Discrete compressor with premium grade input and output CineMag USA Transformers true to the Classic '76 compressor in design and performance, modeled after the D revision The WA76 has a fully... View more
The Phoenix HG 15 as the same gentle "variable mu" type compression curve, though it becomes near to a limiter at high compression levels. The gain has been boosted to suit mic inputs, particularly... View more
A pair of single Channel Harmonic DISTortion & classic Knee compRESSOR. Digitally controlled Analog knee compression. The Distressor is the product that started it all for Empirical Labs. Born of... View more
Single-channel tube compression amplifier for API 500 Series Single-channel tube compression amplifier for 500 Series. The Retro Doublewide is a true variable-mu tube compressor module designed from... View more
Analog compressor-limiter with a very large range of color and control choices with recall, and discrete class A main audio path Resetability is attained by using stepped controls and encoders that... View more
The TX5C is a 500 series design from Paul Wolff that addresses the complex issues with compression. With the ability to do in-module parallel mixing of the dry signal and the compressed signal, the... View more
Single knob compressor w/ bridge diode distortion limiter & brick wall The Radial Komit is a feature-rich compressor-limiter that simplifies the process of dynamic manipulation while expanding upon... View more
The 2254/R is a rack mount classic mono Limiter/Compressor. Version of the legendary 2254, plus manually adjustable Fast Attack Time, clipping indication and storable settings Designed in 1969, the... View more
The Pete's Place Audio BAC-500 is a feedback-style FET compressor built around two discrete op amps and a custom wound output transformer. From the top down, the BAC's faceplate features a large... View more
Mono compressor, 500 Series, non-linkable The Chandler Little Devil Compressor combines elements of our LTD-2 and Germanium Compressor as well as 2264 and 33609 units. This compressor gives you a... View more
Tube-limiting amplifier based on the Bill Putnam classic, the UA 176 The Retro 176 faithfully reproduces the sound of the 1960s original with new features for the modern recording studio. The Retro... View more
Replica of the legendary 1956 Gates Sta-Level tube compression amplifier The Retro Instruments STA-LEVEL is a replica of the legendary 1956 Gates STA-LEVEL. The STA-LEVEL dominated the sound of hit... View more
Discrete single-channel compressor in the compact API 200 Series format The API 225L Compressor is ideal for all studio, live sound and broadcast applications. Regardless of the threshold or ratio... View more
The MC77 supercedes the MC76 re-engineered 1176 type FET Limiter. The MC77 recreates the audio circuitry of the revision E 1176, using modern components matched to the original. Starting in 1997... View more
The Purple Audio Action is a FET compressor reminiscent of the MC77. Designed to work in standard "500" racks. The Action features a constant impedance 600 ohm input attenuator feeding the input... View more
Single Channel Discrete Class A Compressor Limiter It functions either as a musically transparent compressor or as a vintage compressor - limiter with selectable hard or soft knee.. TRAKKER is a... View more
Mono compressor, 1 space 19" rackmount The Germanium series continues with the GERMANIUM Compressor. The GERM Comp starts with the same all class A amp found in the GERM Pre and Tone Control and is... View more
Add the warm sound of classic Summit Audio compression to your music with the TLA-50 Tube Leveling Amplifier, the newest offering from the first name in vacuum tube processing. This single channel... View more
The Summit Audio TLA-100A Tube Leveling Amplifier is a classic design with a technological hybrid of vacuum tube and solid state devices. The harmonious blend of old and new technologies produces the... View more
The TUBE-TECH CL1B is an optical, all tube based compressor that delivers a very musical and smooth compression, preserving the clarity of the source even at extreme settings. For vocals and... View more
Teletronix LA-2A Classic Leveling Amplifier. True to the Original Design, our Famed Tube-Amplified T4 Electro-Optical Classic Compressor Audio professionals passionate about their compressors revere... View more
The 1176LN Classic Limiting Amplifier is a modern reproduction, yet every effort was made to remain faithful to UA founder Bill Putnam Sr.'s visionary design and intentions. The original Universal... View more
Classic 500 Series peak detecting "feedback" compressor/limiter with variable threshold and output levels Originally released in the 70's, the API 525 is a "feedback" type compressor. An input... View more
Single Channel Harmonic DISTortion & classic Knee compRESSOR. Digitally controlled Analog knee compression and British mode. The Distressor is the product that started it all for Empirical Labs. Born... View more
A pair of single Channel Harmonic DISTortion & classic Knee compRESSOR. Digitally controlled Analog knee compression and British mode. The Distressor is the product that started it all for Empirical... View more
Single Channel Harmonic DISTortion & classic Knee compRESSOR. Digitally controlled Analog knee compression The Distressor is the product that started it all for Empirical Labs. Born of founder Dave... View more