8k : RAW Only up to 30p via HDMI
    6k : RAW Only up to 30p via HDMI
    5k : RAW Only up to 30p via HDMI
    4k DCI : 23.98/24/25/29.9/30/50/59.94/60p - HFR 100/120 via RAW over HDMI & SDI on selected cameras
    4k UHD : 23.98/24/25/29.9/30/50/59.94/60p
    2K DCI 2046 x 1080 : Optional via AtomX SDI module
    Anamorphic : 3.5k: RAW up to 60p (from supported cameras only)
    FHD 1920 x 1080 Progressive : 23.98/24/25/29.9/30/50/59.94/60/100/120p
    FHD 1920 x 1080 PsF : converted to P and looped out PsF
    FHD 1920 x 1080 Interlaced : 50/59.94/60i
    1280 x 720p : 50/59.94/60p

    Recording CODEC
    Apple ProRes RAW : ProRes RAW, HQ (Free activation key via visit
    Apple ProRes : LT, 422, 422HQ
    Avid DNxHD : DNxHD 220x,220,145,36 (Free activation key via visit
    Avid DNxHR : LB, SQ, HQ, HQX. (Free activation key via visit
    H.265 : LQ,MQ,HQ in 8/10Bit, 422 and 420 Free activation key via visit

    Playlist : Yes, Create customer play lists from full or sub clips
    Loop : Yes, with user customisable in / out markers
    Apple ProRes Raw : Yes, recorded clips
    Apple ProRes : Yes, with Linear PCM audio
    Avid DNx : Yes, with Linear PCM audio
    H.265 : Yes, recorded clips

    Recording functions
    Pre-roll record : Yes (HD 8s, 4K 2s) - Not available in RAW
    Timelapse : Yes

    Multi Input / Switching
    Supported media
    Master Caddy I : Not compatible
    SSDmini : Native Size and Fit
    CFast II : Via Supported cards via optional SSDmini CFAST II Adaptor
    File Naming : Unit Name - Scene/Shot/Take
    File System : ExFAT

    On screen tools
    Waveform : Yes, 3 size / Position
    RGB parade : Yes, 3 size / Position
    Vector scope : Yes, 2 size / Position
    1 x Zoom : Yes. 1:1 Pixel mapping for 4k
    2 x Zoom : Yes
    Focus peaking : Colour selected / threshold setting / colour
    False colour : Yes, with Scale
    Zebra : Yes, Adjustable
    Isolate color channel : Blue Only
    Cine Frame Guides : 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
    Social Frame guides : 9:16, 1:1, 1.91:1, 4:5
    Safe areas : Action and Graphic
    Grid markers : 9 grid
    Anamorphic desqueeze : 1.25x 1.33x , 1.5x ,1.8x ,2x
    Display Flip : Vertical Only

    Onboard Signal Processing
    Pulldown Removal : 24/25/30pSF > 24/25/30p (2:2 pulldown)
    4K UHD Downscale for HD : Loop out - 4K UHD to FHD
    DCI Crop : Loop out - 17:9 to 16:9 Crop

    Remote control
    HDMI : Auto HDMI Trigger, Supported Protocols - Canon, Sony
    SDI : SDI trigger camera selectable
    Serial 2.5mm Jack : LANC control and calibration via optional USB to serial cable
    Bluetooth LE : Via optional AtomX SYNC module
    Wireless RF : Via optional AtomX SYNC module

    External Device Control
    Serial 2.5mm Jack : Camera control for supported cameras via Optional USB to Serial Cable
    Bluetooth LE : Via optional AtomX SYNC module to compatible devices
    Wireless RF : Via optional AtomX SYNC module to compatible devices

    Supported Applications
    XML : Cut tag EDL in FCPX XML
    Apple ProRes RAW : Apple FCPX, Adobe Premier, After Effects, Avid Media Composer, GrassValley Edius, Assimilate Scratch, Baselight Film Light.
    Video Codecs : All Applications with support for Apple ProRes and Avid DNX in .MOV wrapper

    What?s in the box
    Accessories included : Ninja V +, EVA Carry case, 5" Protective Monitor sleeve, Battery eliminator, international DC power supply, 1x MasterCaddy II and QuickStart Guide
    Optional extras : Sunhood, DC to DTap, Power Kit, HDMI Cables, USB to Serial cable, AtomX SYNC, SDI modules
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