The PBR-8 has unlimited routing options for quickly dialing in sounds that don't require modules to be loaded in any particular order. Our industry has seen the explosion of 500 series products in... View more
Classic ?76 FET compressor/limiter with improved and redesigned IC-based front end and custom-designed, made in Chicago output transformer The Seventeen is not the '76 compressor that your... View more
Based on the design of studio staple FET compressors of the ?60s and ?70s heard on countless hit records, the 500C features controls for input and output gain, plus the four selectable, time-honored... View more
MC 16 prepares today's mastering studio for Dolby Atmos & Auro 3D projects. Monitoring up to 16 ch in a quality on par with state-of-the-art stereo was hard to achieve - until now. The MC16 sports... View more
Faithful recreation of the original four band Trident A-Range EQ in a 500 Series module The legendary A-Range equaliser holds a unique place in audio history, with a stunningly musical sound that... View more
500 Series stereo compressor based on the 2500 bus compressor The new 529 Stereo Compressor combines the unmistakable sound of API's compression technology with the convenience and popularity of the... View more
Dual-channel tube compressor based on the sound of the British Invasion, more specifically the British-modified Altec 436 Retro Revolver - A Revolution in a Rack. When you first put your ears to the... View more
The UnFairchild features an independent attack and release, M/S modes, metered precision tube balancing and high resolution stepped controls on ALL settings The Fairchild circuit could be one of the... View more
Multi-Effects Processor, Four quad core ARM processors: 16 DSP engines, Analog audio I/O: 8 channels, USB audio: 16 channels, AES/EBU, ADAT, S/PDIF: Up to 8 channels 21st Century flagship processor... View more
AD/DA converter, utilizing the same sub pico second jitter clock found in the Avocet IIA DAC The result is outstanding imaging, an open 3D sound, and extremely detailed transit response. The clocking... View more
The WL-3 Channel Strip is wonderful channel strip, all in one box. Featuring a transfomer-coupled mic/ line input, a transformer coupled output, compressor, 3-band EQ, and fader. A 60 m.m fader for... View more
Mono compressor, 500 Series, non-linkable / matching by vendor request, EMI/Abbey Road Studios The TG Opto for 500 Series is a relative of the TG1 Opto, found in Chandler Limited's TG Microphone... View more
The 1073SPX has a Neve 1073 Class-A microphone preamplifier with 3-band EQ (fixed HF plus two switchable bands with cut/boost capability), and high pass filter Building on the 1073 classic module... View more
The 535 is a 500 Series Diode-Bridge Compressor with Stepped Controls, Onboard Parallel Processing, Sidechain Highpass Filter and Stereo Linking Punchy, thick and versatile, the 535 Diode Bridge... View more
Rack and desk mount adaptor for SixPack The SixP19-RA is a rack mount kit designed to allow the SixPack 500 series power frame to be mounted in standard 19" equipment racks.. The kit can also be used... View more
The STX 500 is the rebirth of the Model 500 2-band passive equalizer. The STX 500 has four frequency selections per band and up to 12dB of boost/cut in 2dB increments This passive EQ becomes the... View more
The 1978 is a Stereo Tone Shaping FET Compressor with four character settings that interact with the compressor settings, it can be engaged alone or in combinations The award winning Drawmer 1978... View more
With abundant power and versatile connections, the R10 delivers peace of mind for engineers who demand a higher degree of confidence in their 500 series racks Power You Can Trust. Power-wise, the R10... View more
The Pultec MEQ-500 Jack Douglas Edition midrange equalizer is the equivalent of the classic solid-state 19" rackmount unit MEQ-500-SS, with some jack Douglas requested tweaks Pultec had already... View more
Mono compressor with auto fast attack, 'Anti Log' release, negative ratios, gain reduction limiter and THD Boost Harmonic Enhancement The Mpressor 500 brings the heritage of our extremely powerful... View more
1-channel Solid-state Electro-optical Compressor with Program-dependent Attack and Release Times, XLR and TRS I/O and External Power Supply The LA-2A (tube version) and LA-3A (solid state version)... View more
Designed for hi-Z instrument use, the 611 Series Complimiters are compact and simplified. Still utilizing the 601 compressor/limiter module, the 611 has no make-up gain stage. Spectra Sonics is known... View more
The MEA-2 is a stereo or 2-channel, four-band precision analogue equalizer with stepped Q/shelf, frequency and cut/boost controls on each band. It is designed for recording and mastering applications... View more
The MLA-2 is a stereo or 2-channel compressor with stepped drive (input gain), ratio, attack and release time and output gain controls. For optimum transparency and freedom from noise the MLA-2... View more
Gyraf Audio G22 is an elaborated and dual'ified version of our venerable G10 vari-mu compressor This incarnation allows it to be dual-mono, while still keeping a backwards-compatibility "G10 mode"... View more
