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Sorry, the product Schoeps KFM6 is not available anymore on Studio Economik's website.

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Stereo microphones such as the KFM 6 are distinguished by the simplicity of the recording technique and of the setup.

Stereo microphones such as the KFM 6 are distinguished by the sim­plicity of the recording technique and of the setup. Only two microphones and recording tracks are required, and with the KFM 6 only one microphone cable is needed.

The KFM 6 sphere microphone is the embodiment of a stereo microphone design using an acoustic baffle. It bears some resemblance to a "dummy head" and follows some of the same principles - but while dummy head recordings can provide excellent results, they are suitable only for headphone listening. The "Sphere" microphone was developed so that similarly convincing results could be achieved for loudspeaker playback. To fulfill this objective the microphone must provide not only interaural arrival-time cues, but also spectral-vs-angular incidence information. A further requirement was that the frequency response on the main axis of the microphone in the free sound field and also the frequency response in the diffuse sound field remain flat. (See G. Theile: "On the naturalness of two-channel stereo sound," AES/SMPTE Joint Television Con­ference, Jan. 1991, Detroit)
  • head-related stereo microphone for loudspeaker reproduction
  • very good imaging and sense of depth; natural localization, very natural sound
  • with qualities of a dummy head when headphones are used for listening
  • natural sound with superior low-frequency performance
  • for phantom powering (12 V or 48 V)

  • Accessories (included):
  • HKFM, a universal device for suspending the KFM 6 on lines
  • KG, ball-and-socket joint for mounting the KFM 6 on a stand
  • AK SU/2U, adapter cable (XLR-5F to 2 x XLR-3M)

  • Accessories (optional):
  • KKFM, wooden shipping case for the KFM 6 and accessories such as the mounting and suspension devices, other hardware etc. Dimen
  • WKFM, a foam windscreen for outdoor use in moderate wind. It has minimal effect on the sound pickup
  • (diam. 200 / 240 mm x 40 mm
  • XLR-5 stereo cables
  • Specifications
  • Classification of the special capsules pressure transducer
  • Recording angle ca. 90 °
  • Frequency range 18 Hz -16 kHz
  • Sensitivity 100 mV/Pa
  • Equivalent noise level (CCIR) 25 dB
  • Equivalent noise level (A-weighted) 17 dB-A
  • Signal-to-noise ratio (A-weighted) 77 dB-A
  • Maximum sound pressure level at 0.5% THD 123 dB-SPL
  • Maximum output voltage with a load impedance of 1 k: 2.8 V
  • Output impedance 60
  • Minimum recommended load impedance 600
  • Powering 12 V ± 1 V or 48 V ± 4 V phantom
  • Current consumption per channel 4.4 mA, independent of the supply voltage; at high sound pressure levels slightly more
  • Weight 1.1 kg
  • Diameter 200 mm
  • weight of the suspension device ca. 500 g
  • Surface finish matte gray
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