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Information

Record Log in 4K or HD ProRes/DNxHR from video or raw cameras with the Shogun Flame's HDMI or SDI inputs and thanks to the AtomHDR engine's combination of 10+ stops dynamic range,

1500nit brightness and 10-bit color processing you can monitor the HDR Log with vivid, natural colors.

Cameras with Log output (S-Log2, S-Log3, C-Log, V-Log etc) already have the 10+ stops of dynamic range needed for High Dynamic Range (HDR). Be at the forefront of the HDR revolution sweeping the industry by having a field monitor capable of resolving HDR in the field as you see it in Post Production and record the original Log image direct from the sensor for HDR grading in post production.

Scenes ignite with 1500NITS of light
Not all scenes call for HDR Log recording. In situations that don't call for 10 stops of dynamic range, use the intensity of the 1500nit panel to monitor traditional standard dynamic range (SDR/Rec709) video at high brightness for outdoor monitoring.

Simply pick the right mode, HDR or High Bright SDR, and get busy setting up your shot on the premium 7" display boasting 10-bit processing, 1920x1200 resolution, 325ppi pixel density, optional calibration to overcome natural LCD color drift and an arsenal of precision video setup tools for perfect shots every time.

Widest camera compatibility
The HDMI connection is compatible up to 4Kp30 and the SDI connection has compatibity up to 12G ensuring you are future proofed as the SMPTE standard updates. The built-in bi-directional conversion allows HDMI cameras to be integrated into a SDI workflow or connect SDI cameras with HDMI flat panels.

Unlock the RAW from Sony & Canon
Output the 4K/HD Raw from select cameras (Sony FS7/FS700 & Canon C300MKII/C500) over SDI and record direct to 10-bit 4:2:2 ProRes or DNxHR. Capturing Raw using the Shogun Flame is a free feature with no additional licensing costs and lets you immediately take advantage of our affordable media platform bypassing the need for proprietary cards and media.

Record professional 4K & HD
Recording 4K and high frame rate HD within the camera might seem enough but unless you record with the right codec you're restricting flexibility in post and even run the risk of having your footage technically rejected. Along with the high pixel density of 4K, the Shogun Flame records higher resolution 10-bit color information, more precise yet efficient 4:2:2 color encoding and to visually lossless, edit-ready codecs like Apple ProRes or AVID DNxHR. Now you're recording professionally, capturing full individual frames just like film and opening up more creativity in post and grading.

Simple OS, Sophisticated Shots
Our flexible OS is packed with an extensive suite of scopes, all 1-touch away and simple to use. The Video OS includes tools for focus, framing & exposure (Focus peaking, 2:1/1:1 zoom, Zebra, False Color, Frame guides, SMPTE Safe Area, Waveform, RGB parade, vectorscope) along with a flexible 3D LUT implementation (use built-in LOG to Rec.709 Video or upload .cube files) and options for anamorphic de-squeeze monitoring.

Continuous power is back... with super fast charging
Our patented continuous power system pioneered on our HD products are back on the 4K range. The hot swappable dual battery system that automatically swaps to the second battery when power is low, coupled with the blazingly fast battery charger and dual 4-cell batteries (optional accessories) means that continuous power in the field is all but assured.

Monitor & record XLR audio
The Shogun Flame has professional audio to match professional video. Monitor up to 8ch of embedded HDMI audio, up to 12ch of SDI audio or use the included XLR breakout cable to connect with external microphones for balanced analogue audio with 48V phantom power. Audio control is simple with dedicated meters and menus to select channels for recording/monitoring and adjustments for frame delay and gain.

Advanced recording capability
Outside of 10-bit 4:2:2 ProRes/DNx, the Ninja Flame adds recording functionality not found in other recorders. Trigger start/stop recording over HDMI from select Canon, Sony, Panasonic, Nikon cameras. Convert interlace video from your camera to progressive on the fly with built-in 3:2 and 2:2 pulldown and gain advanced functionality like Pre-roll (continuous cache recording to never miss the action) and Time lapse to maximise your creativity.

Battle-Ready! For the field
Our built-in armor enhances protection & airflow whilst the raft of accessories (2 x NP series 4-cell batteries, fast battery charger, USB3 docking station, XLR breakout cable, Lanc cable, DC to D-Tap cable, 5 x Master Caddy cases, DC adapter & HDR sun hood) and the premium HPRC flight case ensures you're ready to hit the field immediately.

Specifications

Weight
Without batteries & media: 650g / 22.9oz
With batteries & media: 1094g / 38.6oz
Dimensions (W x H x D mm): 214 x 127 x 45mm, 8.4 x 5 x 1.8"
Construction: High quality lightweight ABS Polycarbonate for durability & portability
Built-in armor protection

Power
Operating power: 10 - 24W
Compatible batteries: NP-F series and supporting accessories
Input voltage (battery): 6.2V to 16.8V

Battery time (based on 2 x 7.4V batteries):
  • 5200mAh - up to 1.5hrs (monitor & record 4K 30p)
  • 7800mAh - up to 2.2hrs (monitor & record 4K 30p)

  • DC In: 1 x DC in (6.2 - 16.8V)

    Continuous power * Patent pending
  • Primary-secondary battery system
  • Change batteries without losing power
  • Loop batteries continuously

  • Touchscreen
    Size: 7.1"
    Resolution: 1920 x 1200
    PPI: 325
    Aspect ratio: 16:9 native
    Color Gamut: REC709 HDTV
    Look up table (LUT) support: 3D LUT (.cube le format)
    Anamorphic de-squeeze: 2x, 1.5x, 1.33x, Panasonic 8:3
    Technology: SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit

    HDR
    AtomHDR: Yes
    Supported Log formats:
  • Sony SLog2 / SLog3
  • Canon CLog / CLog 2
  • Arri Log C
  • Panasonic Vlog
  • JVC JLog
  • Red LogFilm
  • FujiFilm Flog

  • Supported Gamuts:
  • Sony SGamut / SGamut3 / SGamut3.cine
  • Canon Cinema / BT2020 / DCI P3 / DCI P3+
  • Panasonic V Gamut
  • Arri Alexa Wide Gamut

  • Bit depth: 10-bit (8+2 FRC)
    Brightness: 1500nit (+/- 10% @ center)
    HDR input (PQ/HLG): Yes / Yes
    HDR output (PQ/HLG): Yes / Yes

    Video Input/Loop Out
    HDMI: 1 x HDMI (1.4b)
    SDI: 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G (SMPTE)
    Signal: Uncompressed true 10-bit or 8-bit 422
    (camera dependent)

    Video Output (Play Out)
    HDMI: 1 x HDMI (1.4b)
    SDI: 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G
    Signal: Uncompressed true 10-bit or 8-bit 422
    (playback file dependent)

    Supported Loop Out Formats
    HDMI to HDMI
  • 720p 50/60
  • 1080i 50/60
  • 1080p 24/25/30/50/60/120
  • 2160p 24/25/30

  • SDI to SDI
  • 720p 50/60
  • 1080i 50/60
  • 1080pSF 24/25/30
  • 1080p 24/25/30/50/60/120*
  • 2160p 24/25/30

  • Video Signal Conversion
    HDMI to SDI
  • 720p 50/60
  • 1080i 50/60
  • 1080p 24/25/30/50/60/120*
  • 2160p 24/25/30

  • SDI to HDMI
  • 720p 50/60
  • 1080i 50/60
  • 1080p 24/25/30/50/60/120*
  • 2160p 24/25/30

  • Supported Codecs & Frame Rates (Record & Playback)
    Raw Record
    Sony FS5/FS7^^/FS700 CDNG
  • 4K DCI; 24/25/30p
  • 4K UHD;
  • 2K; 24/25/30
  • 1080;

  • Canon C300MKII/C500 CDNG
  • 4K DCI; 24/25/30p
  • 4K UHD; 24/25/30p
  • 2K;
  • 1080;

  • Panasonic VaricamLT CDNG
  • 4K DCI; 24/25/30p
  • 4K UHD; 24/25/30p
  • 2K;
  • 1080;

  • Raw to ProRes / DNxHR
    Sony FS5/FS7/FS700*
    ProRes (HQ, 422, LT)
    DNxHR (HQX, HQ, SQ, LB)
  • 4K DCI; 24/25/30p
  • 4K UHD;
  • 2K; 24/25/30
  • 1080;

  • Canon C300MKII/C500
    ProRes (HQ, 422, LT)
    DNxHR (HQX, HQ, SQ, LB)
  • 4K DCI; 24/25/30p
  • 4K UHD; 24/25/30p
  • 2K;
  • 1080;

  • Video to ProRes / DNxHR (DNx utilizes a .MOV wrapper)
    Codecs
  • Apple ProRes HQ, 422, LT
  • AVID DNxHR HQX. HQ, SQ, LB

  • Frame rates
  • 4K DCI; N/A
  • 4K UHD; 24/25/30p
  • 2K; N/A
  • 1080p; 24/25/30/50/60/100^/120p^
  • 1080i; 50/60i
  • 720p; 50/60p

  • Onboard Processing
    Pulldown removal: 24/25/30pSF > 24/25/30p (2:2 pulldown)
    60i > 24p (3:2 pulldown)
    4K UHD downscale for HD monitoring: Yes - Loop-out and playback (Not available in RAW)

    Audio In/Out (48kHz PCM Audio)
    HDMI: 2 or 8ch 24-bit, camera dependent
    SDI: 12ch 48kHz 24-bit
    Audio:
  • 2ch balanced XLR analog in/out
  • Dynamic range >90dB
  • Max signal level +24dBu
  • Max analog gain +52dB
  • 48V Phantom Power for Mic

  • Remote Start/Stop
    HDMI: Auto HDMI Trigger
    Supported Protocols - Canon, Sony, Atomos Open Standard
    SDI: SDI trigger camera selectable
    Other: LANC control - Slave

    Playback
    Playlist / Genlock / LTC: Yes / Yes / Yes
    CDNG (Recorded content): No support
    ProRes (Recorded content): All recorded files can playback. Playback in slow motion >= 100fps
    DNxHR / DNxHD (recorded content): All recorded les playback at native rate except 4K DCI which plays back at 24p only. Playback in slow motion >= 100fps

    Recording
    Pre-roll record: Yes (HD 8s, 4K 2s)
    Custom timelapse: Yes
    Meta data tagging: Yes (10 tags available)
    Supported media: 2.5" SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives
    Master caddy case:
  • Master Caddy II (included)
  • 75mm x 105mm x 12mm

  • Master caddy dock: 2.5" SATA to USB 2.0/3.0
    Supported applications:
  • FCPX/FCP7+ / Media Composer
  • 5.0+ / Premiere 5.5+
  • EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015

  • XML support:
  • FCPX XML native, FCP7 supported with conversion (Adobe compatible)

  • Accessories included:
  • Shogun Flame unit, Master Caddy II x 1, 12V-3A AC power supply, Breakout XLR cable


  • Optional extras
    Accessory Kit:
    2 x battery, 1 x charger, 1 x power supply, HPRC case, USB dock, control cable, Dtap cable, Master Caddy x 4, Power supply, Sun hood

    Power Kit:
    2 x battery, 1 x charger, 1 x power supply

    Other:
    Atomos HDMI cable, X-Rite i1DisplayPro calibration
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