11 slot 500 series frame fully compatible with API standard Supercarrier II is a second generation of our very popular Supercarrier I - 500 series standardized chassis. It features 11 slots with... View more
1-channel Solid-state Electro-optical Compressor with Program-dependent Attack and Release Times, XLR and TRS I/O and External Power Supply The LA-2A (tube version) and LA-3A (solid state version)... View more
A more aggressive sibling to the P331. Class-A variable loading 6sn7 tube amplifier, low distortion solid state output gain, digitally controlled - stereo/dual mono. 2U Rack The Whitestone Audio P331... View more
The Drawmer 1976 is a stereo three band saturation and width processor The 1976 3 band stereo saturation and width processor has been designed to inject character, colour & life into your recordings... View more
The 543 Mono Compressor delivers the unobtrusive, musical-sounding dynamic control and brick-wall limiting made famous in the Portico 5043 to the 500 series format. The 543 features a fully... View more
The Dangerous Music Master is a very transparent mastering console with 2 stereo inputs, 3 stereo outputs (one for monitoring). The Deep Legacy of Dangerous Mastering Equipment. Before co-founding... View more
Based on the Portico 5017 Mobile Pre, the 517 provides world-class transformer-coupled micpreamp, compressor and DI circuitry with Vari-phase, "Silk" and DI/mic blending. Mic Pre and Instrument... View more
Mono tube compressor, linkable, 2 space 19" Rackmount,Stepped I/O control switches, Internal PSU The Chandler Limited RS660 Compressor is a handmade, mono/linkable, transformer-balanced valve (vacuum... View more
Analog mono equalizer based on the LANG PEQ-2 Program EQ with optical compression detection, all tube-based amplification stage, and transformer balanced input & output Finally, after over 6 decades,... View more
500-Series 8-Slot Rack/PSU with Built-in Patchbay The PBR 8-500 is an 8-slot 500-series rack/power supply with a unique patchbay that provides unlimited routing options for your 500-series hardware.... View more
Primary source enhancer with 100% analog design, RMS / Peak detection, and custom input and output transformers The world's most natural feedback reduction.. The 5045 Primary Source Enhancer is... View more
Dual channel compressor with patented THRUST circuit and variable Threshold, Ratio, and Make-up gain controls The SR22 Dual Channel Compressor features two channels of API's patented award-winning... View more
2 channel tube driven equalizer As with other units of ours, such as The Phoenix, all controls are clearly labelled and setting up the eq is quick and easy, so we named it after Britain's fastest... View more
Class-A VCA compressor with completely new circuit redesign xpressor|neo takes what its original version elysia xpressor is skillfully capable of and opens up new sonic dimensions. What everyone... View more
500 series classic Opto compressor with gain reduction and output volume The Tegeler Audio Vocal Leveler is a single channel Opto compressor taken from the Vari Tube Recording Channel and adapted to... View more
The 1978 is a Stereo Tone Shaping FET Compressor with four character settings that interact with the compressor settings, it can be engaged alone or in combinations The award winning Drawmer 1978... View more
The Pete's Place Audio BAC-500 is a feedback-style FET compressor built around two discrete op amps and a custom wound output transformer. From the top down, the BAC's faceplate features a large... View more
The A1 is our first analog input/output only product. A state-of-the-art microphone/line pre-amplifier with a de-esser in the popular API 500 Series format. The side-chain of the de-esser uses a DSP... View more
10 slot, professional, rack-mountable 500 series powered enclosure featuring Heritage Audio's On Slot Technology for maximum protection, filtering, and isolation to each channel While most 500-series... View more
500 series, multi-band dynamics unit inspired by classic tape noise reduction circuits Stretch emulates the sound of these classic units in their respective "encode" modes. However, the Stretch adds... View more
Fully analog FET compressor with 24dBu of headroom and digital recall Next generation FET compressor with digital recall and automation. FET compressors have been an essential tool in recording... View more
500 series 3-band EQ, 9 selectable freqs per band, +/-16 dB boost/cut, transformer I/O, discrete opamps, shelving option, low noise, high headroom The E27 was designed to be a high-quality modular... View more
Dynamics effects processor with dynamic reversal, function control, side chain, gating, expansion, compression, and limiting In 1973, Eventide Clockworks introduced the Omnipressor, the first studio... View more
The Elysia Nvelope is a powerful audio processor capable of making subtle or drastic changes to a sound by providing control over its attack and sustain characteristics.
In addition to our faithful recreation of the original vacuum tube make-up gain EQP-1A3, we have also recreated the EQP-1A3 version based on the legendary API 2520 op-amp.
Mono compressor, 1 space 19" rackmount The Germanium series continues with the GERMANIUM Compressor. The GERM Comp starts with the same all class A amp found in the GERM Pre and Tone Control and is... View more
Passive stereo equalizer, equipped with two different topologies for makeup gain and interfacing The filter itself consist of five bands - each with 11 switchable frequencies, continuous variable... View more
2 channel tube driven equalizer, Balanced version As with other units of ours, such as The Phoenix, all controls are clearly labelled and setting up the eq is quick and easy, so we named it after... View more
MC 16 prepares today's mastering studio for Dolby Atmos & Auro 3D projects. Monitoring up to 16 ch in a quality on par with state-of-the-art stereo was hard to achieve - until now. The MC16 sports... View more
