The TUBE-TECH CL 2A is an all-tube optical compressor with two independent, linkable channels. CL 2A is a two channel all-tube opto compressor, featuring two independent channels. The optical gain... View more
The Dangerous Music Master is a very transparent mastering console with 2 stereo inputs, 3 stereo outputs (one for monitoring). The Deep Legacy of Dangerous Mastering Equipment. Before co-founding... View more
The PE 1C is a passive, all-tube EQ, based on the classic PULTEC EQP 1A design and featuring a passive EQ section and a high quality op amp. With the original Pultec out of production for decades and... View more
All-tube VCA compressor/limiter with two independent, linkable channels This kind of compressor is also known as a Vari Mu compressor. TUBE-TECH LCA 2B is one of the most powerful and versatile VCA... View more
The Twincom (TCL-2) is an ultra-transparent, two channel opto-compressor/limiter offering all discrete J-FET solid-state or all triode tubes operations. The TCL-2 (tm) Twincom stereo... View more
Dual channel digitally controlled, analog driven EQ This single-rack-space digitally controlled analog parametric EQ offers similar topology to vintage 1081/1083 models, but with welcome... View more
Single channel digitally controlled, analog driven EQ This "desktop" (and rackable) digitally controlled analog parametric EQ offers similar topology to vintage 1081/1083 models, but with welcome... View more
Combo tube channel strip with mic preamp, compressor, EQ, and De-Esser/Limiter It looks awesome, but what is it. Primarily, it is a voice processor which in itself is not a novel idea, but the time... View more
Dual-channel Tube Limiter/Compressor with Stereo Link and True Variable Gain All-tube, all transformer, an all-American legend. High Pass Side Chain mod now comes standard.. The MANLEY VARIABLE MU... View more
The Mastering Version of the SLAM! features the stereo ELOP and FET limiters in tandem dedicated for mastering controlled by precision switches instead of pots. Proudly from our beginning, we at... View more
Two class A mic preamps & DI's drive two ELOP and two fast FET "brick wall" limiters to tame any tone one can throw at it. The SLAM! is jammed with tubes, transformers, technology, and tricks. Get it... View more
Colossal, timbre-twisting passive equalization using metal-film resistors, film capacitors, and hand-wound inductors to organically sculpt the tone from subtle to vivid. A PICTURE IS WORTH A THOUSAND... View more
Teletronix LA-2A Classic Leveling Amplifier. True to the Original Design, our Famed Tube-Amplified T4 Electro-Optical Classic Compressor Audio professionals passionate about their compressors revere... View more
The 1176LN Classic Limiting Amplifier is a modern reproduction, yet every effort was made to remain faithful to UA founder Bill Putnam Sr.'s visionary design and intentions. The original Universal... View more
Mono compressor/limiter, 1 space 19" rackmount The TG1 Limiter was originally designed to be like the Fairchild 660/670 which was loved by many EMI engineers including Geoff Emerick, but it ended up... View more
1U, 4-band parametric EQ with de-esser, includes transformerless (clean) and transformer (warm) outputs. Combine with Mike-E to create anEmpirical Labs channel strip! Instead of daisy chaining... View more
Discrete 500 Series 3 band EQ with an additional filter band and several new frequencies Based on API's original 550 from the late '60s, the API 550b is a continuation of the EQ that played a major... View more
Classic 500 Series peak detecting "feedback" compressor/limiter with variable threshold and output levels Originally released in the 70's, the API 525 is a "feedback" type compressor. An input... View more
Discrete 500 Series 10 band graphic equalizer Originally conceived for use in API consoles of the '60s and '70s, the 560 is a unique device designed to accomplish tasks that no other EQ can.... View more
Discrete 500 Series 3 band EQ with API fully discrete circuit design Few equalizers enjoy the respect and admiration of the coveted API 550A. Designed by the now-legendary Saul Walker in the late... View more
6-slot 500 Series Lunchbox with DB25 connectors and built-in power supply designed to accept all API standard 5.25" X 1.5" modules The API 500-6B lunchbox is a 6-slot rack designed to accept all API... View more
10 slot 500 series rack with included external tri-polar power supply designed to accept API standard format 5.25" X 1.5" modules The API Model 500VPR is powered externally by a tri-polar power... View more
Single Channel Harmonic DISTortion & classic Knee compRESSOR. Digitally controlled Analog knee compression and British mode. The Distressor is the product that started it all for Empirical Labs. Born... View more
A pair of single Channel Harmonic DISTortion & classic Knee compRESSOR. Digitally controlled Analog knee compression and British mode. The Distressor is the product that started it all for Empirical... View more
The Vintech Audio 609CA is a transformer balanced stereo compressor/limiter with with class A, all discrete output amplifiers. The compression and limiting circuitry of the Vintech Audio 609CA is... View more
Single Channel Harmonic DISTortion & classic Knee compRESSOR. Digitally controlled Analog knee compression The Distressor is the product that started it all for Empirical Labs. Born of founder Dave... View more