Replication of the classic LA3A design (Mono) - 500 Series The Chimera contains a transformer input & output, as well as all discrete circuitry and a Class AB transistor output circuit. At the heart... Lire la suite
Gyraf Audio G22 is an elaborated and dual'ified version of our venerable G10 vari-mu compressor This incarnation allows it to be dual-mono, while still keeping a backwards-compatibility "G10 mode"... Lire la suite
The Dorrough 400-C Analog Loudness Meter +20dB is a jumbo version of the Dorrough 40 series professional analog loudness meter, visible from distances of over 50 feet. The 400-C has simultaneous... Lire la suite
BAE 6 Module Rackmount w/ psu and 48v Phantom for 500 series modules. You need to be sure that you have the best vehicle for the module. IS IT HANDWIRED DOES IT HAVE A REMOTE PSU . The benefit of... Lire la suite
5.1 surround compressor/limiter with six transformer balanced audio paths, complemented by two side chains and a key input Based on six 2254 compression circuits - using the same feedback topology as... Lire la suite
The 280-A Analog Loudness Meter from Dorrough is a loudness meter that offers a dual-channel horizontal linear display. The meter allows you to monitor multiple analog channels in a limited space,... Lire la suite
This is the power supply unit for the GML 8200, 8302, 8304 and 9500 signal processors. Supplying ± 28 volts, the 8355 has enough capacity to power two each of the above units in any combination. It... Lire la suite
The 1066DL is based on the classic 1066, which features the same mic-line pre-amplification stage as the 1073, but features different frequency selections in its EQ. The available frequencies on the... Lire la suite
Two class A mic preamps & DI's drive two ELOP and two fast FET "brick wall" limiters to tame any tone one can throw at it. The SLAM! is jammed with tubes, transformers, technology, and tricks. Get it... Lire la suite
Weiss EQ1 - the reference when it comes to digital mastering EQs. The EQ1-MK2 is the basic model with minimum phase type filters. Weiss EQ1 - the reference when it comes to digital mastering EQs.... Lire la suite
Based on the extremely rare EQP-1S3 model, the new solid state version of this classic Pultec equalizer is ready to get to work in your studio. The EQP-1S3-SS features modified low-frequency shelf... Lire la suite
The BAE 1032 4-band Mic/Line preamp Module was inspired by the frequencies of the classic 1081. Hand wired, all discrete using modular cards and Class A transformer-coupled. It uses the same high... Lire la suite
The EQ1-DYN features four freely adjustable dynamic bands, and additionally three linear bands per channel. Setting up the dynamic bands is as easy as setting a linear band. Weiss EQ1 - the reference... Lire la suite
Weiss EQ1 - the reference when it comes to digital mastering EQs. Linear phase plus Dynamic version. Weiss EQ1 - the reference when it comes to digital mastering EQs. Available in four different... Lire la suite
The RMSMC5 Valvop from Roll Music Systems is a real, transformer-coupled tube optical compressor in the convenient package you never thought possible. At long last, all the warm sweet satisfaction of... Lire la suite
The model 10-A is a triple rack allows for a center channel sum meter when wired for both left and right. The 10-A is a smaller version of the standard 40-A with an external power supply, Phase and... Lire la suite
The EQP-200B is an indispensable component to many key task's in the studio. From tracking to final touches and audio sweetening, the EQP-200B is the goto EQ! The EQP-200B combines the best of solid... Lire la suite
The BAE 8CM is a Eight-channel mixer to house 10-Series mic/line preamp modules such as the famous 1073, 1084, 1023 and 1004. Both mic and line inputs of each module can be mixed to either left or... Lire la suite
The Pultec MEQ-500 Jack Douglas Edition midrange equalizer is the equivalent of the classic solid-state 19" rackmount unit MEQ-500-SS, with some jack Douglas requested tweaks Pultec had already... Lire la suite
The FeQ-50 is a four-band passive equalizer covering the entire audible frequency spectrum, so it can be used on any audio source material. Unique passive design. The Summit Audio FeQ-50 draws from... Lire la suite
In addition to our faithful recreation of the original vacuum tube make-up gain EQP-1A3, we have also recreated the EQP-1A3 version based on the legendary API 2520 op-amp.
The LILPEQr is a two-band program EQ designed to work in standard "500" racks, designed by Eisen Audio for Purple Audio. The LILPEQr is our take on the classic program (aka final mix) equalizer. It... Lire la suite
The DS201 is a sophisticated dual channel noise gate incorporating a number of features pioneered by Drawmer, which are invaluable to the sound engineer. Setting up noise gates can be tedious and... Lire la suite
Single Channel Discrete Class A Compressor Limiter It functions either as a musically transparent compressor or as a vintage compressor - limiter with selectable hard or soft knee.. TRAKKER is a... Lire la suite
System package: one M10 remote console with two M7M reverb processors complete with 10m serial cableand 25cm interconnect cable The Bricasti M7M Reverb Processor Mainframe is an exact duplicate of... Lire la suite
The 1023L - based on the classic 1023 - takes the preamp and EQ from the 1073 and expands upon it with significantly more frequency options in the high and mid sections. It allows users to play the... Lire la suite
