The MKH 8060 shotgun microphone provides great sound to feature films, documentaries, outdoor or studio productions. Natural sound and off-axis linearity. Ideal for camera mounting Whether it's a... View more
Short shotgun interference tube microphone for film, radio, and television, especially for outside broadcast applications. Excellent directivity and compact design, high consonant articulation and... View more
The 4017B-R Shotgun Microphone with Rycote Windshield. DPA Microphones has joined forces with Rycote to develop the d:dicate 4017B-R Shotgun Microphone with Rycote Windshield Solution. The strong... View more
The JERO microphone enables high-quality immersive 360º sound field recording. The JERO microphone is an immersive microphone. It enables the recording of multichannel audio in 360º on a horizontal... View more
Short version of the classic shotgun mic, with switchable filter and pre-attenuation functions. Excellent off-axis (lateral and rear) attenuation. Free of coloration. The Neumann KMR 81 is a shotgun... View more
The CMIT 5's directionality increases smoothly with higher frequencies, which results in a very balanced sonic character. The CMIT 5 is SCHOEPS' shotgun microphone which has set a new standard for... View more
From professional boom pole drama and film location recording to DSLR camera mounted applications, the CS-M1 delivers pristine quality audio with sharp directivity. At only 4" in length and weighing... View more
At just 154 mm (6.1 in) and 70 g (2.5 oz), the 4017C sets new standards for compactness within shotgun microphones and their applications The 4017C is fully immune to RF emission and the 19 mm (0.75... View more
Lightweight short gun microphone. Versatile and easy to handle. Excellent for film and reporting applications. Superb lateral sound muting. High degree of directivity. The MKH 60 is a lightweight... View more
The shotgun microphone MiniCMIT offers the characteristics of a CMIT 5 in more compact form. The MiniCMIT, CMIT 5 and SuperCMIT (ch2) have identical frequency response curves Furthermore, the... View more
The RØDE NTG2 is a lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries. Its full frequency response, low... View more
The MKE 600 is the ideal video camera/camcorder microphone able to handle even demanding filmic challenges Due to its high directivity, the MKE 600 picks up sounds coming from the direction in which... View more
Super-cardioid/lobar microphone head with the K6P powering modules. For reporting, film, and broadcast location applications, as well as for picking up quiet signals in noisy room. Sennheiser... View more
Sanken CS1e is a long reach, short shotgun microphone.The CS-1e is Sanken's solution to a large demand from many engineers in the video and film Industries. This shotgun mic is easily hidden from the... View more
Short version of the classic shotgun mic, with switchable filter and pre-attenuation functions. Excellent off-axis (lateral and rear) attenuation. Free of coloration. The Neumann KMR 81 is a shotgun... View more
At just 210 mm (8.3 in) and 68 g (2.4 oz), this mic is one of the shortest and lightest shotgun condenser mic available. It offers impressive accuracy, clarity and musicality. The mic is fully immune... View more
The RØDE NTG3 super-cardioid shotgun mic is designed for professional use on film, television, electronic news gathering and wherever high-resolution broadcast audio is required. As RØDE's premier... View more
The Sanken CS-3e high rejection shotgun microphone is a location and studio shotgun featuring exceptional off-axis rejection and sharp directional sound. The CS-3e stands out among shotgun... View more
Lightweight long gun microphone. Particularly suited to distance microphone positioning. Frequency-independent directivity prevents sound coloration from off-axis sound sources. The MKH 70 is a... View more
The Audio Technica AT8035 is a Line + Gradient Condenser Microphone, designed for video production and broadcast (ENG/EFP) audio acquisition. The length (14.53") of the AT8035 Line + Gradient... View more
The Audio Technica BP4073 is a Line plus Gradient Condenser Microphone. Direct-coupled, balanced output ensures a clean signal even in high-output conditions. With an overall length of just 9.17" and... View more
The Audio Technica AT897 is a Line + Gradient Condenser Microphone designed for video production and broadcast (ENG/EFP) audio acquisition. Operates on battery or phantom power. Audio-Technica's... View more
Super-cardioid/lobar microphone head with the K6 powering modules. For reporting, film, and broadcast location applications, as well as for picking up quiet signals in noisy rooms. The Sennheiser... View more
The Audio Technica BP4029 is a Stereo Shotgun Microphone. It has a switch selection of non-matrixed M-S mode and two internally-matrixed left/right stereo modes. Based on models originally developed... View more
Long version of the classic shotgun mic, with switchable high-pass and low-pass filter. Excellent off-axis (lateral and rear) attenuation. Free of coloration. The Neumann KMR 82 is a shotgun... View more
Super-cardioid/lobar microphone head suitable for K6 and K6P powering modules. For reporting, film, and broadcast location applications, as well as for picking up quiet signals. The ME 66 is a... View more
The RØDE NTG1 is a lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries. Its full frequency response, low... View more
The Audio Technica AT8015 Line + Gradient Condenser Microphone, designed for video production and broadcast (ENG/EFP) audio acquisition. The AT8015 provides the narrow acceptance angle desirable for... View more
The Audio Technica BP4071 is a Line plus Gradient Condenser Microphone. Designed for critical long-distance pickup in broadcasting, film/TV production. With directivity equal to mics up to 50%... View more
The unique CMS-50 is a 5.4 compact stereo condenser shotgun that weighs only 4.6oz. The mic is especially suited to shoots where tight patterns and premium sound are the goal. It can be camera... View more
