Harrison 32EQ - classic Harrison console specs in a single '500' series rack space This 500 series module also includes the parametric, second order high-pass and low-pass filters made famous in the... View more
500-Series Modified "Blue Stripe" FET Limiter / Compressor True Blue - without 2U.. Bluey 500 is the 500-series version of the lauded Black Lion Audio Bluey. The original ?Bluey? is Chris Lord-Alge?s... View more
Rubber Bands, passive stereo Pultec style EQ in your 500 series rack Mastering Edition!. RB500ME is a stereo passive equalizer packed into a double 500-series module. This beast is equipped with... View more
Stereo Buss Compressor (Quad VCA?s) - 500 Series Module 2U The VCA is used for the gain reduction and is a very accurate and powerful design, perfect for a number of signal types and musical... View more
The Electrodyne 511 is a classic two-band discrete transistor reciprocal active inductor equalizer using (1969 / 1970) design technology. The custom inductors and output transformer are made by... View more
NG500/500 Series parametric EQ with digital recall and 100% analog signal path HYPERION is fully analog parametric EQ with +24dBu of headroom. It features a lot of innovative improvements that no... View more
The Smart Research C1LA is a two channel compressor/limiter, released to commemorate the 25th anniversary of the original C1 Stereo/Dual Mono unit The 50th anniversary of North American distributor,... View more
The Opticom Model XLA-500 is a 500 Series tube-driven optical compressor. It brings a whole new palette of colors to the world of 500. The XLA-500 is a tube optical audio limiter designed to produce... View more
Mono compressor, 500 Series, non-linkable / matching by vendor request, EMI/Abbey Road Studios The TG Opto for 500 Series is a relative of the TG1 Opto, found in Chandler Limited's TG Microphone... View more
500 series VCA compressor with 8 ratios, switchable saturation and detector high pass, and variable AtMod (Attack Modification) control. Horizontal faceplate Originally imagined in 2014, PUMP is a... View more
Mono compressor with auto fast attack, 'Anti Log' release, negative ratios, gain reduction limiter and THD Boost Harmonic Enhancement The Mpressor 500 brings the heritage of our extremely powerful... View more
Load up your 500 Series rack with some dbx 560A Compressor/Limiters and go to work! The dbx 560A Compressor/Limiter offers legendary VCA-based compression in the increasingly popular 500 Series... View more
500 series VCA compressor with 8 ratios, switchable saturation and detector high pass, and variable AtMod (Attack Modification) control. Vertical faceplate Originally imagined in 2014, PUMP is a... View more
FET style compressor/limiter with variable mix control for precise parallel compression It's a FET (field effect transistor) design that incorporate some new and exclusive features such as "High Pass... View more
Single channel discrete filter bank for the 500 Series with API 2520 and 2510 Op-Amps The 565 Filter Bank module has circuits that are true to the musical filters of the famed 215 module found in... View more
500 series classic Opto compressor with gain reduction and output volume The Tegeler Audio Vocal Leveler is a single channel Opto compressor taken from the Vari Tube Recording Channel and adapted to... View more
Classic 500 Series peak detecting "feedback" compressor/limiter with variable threshold and output levels Originally released in the 70's, the API 525 is a "feedback" type compressor. An input... View more
Classic LA2A in your 500 series rack Two knobs of happiness. The IGS ONE LA 500 is an opto-compressor built for the 500 series format. This is the first high voltage vacuum tube 500 series module... View more
The Heritage Audio HA73EQ JR is a fully featured Line Input module for the 500 Series. It not only shares the 3-band Equalizer with his big brother, the 1073, but also shares the same transformer... View more
The Nvelope 500 is a powerful dual slot audio processor capable of making subtle or drastic changes to a sound by providing control over its attack and sustain characteristics. This is extremely... View more
The 543 Mono Compressor delivers the unobtrusive, musical-sounding dynamic control and brick-wall limiting made famous in the Portico 5043 to the 500 series format. The 543 features a fully... View more
FET compressor in a 500-series module, relay bypass, 2:1 ratio, Slam Mode The 576 Blue Stripe is a revised version of the classic FET compressor. . What it is. The FET-type solution was first used... View more
The Pete's Place Audio BAC-500 is a feedback-style FET compressor built around two discrete op amps and a custom wound output transformer. From the top down, the BAC's faceplate features a large... View more
The Avedis Audio E27 EQ fits in all 500 series major brand racks, lunchboxes, consoles, and rackmounts. The E27 is not a clone or a reproduction of anything else. The E27 was created for the need of... View more
Single channel FET based mono compressor in a 500-Series format The SPLICE-500 MKII's unique circuitry mode switching allows the user to configure the input & output audio path circuitry between... View more
Stereo buss compressor in your 500 series rack The S-Type 500 is best known for its ability to replicate the buss compressor of the legendary British large format console. The heart of the compressor... View more
Based on the Portico 5017 Mobile Pre, the 517 provides world-class transformer-coupled micpreamp, compressor and DI circuitry with Vari-phase, "Silk" and DI/mic blending. Mic Pre and Instrument... View more
