12 slot 200 Series module rack API's L200 Rack features a level of flexibility designed to meet the needs of the discriminating engineer/producer. Module interchangeability has always been an API... Lire la suite
The Purple Audio Tav Inductor EQ is a ten-band inductor-based graphic EQ. Designed to work in standard "500" racks. A new take on the console graphic, with ten easy to use bands. Each band uses a... Lire la suite
In-Line XLR Soft-knee barrel limiter. 2x Barrels An Over-Killer is an XLR barrel version of the same switchable soft-clip limiter found on our revered audio interfaces. Designed to get more out of... Lire la suite
Optical tube compressor with all tube-based amplification stage and transformer balanced Input & Output Optical Tube Compressors have been the choice of seasoned engineers and producers for recording... Lire la suite
The Roll Music Systems RMSB5T Vacbax is a tube equalizer module. Buttery smooth Baxandall style tone control in a fully compliant all-tube 500-series module. The Roll Music VacBax 500 uses a passive... Lire la suite
Six slot, professional, rack-mountable 500 series powered enclosure featuring Heritage Audio's On Slot Technology for maximum protection, filtering, and isolation to each channel The OST-6 V2.0 500... Lire la suite
Dual channel legacy optical compressor with integrated circuit signal path, Black version Legacy. We first manufactured the SOC-1.1 in 1999 and it brought to the market an optical (light dependant... Lire la suite
4-band EQ unit based on the eq section in the classical 1081 The class-AB equalizer circuit used in the EQ-81 MKII is similar to the eq section in the classic 1081 module, without the high and low... Lire la suite
Gyraf Audio G22 is an elaborated and dual'ified version of our venerable G10 vari-mu compressor This incarnation allows it to be dual-mono, while still keeping a backwards-compatibility "G10 mode"... Lire la suite
The Dorrough 400-C Analog Loudness Meter +20dB is a jumbo version of the Dorrough 40 series professional analog loudness meter, visible from distances of over 50 feet. The 400-C has simultaneous... Lire la suite
The 1066DL is based on the classic 1066, which features the same mic-line pre-amplification stage as the 1073, but features different frequency selections in its EQ. The available frequencies on the... Lire la suite
BAE 6 Module Rackmount w/ psu and 48v Phantom for 500 series modules. You need to be sure that you have the best vehicle for the module. IS IT HANDWIRED DOES IT HAVE A REMOTE PSU . The benefit of... Lire la suite
The DS501 is a sophisticated dual channel noise gate with fully tuneable 'Peak Punch' incorporating a number of invaluable features pioneered by Drawmer. Positioned in the Drawmer range over the... Lire la suite
5.1 surround compressor/limiter with six transformer balanced audio paths, complemented by two side chains and a key input Based on six 2254 compression circuits - using the same feedback topology as... Lire la suite
This is the power supply unit for the GML 8200, 8302, 8304 and 9500 signal processors. Supplying ± 28 volts, the 8355 has enough capacity to power two each of the above units in any combination. It... Lire la suite
The 280-A Analog Loudness Meter from Dorrough is a loudness meter that offers a dual-channel horizontal linear display. The meter allows you to monitor multiple analog channels in a limited space,... Lire la suite
Two class A mic preamps & DI's drive two ELOP and two fast FET "brick wall" limiters to tame any tone one can throw at it. The SLAM! is jammed with tubes, transformers, technology, and tricks. Get it... Lire la suite
Weiss EQ1 - the reference when it comes to digital mastering EQs. The EQ1-MK2 is the basic model with minimum phase type filters. Weiss EQ1 - the reference when it comes to digital mastering EQs.... Lire la suite
Based on the extremely rare EQP-1S3 model, the new solid state version of this classic Pultec equalizer is ready to get to work in your studio. The EQP-1S3-SS features modified low-frequency shelf... Lire la suite
The BAE 1032 4-band Mic/Line preamp Module was inspired by the frequencies of the classic 1081. Hand wired, all discrete using modular cards and Class A transformer-coupled. It uses the same high... Lire la suite
The EQ1-DYN features four freely adjustable dynamic bands, and additionally three linear bands per channel. Setting up the dynamic bands is as easy as setting a linear band. Weiss EQ1 - the reference... Lire la suite
Weiss EQ1 - the reference when it comes to digital mastering EQs. Linear phase plus Dynamic version. Weiss EQ1 - the reference when it comes to digital mastering EQs. Available in four different... Lire la suite
The RMSMC5 Valvop from Roll Music Systems is a real, transformer-coupled tube optical compressor in the convenient package you never thought possible. At long last, all the warm sweet satisfaction of... Lire la suite
The model 10-A is a triple rack allows for a center channel sum meter when wired for both left and right. The 10-A is a smaller version of the standard 40-A with an external power supply, Phase and... Lire la suite
The EQP-200B is an indispensable component to many key task's in the studio. From tracking to final touches and audio sweetening, the EQP-200B is the goto EQ! The EQP-200B combines the best of solid... Lire la suite
The BAE 8CM is a Eight-channel mixer to house 10-Series mic/line preamp modules such as the famous 1073, 1084, 1023 and 1004. Both mic and line inputs of each module can be mixed to either left or... Lire la suite
The FeQ-50 is a four-band passive equalizer covering the entire audible frequency spectrum, so it can be used on any audio source material. Unique passive design. The Summit Audio FeQ-50 draws from... Lire la suite
In addition to our faithful recreation of the original vacuum tube make-up gain EQP-1A3, we have also recreated the EQP-1A3 version based on the legendary API 2520 op-amp.
